A fluffy period rom-com that is a pale imitation of the original

This show is a remake of the 2000 original of the same name which some considered a classic. We shall review this show on its own merits first, but we shall run some comparisons towards the end so that we can reference the scoring.

Let’s have a look at this show from a 2023 perspective. The show has good production value, and a decent cast. There are technically 2 main couples (plus a couple of secondary ones) but the 1OTP consisting of Tian Xi Wei and Ao Rui Peng is clearly the primary couple. They are on screen about 60% of the time and their plotline is the A-plot. Oddly enough, the 2OTP is more interesting and have more depth, yet they are relegated to a support role. This would not be a big problem but for the fact that Tian is not well suited to this role. While Tian has starred in several period dramas including the highly rated New Life Begins. Her typical role is a cute, sassy girl, but this show calls on her to be a well-trained martial artist and she just doesn’t pull it off. The closest she got is awkward brashness. The few fighting scenes were obvious done by her stunt double. This makes her character a bit lopsided and feels simple minded. The 1ML is a more rounded character. He is very intelligent but also a skilful fighter. This makes this pairing even more uneven. They have their sweet moments but hardly the ideal “accidental” pairing which is the raison d’etre of the show.

On the other hand, the second pairing of Bai Bing Ke and Zhao Shun Ran do truly complement each other. Zhao’s textbook portrayal of a general is solid and he has the gravitas for this role. Bai’s role is completely different from Tian’s. While she is supposed to be a high born lady, she also has a pin sharp intellect, well versed in many subjects including the art of war and a quick learner to boot. Theirs is a perfect marriage of brain and brawn. While 1ML seems to spend more time explaining the plot to the 1FL and rescuing her from self-infected troubles. I know that’s how the script is written but I can’t help but wonder what will happen if 1ML marries 2FL? That will be one power couple!

Overall, the show is a low angst, watchable rom-com. It is low angst because the show has this propensity of dismantling its own tension. All the antagonist's machinations against our leads are foiled by chance or by our clever 1ML or 2FL in quick succession. The script painted him as an evil mastermind but he is made to look impotent. It got to the point that we'd assume our leads will win regardless. Another issue is plots that were once fresh are now considered cliché. This turns the show into a “mealtime” show. You don’t need to pay it much attention while doing other things.

In the end, this show is a fluffy, watchable period rom-com that is on par with many other recent ones. Everything is acceptable but hardly memorable. There is nothing wrong with that except this is supposed to be a remake of the 2000 original. From that perspective, a quick comparison is warranted.

It is obvious from the start that the plot is the same, and they have replicated many scenes as well. We can see the similarities as well as deviations. Unfortunately, what is missing are scenes and dialogues that gave the original its depth yet they padded this version out from 20 to 24 eps. Can't say that this helps the pacing. The OG characters do felt more nuanced and animated. There are more skinship in the original and they are also more passionate. This surprised me. The modern version looks and feels generic and sanitised. If this is what modern interpretation means, then we have gone backwards. If this was a stand-alone drama, I might have scored it a little higher but it really doesn't do justice to the original.

If you are interested, the original series is available on YouTube with English sub.

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This urban fairytale needs to come with a health warning

This show may not be a great drama, but it is a good textbook rom-com. It is totally divorced from reality and its characters are distillations of the classic Cinderella trope. It ticked all the boxes with workman like efficiency. Whether you love or hate this show will largely dependent on how much sugar you can handle before going into diabetic coma. DO NOT watch this show if any of the previous words is a trigger for you. You have been warned.

From start to finish, the show is an escapist fare. You have to accept this to enjoy it to the fullest. Hence the following checklist;
• Industrial strength rose tinted glasses ✓
• Left brain - disengaged ✓
• Comfortable loungewear ✓
• A tub of ice cream and 1 spoon ✓✓

To review this show as a serious drama is pointless. The performances are decent but most characters are one dimensional. There are many swoon worthy moments and a decent amount of skinship. Most of them centred around expensive and beautiful set pieces. Everything has been polished to a high gloss. Nothing is left to chance. It is the equivalent of a glamorous coffee table magazine.

Speaking of a glossy mag, this show also has product advertisements. So much PPL! Obviously expensive brands are prominently featured but wait, we can do a tin of paint as well. Oh, you want something bigger? Let's write a whole episode selling Bangkok and then continue to sell other Thai products in the next episode as well. It got to the point that I counted 11 PPL's in the last episode and that is not including a few implied ones.

However, all this PPL pales into insignificance when you consider the shiniest product on display, Mr Lee Jun-Ho. He is always impeccably dressed and groomed . A three-piece suit is his weapon of choice. It is cut so sharply that he should be declared a lethal weapon. The ML doesn’t carry the show, he IS the show. There are so many close up of him looking handsome, dashing, smouldering, sexy . . This is how you market a celeb, baby.

On the other hand, the FL only have a few glam moments. Most of the time she lives in his shadow, and she is almost always in uniform or loungewear. She plays the supporting role well. However, he is the Prince to our Cinderella. He literally comes to her rescue more than once.

