I'm not really fond of FML chasing ML first, especially if they are clingy and looking desperate for male attention, but after a few episodes of this drama, I'm not as averse to Yuan Bing Yan as the Princess Chang Le as I thought. But what really kept me going is Zheng Ye Cheng as the aloof Commander of the Guards. He first caught my attention in Love O2O as Hao Mei who was in this bromantic relationship with Vin Zhang. But here, Ye Cheng is a totally different person, much older and with better acting.

As Shen Yen, he endures the silly antics of the stalker-y Princess, sometimes even to the detriment of his missions. The Princess thinks that she has charmed her way in Shen Yen's heart as he was as firm in his rejection. Portrayed as a pampered brat, especially over-indulged by her doting Grandfather, Chang Le is most likely a misunderstood woman who had to deal with political machinations (even from her own father) since her mother's death. Of course, we know eventually that Shen Yan will cave in and profess his undying love for the Princess but before they can live happily after, the couple has to go through the usual trial and tribulation set forth by their conniving relatives and friends and relatives of said conniving relatives.

The drama would not be complete without secondary and tertiary couples, between ML's brother and FL's bestie, and also between their two servants. Contrived couple-dom for the win. This drama is lighter than your usual historical drama, just by counting by the number of times that the FML strategically falls into the ML's arms, and eye-rolls at said "accidental" tripping.

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This is my favorite E-sports drama so far even trumped my previous fave E-Sports Romance (Love O2O). Cheng Xiao is adorable as the amateur game goddess Tong Yao, who in the beginning was like a deer caught in headlights when she enters a professional gaming league as the only female player and a mainly-male dominated sport. She suffers some initial setback and distrust from more seasoned players, including the team captain of ZGDX, where Tong Yao is a member. Xu Kai as Lu Si Cheng is convincing as the cold and aloof leader, who later warms up to Tong Yao after she proved her value to the club. Supporting Tong Yao from the beginning is her bestie Jin Yang, even while she is navigating her own battles with love (the on-and-off relationship with Ai Jia).

In the course of the drama, we see the introduction of many characters, with some falling for the Mulan and God of OPL, and while some are harmless crushes, others fans were far more vindictive. The drama takes this opportunity and others to demonstrate how being a keyboard warrior can affect the lives of the people being talked about. Despite the popularity of some of these players, they are also human who are vulnerable to unwarranted criticism, especially if they are attacks on a personal level. The drama also showcases the level of cooperation between teammates while playing a game, as well, as how they operate in their private lives. For example even though Si Cheng's tenacious protectiveness of his colleagues is well-intentioned, he had to learn to trust his teammates to carry the burden.

In other notes, Though the in-game animation /CGI is pretty badass, sometimes it is difficult to follow the gaming strategies especially if you are not an active player of a MOBA game like Onmyoji Arena. Although the drama imparts many kernels of wisdom regarding teamwork, online bullying, lack of parental support and/or self-esteem, etc. sometimes it tends to get preachy. Otherwise it is a feel good drama.

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The premise started promising of an ordinary girl capturing the attention of the CEO of a very large corporation. However, the story arcs became repetitive, the damsel in distress became less endearing and the expressionless CEO became less attractive. As the story wore on, it reminded me of "It Started With A Kiss," a story which I find very annoying: a seemingly useless girl and an all-talented boy. The leads from this drama also looks and feels eerily similar to the leads in ISWAK. The conflicts in the drama also come across as lackluster. I find the side characters, such as the friends of the main couple, more endearing.

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This sprawling historical saga spanning thousands of years, is rich and luscious in its story-telling. The war, the love, the tribulations among the immortals and mortals are depicted with detail. Characters and plot are not one-dimensional. Most of them are easy on the eyes, even the villains. It would have been a 10 if it weren't for the female characters in the story, being given less redeeming qualities than their male counterparts. The female characters (even the good ones) are shown as duplicitous at worst, and unreasonably obstinate at best. While the male characters come across as the more forgiving, and more understanding partners. It was nice to see role reversals even at that time - the man cooking for the woman even if he was the crown prince, but this does not negate the fact that the women were given a harsher brush stroke. Bonus: if you don't even like the story, Mark Chao's acting is worth the 58 episode watch.

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Story: I am happy that finally that an LGBTQ film/short didn't feature hot studs or even unattractive but fit/skinny males who seem to get more action than the ones who tip the scale.

We can see that the MC is trying to put himself out there, trying to overcome his shyness by going to the pool and giving himself opportunities to get closer to his object of affection but sadly, most of us are all creatures who look towards physical appearances first before delving deep into the person behind it, even the MC is not exempt to this rule.

