Wuxia As It Should Be

The Blood of Youth is what live action anime/manga adaptations should be. Sure, it has its flaws and I have some gripes here and there, but it is still one of the best fantasy series I've seen, full stop. The story revolves around a young disgraced prince who was exiled and had lost his martial arts abilities, and his pursuit of the truth and justice. Along the way, he meets like-minded people and together they become celebrated heroes as they uncover a sinister plot that could very well destroy their world. It might seem tropey and simplistic enough but the political machinations and chess-like games the characters play are reminiscent of dramas like Shogun and even Game of Thrones, making it far more complicated than you think it actually is. The fantasy elements in this drama are what really drew me in from the get-go. The setting, the martial prowess of the characters, their magical weapons, and powerful inner forces reminded me so much of anime series like Gensomaden Saiyuki, Bleach, and even Fushigi Yugi. The swords that have consciousness of their own, especially, made me think of the zanpakutou of the shinigami in Bleach. In fact, one particular sword technique looked very much like Byakuya's Senbonzakura to me. If you're an anime fan like me, you would definitely appreciate this aspect of the drama.

I'm glad that the Chinese have at least given me a truly enjoyable series akin to the shonen anime I so love watching. As I've said, it is not a perfect series objectively speaking. The length of this drama is one of its strengths but also its main weakness. Because it spans 40 episodes, the writers had enough time to build this rich pugilistic world of warriors with incredible powers, and flesh out its multi-layered characters. But it's also because of its length that the narrative seems to have lost its way somewhere in the middle with story arcs becoming convoluted and the previous buildup being ruined, resulting in some pivotal events feeling unearned. Some of the characters are forgotten and some are pushed into the limelight for no logical reason, while some supposedly important characters are introduced only halfway through the series with minimal to zero character development, making them a lot less significant and endearing. And then there's the underdeveloped romance. But as far as the writing is concerned, those are my only real complaints. The rest I can forgive.

One of the highlights of this series is the stunning aesthetics and cinematography. I immediately fell in love with the design of Snowfall Villa, Xiao Se's inn in the middle of a snowy countryside. The cinematography has a surreal and fairy tale-esque look to it that I can't help but want to live in that world. The visual effects could've used a little more polishing but they are more than sufficient for a drama series of this scale. I was actually surprised they were able to make it look that good! The costumes are a tad bit too colorful for my taste at times but I suppose the style suits the world of bold and adventurous youths. The fight choreography is superb! It's not as poetically beautiful as the one in Word of Honor or stylistically cool as Mysterious Lotus Casebook's, but they did remarkably well with the action scenes in this drama. Kudos to the actors who worked their butt off to make the scenes believable and aesthetically pleasing. The music is one of the best parts of this drama. The song Wind by Yu Zhao Yuan is quite possibly the best theme I've heard in a C-drama. But I'm probably biased because it's a pop rock track, which is relatively uncommon in C-dramas and more my cup of tea.

The characters, for the most part, are so well-written that at some point, you start to think of them as your friends and you become attached to them, growing fearful that some of them may not come out of their battles unscathed. That's how endearing they become as the series progresses. But I do have some beefs here and there, and it mostly concerns one female character that I wished wasn't part of this story at all. Ji Xie is a far more interesting character and yet she barely gets any screen time let alone character development. What a waste! I also wished they didn't do some of the characters dirty. Tang Lian and Wuxin are my favorites apart from Lei Wujie so to have them sidelined was gravely disappointing. There's a season 2 so perhaps these characters will get their due respect.

Overall, this is one very well made drama that deserves praise and certainly could use a sequel or sequels in the near future. It is based on a series of novels so they do have a wealth of material to work with. A season 2 is already being planned and it has a prequel series featuring the older generation of heroes like Baili Dong Jun.

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The most anime-esque C-drama ever made!

If I didn't know any better and if the actors do not speak Chinese, I would think that I Am Nobody is a Japanese live action drama adapted from a popular shonen manga. From the get-go, it's quite obvious that it has the DNA of an anime series with its quirky characters, anime-ish plot, over-the-top acting, and all around weirdness. In fact, this should be the standard that anyone looking to create live action adaptations must try to equal or surpass. I really enjoyed this drama. It has an interesting enough plot, characters that you will feel invested in, great comedy, moving emotional beats, awesome visual effects, cool music, and top-notch fight choreography. It has all the elements needed to make a very good drama and it is, it is a gem even among C-dramas I've seen thus far. It doesn't have the usual vibe of a C-drama because as I've said, it feels more like a Japanese creation. True enough, the original comic book from which it was based on was adapted into a Japanese anime called Hitori No Shita, which I plan to check out when I have the time.

The story revolves around people with special powers called Outsiders. Think mutants in X-Men but meaner and more obsessed with gaining powers and immortality, which is a trope in wuxia stories. These clans of powerful beings are all fighting to get their hands on the Eight Supremes, which are the most coveted powers invented by eight geniuses of their kind. Zhang Chulan is right smack in the middle of this conflict as everybody is after the enigmatic powers that his grandfather supposedly bestowed on him.