While the ML is flying high in the business world, her goals are much more modest. It is a little unfair when you consider how capable she is suppose to be. It is further exacerbated by the ML pulling off win after win with ease and what appears to be minimal efforts.

The rest of the support cast is straight out of central casting. The ubiquitous BFFx2, sidekick secretary, executive yes-men, etc. The one antagonist is low impact and achieved little. Side plots are inconsequential and only serve to take up the slack. There is growth in some characters, but they are totally predictable and all paths lead to . . . the Happy Ever After Ending or HEAE™.

In fact, there are so many feel good moments in the last episode that it should come with a health warning. It is serious sugar overload. Every side plot is tied off with a huge pink bow and the thundering herd of unicorns are on drugs. Redemptions are handed out like free samples at the supermarket. There is no point in being judgey because this show exists in its own fairytale universe. All is well in this corner of dramaland.

You can certainly rewatch a few episodes on a rainy weekend and it will make you happy. Don’t expect to be touch in the heart but your dopamine level will rise. I did groan a few times early on before I gave up the fight and attack the ice cream instead and got comfy in my loungewear. If you can't beat them, join them with gusto is my motto!

P.S. I got to get my hands on that portable BBQ set. It is spiffing!

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A sagacious revenge tale ruined by the ending

I don’t think anyone would be reading a review of this Show for a precis of the plot by this stage. I shall stick to some key observations and my conclusion.

1. This is the Goldilocks role for Song Joong-ki. The production has to use some serious filtering to make him look like a young man because of his real age. They did well but it did take me out of immersion a few times.

2. The whole soul swapping device is pure fantasy and the Show never bothered to explain its rationale. The Show went to town with the time travel motif as well and left no stone unturned. The ML loves to weaponize historical events as part of his various schemes. It can be entertaining and fun to spot the historical references.

3. The interactions between Do-jun and his grandfather are highlights for me. They are fighters who have a mutual love and respect for each other. The old man accepts the thrown gauntlet from his grandson with glee. We lost that spark when Jin Sr passed and the subterfuges become more grubby and less machiavellian.

4. The romance of our leads is ill conceived. They have little chemistry, and their progress felt laboured and frankly perplexing.
To be fair, the machinations in the early stages are both engaging and clever but it gets old after a while as it is the only game in town.

Like all good things . . . the end cometh for us all! Oh, how cruel are the drama gods!

While the Show’s ending works on a basic level and pulls most of the threads together it also opens up a Pandora's box of contrivances and inexplicable plot holes. Thus exposing some seriously questionable writing.

A) The ending basically undo what the ML has worked tirelessly towards for 17 years. He was at the cusp of claiming total victory and winning back the FL when he was murdered. Why, sweet Petunia, why? Most viewers would expect the show to just keep moving along that well plotted trajectory and use the last episode for some much-needed fan service.

B) How did Hyeon-Woo survives being shot by a hitman at point-blank range, falling down a high cliff and drowning in the pounding surf? Each event can and should be fatal and yet he survived all three. He spends one week in a coma and walks out of the hospital with barely a scar. Is he immortal?

C) Do-jun's timeline and Hyeon-Woo’s is separated by twenty years. Just before Do-jun was killed, both Jin brothers were being investigated for criminal acts. What happened to those investigations? What about Do-jun’s death? Is the FL that incompetent?

D) The aging and de-aging of the main characters are immersion breaking. For instance, by the end of the Show, the FL should be pushing 50 and yet she looks not a day older than when Do-jun was alive.

E) After all the damning revelations, dirty laundry lists and a public hearing at the National Assembly, the whole sorry saga is finally signed and sealed by one 20 years old phone recording. How and why did the young Hyeon-Woo record his call to Director Kim when he was supposed to be in a highly distressed and confused state. Even more incredulously, Kim forgot to hang up the phone and allow the most incriminating statement to be recorded. It is beyond contrived. The audacity is jaw dropping. This is the deal breaker for me.

In hindsight, I can see that they wanted to close the soul swapping loop and it becomes a redemption arc for Hyeon-Woo but what did that achieve? Hyeon-Woo’s family is happy that he is alive and he has his revenge. On the other hand, Do-jun would have achieved the same goal but the ramification of his death is so much worse. The FL became a lonely and bitter workaholic, Do-jun’s family is broken, and the worst part is the conglomerate carries on for another 20 YEARS! How is that a better outcome? I could go on, but you get the picture.

I freely acknowledge that some of the acting is superb. Some can be considered breakout roles. The bulk of the storyline is intricately crafted and engaging but . . .

Reborn Rich could have been one of the best dramas in 2022 which makes it even more baffling why they deviated from the webtoon ending and crash landed within sight of the runway.

One time watch for me. Peace out.

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The show was carried by the leads but the weak plots and problematic script is hard to ignore

This is a sports-centric rom-com. The chemistry of the leads helped to push this Show past the finish line but only just.

