Jessica
California
Questa recensione può contenere spoiler
Wow, where to begin? This is what I would call a "once in a lifetime" drama. Some dramas just cut deeper than others. My Mister left me laughing and crying, all at once, and the slow pacing never bothered me – in fact, it just drew me in even more.
This drama is so exquisitely written, from how tightly the plot is drawn together, to the perfectly uplifting yet melancholy dialogue. I love how carefully this drama redefines what an "ahjussi" is and what a meaningful relationship looks like. This drama has so much pain in it, but it heals you through that pain.
While the plot wandered, it came back to center, and the character development really shined. Every single character had a duality that made them so empathetic. The main cast is written with dimension and duality; we see them in moments both problematic and progressive, pathetic and admirable, weak and strong. I think that while it's easy to admire a perfect hero, it's the characters that invoke both pity and joy that we can relate to the most. The only thing I would ask for if anything, was for Dong Hoon's relationship with his son to be more clearly written, but this show wasn't about parenthood really, so it's understandable.
The filming itself was done very well — you could tell that the crew put in the time to make it quality. The editing was a little bit awkward for some episodes, likely due to time crunch, but these are minor issues.
The best part about this drama was probably the casting/acting. Lee Sun Kyun just has a look that breaks your heart and warms it at any given moment. His empty stare and heavy sighs echo louder than any of his yells, and each tear he sheds feels like a waterfall. Less is more in his case, and I bought into every moment of his performance. IU really surprised me this time around with Ji An. Ji An is already such a mysterious and complex woman, and IU really gave this abstract character grit and darkness. Seeing her with Son Sook as her grandmother was also so sweet – they had great chemistry.
As for the soundtrack, they absolutely nailed it, 10/10.
I loved this drama. It taught me two things: good storytelling and how to cope with the traumas of life.
This drama is so exquisitely written, from how tightly the plot is drawn together, to the perfectly uplifting yet melancholy dialogue. I love how carefully this drama redefines what an "ahjussi" is and what a meaningful relationship looks like. This drama has so much pain in it, but it heals you through that pain.
While the plot wandered, it came back to center, and the character development really shined. Every single character had a duality that made them so empathetic. The main cast is written with dimension and duality; we see them in moments both problematic and progressive, pathetic and admirable, weak and strong. I think that while it's easy to admire a perfect hero, it's the characters that invoke both pity and joy that we can relate to the most. The only thing I would ask for if anything, was for Dong Hoon's relationship with his son to be more clearly written, but this show wasn't about parenthood really, so it's understandable.
The filming itself was done very well — you could tell that the crew put in the time to make it quality. The editing was a little bit awkward for some episodes, likely due to time crunch, but these are minor issues.
The best part about this drama was probably the casting/acting. Lee Sun Kyun just has a look that breaks your heart and warms it at any given moment. His empty stare and heavy sighs echo louder than any of his yells, and each tear he sheds feels like a waterfall. Less is more in his case, and I bought into every moment of his performance. IU really surprised me this time around with Ji An. Ji An is already such a mysterious and complex woman, and IU really gave this abstract character grit and darkness. Seeing her with Son Sook as her grandmother was also so sweet – they had great chemistry.
As for the soundtrack, they absolutely nailed it, 10/10.
I loved this drama. It taught me two things: good storytelling and how to cope with the traumas of life.
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