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It's really all about the correct fit, which this did not have
Edit - I recently was listening to a podcast that talked about the current situation in South Koreas for actors. There seems to be diminishing amount of work available even for the best of actors. My review hit Park Eun Bin pretty hard in her portrayal of the FL. One question I kept asking was why would Park Eun Bin take on a role like Mok Ha? Well with the amount of work for South Korean actors decreasing, that answers my question. I hope with the popularity of Kdramas, there will be plenty of work available for these talented actors.
In watching this series, I can sum up my impression with one word...disconnect. Let's first talk about the disconnect with the lead role.
Probably like most other viewers, I watched this series for actor Park Eun Bin. Her stellar performances in The King's Affection and Extraordinary Attorney Woo brought me back for more. The expectations were high, maybe too high, as this performance did not deliver like her two previous series. Eun Bin is a gifted and talented character actress, and I'm not sure the role of Mok Ha needed what she brought to it. Maybe that is why I always felt at odds with Mok Ha when watching her storyline unfold. I never really felt there was a good fit between this talented actress and the character she was playing. However, the rest of the cast seemed to gel nicely with their characters. I especially enjoyed the actors who played young Ki Ho and young Mok Ha.
Next was the disconnect between my expectations of the series (based on the marketing) and the reality. It came across as a light-hearted, funny, musical-type of series. But from the very beginning, it had this dark side that carried the viewer through all kinds of torture with hellish family abuse, violence, attempted murder, suicide, business sabotage, and let's not forget trying to survive on a deserted island. I realize this adds layers and complexity to a storyline, but the execution of lighthearted contrasted with violence was a little too extreme for one story, and for me, made it unbelievable. I also had a hard time believing in Mok Ha's journey both on the island and once she was rescued. I know this is fiction, and anything can happen in fiction, but building a hut? How and where did those wood slats come from? The nails? The tools? I remember hearing an interview of Tom Hanks and Robert Zemekis when the 2000 movie Castaway came out in theaters. They spoke how they constantly debated on how far they would let Hank's deserted island character show the utter reality of surviving. If they showed complete reality, it would drive the viewer away as it would be too depressing to watch. I realize that same thing applied to this series, but it seemed they went a little too far as sometimes it just seemed everyday was a great day on the island.
Mok Ha's transition back into civilization was another disconnect. First of all, trauma is her middle name. She has an abusive father, runs away, is chased into the sea by this abusive father, washes ashore, sees her dead father in the waves, and has to survive by herself for 15 years. Yet, with all of this trauma, when she does come back to civilization, she immediately dons her fan-girling hat, blows up balloons, cheers for her favorite idol as the most balanced and stable human being on the planet. It just is way too unbelievable. I also have to say that I find this somewhat offensive. If a person actually went through what Mok Ha went through, there would be years of therapy to work through the trauma and re-enter life. The way the writers completely ignored this is great disservice to abuse and trauma victims. Not only was it ignored, but when Mok Ha is rescued, all the focus goes to the selfish, self-serving celebrity hitting her alcoholic bottom lamenting her lost career, and how Mok Ha takes care of her! This is what I least liked about the series.
My advice to someone thinking about watching this series is to treat it like a fairytale. There is a hero, heroine, villain, and the stuff that happens to them is a bit on the "magical" side, but it's done to get them to that happily-ever after.
In watching this series, I can sum up my impression with one word...disconnect. Let's first talk about the disconnect with the lead role.
Probably like most other viewers, I watched this series for actor Park Eun Bin. Her stellar performances in The King's Affection and Extraordinary Attorney Woo brought me back for more. The expectations were high, maybe too high, as this performance did not deliver like her two previous series. Eun Bin is a gifted and talented character actress, and I'm not sure the role of Mok Ha needed what she brought to it. Maybe that is why I always felt at odds with Mok Ha when watching her storyline unfold. I never really felt there was a good fit between this talented actress and the character she was playing. However, the rest of the cast seemed to gel nicely with their characters. I especially enjoyed the actors who played young Ki Ho and young Mok Ha.
Next was the disconnect between my expectations of the series (based on the marketing) and the reality. It came across as a light-hearted, funny, musical-type of series. But from the very beginning, it had this dark side that carried the viewer through all kinds of torture with hellish family abuse, violence, attempted murder, suicide, business sabotage, and let's not forget trying to survive on a deserted island. I realize this adds layers and complexity to a storyline, but the execution of lighthearted contrasted with violence was a little too extreme for one story, and for me, made it unbelievable. I also had a hard time believing in Mok Ha's journey both on the island and once she was rescued. I know this is fiction, and anything can happen in fiction, but building a hut? How and where did those wood slats come from? The nails? The tools? I remember hearing an interview of Tom Hanks and Robert Zemekis when the 2000 movie Castaway came out in theaters. They spoke how they constantly debated on how far they would let Hank's deserted island character show the utter reality of surviving. If they showed complete reality, it would drive the viewer away as it would be too depressing to watch. I realize that same thing applied to this series, but it seemed they went a little too far as sometimes it just seemed everyday was a great day on the island.
Mok Ha's transition back into civilization was another disconnect. First of all, trauma is her middle name. She has an abusive father, runs away, is chased into the sea by this abusive father, washes ashore, sees her dead father in the waves, and has to survive by herself for 15 years. Yet, with all of this trauma, when she does come back to civilization, she immediately dons her fan-girling hat, blows up balloons, cheers for her favorite idol as the most balanced and stable human being on the planet. It just is way too unbelievable. I also have to say that I find this somewhat offensive. If a person actually went through what Mok Ha went through, there would be years of therapy to work through the trauma and re-enter life. The way the writers completely ignored this is great disservice to abuse and trauma victims. Not only was it ignored, but when Mok Ha is rescued, all the focus goes to the selfish, self-serving celebrity hitting her alcoholic bottom lamenting her lost career, and how Mok Ha takes care of her! This is what I least liked about the series.
My advice to someone thinking about watching this series is to treat it like a fairytale. There is a hero, heroine, villain, and the stuff that happens to them is a bit on the "magical" side, but it's done to get them to that happily-ever after.
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