I initially watched this for Hou Minghao. And I'm happy to find out that he plays the best character in the series. Albeit his Wang Ye is only a supporting character to Peng Yuchang's Zhang Chulan, it is Wang Ye's laidback and lazy genius charm that grabbed my attention from the start. Zhang Chulan has his moments, but he is basically the typical shonen MC very much in the same mold as Naruto, Goku, Yusuke, Recca, and many others. He's a bit of a dumbass, pervy, and downright gross sometimes. Wang Ye, on the other hand, is more like Nara Shikamaru, who is my favorite Naruto character. Feng Bao Bao played by Wang Yinglu is another interesting character in the world of the Outsiders. She's like the Wolverine of this world. Her character's history is one of the highlights of this series. The other characters start out uninteresting but they become endearing as the drama progresses. Again, this is the advantage of having 20-something episodes to flesh out these characters and make them relevant no matter how small their roles are. It also gives the writers time to develop the story and properly adapt the source material. This is something that I wish the Japanese entertainment industry would consider as they have a wealth of material from their manga and light novels to work with. It's just too bad that they do not see the potential soft power they can attain if they consciously make dramas and movies that they can export as well and not just focus on their local market.

I Am Nobody is a highly entertaining series. It doesn't matter whether you're an anime enthusiast or not. But I would definitely recommend this to anyone who enjoys anime. My only complaint is that it's too short! Yes, 27 episodes are not enough! But a season 2 is underway. I heard that it's just going to be 12 episodes so that's a bummer!

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An Entertaining Prequel That's Not As Good As Its Sequel

Dashing Youth is the highly anticipated prequel to the dark horse hit, The Blood of Youth. Did it live up to expectations? Is it as good as its sequel? No and no. But it's still a good watch. If you're a fan of The Blood of Youth, you will want to see how things started and what the older generation of martial arts masters were like when they were young. Dashing Youth revolves around Baili Dongjun, known as the Liquor Deity, and the best martial artist of his generation. The drama follows his adventures and relationships with the people he meets in his journey to become a renowned martial arts master. Most particularly, it focuses on his bond with his best friend and later nemesis, Ye Dingzhi, the leader of the Demon Sect, and also known as Ye Yun, the son of the famed General Ye who fell into ruin after the latter grew too powerful for the emperor to tolerate.

The story centers around bromance with some hetero romance here and there, which I didn't care for to be honest. But those pairings have to happen because these characters have to produce the next generation of martial artists that are going to be featured in The Blood of Youth. Honestly, the bromances are the best part of this series. The relationships are quite engaging and the male characters are not only well-written, but are also portrayed by capable actors who have face cards that would be the envy of any boy group existing today. Hahahaha. Suffice to say, I watched mainly for the eye candy. Sorry, not sorry!

Unfortunately, it is also a cautionary tale of love and tragedy, and a friendship that turns sour because of diverging paths and differing ideals, so that's where the melodrama comes in. Ye Dingzhi's obsession with exacting revenge on the people who wronged him and his family, and taking back what was once his proved to be his demise. By nurturing his hate and insisting on taking back the woman that was once betrothed to him eventually caused his destruction and tainted his friendship with the one person who truly cared for him. His love for Yi Wenjun started a war that almost destroyed the kingdom and forced him to fight Baili Dongjun whom he treated as his beloved little brother. Yi Wenjun is basically the Helen of Troy of this story, the face that launched a thousand ships, so to speak. Obviously, I despised everything about her. Hahaha. I saw her as a selfish woman who only thought about her desires, using Dingzhi to rescue her from her gilded cage and abandoning even her children when it suited her. The other female characters are either meh who contribute nothing substantial to the story, or are even more hateful than Wenjun. So, I decided to just treat them as baby mommas for my pretty boys. I noticed the writer of the original novel can't write good female characters, which is actually typical for fight shonen manga/anime series where this story was clearly patterned from. But no matter, I was still entertained for the most part although I had to take a break from all the melodrama between Dingzhi and Wenjun.

Baili Dongjun, contrary to what most viewers of this drama think, is actually a great lead character. He starts out as a spoiled, bratty, and privileged youth who know nothing of the world, but becomes a reliable and admirable hero by the end of the series. You get to witness his character growth as the series progresses and that, to me, is good writing. Hou Minghao plays him to perfection. Granted that Minghao is not exactly a great actor, Dongjun fits him like a glove and he makes an effort to improve his acting skills with each new role he takes on, so I give him props for that. He Yu as Ye Dingzhi is equally good. He exudes a boyish charm that suits the character's persona before he turns to a darker path, and he also has enough gravitas to project the sadness and anger that weigh heavily on Dingzhi.

The rest of the cast are great in their respective roles as well. The 8 young masters of Beili are basically the historical wuxia drama version of the Taiwanese F4 but better because they can actually sing and are far more good looking! Hahaha. My favorites among them are the androgynous beauty Liu Yue played by Zhu Zhengting, Jun Yu played by Tong Mengshi from Joy of Life fame, and Lei Wujie's dad, Lei Mengsha, played by Wanyan Luorong from I Am Nobody. He made me laugh the most, he's practically a walking meme. But it was Xia Zhiguang as Sikong Changfeng who really stood out to me. His sense of valor and loyalty to his friends made me love him. Zhiguang is an accomplished athlete and martial artist so among all the cast members, his fight scenes looked the most believable to me. He really did learn how to handle that spear like a true expert. Another actor that got into my radar while watching this show is Xue Ba Yi who plays the White Haired Deity, Qi Xuan. I got a newfound respect for that character and I now understand his motivations after watching Ba Yi portray the younger version in this prequel.

In terms of production quality, this drama doesn't look cheap at all. You can tell they spent most of their budget on the special effects. The fight scenes are CGI-heavy, which I didn't mind personally because it was like watching a live action version of a shonen anime. However, unlike the Blood of Youth, it lacks the wuxia-style fight choreography that made its sequel stand out among other wuxia dramas. But I must admit, I would've appreciated more actual fights. I rather enjoyed the fight sequences in the Blood of Youth.