I can understand a lot of sports have been used as subject matter in c-dramas so finding something novel is a challenge. So air pistol shooting is about as exotic as it gets. On the surface, the Show did a reasonable job in making the sport engaging and the people involved as well. There is still a big gap to fill and a lot of that responsibility fell on the leads and they did the best they can. They are a good looking couple and they are sweet, loving and devoted to each other. My concern here is that the FL has been in several shows playing similar roles. I do worry about over exposure and typecasting.

It would be good if the 2OTP can pull their own weight but the script had them pushing and pulling in every direction for the longest time. The 3OTP was set up to fail. It was a counterpoint to the sweetness of the OTP but it was done in such a low key and passionless way that you have to wonder why the Show bothered.

Sadly, 40 episodes based on this sport and the CP's chemistry was a bridge too far for the writer, a 30 episodes run would have been more realistic and yield a tighter drama. To draw out the episode count and kept our "interest", the writer resorted to a lot of old tropes and angsty unproductive sub-plots.

Scripting issues are most evident when we were drip fed pieces of information on a key historical event, I assume the plan is for the writer to give us the grand reveal at the time of his choosing. The viewers are supposed to be intrigued and hungry for more but honestly, the plot was fairly thin so once a few pieces fell into place, there is not a lot left to the imagination. It became awkward when the viewers worked out the secret before the protagonists and we are left tapping our fingers waiting for the show to catch up! It was less of a mystery and more like a marathon.

There is the usual ensemble casts of competing teams and coaches and most were hired straight from central casting. Bulk of the angsts were generated by the win-at-all-cost attitude of the competitors. This meant dirty tricks and outright cheating. I hope Chinese sports are not like that in real life. This plot was even used in an international competition. Is that necessary? It paints a fairly grim picture of the sport. The other antagonist was the older male predator type. It was old school before the turn of the century. The way the show handled this cliché storyline was poor and feed into the misguided trope that speaking out will extract a higher price on the victim. This is a tired and questionable message for this day and age. Needless to say, good triumphs in the end but the resolution was long time coming and felt weak and contrived. After suffering through many episodes of their hapless scheming and loathsome acts, it came down to a few sentences of denouncement and "official" sanctions.

The potential is there for the show to hit a 10.9 but the weak plots and problematic script dragged it down. It was a one time watch. Peace out.

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It might be unrealistic but the story will buoy you up

I do find some Japanese dramas tend to be quirky and larger than life. This show is definitely quirky and not very realistic but it was just so sweet, fun and swoon worthy. It is also short so that there is no drag and the pacing is spot on.
The premise of the show is simple. A young girl was smitten by a doctor after a chance meeting. She decided that she will become a nurse just so that she can pursuit him romantically. After a few years of hard work, she graduated and managed to get posted to the same hospital as a junior nurse. At first the cold and aloof doctor only see a silly young nurse who confessed to him on her first day at a new job. Over time, he saw her better side and fell in love. Oh boy, when he fell in love, he was a smouldering hot mess!
Yes, the story is tropey and there were more than a decent serving of clichés but the story was so uplifting, warm-hearted and the emotions were so pure and strong that you just have to hang on for the ride. The acting was good from everyone and you can't help but fell in love with the feisty FL. Speaking of the FL, instead of just being a bumbling damsel, she actually grew and became an excellent nurse and admired by everyone. The ML, on the other hand, changed from a cold and prefectist doctor to be a sweet and hot blooded lover. His confession scene when the FL was injured was so touching and heartfelt. Swoon!
Some will find it too sweet but give it a go before judging it. Highly recommended for anyone who likes a good rom-com.

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Messy, inconsistent drama that was exhausting to watch

Firstly, I dropped this show after 20 episodes and this is my impressions up to that point. I might be swimming against the tide but this is my honest opinion.

Secondly, I wanted this show to succeed. I was enticed by the synopsis and the idea of a more realistic FL in a sea of pretty clones.

To be fair, the first few episodes do deliver. It was zany and breaks the mould of a typical historical drama. The FL is certainly full of vivacity and largely worked without a filter which is good. However, as a whole, it is poorly written and executed. Some of the acting is patchy and the Show suffers from an identity crisis.

I know this is harsh but I exhausted myself trying to like it and this is why;

1) It doesn’t really have a plot up to this point. The ML doesn't want to be a puppet king and the FL wants to be accepted and loved. That’s nice but the story telling is messy and contrived. This is back-of-a-napkin writing with time wasting fillers.

2) The FL didn’t become a better/proper Queen but more or less browbeat the court into submission. I don’t mind that the FL is unconventional, I welcome it but her plot is just a series of cliché trials or watch her steamroll through everything else. I was looking forward to her growth in statue and abilities so that she can be the rightful Queen. So far, she is turning the palace into her whacky playground (square dancing anyone?). It's fun for a bit but where's the growth after 20 hours? Similarly, the ML has shown little aptitude of being a good king. He could have been a typical scion from any costume drama. He has the visual but not the gravitas unless you count being stony faced.