But towards the end, MC realizes that he can't force attraction that isn't mutual.

Acting: Average

Music: Nothing worth noting.

Rewatch value: Not really. Once is enough as it hit too close to home for me.

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First off, I don't like the ghost character. What was making me just watch this drama was Park Bo Young and even she could not save the drama for me. Secondly, I do not know whether the male lead fell in love with the female lead because of the ghost possessing her body or if he actually fell for her personality (which was not much to begin with). Even though she admired the chef even before she worked for him, her personality is a as dull as the floor of my kitchen. I finally had to drop it because I wasn't sure where the drama was going although I can already predict that it will just end happily with a pretty bow in the end.

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I am not typically into heavy melodrama, unless I count those teenage years of watching British shows about royals, or those childhood days of watching Hong Kong drama series about corrupt cops and dishonorable politicians. But Youth of May was a surprising pick that brought up memories of Martial Law when I was living in my home country. While my experience with martial law pales in comparison to the martial law imposed during the Gwangju uprising, this drama certainly puts into perspective how people have suffered and sacrificed their lives in the fight for democracy.

The drama starts with the discovery of the remains of one of the victims of that fateful event in 1980, but we don’t know who had died. It could be any of the characters the drama will introduce later, except we know that a broken pocket watch was found along with the ruined corpse, and that watch could belong to anyone. So there will be death, we’re almost sure of that, and it would not be pretty.

Then the show takes us back to the days before the uprising, when innocence and love can still bloom despite the political oppression surrounding the area. The chance meeting of a nurse and a medical student turns out to be destined, as fate later brings Hee Tae and Myung Hee together when the latter’s bestie asks her to stand-in as proxy for her blind date with the son of the Head of the Anti-Communist Investigation. This arranged date was supposed to bring the two families together as political allies, with the Hwangs gaining a rich businessman as an in-law and their resources to facilitate the government, while the Lees try to take advantage of political clout to release Soo Ryun and her friends from being incarcerated.

But of course, the activism in Soo Ryun doesn’t allow her to collude with the opposition as she and her friends regard Hee Tae’s father as no more than a government lackey intent on suppressing the democratic freedom of its people. At first, it was funny how Soo Ryun coaches her best friend on how to be rejected by a suitor, but all the tricks and tips Myung Hee deployed did not prevent Hee Tae from wanting to see her again. Although Myung Hee does not seem to mind the affections bestowed upon her, she realizes that she cannot entertain these feelings as she plans to leave the country in a few weeks.

Undeterred, Hee Tae launches an all-out charm offensive, despite his father’s warnings, and pleads with Myung Hee to take a chance on him, even if it’s momentary. The chemistry between Myung Hee and Hee Tae is palpable on screen. Lee Do Hyun’s playfulness balances out Go Min Si’s wistfulness, and they are certainly better matched than Lee Do Hyun with Song Hye Kyo (that romantic pairing as dry as a flatbread). Both leads brought their A-game to this drama and carried so much weight that their characters, despite their flaws, are humanized. The rest of the cast also bring life and color to their respective roles, even the actor portraying the hated Ki Nam who lords over the city, or the actors playing Soo Chan and Soo Ryun who were grappling with the dilemma that their protected status almost exempts them from further investigation, while the poor suffers injustice.

The cinematography and fashion are on point as it paints the 80s cultural vibe against a political backdrop, where they separate the haves and have-nots. The pacing of the plot also sets the urgency of living in the moment when they still can and while Hee Tae and Myung Hee navigate their feelings for each other, they are faced with the reality of the struggles happening around them. Their personal choices on continuing with their star-crossed romance hinge on the plight of their friends and the citizens of Gwangju. Whereas Hee Tae wants to hightail out of the city at the first real sign of political trouble, Myung Hee feels obligated to stay and help those who are victimized by the soldiers.

Although I should commend Myung Hee’s compassionate nature, I sometimes got irritated at her reluctance to leave that put herself and Hee Tae in dangerous situations. Following in her footsteps is her brother who also decides it was a good idea to bolt when he feels like it and causing his sister grief. If only he stayed in place where he should, Myung Hee wouldn’t have gone and tried to save him more than once. Their father is no better, with his attempts to cross military zones and roads that have been closed due to volatile circumstances. Everyone seems to be trying to be a hero and recklessly go into perilous situations that can be avoided.

I understand that cowering and hiding inside your own house is not the solution either, nor I am suggesting that the government at the time had the right to impose martial law or that the soldiers are justified in beating innocent people senseless just because they look like students who are about to protest, but when the situation calls for you staying inside your house for your own safety, I don’t see why you would go out of your way to incur danger.