Dashing Youth also has a weaker and more convoluted writing. The plot progression in the beginning is a bit slow and it focuses too much on the love angles instead of showing some of the more vital parts of the story. To make everything fit into 40 episodes, they had to settle for exposition dumps in the form of narrations instead of actually delving into those scenes. I was disappointed because I was looking forward to getting to know the original four guardians of Tianqi, how they came together, and how they protected Beili. But they barely have screen time in this prequel. The ending also felt rushed to me. And that's why I think they should've managed the pacing better instead of dwelling on the romances that are merely plot devices. The politics are less overt than in The Blood of Youth, which I felt was really the strength of that sequel series. I wish they could've dealt with the political aspects more instead.

The music is way better, though. The opening theme is hands down the best I've heard in any C-drama thus far. I liked the OST of The Blood of Youth, but this prequel series has a more banging soundtrack imho. Although both series are set in the same universe, I liked the cinematography of the sequel better. It has a more magical feel to it for some reason.

But despite its flaws, I still think it's a cool series and I would recommend it to anyone who enjoys anime-esque live action dramas that has lots of cool-looking special effects and endearing characters with interesting powers. Though not as strong as its sequel storywise, it is still a great standalone drama.

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An Engaging Detective Mystery Drama

Under the Skin is a thriller mystery detective drama starring Tan Jianci as a gifted portraitist working for the police bureau. It's only 20 episodes long, which is relatively short for C-dramas. But the fewer episodes allow the drama to make full use of every scene; not a moment is wasted and everything serves a purpose. Hence, it is one of the most well-paced C-dramas I've ever watched to date. In fact, it is more similar to American crime dramas from the 2000's like CSI, Profiler, Lie To Me, Criminal Minds, Bones, and the like than any C-drama I've seen.

The story centers around Shen Yi, a troubled art prodigy who finds himself involved in the murder of a highly decorated police officer. Overcome with guilt and remorse, he starts working for the police as a sketch artist in hopes to make a difference and ultimately find redemption. Shen Yi partners with a rough-around-the-edges hotshot detective who despises and blames him for the murder of his senior officer. Their uneasy alliance soon turns into a deep friendship that's founded on trust, and this partnership is the core of the story. So basically it's a buddy cop drama.

It reminds me somewhat of the Chinese animated series, Link Click, but so much better in terms of writing and charactertization. Unlike Link Click, Under the Skin makes an effort to build up its main characters, making them more relatable and sympathetic, so you know exactly who they are whether you like them or not. The cases they work on are even more intriguing and compelling. I found the story about the teenage girl who developed a crush on a tomboy thinking she was a real boy especially interesting. Considering that China has stringent censorship policies and homosexuality is taboo, I thought the writers did a good job writing about lesbianism without being too overt about it. I also rather liked the case regarding two women who plotted the murder of their abusive lover. The supporting characters are also well-written because I learned to care about what happens to them.

Generally speaking, the writing is pretty good. The dialogues, most especially, are written quite well. But there is stuff that defies logic no matter how they try to justify it. Some are too farfetched for me to even consider them plausible. I wish they had used more believable scenarios instead. The production value could've been better as well. But I'm willing to forgive those flaws because the good outweighs the bad.

All in all, this is a solid drama with great plot progression, acting, characterization, and screenplay. I give it a 9 out of 10. Season two is in the works so you can bet your bottom dollar that I will watch it the moment it hits streaming.

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A Faithful But Lackluster Adaptation of A Popular Sci-Fi Novel

Took me a while to write a review for Three Body because I honestly don't know how to start. All I know is that it's a deeply provocative drama about the nature of man. The drama is based on the Hugo Awardee science fiction novels by Liu Cixin entitled The Three Body Problem. It was also adapted by the same dudes who nuked Game of Thrones for Netflix. Sorry, I chose to forget their names. Hahahaha. I haven't seen that one yet so I can't say anything about that, but this C-drama version doesn't skimp on the science aspects of it. In fact, it never forgets to school you about physics, nanotechnology, space science, and so on. But the very core of this drama is about the good and evil side of humanity, our triumphs, failures, ability to create and destroy, and inability to appreciate life itself and see past our own flaws. The story follows an idealistic scientist specializing in nanotechnology and a scrappy police officer determined to get to the bottom of a series of murders connected to a particular cult-ish organization. At the center of this is a highly intelligent but troubled woman who made a regrettable mistake in her youth that led to a catastrophic mess involving the fate of humanity.

I like the drama for the most part as it is so brilliantly written that you'll either feel as if your IQ has increased after learning so much sciencey stuff or you're dumb AF because you can't comprehend any of it. Hahahaha! The characters are also well-fleshed out that I couldn't bring myself to hate even the antagonistic ones. Production-wise, it's pretty good but you can really tell that this drama could've used more budget for the CGI stuff. I found the computer generated imagery used in the scenes where they were inside the Three Body game very clunky and distractingly bad. The CGI versions of the characters showed very little emotion and moved awkwardly, I thought. They should've just used real actors for those scenes, it would've looked a lot better. This is one of the reasons I found the “game” scenes flat and dull. Another complaint of mine is they spend too much time inside the game with the characters being played by those horrid CGI versions of them. It was not interesting at all! I found myself dozing off every time they entered the game.

As a whole, this is a solid 8 drama and that's already a generous rating. The reason why I can't give it a higher score is because of the pacing. I watched the shortened version of the drama, cut down from 30 episodes in total to just 26, but I still found myself getting bored because of the slow pacing. I also felt that they should've made the science stuff more accessible to the masses, spelled it out in laymen's terms so to speak. I'm not saying they should've dumbed things down, just made them more comprehensible to those who aren't as well-versed in science. I understood the science elements for the most part but some flew over my head, and some I just didn't care for because I didn't feel like understanding them anyway. I was sick and tired of hearing the actors drone on and on about this and that. I think maybe the Netflix version did a better job at this. I haven't watched it yet so we'll see. But if you're into science, especially physics, then you'll appreciate this more, I suppose.