3) Very few of the secondary characters behave consistently. You have to question their personality or even their IQ.

4) Mel Brooks once said, “Tragedy is when I cut my finger. Comedy is when you fall into a sewer and die.” That resonated with me as I wrote this. Most of the Show’s humour is bold and loud but there is little witticism nor nuances. To be fair, the FL has good comedic timing and an expressive face, so she did a lot of the heavy lifting. This also means that we expect something "funny" every time she is on screen. That’s a lot to ask of one character to sustain for 36 episodes. Most of the support casts are just cannon fodder during slapstick routines.

5) The OTP will fall in love and have a HEA ending, the drama gods have spoken. The show created every cliché situation to throw them together. Nevertheless, and it pains me to say this, there is little chemistry between the two. Kiss scene felt flat. There are dream sequences, piggyback race, they behaved like lovesick puppies and on it goes. Unfortunately, just like some of the comedy, it doesn’t always stick the landing.

6) I know the Show is not historically accurate, but it is an awkward mash-up. There is little chance of immersion due to constant hints of modernity. The costumes are a hotchpotch of styles/epochs and some have distinctly Japanese feel. The palace protocol goes from overbearing to non-existent. Want the royal couple to have a cat fight in the middle of the palace, sure, why not! Ditto the tone of the show swings from moment to moment. It spans genres with no firm grasp of any of them.

The sad thing is that the potentials are there. The production quality is generally good, the sets are lush, costumes are rich. No doubt the FL was giving us her all. But . . .

In the end, quirky is good, funny is good, support diversity is very good, but good components still need a decent script and good directions to tie them together. We need plots that are meaningful and characters you’d care for and want to ship. Alas, this show is like trying to herd sheep with a cat.

I don’t hate the show. I just feel exhausted from trying too hard to like it. I am dropping this for now so that I can clear my head. Peace out.

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What's sex? Love is all you need

I had high hopes for this drama. Ok, it is a slow burn in the first half while all the characters are introduced, and we find out how their lives are intertwined. The main plot focused on two sexless marriages and the impact on the relationship of our 4 leads.

It is not unusual for a Japanese drama to take an awkward situation and drill down and come up with something uniquely insightful. This show has a hint of that while tackling the role of sex, intimacy, communication and trust in a committed relationship.

The show does pick up it's pace in the second half and it was reaching a crescendo towards the end when it seems to hit the brakes and the show feels oddly moribund.

Let us backtrack a bit. The show is largely about two marriages and they are both on the rocks because of, at first glance, the same problem. A lack of intimacy and poor communication that created an icy atmosphere and lots of stilted moments. This is not help by one dimensional characters. Their relationships spiral ever downward in a low grade poisonous and self destructive way. They seem to spend the bulk of the time apologising perfunctorily to each other. Timidity, sullenness, frustration and detachment are the four horsemen of this drama.

The show appears to be postulating two types of marriage breakdowns. Both pass through a awkward sexless phase. However, in one case, the love between them is stone dead while the other is a complex dance of false promises, poor communication and selfishness but the flame of love still flickers under the dung heap. There is a lot of penned up emotions and subsurface angst. They have an almost affair, actual infidelity but also attempts to patch things up but the dice is casted, and we are heading to a seemingly obvious conclusion.

It would be too much to ask for a HEA ending, but the last episode feels flat. After a year apart, the FL crumbles and mended her relationship with her ex-husband with little preamble. The second ML is forced to play the Noble Idiot card and walk away empty handed.

We are not told if she accepts the status quo as the new norm or all her grievances were addressed. It seems to come down to the old Love Conquers All trope.

The show put forward a number of questions but ends up walked away without answering them earnestly. We get hints that resolves have been weakened, expectations realigned. It feels like a bet each way. It is insipid and provides little service to its fans. Do we really need 11 episodes to tell this sorry tale?

In terms of acting, all the leads did fine. OST is nice. I could find no valid reason to rewatch this.

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More of the same with odd stumbles

I, like many fans, were looking forward to S2 with great expectations. It pains me to make the next statement. I like aspects of S2 but I don’t love it in totality. It improved on some bits, kept a lot of "what is not broken" but also created some new problems.

On the positive side, the ML has matured into his role even though technically no time has passed between Seasons. He does look very thin in some scenes which is concerning. He is no longer a young buck who needs rescuing all the time. The ML has become a real player in the power game. It is great to see him go toe-to-toe with his foes and even some of his mentors. The downside to this is that he is given even more screen time to the detriment of other actors. This diluting of some character interactions really hurt elements of the original story.

I’m glad to see some storylines are still engaging. However, it is not all good news. There are stumbles in the narrative that left me scratching my head. Such as the whole episode devoted to selling Treasury Bonds. It fits into the overall narrative, but it feels like the cart pushing the horse. It is odd.

This also includes the exaggerated use of comedic elements. Some actors overact for cheap laughs which feels incongruous. The worse offender is the use of the yodelling song. Why? It is so jarring.

