A simple, but delightful drama which was akin to spring transitioning to summer...
I hesitated at first to watch this drama. I've seen Shin Se Kyung's past dramas and I was not convinced with her acting then. In addition, there are three distinct genres that do not easily catch my attention: sports, musical, makjang, and war or period shows. Run On happened to be about sports. Still, I followed my instincts and tried to watch the first episode and to my delight, I was not disappointed at all. I think assertive characters fit Shin Se Kyung more as her acting was convincing this time.
Run On seemed more of an ambient film. It was not particularly plotless, but it was not really centered on its plot. It rather more focused on its characters—their behaviours, growth, and how they perfectly contrasted each other.
Run On still relied in some known clichés, though, it was brilliant enough to craft its own refreshing twists as it was rather progressive than just blindly confining to the conventions of such known clichés. It was great that it also gave way in empowering women.
I also appreciated how they portrayed each character with realistic flaws without overdramatically romanticizing them: the rational and independent, but condescending and insensitive Dan-ah; the creative and adorable, but childish Yeong-hwa; the ethical and hardworking, but socially awkward Seon-gyeom; Mi-joo, who was also independent and hardworking, but sometimes tactless. Even the supporting characters did not disappoint with the interesting character study. I also appreciated how the drama tackled the fondness for cinema; Mi-joo worked as an English subtitle translator and the name Yeong-hwa also means "film".
This was overall a simple, but delightful drama. This was akin to spring transitioning to summer. It was just a relaxing show to sit on as you relish in the four season tropical punches brought by each character's quirks and flaws.
Run On seemed more of an ambient film. It was not particularly plotless, but it was not really centered on its plot. It rather more focused on its characters—their behaviours, growth, and how they perfectly contrasted each other.
Run On still relied in some known clichés, though, it was brilliant enough to craft its own refreshing twists as it was rather progressive than just blindly confining to the conventions of such known clichés. It was great that it also gave way in empowering women.
I also appreciated how they portrayed each character with realistic flaws without overdramatically romanticizing them: the rational and independent, but condescending and insensitive Dan-ah; the creative and adorable, but childish Yeong-hwa; the ethical and hardworking, but socially awkward Seon-gyeom; Mi-joo, who was also independent and hardworking, but sometimes tactless. Even the supporting characters did not disappoint with the interesting character study. I also appreciated how the drama tackled the fondness for cinema; Mi-joo worked as an English subtitle translator and the name Yeong-hwa also means "film".
This was overall a simple, but delightful drama. This was akin to spring transitioning to summer. It was just a relaxing show to sit on as you relish in the four season tropical punches brought by each character's quirks and flaws.
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