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An Underappreciated Gem

Under The Microscope is another engaging series that stars Zhang Ruoyun along with his Joy of Life co-stars, Wang Yang and Wu Gang. It is one of those shorter C-dramas that truly benefits from its 14-episode length. Unlike longer period dramas of its kind, this one has a simpler, albeit more socially relevant plot concerning issues that people can identify with even to this day. The story centers around an autistic mathematics genius named Shuai Jiamo as he uncovers an insidious plot that involves years of corruption and tax evasion of those who possess the most power and wealth. This continues to be a problem in our modern society so it's highly relatable. The rich become richer because they can get away with evading taxes and stealing land from the less fortunate, while the poorer become poorer because they're the ones paying the taxes.

It didn't immediately catch my attention as there's a lot of serious talk about taxation, mathematical equations, and calculations in the beginning. As I'm mathematically dumb, my brain kept shutting down, and I tended to nod off while watching the first few episodes. So I had to take a break from it. It wasn't until episode 5 when it finally picked up for me, so to me, it is a bit of a slowburn. But that's just me. If you're interested in mathematics and accounting, then this is right up your alley. By the time it picks up, though, it doesn't stop and ends in a truly satisfying fashion that it leaves you feeling happy for the protagonists because the little people won against those in power. This is the only C-drama I've seen thus far that really sticks the landing. And that ending alone is one of the major reasons why it is on my top 10 most favorite C-dramas of all time.

The characters are complex and easily relatable despite them supposedly existing hundreds of years in the past. Jiamo has the innocence and purity of a child who has yet to learn what mischief is all about and Ruoyun plays him to perfection. As I suspect that his character suffers from autism, he is often seen musing or mumbling to himself as he calculates complicated equations in his head and tries to make sense of what he has discovered. But when he starts talking about mathematics, he lights up with so much gusto, imparting his expert knowledge in accounting like a child telling his favorite bedtime story. He is, for a lack of a better word, amazing in this role. Wang Yang, who plays the lawyer, Cheng Ren Qing, is equally brilliant. In the beginning, he made me feel so frustrated as he battles wits with Jiamo and foils his plans. But by the second act of the series, he starts singing a different tune and you, as part of the audience, begin to wonder what his actual deal is. I grew to love his character by the end, which was the exact opposite of how I felt for him initially. Wang Yang plays this dubious role with such skill that he makes you genuinely dislike him at the start but you end up cheering for him. Talk about great character development! Jiamo's loyal best friend, Feng Bao Yu, is one of my favorites. You first meet him as a spendthrift playboy whose only real goal in life is to go to gambling houses and kill as much time as he can. But as the series goes on, you see a significant change in him as he grows more mature and responsible. His loyalty to Jiamo is exemplary and most definitely his best trait. It's his relationship to Jiamo that motivates him to become a better man. He is one of the funnier and more adorable characters in the drama. I also found some of the public officers funny and endearing, especially the Magistrate. Simply put, the characters and actors are all great!

As far as production value is concerned, I don't think it has the biggest budget based on the costumes and sets. But I kinda like the grittier and more grounded look of the drama. It makes it more believable and more like a historical documentary than a dramatic series. The music I wasn't very fond of, though. It didn't stand out to me so I can't say much about it.

All in all, this is a wonderful short series that I would most definitely recommend to anyone willing to give it a shot. It has great acting all around and a gripping plot about tax evasion and the shameless machinations of those involved to cover up their crime. It's only 14 episodes so it's very bingeable.

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A Good Enough Sequel

I can't say I loved this second season as much as the first but it was nice to see these characters again. It felt very familiar and pretty much a direct sequel despite the recasts and some of the actors obviously looking much older, bulkier or thinner because of the 5-year gap between seasons. I still enjoyed it but it doesn't have the magic of the first season. That was truly lightning in a bottle. And like most sequels that are used as setups for the final installment, it does feel like it doesn't have a beginning or an ending. There are some things that are introduced in preparation for the succeeding season. Thus, this should be taken as a transitional piece.

More characters are introduced in this season and I'm glad I finally got to meet the other princes, the dashing eldest prince and the bumbling idiot that is the youngest prince. They are both likable to say the least. But I'm disappointed that some of them just came and went without much ceremony. Some of the older characters like Gao Da only appear in some scenes and never return, which is a shame because he was one of my favorites in the previous season. I guess they are there for fan service only, nothing more.

The writing this season is a little bit all over the place. While the dialogues, political machinations, and plot twists are still superb, the plot progression is kinda slow, some scenes are dull and lackluster without the fight choreography from the first season, and there are subplots that just go nowhere. There are more illogical and you-must-suspend-your-disbelief aspects as well. I really don't get Fan Xian's motivations sometimes and why the overarching plot about the divine temple, androids, futuristic knowledge, and other sci-fi elements are barely mentioned and seemingly abandoned. I blame the original writer for this because even in the book, it is never fully explained. Again, why put science fiction elements into a story but never fully explore them??? From a writing standpoint, that is a complete waste of a concept and just lazy writing, period! He obviously excels at writing political dramas, so why not just write exactly that? Why introduce science fiction at all? Methinks this writer just wanted to set himself apart from the many Chinese authors that write historical novels, hence the ice age and advanced nation plot. But he may not be well-versed in this field and could not be bothered to actually do some research and incorporate science into his book. Such a travesty!