If S1 has a big cast, S2's is downright bloated. Most of the returning characters resumed their old roles but with developing plots, there are changes. It was quite a neat revelation at the end of S1 when the 2nd prince was revealed to be the hidden antagonist. He was intriguing in S1 but now he feels a bit lame once he openly challenges the ML.

Speaking of expanded cast, Several characters from S1 took on more prominent roles. Rou Rou is definitely one of them. Her role changed substantially. However, I’m not sure about her training to use the Ultimate Weapon. Is that a breech too far?

Another one is Ye Ling Er. Gina Jin took over this role. I'm not 100% sold on her visual and the "changed" characterisation. There is even a hint of a tragic love line brewing. I'm not sure I'm onboard with this but we shall see.

As expected, the story becomes more convoluted as schemes and counter schemes are minted. This does slow down the overall pacing noticeably. The revelation of the link between Xian and the Emperor certainly stirred up a lot of high emotions and opened old wounds. Nothing was resolved by the end of S2 so it is up to the writer to tie in the game of throne plots with the underlying sci-fi theme.

Speaking of ending, I’m happy that we don't have another cliffhanger. It was surprisingly positive and even a little cheeky. Maybe this is because S3 is already in the works so we don't need to force the issue. However, the last few eps did feel a little out of sorts for me. The "invention" of a banking system and the three workshops plot feels a bit awkward. The Ming family storyline is disturbing. It feels ham-fisted though. We become numbed when the body count of faceless victims balloons.

Production quality is decent but a bit inconsistent. There are silly mistakes which should be caught in post production. I know, they must maintain continuity, but you'd think improvement would be universal after 5 years plus a bigger budget.

I certainly enjoyed the drama, but it is not a slam dunk for me. There are some striking visuals and more depth to some plots but at the same time, not every subplot fires. Ditto some roles feels watered down or sidelined. May be there are too many cooks in the kitchen. That is a typical malaise of palace/political dramas. In the end, I'm happy to have watched S2 but I'm not blown away.

Finally, the elephant in the room. There are rumbling from netizens that the adaptation is drifting further and further away from the source novel as the series progresses. I don’t have a strong opinion on this, but it could explain some of the plots, characters and pacing issues.

Bring on Season 3!

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Live, love and lost under the Big Sky

This is an adaptation of a book of prose by Li Juan. Changes were made to make it more suitable for live action. Read into that what you will.

This series has received some well-deserved attentions and solid ratings. I think it is largely due to its unique setting and a simple and honest storytelling amongst the sea of samey idol dramas.

The story is a mashup of the classic When Worlds Collide and Fish Out of Water tropes. They are oldies but goodies. In this case, our FL finds herself in a remote part of the Xinjiang autonomous region which is the definition of remoteness itself. So, you can imagine her culture shock.

BTW, the show was set over 20 years ago, so things are simpler back then, but changes are coming, just like winter. The straightforward plot largely centred on the lives of one Kazakh village, their friends and their interactions with FL's small family.

Historically, the Kazakh are nomads herders and each summer, the families would move with their herds to their summer pastures in the Altai mountains. In that sense, I prefer the Chinese title of My Altai which is more meaningful.

As the show opens, we find the older generation confused about the changes and "nonsensical" rules from people they can't relate to. While the younger generation is squeezed between two conflicting cultures. It is this tug-of-war that is the foundation of much of the drama in this series.

It is obvious that this show doesn’t have a big budget and can be a bit rough around the edges. Nevertheless, it is made with heart and a focus on authenticity. Local "actors" are used extensively. I won't go as far as saying they discovered new talents, but they managed to grab You Shi before he gained fame with his recent movie roles. He is all singing and all dancing here. He made the effort to learn the local dialect. While not 100% fluent, it is impressive, nevertheless. He also did all the horse riding stunts, and he sang in the local dialect. Kudos to him.

As I mentioned before, the show is like a breath of fresh air (or is that mountain air?), and you quickly become enmeshed in the village life. Their lives are ruled by the seasons and daily chores. It is a harsh but fulfilling life. You know life is tough when luxury is a dry bed.

They only break from the daily grind during festivals and celebrations like weddings. They certainly let their hair down during those rare occasions. Friendship is renewed and romance blossom. This is also an area where the generation gap rears it head. Some of the older generations are still engaging in matchmaking while the younger generations are doing their own thing. In a way, the show used the various romances to spice up the plot but it is a bit distracting when the landscape is such a magnificent stage and yet we are stuck in a yurt, watching the elders negotiate again and again.

I’m not sure these complications is the production trying to inject some relatable plots and angst for contemporary viewers. What is obvious is their influence on the last ep. It really was drama for drama’s sake and feels rushed. I’m not sure if it is necessary but it ended things with a bang. The last scene was a bit of a tease for us who are shipping the OTP. Will they? Won’t they? Maybe a second season will give us the answer. ;)

Regardless, this is a good show. It deserves all the kudos for doing something different. I appreciate the efforts the production invested to make it authentic and sincere. With such a short run-time, it is an easy binge. Give it a go, you might be pleasantly surprised.

