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labcat
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Cute Feel-Good Comedy
Shall I call this a comedy about four dysfunctional men in a cafe known for its desserts? One is afraid of desserts because of some traumatic childhood event One is afraid of women also because of some traumatic event. One has to start a new life because his boxing career is over thanks to a medical condition. One takes it upon himself to be a bodyguard to protect his "boss" except that he's not cut out to be a bodyguard. As you can expect, there will be plenty of funny situations.
But this is not a comedy that just makes you laugh. It can be a touching, if episodic and slight disjointed, story on the friendship between the four people and how the support the give one another help them cope with their personal crises.
There's a lot of cuteness in the story, and the more serious parts are not seamlessly worked in. Besides all the relatively trivial events, there is a series of kidnapping that goes in and out of focus in the storytelling. Children have been killed and the killings are not treated as jokes, but hey don't seem to be taken seriously enough. The scenes of dead children seem a little out of place. Perhaps there is a challenge when it comes to making a live-action adaptation of a manga. There is something cartoonish about the characters that enhances the humor but it may not go down well with everyone especially when it is juxtaposed with the scenes of child murders. (There is probably some unintentional social commentary: the police seem so thoroughly incompetent that they don't even think of what a journalist does: check the cafe's CCTV footage to try to find the kidnapper.)
Unlike previous drama adaptations, this one lets the gay character be all-out gay. He flirts openly with men and there is no attempt to downplay the character's sexual orientation, especially when his ex-boyfriend comes into the story. This is nice in itself, but perhaps we are too often teased with the prospects of a Punn/Weir romance. Since times have changed, why not make an adaptation with an actual BL subplot even if it is not between Punn and Weir. After all, if the adaptation 20 years ago could totally remove the character's sexual orientation, why can't an adaptation in 2021 add in a BL subplot?
But this is not a comedy that just makes you laugh. It can be a touching, if episodic and slight disjointed, story on the friendship between the four people and how the support the give one another help them cope with their personal crises.
There's a lot of cuteness in the story, and the more serious parts are not seamlessly worked in. Besides all the relatively trivial events, there is a series of kidnapping that goes in and out of focus in the storytelling. Children have been killed and the killings are not treated as jokes, but hey don't seem to be taken seriously enough. The scenes of dead children seem a little out of place. Perhaps there is a challenge when it comes to making a live-action adaptation of a manga. There is something cartoonish about the characters that enhances the humor but it may not go down well with everyone especially when it is juxtaposed with the scenes of child murders. (There is probably some unintentional social commentary: the police seem so thoroughly incompetent that they don't even think of what a journalist does: check the cafe's CCTV footage to try to find the kidnapper.)
Unlike previous drama adaptations, this one lets the gay character be all-out gay. He flirts openly with men and there is no attempt to downplay the character's sexual orientation, especially when his ex-boyfriend comes into the story. This is nice in itself, but perhaps we are too often teased with the prospects of a Punn/Weir romance. Since times have changed, why not make an adaptation with an actual BL subplot even if it is not between Punn and Weir. After all, if the adaptation 20 years ago could totally remove the character's sexual orientation, why can't an adaptation in 2021 add in a BL subplot?
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