The music, just like in the first season, is hit or miss with me. If the first season had latin music, this one has a yodeling theme that reminds me of The Sound of Music. If you've seen The Sound of Music and are familiar with its soundtrack, then you'd know what I mean. Just horrible horrible choice in music! The costumes this season are better, though. At least they look more organic and worn unlike the plasticky costumes from the previous season. The cinematography is still excellent. But while the cast is one of the best I've seen in any drama, there's one I would rather not see again. Gina Jin is an awful choice for Ye Ling Er. They should've never recasted that role. And then there's the yogurt product placement that just takes me out of the drama every time it appears on screen. They even keep talking about it, too. Word of Honor did the same thing but they did it in a way that was hilarious, thus I was able to forgive it.

As a whole, this was a fun second season and probably better than expected considering it's the middle season and that most sequels are not as good as the original. I just hope I won't have to wait more than 2 years for the finale.

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Court Politics At Its Finest

Joy of Life is a 2019 Chinese wuxia drama that centers around a young man named Fan Xian who was born in ancient imperial China with memories and knowledge of the 21st century. He grows up knowing about a far more advanced society so he has always felt alone and isolated like a fish out of water. That premise alone made me want to watch this drama immediately, but I had to wait years because I found out that it ends in a cliffhanger and there was no confirmed date for a season 2 release. Thankfully, they finally announced the premiere of the second season this year, so I decided to start the first season. I didn't regret it. I was able to finish this 46-episode drama in just 8 days. That rarely happens to me, but when it does, it's usually because the drama is really enjoyable and has gained my full attention.

I'm a sucker for royal court intrigues, and political scheming and plotting, so this captured my undivided attention from the get-go. Not to mention this drama has what I hope most series would have, a very engaging, interesting, and endearing hero that you want to root for and fall in love with. Fan Xian is hands down one of my favorite characters of all time! He is highly intelligent, witty, humorous, crafty, skilled, and relatable in his flawed nature. I haven't laughed so much since I watched Word of Honor. But this drama also made me tear up more than once because of the emotional beats and brilliant acting of Zhang Ruoyun as Fan Xian. Ruoyun really carries this drama and he does it with flying colors. Despite acting alongside some of the best veteran actors in the business, he is, in no way, overshadowed by his more experienced co-stars. I've liked him since I saw him in Under the Microscope and Joy of Life only helped me confirm his undeniable charisma and screen presence. The rest of the cast are fantastic in their own way. My favorite among the supporting characters is Chen Pingping played by Wu Gang, whom I suspect to be a legendary actor in the Chinese entertainment industry. If he isn't, then it's a travesty! He is that good! This drama has such a strong supporting cast that I liked almost everyone, even the villains. I absolutely abhor the Princess Royal, Li Yun Rui, but Li Xiao Ran is so amazing in playing this detestable character that I applaud her for it. Wang Yang is also great in this, as always. He only appears in the first half of the drama but he cemented himself as one of the more unforgettable characters in the series. I also have to specially mention the actor who played young Fan Xian, he does not only look like Zhang Ruoyun but also acts like him. That was such a great casting choice!

The script is one of the best I've seen in any drama. It's what I expect from other dramas of its kind, even better than Nirvana in Fire's in my opinion. The dialogues are remarkably well-written with carefully chosen wording only meant to hint at the true meaning behind the statements. You have to read between the lines, so to speak. And this, coupled with the subtle acting from the cast, brings more tension to the scenes. The script also interweaves beautiful poetry with tragedy and unpredictable plot twists that make you immediately think of plot armor as an excuse. But as things unravel you begin to realize that perhaps the so-called plot armors can be justified by a number of reasons, making you believe in the brilliance of the writing.

As much as I love this drama, I do have some beefs with it, though. As I mentioned, while some turns in the plot can be justified, I do think that there are far too many convenient coincidences for them to be logical. I will not mention those here but if you pay attention to how problems are handled by the characters as things unfold, then you will know what I mean. I also have some issues with the female lead. For the life of me, I cannot understand why they have to continually infantalize women in these dramas. I do not find these women cute whatsoever. It is annoying and tiresome! Lin Wan'er is played by the beautiful Li Qin, but the character is the cookie cutter type of pretty, feminine, and angelic damsel in distress. I do not want all women to be warriors like Haitang Duoduo, but Lin Wan'er acts like a cute little girl who has a penchant for stealing food from the kitchen. What is so amusing about that?! How old is she, 8?! And Fan Xian falling in love with her at first sight is far too cliché for my taste. I don't know why they can't seem to write really good female characters in these dramas. It's probably a culture thing.

Even though it's quite obvious from the cinematography and sets that this drama was not made with a meager budget, the costumes look so out of place and plasticky cheap. I mean, leather belts and leather-like garb? Weird paisely looking patterns in the garments? Did those exist in ancient China? I understand that they probably wanted to bring a more modern feel to the costumes because of the science fiction aspects of the story, but come on! The costumes are hideous! I feel sorry for the actors who had to wear those heavy-looking dreadful garments in the peak of summer! I was also disappointed with the fight choreography. There are far too many cuts that you can barely see what's going on. I expected better. It didn't hinder me from enjoying the action scenes, though. The music is hit or miss. There are some themes that work, some that do not. Whoever thought that latin music would work in a Chinese costume drama is insane! Some are inappropriately used, too. Seriously, why would you put sinister-sounding music when there's no imminent danger?! lol

But my biggest disappointment is how the writers (or original writer of the novels) failed to cleverly incorporate modern elements into the story. Considering that Fan Xian was born with the knowledge of a technologically advanced society, he rarely used that knowledge for his benefit. While he did use his expertise in poetry and literature to help him advance his career in politics, it didn't go beyond that. The drama also barely explores the true nature of Fan Xian's character and that of his mother, who supposedly came from another world. I expected it to be more like the manga/anime Dr. Stone wherein the characters are frozen in time when a second ice age hit the earth and they wake up in another stone age. They help provide the foundations of that world by introducing science, technology, literature, and even modern warfare. But this drama doesn't do anything of the sort. Instead, it focuses on political intrigues and wars of that primitive society with Fan Xian barely putting his knowledge of a futuristic world to use. He rarely even mentions it, which is a total waste of that concept. The science fiction aspects are just cosmetic tools used to make the story seem a little more unique but does not use it to its fullest potential. Shame. This drama could've been way better.