Finally, the elephant in the room. The treatment of ethnic minorities and the flood of Han people into those remote regions is a sensitive topic. Several plots gave us a hint of what’s to come. The show's portrayal is restrained for obvious reasons. Enough said.

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Not impossible but they need to try harder

The FL has a breakout role in the film Burning. I jumped at the chance to see her in a proper drama series.

The initial set up of her character was encouraging. Her character is hard working, resourceful and has a laser focus on her career. She might be down on her luck, but she has a backbone of steel. The potential for growth is writ large. So much so that I can overlook the tropey contract marriage/cohabitation plot if she is allowed to play to her strengths. Unfortunately, it is where the engine kinda stalled.

To wit, once the show simple premise is lay out for us, the FL's role actually diminished. She has flashes of brilliance but soon her role is overshadowed by the male lead aka Moon Sang-min. For half the series, she is the "meek" fiancée of the 2ML. At one stage, her character was forced to go into hiding and lay low. Not exactly the ideal setting for scene stealing performances.

To be fair, I don't have a problem with the acting of Moon. He is handsome and charismatic as ever. The show is pretty much his starrer. Our leads do have good chemistry and their on/off romance is what sustained my interest. However, the paper-thin plot needs more to make it work. So far, it is not much more than a cavalcade of tired tropes.

Alas, that memo didn't land on the right desk. Most characters are straight out of central casting. Side plots are tropey and boring. Antagonists are more meddling than evil. It is all so samey and predictable. Even the writer-nim recognised this. There are multiple references to "trashy drama” plots in dialogues. Self awareness . . I get it! Ha ha . . indeed.

Even when we are served a sugar hit just after the 3/4 mark. It was immediately followed by the ubiquitous breakup with not 1, not 2 but 3 lots of Noble Idiocy. Predictably, that send our leads straight to purgatory but served little other purpose.

This is further confirmed in the last EP when after a mandatory 1-year time skip, our leads threw themselves at each other within hours of a chance meeting. What is the point of the breakup? This leads to 15 mins of decent fan service and HEA endings for all concerned whether they are good, bad or just silly.

I am not saying the show is bad. It is quite watchable and entertaining at times but the wasted potentials just irks me.

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A do-over done right . . With caveats

I think I shall call 2023/24 the Year of Do-overs. Quite a few shows have the lead(s) shuffle off the mortal coil only to come back as the much improved Lead(s) 2.0.

To be fair, if anyone deserves a do-over and right some serious wrongs, our beloved PMY should be at the head of the queue. We are left with no doubt that her life has spiralled out of control and death is a blessed relief.

With her demise out of the way, the show completely changed tone. The FL was confused and stressed for the moment but once she accepted her situation and got her little grey cells working overtimes, she was on fire! She re-evaluated her life from high school onwards and noticed all the red flags she never noticed before. It was obvious in hindsight that she was manipulated and gaslighted constantly by someone with a singular purpose.

The middle section is the highlight for me. It was gratifying to see our OTP join hands and outsmart the antagonists at every turn. Everything seems to be going swimmingly. If you think there is a BUT coming then you have obviously watched too many k-dramas. ;)

Within a few scenes around episode 12, our writer-nim turned all the best made plans of our OTP into dumpster fires. It was makjang with a capital M. Every tropey subplots are dusted off and threw into the witches brew.

I know most viewers will feel aggrieved at this point. The show giveth and the show taketh away. It was as if a switch was flipped. The drama was injecting angst just for angst’s sake.

However, I do see some method to this madness. It largely comes down to the plot getting out of control as more and more characters are introduced which stretched the simple idea of diverting your worse fate to others difficult to sustain without creating a small singularity. I'm sure our writer-nim planned it all along but it was not a good look when the proverbial hits the fan.

With this in mind, the writer-nim basically did a hard reset, allowing her to set the stage for the final confrontation. It might feel like a hack job but the show gets away with it because it is a dark fantasy. Paring back the modern trimmings, it could have been a tale told by the OG Brothers Grimm. Gruesome deaths are far more likely than singing woodland creatures.

Thankfully, there is light at the end of the tunnel, and there is much rejoicing when the inevitable all happened on cue. This leads us to one of the most detailed and sweetest fan service episode for many moons. It is not brilliant writing but the little lumps of sugar just kept coming and we stop caring.

In terms of acting, I’m happy to report that PMY has got her mojo back. As a fan, it pains me to say that her last few dramas were (cough) patchy. It certainly was not on par with earlier shows like Secretary Kim or Her Private Life. While this show is still not up there, they definitely share some DNA.

This is further helped by the acting of the ML and their chemistry. He might not be the classic handsome lead but he more than made up for it with other attributes. He complimented her evolving character well. On the other hand, the antagonists are one dimensional and predictable. That's ok because this is not a convoluted mystery drama, their actions are all laid bare from the start. They are there as focus of our ire, this they managed to do with single minded efficiency.