So kudos to those who are brave enough to die for their beliefs; without them, there will be no calls for change. And Youth of May serves as a reminder that those who came before us paved the way for a better future.

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Call it slow-burn. Like watching rotisserie chicken simmering in the oven. A tale of revenge-turned-love unfolding in bits and pieces in this drama as Sim Woo Joo battles with her conflicting feelings about the son of the woman who stole her father, their house and ruined her whole life. Meanwhile, Han Dong Jin, slouches his back as problems at work surround him, and a belated visit from his ex-lover disrupts his routine. While Sim Woo Joo fights her way through life, Han Dong Jin acquiesces for what falls on his way. He lives minimally as if ready to relinquish everything he has at a moment’s notice. And this is what Woo Joo takes an issue with, the man’s passiveness and easy forgiveness as if he has no right to feel wronged.

Lee Sung Kyung shows some of her best acting prowess in this drama; the way she unleashes her pent-up frustrations at how life dealt her hand, how the father she loved betrayed their family, how she has to hold back some of her emotions for the sake of her sister and brother, how she defends her actions as justifiable, and how she grapples with her growing feelings towards her sworn enemy.

The rest of the cast also pull their own weight in this mostly character-based drama, with the plot being secondary as a background. The events that unfold showcase how humanity or lack there-of can play in the decisions of some, like how some people are repentant while others are not, despite numerous chances given. We learn in this drama, that while some people are just plain horrible, it does not necessarily mean that their off-spring will be the same. Some just lack the basic human decency of treating others with respect and continue to become trash, but we should not be painting their relatives in the same brush because they can turn out to be really decent human beings with an unfortunate excuse of a mother.

If you are expecting a light-hearted, fluffy romance drama, this is not it as Call It Love meanders its way along the excruciatingly long road of life.

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This is basically a poor man's version of "A Business Proposal." Though the premise is more or less the same, one thing I did not like here was how Gal Hui took advantage of her boss' illness to dupe him into believing she was somebody else. Overlooking this fact, the rest of the drama is cute and funny, and sometimes heartbreaking. I can't believe I enjoyed this drama more than I should, despite it's many loopholes. To name a few:

1) The Fall. I am surprised that Do Min Ik did not split his head open while he fell from a good height (on his head!). The chances of surviving this fall is slim to none without major injuries. I get it that he dislodged the pin that made facial recognition possible, but that is all. No bandage wrapping around his head, no broken bones, how is it possible??

2) The Box Cutter. How lame it is that the person who tried to hurt Do Min Ik and others uses the same weapon multiple times??? There was blood on it, dude! How can you use the same damn thing?? Might as well put a sticker on it, "Property of this Idiot."

3) The USB File. I guess everybody has the same USB that could be mistaken easily, that it is a wonder how confidential documents are kept. You can have cat videos and accounts of extortion in the same damn device and people can just take it or leave it or throw it as they please

4) Dubious Company policies. It must be some poor HR screening policy that allows people who were once fired, to be employed again. Do they not keep some records? Won't there be more questions why you are coming back to work?

5) The Police. Clearly they have nothing else to do but to solve this one case of non-murder. They are so easily swayed by statements made by their suspects that it will be surprising if they caught anybody. Hint: they did not. The idiot in #2 turned himself in.

And the best of all:

6) The Cast. I mean the cast on fake Veronica's arm. I mean Do Min Ik may not be able to see faces, but a glaringly obvious green cast with a heart he drew on Gal Hui's cast. In what world would she be able to explain that away??? Even if her cover was not blown earlier in the night, she would be caught green-handed.

There are too many coincidences in this drama to make me believe in logical thinking, but if I switch my brain off, and overlook these inconsistencies, the drama teaches you to open your heart to possibilities and be more human.

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I almost passed on this drama because of the bad advert (looking at you, poster) but I'm so glad I didn't. This for me is an almost perfect enemies-to-lovers romance, with a side of celebrity/commoner trope.

Having known each other for a decade, Nation's boyfriend Tae Sung and Hot Shot PR Manager Han Byeol are constantly at each other's throats through a series of misunderstandings. Their rivalry is widely-known and some figured it was mostly due to unrealized sexual tension and rumours about "are they/aren't they dating" are circling throughout the company.

I didn't realize that Han Byeol is being portrayed by the same woman in Weightlifting Fairy and she is so much better here (maybe because of the bad hair in the latter) and Kim Young Dae is adorable as the love-sick Tae Sung who belatedly realized his feelings for his nemesis. It was so fun and a hoot to watch this show and it certainly is a must-watch.