But despite all that, I still give this drama a high rating of 9 out of 10. I recommend this to anyone who wants to watch an intelligently written drama with fleshed out characters and an engaging plot.

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One of the best dramas I've ever seen, period!

Oh No, Here Comes Trouble! is a gem of a series and one of the few I rated a perfect 10 out of 10 because of the original plot, relatable and well-written characters with great character development, balanced pacing, praise-worthy acting, and excellent overall production quality. This is a heartwarming drama about family, friendship, growing up, and coming to grips with our own shortcomings and sadness.

The drama centers around a teenage slacker named Pu Yiyong, who dreams of becoming a comic book artist. He comes from a long line of innately talented traditional calligraphers who possess a unique power. This is where the creativity of the writer comes in as I have never seen such powers portrayed in that way in any media before, not in Japanese manga or anywhere else. After surviving a freak accident, he comes into these powers that allow him to see things ordinary humans cannot. In this world, human obsessions that are so strong can give life and manifest beings driven solely by these desires and longings. Only he can see and help release them from their prisons. One example of this creature is the one born out of people's wishes to protect their children while crossing an accident prone road. This being that exists in the spiritual world becomes somewhat of a patron saint or guardian of children crossing that road. These beings seek him out and request for his aid.

Pu Yiyong enlists the help of his friends and a policewoman who aspires to become an accomplished detective. Together they solve mysteries relating to these supernatural incidents and help both humans and spirits come to terms with their tragic experiences and move on. And in turn, they help him deal with his own personal problems. I love how his character matures as the series progresses. From an irresponsible and self-centered kid, he becomes a more reliable and emotionally intelligent adult who wouldn't think twice about extending a helping hand to those in need. In short, he transforms into the hero he only writes about in his comics.

The rest of the characters are equally great. His mother is such a badass woman, I can't help but like her. His dad is an awesome person inside and out. Watching him interact with his father made me feel all warm and fuzzy, reminding me of my relationship with my own father. I wish his relationship with his grandfather was a little more fleshed out, though. That's my only beef with this drama. His partnership with Chen Chuying is amusing and their banters are some of the funniest in this drama. But it's his rivalry/bromance with Cao Guangyuan that stood out to me. They go from being mortal enemies to best friends who positively affect each other's lives.

It's amazing how much I loved this drama when I used to avoid watching Taiwanese dramas in general because I found them overly cheesy and melodramatic with subpar acting. But this one hits all the right spots and more. One minute you're laughing out loud, the next minute you're bawling because of the well-placed tonal shifts. I have to give props to the writer for accomplishing this feat because tonal shifts can often feel disruptive and awkward.

Needless to say, I highly recommend this drama whether you like fantasy stories or not. It's one of the best dramas I've seen to date. I wish they'd make a second season. There are certainly more stories to tell.

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The Most Daring Costume BL Drama China Has To Offer

Needless to say, I really really really liked Word of Honor, and it's probably the best BL drama (including the Japanese and Thai series) I've seen thus far. Among the C-dramas I've seen, it definitely has one of the highest rewatchability percentages because I actually wanted to rewatch it the moment I finished it! I loved it so much that I felt compelled to read the book version written by the popular danmei author, Priest. But despite my obvious bias, I cannot ignore the fact that it is not a perfect series.

The positives:
This series has the best male leads in any BL drama I've seen, period! They are utterly perfect! Some would most likely disagree, but for me, their onscreen chemistry is so palpable I can taste it! Hahahaha. Don't get me wrong, I do not ship the actors, I don't do that sort of thing, but their portrayals of Zhou Zishu and Wen Kexing are undeniably spot on. I feel that they really understood what they needed to do to bring these characters to life and just had a blast doing it. I was so shocked to see so much touchy-feely scenes and the sexual innuendos in the dialogues are so blatantly obvious that even if you were as pure as Mama Mary herself, you wouldn't be able to brush them aside and just say, “Oh, they must be really close.” But for someone like me whose brain is practically living in the gutter, I almost choked on my own saliva from laughing so hard and giggling like a maniac. I'm surprised they were able to escape the proverbial axe of China's censorship board. I am still wondering how they were able to make it work. But BL stuff aside, I found these two characters incredibly interesting. Both have questionable morals and tragic pasts, and they go through redemption arcs. I love that most of the characters in this series are gray and they could go either way. I was sometimes confused whether to despise or sympathize with particular characters because of it.

Zhang Zhehan as Zhou Zishu is captivatingly gorgeous. I have to admit, there were times when I would just stare at him and not understand what was going on. Hahahaha. But he brings a certain depth to the character that I didn't expect. You'd think he's just another pretty face, but the subtlety of his micro-expressions effectively convey the self-loathing, guilt, sadness, and remorse of Zhou Zishu. As the founder and leader of a massive private army of assassins and spies working for an ambitious Prince, he projects a cold and ruthless front. But the weight of that responsibility and the guilt of working for a megalomaniac bears down on him, so he chooses the most brutal of means to buy his own freedom. He starts out as a more stoic character but slowly becomes more playful and even cheeky as the series goes on, especially when he meets Wen Kexing and Cheng Ling.

