Reviews

It's a Psychological Thriller People!

On reading the bad reviews, I think some people missed the theme of this movie. It wasn't just about same sex attraction, it was a psychological thriller, about when one man takes his role too much to heart - i.e. "Method" acting.
I was already a fan of Park Sung Woong, but now I am head over heals, because of this film!
And, Oh Seung-hoon - fabulous.
I was holding my breath in the last scene! Wonderful writing. Great acting!
As one of the 'good' MDL reviewers said - both actors were very brave to take on these roles. Their raw emotions were on show. The vulnerable "Singer" became the alpha, by taking his role on stage *off* the stage.
Yes, I would watch it again, but after watching a few fluffy romcoms first - I need to calm down a bit....

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Absolutely obsessed

This is extremely biased but I highly recommend this film, I can't wait for pt2 & 3 to come out. I watched this with my cousin and let me tell you she is the type of person who has to be on her phone to watch tv or movies. Even with subtitles she tends to do both or tries to but this movie was so freaking good she had her phone down the entire time. We were both so immersed we didn't even notice the movie was ending until it did. January for pt 2 can't get here fast enough.

This is super heavy action packed film, it has a lot of violence and blood, this was such an amazing fantasy film, as I just saw someone say they used cgi correctly, you can tell they built a lot of the sets which made the film feel really realistic. I love all their costumes as well, eveyone looked fabulous. Don't watch if you are sensitive to animal death which there is a lot of in this film, it did make me cringe a lot but I was still able to get through the film.

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Watched this to fill my Alphabet challenge. But in the end I was quite happy to watch this.

Story about Hino Maori & Kamiya Tooru. Their story started when Tooru made a false confession to Maori. Even though she knows that the confession is a lie, Maori says yes with the three rules: "Don't talk to me until after school, Keep communication brief, and Don't fall in love with each other.

The two promise not to fall in love, but as they get to know each other, they find themselves drawn to each other. But one day, Tooru finally knew the reason for Maori to set the rule for their relationship. Maori suffer from anterograde amnesia, the brain damage that will make her forget all the things when she falls asleep.

Like 50 first dates, Maori also got this because of the accident. & she keeps a diary to take note about everything that's going on that day to be read the next day.

Knowing this fact didn't stop Tooru from going out with Maori. Tooru is devoted to bringing her as much happiness as possible. So, how will their relationship end? Will it be like 50 first dates, where they get married…? Or will this end with a sad ending…?

That's pretty much the story without giving much of the spoiler.

This is a really good movie about how amazing our body & brain actually are. Even though Maori’s memories erased every day, in the end her body remembered.

If I have to put myself in Maori shoes, with diseases like Maori. I really don't know how stressed I will be. And the decision taken by Wataya Izumi… I think it's the right one…

Overall this is really one good movie….

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A Not So Scary Horror Film

Exhuma is a South Korean horror film that draws inspiration from Mudang or Korean shamanism and feng shui, and the atrocities committed by the Japanese during the Japanese occupation in World War 2. It follows a team of shamans and feng shui burial experts as they unearth a cursed grave that bears a secret darker than anything they have ever imagined. I can't really say much about the plot as it would be a spoiler so I'm going to stop right here. But this I will say, it doesn't deserve the praise it got.

Sure, the story is creative from a writing standpoint and it is intriguing as it is based on the superstitious beliefs of the Korean people. But it is not the least bit scary, at least not to me. The acting is nothing special, so I don't understand the multiple acting awards it received. Not to mention it could've benifitted from a shorter runtime. This was at least 30 minutes too long.

And my biggest beef with the movie is the unrealistic first scene where the leads are on a plane to California to meet their client. I believe that scene only serves to throw shade at the Japanese and introduce their anti-Japan propaganda. Yes, Japan did occupy and colonize Korea, and the Japanese committed all sorts of war crimes there. I know that because my country suffered from the same crimes and so did other Asian countries like China. I understand they want to make a movie about the common superstitious belief that Japan cursed their land somehow, but there are plenty of ways to go about it. They certainly didn't need to shoehorn that scene in the beginning.

