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Go Ahead chinese drama review
Completo
Go Ahead
12 persone hanno trovato utile questa recensione
by Kate
gen 8, 2024
46 di 46 episodi visti
Completo
Generale 8.0
Storia 8.0
Attori/Cast 9.0
Musica 9.5
Valutazione del Rewatch 8.0

"I will go outside to see the world. I will fail and I will suffer!...

...I want to see what I can achieve in the end!"

There is so much to love about this drama. There is also surprisingly a lot I did not, and it only hit me when I got closer to the end.

It’s safe to say this is a perfect drama for all found family trope fans. Watching Li Jian Jian, Ling Xiao and He Zi Qiu support each other under the caring watch of Li Hai Chao was beautifully heartwarming. What amazed me the most was the fact these relationships were not idealized. All characters struggled with many internal and external issues that were well developed and presented. Themes like being scared of being abandoned, or being forced to abandon people you love. The constant feeling you need to act perfect, be perfect, never complain to be worth the support you are getting. That uncomfortable feeling when people who were close to you in the past feel distant in the present. All of these affected their interactions with each other and made the bond that much more meaningful and strong.

Li Jian Jian was such a force of positivity. I know some people disliked her as a teenager, but personally I loved her in all 3 stages of her life. She was adorable as a kid, fun and expressive as a teenager and mature, but still exciting to watch as an adult. She was the person that could be called “home” by many characters and the bond that kept them together.

Ling Xiao was the one who kept his scars hidden the most and it was painful to watch. At times it truly felt as if he gave up on himself - whatever happens, as long as people he cares about are safe. The most passive in response to trauma, the one that kept it all inside. Finding his salvation in Li Jian Jian.

He Zi Qiu who smiled, even if he was crying inside. Fighting his battles alone, not wanting anyone to help, not wanting anyone to pity him. Trying his best not to be a burden, wanting to protect people around him. So caring, so good, so well-natured with such a bright and radiant personality. He became an older brother to all the characters.

And you know what’s the best? The main characters were not the only ones with depth. All the supporting characters had well-defined personalities and individual struggles that were separate from their connections to the main cast. Ming Yue who was limited by her low self-esteem and overbearing mother, Tang Can who felt like she was stuck in place when everyone around her lived their best and successful lives. I loved how Zhuang Bei did not disappear after the high school timeline, how he truly became part of the friend group. Or how Qin Mei Ying was not just a plot device and accessory to Chen Ting.

And then we have the best father in all drama history: Li Hai Chao. He could be used as a gold standard on how to well-integrate adopted children into an already existing family. He made sure everyone felt welcomed without neglecting his own daughter. Being patient was his biggest strength that made all the kids trust him. Putting happiness and well-being over, often meaningless achievements. Purest form of support we all dream about.

Sadly, that’s the end of the short list of the good parents this drama presented, and one of the main issues I had with the show.

Yes, I did like Ling He Ping, but it’s also true that he was a rather neglectful father. Working a lot, not being at home knowing how bad the situation is. Later putting his son in the care of a neighbor.

Not going into details, at some point I found the level and the number of dysfunctional families in this show exhausting and unrealistic. All families have their problems, that’s true. The thing is, Go Ahead does not present your typical issues, it’s all on the level of: you need therapy, these are not disagreement, this is an abuse.

Then we have the issue of vilification of mothers. This one abandoned her child, another did the same. This one is overcontrolling to the point of abuse, this one uses her child to get money. There was literally only one mother without any major issues, who did not mentally torture her child, and she was a mom of the side character. It’s not like the dads were perfect, but their faults were never highlighted as much.

At the same time, the drama gives a rather painful and unhealthy message - no matter what, you cannot give up on your mother, you have to try and make the relationship work, no matter the abuse and how much you are suffering, because it is your mother. Abandoning your child is “a mistake”, but not helping your mother when she struggles is the biggest sin one can commit. Some scenes just made me feel uncomfortable. I know there are some cultural differences and China puts a lot of importance on family bonds and family relations, but there is a big difference between doing your best to fix a relationship with your parents and just accepting abuse for years.

I also feel like the drama unintentionally stigmatizes mental health issues. In some aspects they did a good job, showing how serious are the consequences of emotional abuse, trauma, neglect, stress, pressure etc. The fact it’s not just - I feel sad. How it can affect your daily life, how it will only get worse if you won’t seek help and try to change the situation you are in. On the other hand though, they did blame a lot of toxic and awful behavior on psychological issues. The sad truth is - some people are simply dicks, and they will act like one whenever they struggle with something or not. Some people are just egocentric and selfish and them getting help won’t change that.

My “favorite” part about mental health presentation? Two characters talking about how you cannot get better in just a few months when you struggle with serious psychological issues, while also showing how serious issues were solved in a short period of time without getting into any details on how. All I could do was laugh.

Going back to the good - PERFORMANCES! Personally I believe Zhang Xin Chen and Tu Song Yan stole the show. The strong and beautiful father-son bond these two were able to present was one of the best aspects of the drama. They also had the best overall chemistry with all their co-stars. Whatever these two characters were going through always hit harder and made me feel more compared to when I watched the other characters.

While I enjoyed Tan Song Yun and Song Wei Long for their individual roles, somehow I did not click with their scenes together as their characters became adults. I feel like they had more chemistry playing teenagers. When the three siblings were together, when they had their separate scenes with Zhang Xin Chen, the on-screen chemistry was great, but when it was just the two of them… something was missing.

I don’t really have that much to say about the production value. It was great, but great is kind of a standard now in the industry.

On the other hand, there is a lot to compliment about the soundtrack! There is not one bad song, not one mismatched track - every tune is in perfect harmony with their corresponding scenes. Every song enhances the moments I witnessed, amplifying the emotions.

Overall, I binge watched the whole drama in 6 days, I think that is a greatest proof Go Ahead is an amazing show. It makes you like and care for the characters from episode one, and with each minute you get more and more attached to them and their journey.
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