In the end, I had high hopes and the series mostly delivered. However, it did stumble in the last 1/4 of its run. It almost stole defeat from the jaws of victory. I’m glad that the show recovers and ends well. It was a close call. I gave it an extra ½ point because of PMY. Fight me. :)

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A glorious blend of the good, the meh and synchronised flag-waving

This is a very watchable show, but its plots and tone change so often that you feel exhilarated and exhausted in equal parts. This makes it hard to give a concise rating. When it is good, it is heartfelt and stirring. But it can also get cheesy with a side order of jingoistic flag-waving. I suppose my rating is between 8 and 8.5.

At its core, this is about the aborted love story of a pair of teenagers who met towards the end of high school. Their budding relationship was torn apart by the FL’s domineering mother. They met by chance ten years later and things develop from there. If the plot sounds tropey then here's your gold star. This show walks on familiar paths but it does set a cracking pace.

During early episodes, our leads would "chance" upon each other repeatedly. When you realise one is a firefighter and the other is an ER doctor it means they only meet at emergencies. Consider even a small city in China can house millions, that’s a very small but dangerous corner they live in! It feels so contrived and is almost farcical.

All these entanglements finally brought them back together and this is essentially the glue that held the show together. Once we get past the push-pulls and denials, we have a very romantic pairing. Our leads have good chemistry, and they are certainly photogenic. It was gratifying to see the FL grows a spine and stands up to her controlling mum once she is all in. Amore trionfa sempre!

While both stars are beautiful people, Yang Yang is the face of this show, and he is everywhere. This can cut both ways. Fans of YY will rejoice but someone who is less enamoured might start to notice some flaws in his acting.

The other star of the show is the firefighters and their daily grind provides most of the subplots. A shoutout to the ensemble cast who filled the ranks. They must have trained hard for their roles. Some of the action/training scenes look very challenging. They are ably supported by the staff of the ER department where the FL works. However, these plots are a mixed bag. It can go from inspiring and exciting to banal. I appreciate the work of first responders, and I'll not begrudge their moments in the sun. However, some of the dramatisations are over the top. Plots and pacing is uneven. There are a lot of nationalistic messages aimed at the local audiences. Your mileage will differ.

The mother of the FL is straight out of central casting. She is the personification of a rich, immoral, domineering matriarch. She can probably trace her matrilineal line to a Tang Empress. She is a force of nature and rules with an iron fist. The only problem is that her role is very one dimensional. Her only goal is to obtain power, wealth and a total control over her serfdom. She never has a moment of self doubt or regret. It is tiring to watch her do the same thing over and over. Her “Death Bed” conversion feels particularly contrived.

In the end, fans of the leads will be happy, the production value is high, particularly some of the action set pieces. There are impactful and poignant moments that will stay with you. The romance is sweet and swoon worthy. Once the OTP get together, they skipped the handholding and went straight to home base which is rare in a c-drama. However, it is an inconsistent grab-bag of highs and lows, original ideas and contrivances. This annoys me because I really wanted to recommend this show unreservedly, but I can’t.

I can certainly rewatch some of the romantic scenes (repeatedly) but not the whole 40 eps. OST is very nice.

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It is not always about the OTP

This show is a rewarding watch with a nice positive message and a fluffy, easy going style.

Ok, now that the review is over, let’s talk about something else.

There is a well-thumbed rom-com playbook that is passed between writers with reverence. On page 2 of the sacred text is this rule. “A second male or female lead must be unlikeable and possibly despicable. He or she shall do all within their power to break up the OTP.” I don’t know how many shows have followed this golden rule to the letter, but I have ran out of fingers and toes a long time ago. Once in a long while, a show will break this rule.

The characters in this show feels real. They are far from perfect, and they will act selfishly when the need arises. They are just normal people who are reacting to circumstances. Both the second leads are in love with the respective leads so they gave it a red-hot go in their pursuit of happiness. However, once they knew the race is lost, they bow out gracefully. It is sad and the scene where the SFL proclaimed that she just threw away her own happiness is gut retching. However, you have to give them their dues and respect their honesty and dignity. It might sound trite but that is a lot closer to reality than the same-y win-at-all-cost type being dished up nowadays. I won’t go as far as saying that I have 2nd lead syndrome, but they are worthy contenders. Speaking of which, a good example of second lead syndrome can be found in She Was Pretty. Salute!

BTW, the side characters in this show are all nice, decent people. Solid friends and co-workers whom you would be proud to associate with. Even in that sense, the show is refreshingly different.

I can’t give this a perfect score because it is just an unpretentious, fluffy little rom-com but it has a special place in my rewatch list. This show will recharge your emotional battery and make you swoon. Peace out.

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Sharing IS caring

This show is unabashedly sentimental with the focus on the overwhelming grief suffered by the college age FL. She recently lost her grandmother who is more like a mother to her after the sudden death of her father through misadventure 5 years previous. It is a blow she is ill prepared to handle. Her life grinds to a halt at that point.