All in all, this was an entertaining film with a unique plot. But that's about it. South Korea has produced better horror flicks in the past. It's a shame that they've followed in Hollywood's footsteps and become obsessed with inserting political agendas in their movies instead of focusing on making good films. I find their later movies utterly lacking and to think I used to be a huge fan of Korean cinema.

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Yin Yang Master It Is Not

Onmyouji or The Yin Yang Master: Zero is the latest Japanese live action adaptation of the popular game, Onmyouji. This IP has had many movie and anime adaptations over the years, three of which are Japanese films, including this one, an anime series, and three Chinese movies. As a non-fan of this franchise, I would say that this standalone film is watchable only to a certain extent. It is weird and draggy as hell! I had to watch this in installments because I kept dozing off and I always kept trying to remember what the plot was about.

The story? I don't know. Is there one? It just follows a gifted apprentice who is incredibly rude and full of himself. His parents were killed and he's looking to avenge their deaths. He meets a nobleman who befriends him and together they solve supernatural cases. The world is explained in a long narration in the beginning and their skills and techniques are conveniently explained through lectures given by teachers of these apprentices. And yet, they start showing off seemingly magical powers that come out of nowhere, so you begin to doubt whether you actually understood the explanation on how things work in this world. It has this dreamlike quality to it that makes you think that maybe you're hallucinating from an acid trip. But you're so confused that you just don't care anymore and fall asleep. That's what this is. Seriously, this is better off as a drama instead of a movie. Then maybe they could've done a more decent job at the world building aspect.

The acting is theatrical. In other words, it's bad. Yamazaki Kento is miscast once again. His portrayal of the lead role is exactly the same as his L in the live action drama adaptation of Death Note. At this point, I think he's just phoning in his performances. Oh well, at least he's only half bad here, not as horrible as his version of L. The rest of the cast all act as if they're in a stage play. Cheesy AF! The music? Pretty much non-existent because I didn't notice it at all. The visuals are decent but that's the only saving grace of this movie. I can tell they shot the vast majority of scenes in front of green screens, though.

All in all, this is not a good movie. If I were a fan of the games, then maybe I could've appreciated it more. But it's just badly written, acted, and produced. It's definitely one of those live action adaptations that should never have been made.

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A Worthy Remake

I have slept on Taiwanese dramas and movies for far too long! This movie is a remake of the 2010 Korean film, which I didn't see, so I have no basis of comparison. I'm glad I didn't watch that movie, though otherwise I would've been spoiled by the ending. Hello Ghost is basically Robert Downey Jr.'s 1993 film, Heart and Souls, but with a lot more heart and soul. Yes, the original is made in Korea but the Korean version is no doubt heavily inspired by Heart and Souls.

It's a story about family, companionship, and the need for human connection. Anyone who has ever suffered from depression, contemplated suicide, and lived through the loss of a loved one could very much relate to this story. It follows a lonely young man, Chen Wei, who tries to end his miserable life countless times, but fails each time. One day, he finally succeeds in dying but is saved by a do-gooder paramedic. He comes back from the dead with the ability to see ghosts. Four ghosts start to accompany him, asking for favors and surprisingly, giving him good advice. As he spends more time with them, he starts to see them more as family instead of a nuissance. He receives guidance from them and he starts to feel a lot less lonely than before.

This is a very wholesome family-oriented film with so much heart, life lessons, and quotable quotes. It has laugh-out-loud moments as well as dramatic scenes that would have you reach out for tissues. His relationships with the ghosts and the paramedic who saves him from dying are the focal points of this story. And the twist at the end had me crying my eyes out. If you love movies like How To Make Millions Before Grandma Dies, then this is for you.

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A Love Story For The Ages

Your Name Engraved Herein is a poignant love story about two teenage boys set in Taiwan just right after the martial law is lifted. It is also a coming of age story that delves deep into teenage homosexuality and the struggles that come with having to deal with societal expectations and public judgement.

Birdy and Chang Jia Han are high school best friends who fall deeply in love with each other but have to keep their love hidden because homosexuality is not socially accepted and is even, in fact, seen as a sin. Both boys go to a Catholic school, so homophobia is rampant.

