I'm not surprised that this Hong Kong film has been awarded so many times at many festivals including Sundance and Cannes.
I still think about the story, how it was tastefully set since it was filmed more than a decade back in Beijing, with how sensitive the story was to the development of Chinese society at the time, but at the same time so intimate and without pomp, with very good processing and acting, when the older man from the central pair, the bigger symposus slowly became a phenomenon for me (Chen Handong), as the main character (Lan Yu) ...

I think that the Chinese themselves would not have been able to film such a point of view of their society at that time, but they were lucky in that in the year the film was made, the "returned" capitalist Hong Kong contributed to it with its freer perspective. Very nice.