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This remake of Go Princess Go is highly rated and didn't disappoint. I wasn't sure how I will react to this drama, since I loved the low-budget original due to its "It's so bad, it's good" campy vibes, but this one sure brought it on. Despite my lukewarm feelings towards actors Shin Hae Sun and Kim Jung Hun in their other productions, they gave amazing performances here. They shone as individuals and gelled together as a couple. Their backroom politics and courtyard antics are both engaging and funny.

Supporting characters are multi-dimensional, and portrayed by a talented cast. You can tell that this is a big budget production, from the set & scenery, to the costumes, to the attention to detail, and everything in between. The comedic timing was spot on, and even the over-the-top brewing love story between the Head chef and the Queen's consort provided additional comedic relief. The array of food in the show is also quite impressive so if you are into mukbang shows, political intrigue sprinkled with a dash of rom-com, this drama is for you.

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This is really a refreshing drama despite its youth theme, normally they are so cringey to view for older viewers like me, but it goes deeper than highshool romance. Not a fan of slice-of-life, I am impressed at how the show treated family relationships, childhood friendships and teenage drama. The social teen group are comprised of characters that are multi-dimensional, with their own flaws, but their tenacity to wade through their problems are endearing. They came across as being more mature than even some of the adults in the drama. Despite only in her mid-teens when filming, Ancy Deng's performance is on point. The decision to cast her in spite of her age is a wise one: because teens should be played by teens, and not by older actors who may not necessarily have that youthful naivete. I read reviews that many were disappointed there wasn't a kiss scene in a romance drama (due to Deng's minor status, and her age gap with the ML), but it should not detract from the story.

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Perhaps if I hadn’t watched Mr. Queen, I would have given this drama a higher rating. I’m not saying these dramas are related, but this drama gave me the same vibe. Both dramas feature strong female leads as rulers of their kingdom, both had gender-bending or swapping as themes, and both have comedic elements. Basically, this drama is like a cross between Mr. Queen and The King’s Affection.  

While I was impressed with both aforementioned titles, My Uncanny Destiny perhaps has a less intricate plot and less developed secondary characters. I would say that though the comedic timing of the show is on–point, I believe this is due to the lead actress’ delivery and performance. Zhang Yue Nan’s solid portrayal as the formidable Lord of Mu Xi City is very convincing. This made me enjoy the character more, especially when she switches between Zhao Nan and San Mei, and yet still displays that same wiliness in her demeanor. The amazing dialogue helps a lot too. It looked like the writers sure invested a lot of thought into the FL’s lines that they perhaps forgot everyone else’s.  

Although adorable, Yan Zi Xian was disserviced by a FL so strong, that his character paled in comparison. Though he tries to hold on his own, he could not catch up. The rest of the characters were not as memorable as Qi Meng/Hui Rou, and it is for the wrong reasons. She’s just like a nasty bug that wouldn’t die, no matter how many times you try to kill it.  

Otherwise, if you have time for some light drama, this may be a decent show to watch.  

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I didn’t expect to enjoy this drama, but I did. I’m a sucker for friends-to-lovers, with a sprinkling of slow-burn, so I’m as good as dead. 

For starters, I’m rooting for a main character who is not your typical “hot Oppa“ lead, without needing to subscribe to beauty standards in order to be “accepted” by society. I find Tubby Kang so much more adorable before he lost weight because he was truer to himself and less conscious of trying to please others. And his chemistry with the FL before his transformation was palpable.  

Jia Wei and Jing Jing was an accidental pairing that neither could have predicted. They were constantly at each other’s throats, but we all know that all this is just play-fighting and nothing serious. Their banter was so fun to watch, but when push comes to shove, they motivate each other to become better people.  

Throughout the drama, we see both being oblivious, especially in the beginning, and both were also pinning their hopes on other people. To this end, Gao Zhan and the other Jing Jing become receptacles of the MC’s misplaced feelings. Neither memorable for their acting, nor essential to the plot, except perhaps to give platform to the MC’s stories.  

Speaking of the plot, I must say the final episodes did not impress me. It seemed like the writers didn’t know what to do with the material, so they threw a wrench in or two, just to give a conflict that was really petty to begin with. And because of this, these supposedly BFFs became incommunicado for like some years, and you expect me to believe that once they saw each other, all is well in the world? If they wanted to do this prolonged silent treatment as a sub-plot, they must also do a gradual progression on how both came to terms with their feelings, and not just slap a bow with no explanation whatsoever, except for some cringe-inducing finale. This really put a dent on an otherwise good drama.  

 

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