Wen Kexing is played by Gong Jun, who is also frustratingly attractive I kept screaming at him to stop being so cute. Hahahaha! Wen Kexing is the leader of a notorious group of criminals who are so terrible and repulsive that society no longer sees them as humans but ghosts or devils. He, too, has a painful past that drove him into the deepest pits of hell and made him obsessed with revenge. Gong Jun plays him to a tee, animatedly displaying Wen Kexing's flamboyance and flirtiness, but also showing his more sinister, volatile, and melancholic side. And his interactions with Zhehan's Zhou Zishu are some of the most touching and humorous moments in the series.

Apart from the main actors, I would also like to mention, Zhou Ye, and her character, Gu Xiang. I gotta hand it to her for making me initially annoyed at her silliness, but eventually loving her character that I cried because of her and her suffering.

As for the plot, I suppose I could sum it up to a power struggle between warmongers and ambitious politicians all racing to find a vault that is supposely filled with all the ancient martial arts secrets known to man. Knowledge is power, after all. But it's actually more than that. In fact, it appealed to me more than some of the C-dramas I've seen because it reminded me so much of the kung fu films I saw as a kid. It just has that same vibe to it.

The fight choreography is one of the best I've seen in any wuxia film or series. It's so poetically beautiful that I almost forgot how bad the CGI could be sometimes and that some of the backdrops didn't quite suit the scenes. But for a wuxia drama that only had half of the budget of The Untamed, I'd say they did remarkably well with what they got.

The musical score is surprisingly good, too. I don't normally like musical scores in C-dramas as they don't usually stand out to me. But I actually liked the soundtrack almost as much as I liked the soundtrack of Mysterious Lotus Casebook.

The negatives:
First off, this drama was supposedly made with just 50 million RMB, which was considered cheap for an epic costume drama. So suffice to say, the production value of this drama is nothing to write home about. There are parts when the CGI is just plain awful and the sets are obviously reused again and again. Not to mention, the costumes and props look plasticky and inexpensive. I don't think it will hinder people from enjoying the drama, though. It certainly didn't take me out of it.

Second, the editing is a little clunky, inhibiting the smooth transition between scenes and affecting the pacing. But I guess it's because they had to cut down the number of episodes due to budget restraints and move the plot around to fit the planned scenes. I thought the last few episodes were rushed and would've benefitted from more episodes to flesh things out better.

And last, the fact that the supporting characters are mostly morally ambiguous, as perfectly imperfect as they are, they are unlikable to say the least. Aside from Ye Baiyi, I couldn't bring myself to really care about the others. Even though I found Qianqiao's misguided love for the wrong man heartbreaking, I can't say I cared about her enough to empathize with her. And that has something to do with the writing, I think. And probably with the acting as well.

Overall, this series led me down a rabbit hole for weeks on end. I couldn't make myself watch anything else and that doesn't happen to me very often. It was a very entertaining 36-episode ride!

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The best wuxia drama I've seen thus far!

Mysterious Lotus Casebook is hands down one of my favorite Chinese dramas to date. Though it is not perfect by any means and it doesn't have the most satisfying ending, it didn't leave me frustrated or disappointed unlike another C-drama that would've been without flaw if not for its horrid ending. In fact, it leaves you hungering for more with its open ending that may or may not lead to a second season. Despite the fact that it is a solid detective story dripping with political intrigue, mysticism, and evil schemes for world domination, the true driving force of this series is its characters. It boasts of well-written characters that each have their own story arcs and go through significant character development as the plot progresses.

Cheng Yi plays somewhat of a dual role, the young and brash, Li Xiangyi, who basks in the glory of his achievements in the martial arts world, and Li Lianhua, the reclusive wandering physician with a sharp tongue and an even sharper wit. I love how he contrasts these two characters, showing how much the ambitious and arrogant Xiangyi has changed over the years and become the more mature and grounded Lianhua, who is content in lazing about with the company of his dog and growing vegetables in his garden. I love love this snarky bastard! ?

Zeng Shunxi is Fang Duobing, the young and impressionable son of a noble man who grew up idolizing Li Xiangyi. He also undergoes a major change as the series goes on, from a bratty rich kid to a young man worthy of becoming Xiangyi's successor. Xiao Shunyao plays Di Feisheng. He starts out as an anti-hero but soon proves to be one of the most compelling characters in the series. His friendly rivalry with Li Xiangyi or Li Lianhua is quite possibly one of the best bromance dynamics I've seen in any drama. While he is the typical stoic “tsundere” character, his interactions with the other two protagonists are the funniest moments in the whole series. And damn, he's such a striking figure, an absolute badass!

The villains are absolutely despicable! You will never find an ounce of sympathy to spare for these hateful people. But they are not exactly your cookie cutter type of villains since their motivations aren't solely rooted in the fact that they are evil. The supporting characters are also engaging albeit some of them are not as memorable as the others. But perhaps the one character that really struck me was Yun Biqiu. His story of remorse and redemption is truly touching.

The writing could've been better, though. There are parts in this series that left me scratching my head, trying to find logic in them. Some seem too contrived, convenient, and coincidental that I had to suspend my disbelief more than a few times in order to enjoy this series. I wish they could've been more precise in the writing department, but since it is a fantasy drama, I figured I could just chalk it up to mystical arts.

