Bad first impression, but they managed to turn it around
Based on my experience watching episode 1, I really thought I would drop Perfect Marriage Revenge early on. The acting underwhelmed me, the scene-to-scene pacing felt off and slow, and a lot of my pet peeves were hit in the plot early on.
I can’t stand protagonists, especially heroines, who are presented as the ultimate victim of the world’s cruelty, a flawless do-gooder who only suffers due to external, black-and-white circumstances. I just find that boring and irritating. And this is essentially how the FL, Han Yi Joo, is introduced. All of ep 1 is just tragedy after tragedy being committed against our hapless heroine.
HOWEVER. I’m glad I stuck it out for a few more episodes because the writers really turned things around. The characters were rounded out and got more depth. The acting seemed to improve as the actors settled into their roles. Basically, the show turned from a badly produced makjang to a stronger, more nuanced but still guilty-pleasure-entertaining drama.
I loved how we got to explore all the main characters’ inner lives.
FL: Once Han Yi Joo time travels back in her life, she resolves to no longer be a victim. She plans her cold-blooded revenge, but she doesn’t easily take on that role. In stressful times, she reverts to that timid, helpless girl she was, and the writers give her appropriate time to grieve for everything she lost by not standing up for herself sooner.
ML: Sung Hoon as Seo Do Guk did a wonderful job playing Simp of the Year. He was so madly sweetly in love with the FL, he would just glow on the screen whenever he was looking at her. I’m usually not a fan of Sung Joon but this might be the first role I’ve ever seen him in that I loved.
SFL: The heroine’s adoptive sister, Han Yoo Ra, was to me the most interesting character in the drama. She begins as the classic makjang minor villain — a spoiled, hateful brat who lords her power over others and throws tantrums when she doesn’t get her way. Over the course of the plot, we see other sides of her, as well as the effect that being raised by her awful, evil mother has had. I love a mean girl character, and while the PMR writers don’t try to redeem her, they do try to make the audience empathize with her, which was brilliant.
They pulled off a similar arc with the SML, the FL’s original husband who betrays her, though I found him less interesting.
The only completely unapologetic, black-and-white character is the villain mother, Yoo Se Hyeok. And wow, was she evil. Whenever she was around, the makjang vibes returned in full force.
So, I’m glad I stuck it out and gave this surprisingly well-rounded drama a chance to hook me.
TROPES (light spoilers):
- ML falls first, fast, and hard
- transmigration: time travel, return to one’s own past
- contract marriage
- domestic abuse, emotional and physical
- chaebols, succession politics, business drama
- fast burn, good intimacy and great kisses between the leads
- third act breakup (but it’s brief and not a big part of the plot)
I can’t stand protagonists, especially heroines, who are presented as the ultimate victim of the world’s cruelty, a flawless do-gooder who only suffers due to external, black-and-white circumstances. I just find that boring and irritating. And this is essentially how the FL, Han Yi Joo, is introduced. All of ep 1 is just tragedy after tragedy being committed against our hapless heroine.
HOWEVER. I’m glad I stuck it out for a few more episodes because the writers really turned things around. The characters were rounded out and got more depth. The acting seemed to improve as the actors settled into their roles. Basically, the show turned from a badly produced makjang to a stronger, more nuanced but still guilty-pleasure-entertaining drama.
I loved how we got to explore all the main characters’ inner lives.
FL: Once Han Yi Joo time travels back in her life, she resolves to no longer be a victim. She plans her cold-blooded revenge, but she doesn’t easily take on that role. In stressful times, she reverts to that timid, helpless girl she was, and the writers give her appropriate time to grieve for everything she lost by not standing up for herself sooner.
ML: Sung Hoon as Seo Do Guk did a wonderful job playing Simp of the Year. He was so madly sweetly in love with the FL, he would just glow on the screen whenever he was looking at her. I’m usually not a fan of Sung Joon but this might be the first role I’ve ever seen him in that I loved.
SFL: The heroine’s adoptive sister, Han Yoo Ra, was to me the most interesting character in the drama. She begins as the classic makjang minor villain — a spoiled, hateful brat who lords her power over others and throws tantrums when she doesn’t get her way. Over the course of the plot, we see other sides of her, as well as the effect that being raised by her awful, evil mother has had. I love a mean girl character, and while the PMR writers don’t try to redeem her, they do try to make the audience empathize with her, which was brilliant.
They pulled off a similar arc with the SML, the FL’s original husband who betrays her, though I found him less interesting.
The only completely unapologetic, black-and-white character is the villain mother, Yoo Se Hyeok. And wow, was she evil. Whenever she was around, the makjang vibes returned in full force.
So, I’m glad I stuck it out and gave this surprisingly well-rounded drama a chance to hook me.
TROPES (light spoilers):
- ML falls first, fast, and hard
- transmigration: time travel, return to one’s own past
- contract marriage
- domestic abuse, emotional and physical
- chaebols, succession politics, business drama
- fast burn, good intimacy and great kisses between the leads
- third act breakup (but it’s brief and not a big part of the plot)
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