I'm not gonna lie, this movie made me cry. I shed tears for both boys because I knew they truly loved each other, and in a perfect world, they could've been happy. But since it was 1987 and Taiwan was a military-run state then, their homosexuality was considered a disease that must be cured or corrected. Their love was over before it could even start. They are forced to go on their separate ways and even try to fit into the social norms.

Tseng Jing Hua and Edward Chen both give powerful performances in this movie. They did remarkably well in portraying two troubled young boys who long to be together but can't because it just isn't possible, the political climate and society just won't allow them.

Fortunately, they reunite many years later and they are given another shot at happiness, and that's where the movie ends. I firmly believe that they would've rekindled their relationship and start anew. I so badly want them to finally be together, they certainly deserve it.

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A Poignant and Relatable Family Drama

I can only describe this movie in one word - tearjerker. I cried buckets watching this darn movie! I knew this movie garnered several awards and was hailed as one of the best movies of the year. But even so, I was still taken aback by how good it actually is. It is one of those movies that catches you off-guard because you'd think it's tragic and depressing, but it's actually a very wholesome and feel-good family film. Yes, it's heartwrenching and it'll make you weep, but it'll also stir up fond memories of your childhood and the precious time you shared with your familial relations - especially those who have passed away - whether you liked them or not.

It reminded me so much of my own grandmother and her last days. She, too, had cancer and passed away in our home under our care. Like the grandma in this movie, she left us a legacy that we cannot quite live up to, and to this day, I ask myself if we're even worthy of what she left us.

I started out disliking the main character M because he appeared to be the typical overprivileged Gen Z bum who expects everything to be handed to him on a silver platter. But as the story progresses, you see this significant change in his attitude towards life and his own family. Talk about great character development! By the end of the film, I empathized with him and I was totally on his corner.

What really made me cry was the angle about favoritism among children because I could definitely relate to that. The caretakers are often the ones taken for granted and least appreciated. I felt that because I was that caretaker and I have always felt that I was my mother's least favorite child. It is also a deeply provocative film that made me think about growing older and where I will end up. It reminded me a bit of that Japanese film I saw last year, Plan 75. It made me feel depressed. But it also made me want to prepare for my future and retirement because being old and alone is scary.

This is such an amazing film that pays tribute to the very idea of family. There are no perfect families, no perfect parents, and no perfect children. But we all do our best to love and care for each other the only way we know how.

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The Best Godzilla Movie Since The Original

I saw the theatrical version earlier this year but I waited to see the black and white version to write a film review, so this is technically a review of both versions. Godzilla Minus One is a cinematic achievement, especially since it was made with a meager budget at just under 15 million USD, but it made at least quadruple that worldwide. Many have praised it as the best Godzilla movie since the original 1954 version and I am inclined to agree as I've seen quite a few Godzilla movies that came after both made in Japan and Hollywood, and they simply don't measure up to this movie helmed by Yamazaki Takashi.

This Godzilla goes back to its 1950's roots and is set in a war-torn Japan, centering around a dishonored kamikaze pilot suffering from PTSD. The black and white version really brings you back to that era and I found that it gave everything a more sinister look to it, making it more frightening. The story deals with the horrors of war and how nations at war throw away the lives of their people as if they're trash that needs to be disposed. It also questions the need for people to sacrifice their lives for honor and country, and why honor means you must obey orders even though it is clearly wrong. It throws shade at how the Japanese government mishandled the war and treated its people poorly. It's a story of despair but it's also about hope and starting over. I was specifically moved by how two of the characters in this movie went from hating the central character because he failed to die to save his countrymen, to urging him to live and believing that he deserves a second chance at happiness. This movie doesn't lack heroism either. The valor shown by the Japanese people who just survived a disastrous war as they fight for their futures made me tear up a bit. As the Cap said, he doesn't like doing the dirty work but somebody's got to do it.