As for the production value, they didn't skimp on the set designs, costumes, and cinematography although there are some scenes that looked iffy to me. I suppose I could attribute that to bad CGI due to lack of budget. The fight scenes are spectacular, though. Most costume C-dramas don't play around with their fight choreography, but this drama, in my opinion, has some of the most convincing fight sequences and the main actors really look like martial artists. I give the stunt coordinators and fight choreographers (apart from the actors of course) the credit for that.

All in all, this was an enjoyable 40-episode drama that I don't regret watching and would probably watch again if I can't find another series to obsess on, or when I miss Li Lianhua. But for now, I'm saying goodbye to my old friends, Lianhua, Fei, and Duobing. Yes, they're my friends now!

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A beautiful and poignant live action adaptation of a beloved manga/anime series

Hikaru No Go was one my favorite anime and manga series from the early 2000's. It became so hugely popular that it spawned a newfound interest in Go, drawing many new players to the sport - me included (although I was never very good at it). But for some reason, the Japanese entertainment industry never felt the need to make a live action adaptation despite its massive fandom. It wouldn't be until almost 20 years later since the manga's inception when a C-drama adaptation of the series would be released. It's called Qi Hun in China, but it retained its original title for its international release. I didn't have the chance to watch it when it was initially shown because I didn't have subscriptions to Chinese streaming sites at that time. But recently, I remembered that I still haven't seen it and found it on iQIYI thankfully. As a fan of the source material, I went into this with a lot of skepticism because live action adaptations, more often than not, do not give justice to the original, so I didn't think they could pull it off. But color me surprised, they did and they did so with flying colors! I fell in love with the drama from the get-go. I could tell from the first few episodes that this was created by people who loved the manga and this was a love letter to the timeless work written and drawn by Hotta Yumi and Obata Takeshi. Yes, the setting, names, looks of the characters, and language are different, but they preserved the soul of the manga. It felt like Hikaru No Go through and through, not some cash-grabbing poor imitation of the original.

It follows the story of an unsuspecting young boy (Shi Guang/Hikaru) who stumbles upon an ancient Go board that is haunted by the ghost of a Go prodigy (Chu Ying/Sai) who met a tragic fate and has been waiting for more than a thousand years to obtain his redemption. Together they set out to find the “Divine Move”, something that most masters of the sport dream of finding. As the story progresses, Shi Guang grows to love the sport and Chu Ying starts to mentor him, teaching him everything he knows and molding him to become one of the finest players the sport has ever seen. The bond that they share is one of the focal points of the story and this drama gives justice to that. Their relationship is wholesome, touching, and heart-wrenching. Chu Ying isn't just Shi Guang's mentor but also his father figure and most avid cheerleader. They are thick as thieves! I cried buckets because of them.

Chu Ying is definitely the best character in this drama just like Sai in the anime/manga. He is such a pure soul and the perfect teacher. He's patient but strict. He encourages but he doesn't push too hard. He doesn't become envious of Shi Guang's growth and talent, but he feels proud instead. He knows that Shi Guang is his legacy and the only proof that he ever existed. Another thing that this drama got right is the rivalry between Shi Guang and Yu Liang (Akira). One of the highlights of this series is Shi Guang and Yu Liang's intense rivalry that develops into a beautiful friendship. Their tacit understanding of one another makes them a compelling pair. They may hate each other's guts sometimes, but they want the other to succeed and feel terrible when the other fails. Yu Liang is the complete opposite of Shi Guang and yet it is he who understands him best apart from Chu Ying.

Shi Guang's other relationships are equally heartwarming, from his supportive grandfather and high school friends to his comrades from his Go club who would do anything for him. It made me think that he is indeed fortunate to have friends like these. Hong He is one of my favorites among his friends, he is such a good guy and I found myself rooting for him. His love-hate relationship with Gu Yu is also interesting. I cried when Gu Yu confronted him and told him how much he envied and admired him at the same time. His teachers from his Go club are also very endearing as well as the nameless monks in Lan Yin temple and the construction guys who gave Shi Guang and the boys a hand. I also learned to love Yu Liang's senior, the arrogant playboy, Fang Xu. His character development is one of the things that I liked about this drama. I couldn't even dislike that spoiled brat who prides himself as the best player in their Go club because at the end, he becomes a little more mature and accepts defeat. I love every character in this drama except that braggart, Mu Qing Chun. He's a real piece of work! Hahaha!

The screenwriters did a marvelous job at adapting the source material, something I really didn't expect. The dialogues are so on point and there are many quotable quotes, especially from Chu Ying. The emotional beats and tense-filled scenes are so well-executed that I felt nervous whenever they played matches. I love that this is not just about Go but also about life, growing up, love, and loss. I cried so much watching this drama. Yes, they made changes, but I actually have no complaints, especially with the way they ended it. Truth be told, the manga ends abruptly with no real resolution or closure that many people felt disappointed. So the fact that they ended it the way they did made it better.

The music is also well-suited to the series. The makers of the drama even went out of their way to do a Chinese remake of the iconic theme from the anime that was originally written by Kids Alive. There are tons of easter eggs and callbacks to the manga and anime that if you're a fan, you will definitely be able to identify them.

I cannot heap enough praises for this drama and I cannot recommend it enough. If you're a fan of the anime/manga, this is a must-see! But if you're new to Go or the IP, it is also a wonderful coming of age story filled with ups and downs, wins and losses. It's not perfect, for sure, but I give it a 10 out of 10 because it is the kind of drama that I would want to rewatch again and again, and I became so attached to the characters that I felt that they're already a part of me. I was so immersed in this world that I'm very reluctant to leave it behind. I thank the makers of this drama from the writers, director, producers to the cast and staff, you made me laugh, cry, and feel good about myself. This drama truly deserves the only perfect 10-rating that I have ever given a C-drama thus far.

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