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Crazy little thing called love.
Oh boy. This series was a ride and a half, and I'm still not entirely sure about my rating.
There were points when I was so frustrated watching this, but it did a fairly good job at engaging me. I'm a sucker for complex relationship dynamics, and I think each of the pairs in this delivered on that tenfold. So to best assess, let's look at the couples.
Mew & Top: When I started, I wasn't sure about them. Mew's character was relatable for me, and I wanted Top to be a good guy -- but of course, nothing is that easy. The fist shaking and face palming done during certain scenes with them was numerous. Surprisingly, I feel they did a good job at redeeming Top. I was rooting for him by the end, and in a weird twist, I was annoyed by Mew. His character flip due to heartbreak was enraging at points, but they pulled it back together. This was the pair I was least engaged with, though. Also can we talk about the random storyline they threw in at the end? Literally insanity to me because it had zero development and felt like someone was like "but wait... fire!"
Nick & Boston: This dynamic hit so much on Queer as Folk, but couldn't live up to that series. Still, Nick was endearing, though naive. Boston was not meant to be likeable and they did a fantastic job of conveying that. I really wish they would've explored more of his character, especially after what Nick said to him about wanting to be loved. I feel like that hit so hard, but wasn't fleshed out. Furthermore, they tried to redeem Ton, but there was no real moral dilemma evident when he just repeated his usual patterns. I feel like if they wanted us to believe he had some signs of hope, they needed to show that more. Ton grew on me, but like mold grows in a poorly ventilated bathroom. I'm sad but happy in the end that Nick chose himself. Boston has some growing to do, and he can't do it if he is enabled.
Sand & Ray: I actually chose to watch Only Friends because I enjoyed First so much in Note Me. This couple is really the star of the show for me. Ray was so enraging at points, and I think Sand was such a beautiful person, which they conveyed well. They were ying and yang at points, but complimented each other. As someone who works with mental health and addictions, Ray was a particularly heartbreaking character. His one therapy session had me near tears, and I wish we could've seen more of his exploration. I would've loved for them to delve more into the dynamics of recovery and loving someone in recovery. Their chemistry was palpable. One thing that bugged me a bit is the lack of closure related to Sand's dad.
Boeing: Not a pair, but he gets his own line because he created so many feels. Love the actor, hate the character -- so basically, he did another great job at acting. He was like Ton but boss level Ton. Any time he walked into the room, I was ready to throw something at my screen.
The ending felt a bit flat, but I enjoyed by journey (well, most of it).
There were points when I was so frustrated watching this, but it did a fairly good job at engaging me. I'm a sucker for complex relationship dynamics, and I think each of the pairs in this delivered on that tenfold. So to best assess, let's look at the couples.
Mew & Top: When I started, I wasn't sure about them. Mew's character was relatable for me, and I wanted Top to be a good guy -- but of course, nothing is that easy. The fist shaking and face palming done during certain scenes with them was numerous. Surprisingly, I feel they did a good job at redeeming Top. I was rooting for him by the end, and in a weird twist, I was annoyed by Mew. His character flip due to heartbreak was enraging at points, but they pulled it back together. This was the pair I was least engaged with, though. Also can we talk about the random storyline they threw in at the end? Literally insanity to me because it had zero development and felt like someone was like "but wait... fire!"
Nick & Boston: This dynamic hit so much on Queer as Folk, but couldn't live up to that series. Still, Nick was endearing, though naive. Boston was not meant to be likeable and they did a fantastic job of conveying that. I really wish they would've explored more of his character, especially after what Nick said to him about wanting to be loved. I feel like that hit so hard, but wasn't fleshed out. Furthermore, they tried to redeem Ton, but there was no real moral dilemma evident when he just repeated his usual patterns. I feel like if they wanted us to believe he had some signs of hope, they needed to show that more. Ton grew on me, but like mold grows in a poorly ventilated bathroom. I'm sad but happy in the end that Nick chose himself. Boston has some growing to do, and he can't do it if he is enabled.
Sand & Ray: I actually chose to watch Only Friends because I enjoyed First so much in Note Me. This couple is really the star of the show for me. Ray was so enraging at points, and I think Sand was such a beautiful person, which they conveyed well. They were ying and yang at points, but complimented each other. As someone who works with mental health and addictions, Ray was a particularly heartbreaking character. His one therapy session had me near tears, and I wish we could've seen more of his exploration. I would've loved for them to delve more into the dynamics of recovery and loving someone in recovery. Their chemistry was palpable. One thing that bugged me a bit is the lack of closure related to Sand's dad.
Boeing: Not a pair, but he gets his own line because he created so many feels. Love the actor, hate the character -- so basically, he did another great job at acting. He was like Ton but boss level Ton. Any time he walked into the room, I was ready to throw something at my screen.
The ending felt a bit flat, but I enjoyed by journey (well, most of it).
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