It's an almost perfect film from the moving story and well-written and relatable characters, to a beautifully designed and terrifying Godzilla that's just a force of nature. The visual effects could've been better but considering how much money they spent on creating them, they accomplished quite a feat. I especially loved the sequence where they were being chased by Godzilla in the water. That was definitely a nod to Steven Spielberg's Jaws. Sure, there are some suspend your disbelief type of stuff in this movie, but they're forgivable because the movie as a whole is a beautifully orchestrated symphony that can move you to tears, stir up anger in you, strike fear, and make you feel that there is good in humanity still. Amidst the darkness and ugliness of war, there is beauty in life and human connections. The greatest lesson that can be gleaned from this story is that as long as there is life, there is hope.

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The Best and Most Grounded Rurouni Kenshin Film

Among all the Rurouni Kenshin live action movies, The Beginning is hands down my favorite. Unlike its predecessors that are pretty much just live action depictions of the anime and manga, this one is dark, bloody, brutal, mature, and a lot closer to the samurai movies of old than its anime/manga counterpart.

The movie opens in a bloodbath, with an almost unrecognizable Himura Kenshin slashing through his victims like a rabid animal and leaving pools of blood in his wake, much like Ryunosuke leaving piles of corpses behind in The Sword of Doom. Anime-watchers only may be shocked to see this side of their beloved wanderer, but the events that transpire in this film would help them understand the man behind the monicker Hitokiri Battousai and his motivations. This movie is basically a deeper look into the character that is Himura Kenshin, his violent past, his first love, and the ideals that shaped the man that he would become at the start of the Rurouni Kenshin series. But this is also Tomoe's story, the woman who changed the life of a young and impressionable samurai, and turned him from a killer into a protector.

Yukishiro Tomoe is probably one of the most complex characters in Watsuki's manga series but she has been misunderstood, criticized, and even vilified by Kenshin-Kaoru shippers. The manga doesn't delve deep into her psyche and the OVA Trust and Betrayal only managed to scratch the surface, so I'm glad that this live action version somehow shows her true intentions and feelings. I had my doubts with Arimura Kasumi's casting as I used to think that she has the emotional range of a cardboard. But she actually surprised me by her on-point portrayal of Tomoe, from the subtle facial expressions to her deadpan delivery of her dialogues. Tomoe is an introvert who has trouble expressing her emotions. She can be painfully blunt without sounding antagonistic or argumentative. Kasumi got those down to a tee. In fact, it's not her that I have a problem with surprisingly, but I'll get to that later.

The dialogues are so well-written and it's no wonder because some of them were taken straight from the manga. As for the fight scenes, they do not disappoint albeit they aren't as flashy as the ones from the previous films. The fight choreography in this movie is much more grounded and realistic, reminiscent of old samurai movies, which is more to my liking, really. My favorite is definitely the battle between Kenshin and Okita, I actually watched it twice because I thought it was so darn cool. The real-life Okita Soji was said to have been one of the finest swordsmen of the Shinsengumi, and in the manga, he would've been a great match for Battousai if only he had not been dying from tuberculosis. Nonetheless, their fight shows how big of a threat he is to Kenshin despite his debilitating disease, and I gotta give it to the fight choreographers and the actors for that well-crafted sequence. I just wish Murakami Nijiro had more screen time as I really liked him as cocky Okita.

Kitamura Kazuki as the head of the Shadow Warriors doesn't have much screen time either but he certainly makes the most out of what he was given. He manages to be menacing, despicable, but also sympathetic in the little time he was on screen. He's a great actor so I don't wonder how he does it. Takahashi Issey as Katsura exudes gravitas that you can't help but believe in his cause despite the brutality of his measures. The rest of the cast are great in their respective roles, I don't really have much to say except that I wish some of them had gotten more screen time. But then again, I also understand the need for the movie to focus on Kenshin and Tomoe as underneath all the politics, the fights, and the socially relevant themes, this is a love story. I'm glad that the filmmakers didn't hesitate to show the romance between the two characters like they did with Kenshin and Kaoru's relationship. And the fact that the chemistry between Kasumi and Takeru is palpable definitely adds to the believability of the romance.