Sharing meals is a common device used to signify a bond between friends and family members. We see flashbacks of meals happily shared in her humble abode with her closest friends and small family unit. It contrasted starkly with the scenes in the present where she ate bento boxes bought from convenience stores in silence with the TV providing nothing but background noise. The loneliness and heartache are palatable.

However, her seemingly unrelenting despair began to lift once she started to work at a cafe called Finland Papa. The whole raison d'etre of the establishment seems to be the healing of those who work there. The writer-nim certainly took some liberty with the narrative here. Just don't ask too many questions. ;)

FL is the focal point of the show, and she has to display the broadest range of emotions. I think she did well, and she was ably assisted by the ensemble cast. Speaking of the ensemble, I'm not going to spoil their stories. The writer-nim doesn’t have time to paint with a fine brush, so we have to settle for some broad strokes surrounding their tropey backstories. Nothing untoward and certainly within the realm of plausibility. I almost forgot to mention, the grandma character is the underpinning of the main plot. She dispenses wisdom and bonhomie to all who would accepts her hospitality.

This leads us to the other key motif of the show. The found family trope is a favourite for a good reason and it is used to good effect here. The motley crew working at the cafe started with a love-hate relationship. Their growing bond is what gave them strength to heal through their various wounded psyches. While the process is a foregone conclusion, its steady progress is nice to watch, nevertheless.

The show will hit you with the feels as long as you are not too critical about the simple story and straightforward delivery. There are no high dramas nor funny gags. But sometimes you just need a show like this to give you an excuse to step away from our crazy world for just a moment. I'd like to think of this show as is a soothing salve to the soul. It won't appeal to everyone but that's ok too. That just means there are more Xmas parfait for me. :)

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If Xianxia rom-com is a legit sub genre then this is a very good example

I don't watch many Xianxia nowadays because a lot of them, in recent years, relies too much on (questionable) CGI and lazy scripts that have tropey paper thin plots and are devoid of fresh ideas. Hence, it is with some trepidation that I started to watch this show solely based on personal recommendations. I'm happy to report that this Show is good, very good.

The basic story is nothing new. Multiple realms exist between heaven and the underworld. They alternate between warring with each other to an unstable truce. Enter the human emperor who decided to buy time for us weaklings by marrying one of his beautiful and smart daughters to the empyrean prince while farm off the unloved one to the crown prince of the underworld. So far, so tropey.

Forsooth, not exactly LOL material, right? Well, hats off to the writer. She managed to inject a lot of fun and comedy into this show. It is a revelation. It runs the full spectrum of jokes, innuendos, slapstick and sight gags. All this hijinx is integrated right through more than 3/4 of the Show. Of course, there are serious moments, but it is just as likely the next scene will drop you straight into an elaborate sight gag that will makes you LOL.

This includes a very long and elaborate mid show story arc that have the ML play three completely different roles. Forget second wind. This is third and fourth. The audacity! Naturally, not every moment is golden but it kept the momentum going long after similar show would have suffered serious mid show drag. Bravo!

Acting is great from our leads. It was a revelation that the stoic Xuan Shang has a comedic side which is well matched by the minx like Li Guang Ye Tan. Their love-hate relationship is worth the price of admission. The second pairing of Chao Feng and Li Guang Qing Kui pales a little by comparison. It is largely due to their story is being set in the dark and oppressive underworld. Their characters are also a bit more traditional Xianxia compared to the OTP. Both CP have swoon worthy love lines and decent amount of skinship.

The big ensemble of side characters is a bit of a mixed bag. Some have real depth like Man Man and Wu Dai while others are just punchline for the many gags. It is an above average ensemble and they helped to move the plot along and entertain us with their antics.

Is the Show perfect? Not quite. The setting of heaven and the underworld is very cliché. Empyrean realm is quite artificial. Lighting is too bright, and colours are washed out. It might look “ethereal”, but it is also boring. On the other hand, the underworld is too dark, and the theme is confusing. It swings from gothic grandeur to dank subterranean without a strong sense of coherence. It is supposed to be oppressive and foreboding but does look a bit cheap at times.

CGI is the bread and butter of Xianxia dramas, and this show doesn’t disappoint. There are a good variety of effects to signify different types of powers. There are also some practical effects and stunt work. Overall, it is a respectable effort and complemented the story well.

While the general screenplay is a cut above, it is still a Xianxia drama at its core and some of the plot holes are hereditary. It really comes down to “ask no questions and you’ll get no illogical answers”. As long as you don’t hate Xianxia dramas, the engaging plots, swoon worthy love lines and abundant humour will carry you to the end.

Speaking of the end. The ending and the several episodes preceding it are probably the closest the Show got to high drama. It is impactful and emotionally charged. I won’t give the plot away other than to say that the ending is generally considered a happy one, but I would prefer to call it encouraging rather than HEA. Its interpretation will be up to the individual.

40 episodes is too long for a rewatch and the jokes will be stale by then but I’d have no problem watching a highlight reel. The OST is nice but some songs are on high rotation and it can get a bit repetitive.

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