But I'm a little disappointed with Takeru's acting in that pivotal scene. I was expecting to cry ugly tears like I did when I first read the manga, but I just ended up being stunned that he didn't openly weep and scream like Kenshin did in the manga. Oh, Takeru, you may be great at doing the stunts and action sequences, but your acting still needs a whole lot of work. I know I sound like I'm nit-picking but that's supposed to be an emotional scene, I expected to see shock, devastation, grief, and guilt! Kasumi shows more acting range than he does and that's saying something! This movie would've been perfect if not for that bit. I'm willing to forgive it because the film, as a whole, is just so beautifully made so I can't really hold one actor's lack of acting skills against the whole production. This is still the best Rurouni Kenshin movie ever made, in my opinion, though.

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The Second Best Movie In The Whole Franchise

Rurouni Kenshin: The Final is the fourth and second to the last installment in this saga. It is based on the Jinchu arc of the Rurouni Kenshin manga, better known to manga fans as the "revenge arc" for it explores Himura Kenshin's past and Yukishiro Enishi's attempts to avenge his sister's demise. Plot-wise, it pretty much remains faithful to the manga although there are parts that were taken out and parts that were added for fanservice and theatrical purposes. I could be wrong but I don't recall one particular fan-favorite character being part of this story. But what the hell, I don't mind.

There are stuff that I wish they had put in but the exclusion doesn't take away anything from the movie. I do have some minor gripes, though. There are some iffy CGI in some of the action sequences, particularly in the boss fight at the end. But I suppose they felt they needed to establish Enishi as someone with superhuman strength and abilities that can exceed Kenshin's since among all of Kenshin's adversaries in the manga (not including the recent arc), it's Enishi who almost killed him, and is, by far, the strongest of all his opponents. In the manga, Enishi specifically developed his fighting style to counter Kenshin's hiten mitsurugi, so yeah, the guy was practically created to end the Hitokiri Battousai. If not for his worsening mental state and obsession with his sister, he would've beaten Kenshin without a doubt. And I still don't like their treatment of Sano. They practically nerfed the guy and just turned him into the comic relief. Sano can be an idiot but he's no fool, and he's certainly not someone you can easily push aside.

Other than that, I don't have much to complain about this film. Although I wish they had followed the manga's narrative style starting with Kenshin's friends getting hurt by a series of attacks orchestrated by Enishi, then Kenshin telling the story behind his relationship with Enishi in a series of flashbacks, and ending with the final confrontation between the two, I know that this is probably the most effective way they could bring the Jinchu arc to life, considering the time constraints and that they have to divide it into two films. While following the manga would have helped non-manga readers or those who haven't seen the OVA's or anime series better understand the events that lead to Enishi's revenge, it's also not practical. So, I can't really oppose their decision to divide the story into two films with the last one being a prequel.

I had my doubts about Mackenyu's casting before, but he quickly wins me over as Enishi. I no longer doubt he is the right actor for the role. Tsuchiya Tao as Misao, like in the previous films, brings a smile to my face. I still hate that they make her less attractive in these films but I'm also glad that they make her so freakin' badass! I'm glad they brought back Iseya Yusuke as Aoshi as Aoshi and Misao really are supposed to be in this part of Kenshin's story. I still don't like Kaoru *shrugs* but it is what it is. lol No offense to Takei Emi, as I don't have anything against her, just her character. I don't even mind Sato Takeru in the role of Kenshin anymore, maybe I've gotten used to him or maybe because of his scenes with Arimura Kasumi as Tomoe that just felt right to me. I must say, I do notice a strong onscreen chemistry between them. I'm beginning to think that that's precisely the reason why Kasumi was cast as Tomoe. So despite my initial misgivings about her casting, I'm starting to actually like the idea of her as Kenshin's beloved first wife. I never thought I'd say that! lol

As for the technical aspects of the film, it's just beautifully shot, the cinematography is even more dramatic than in the previous films, the action scenes are better choreographed, and I love the emotional beats and dramatic scenes. I am still not a fan of Takeru's acting style but he pulls it off here. Final thoughts? I like this movie overall, it's very well done, and it's definitely one of the best installments in the series.

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A Moving Story Told From The Eyes Of A Cat

I originally wanted to read the book version of The Travelling Cat Chronicles or Tabineko Ripoto, but when I found out Sota Fukushi is playing the lead in this movie adaptation, I thought it might be worth my while. And true enough, it was! The movie is narrated by a cat named Nana and he tells the story of his life with his human, Satoru. It starts out pretty light and funny, so I mistakenly thought it was one of those feel-good stories. Halfway through the movie, I already had an inkling that it's more than that. And boy, I ended up doing my ugly cry! I kept thinking about my dog and how he would feel if he had to sit and wait for me every single day and not see me or even hear my voice anymore. I wonder if he'd look for me. Those who have ever owned pets or loved animals like me have always dreaded the time when we have to say goodbye to our beloved best friends or children, but very few of us have ever thought how devastating it would be for them to not have us around anymore. This movie explores that and it's written from the point of view of the cat, making it all the more touching and emotional. I recommend this movie to all cat lovers or pet owners in general, provided of course that you're in the right mindset.

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A Hot Take

This movie may have received excellent reviews from movie critics and a standing ovation at the Cannes Film Festival, but it left me feeling disappointed and a little pissed. I am a Bong Joon Ho fan and I liked pretty much all of his movies that I've seen so far, except this one. The first half of the film is well-written and directed, it draws you in with its smart grifter-type plot about a family of charlatans. It establishes the characters quite well that you feel invested in them almost immediately.

The second half, however, is a different matter. It's like the filmmakers suddenly didn't know what to do next and resorted to doing something completely off the rails and just went crazy with it to push their social and political agendas. It felt like two different movies to me. I was expecting them to do something smart with it, but in the end, it just came out stupid. I'm sure a lot of people would disagree with me, but I just felt that they could have ended the movie in a much better fashion. Yes, it's a satire, I know, but just because it is, it doesn't mean you have to ignore logic and realism. In my opinion, this is a waste of a very promising plot.

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This Movie is something you'll be glad to watch in a day to day life and never again...

Hopefully that Headline made sense but if I really have to be honest here... I just finished watching the movie and I think that it's not a movie that will stick with you in the coming days but if someday you somehow stumble up this moive again, you'll realise that you've made the right decision to watch it then..

I haven't read others reviews yet but it should not be anything below score no.7 as it's good in it's own way..

The Entire Movie is like.. I won't say slow but Normal Pace.. it might feel slow but it's actually going in a normal way and there's beautiness in it.

I would definitely will want you to watch this movie [Reader] but know that this is like a once in a lifetime moive where you'll see it once, then completely forget about it until you find this again!

Only Ji Chang wook & The Female Lead had big role, others had a very small role in this movie but their acting made seem very impact full... tho the writer’s should have made more in-depth information into their characters as they could have been explored more but just for the SAKE of one and done movie, they went kinda tasteless...

if you watched the movie, then you know that there was a little twist, just at the end.. and to be honest for you it may be nothing but for me... well let's just say that I'm still thinking about it and can't believe my mind is replying that scene again and again of Andy and 'That Women!'

I also want to rewatch this movie in hopes that I might find something new.. I know I will not get that but I REALLY Wished that this movie had a second installation.. like yes it doesn't make sense for it to continue as.. it had an open-ending but still I believe that each character was or had something within them that can be explored more in the 2nd movie and especially Andy and that Women! I would really wish to watch another movie with them on focus and maybe The Female Lead can come back for her gain as she literally has nothing to do!

I Thought nothing of this moive except that I'll have a great time in it.. well I didn't exactly get that but I'm still very happy to know that I watched this kind of film.. and I would definitely recommend it to watch it with only in mind that it's literally nothing especially but a "normal movie" which you'll be glad to watch it / maybe not now but later!

lastly I still want to see that scene again of Andy like damn... it may be nothing to Y O U but still the entire movie I was just normally watching it but the only interesting thing it had was this so I really wish to see a part 2!


(just so you know I'm new to K-Dramas & my opinion has 100% chance of being in the wrong side but the visversa still applies here also!)

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