Oh Mighty Drama gods, give me strength

This Show starts with a bang. We have murders, chases, fights and the ubiquitous death-defying escape. It is certainly a rollercoaster ride. If the first couple of episodes didn’t hook you then you are watching the wrong show.

We are introduced to intrigues both at the imperial court as well as on a personal level. The interplay between the leads is certainly a highlight. There is obvious attraction between them, and they spend the bulk of the Show exploring their feelings and dancing around each other, searching for clarity.

The problem here is that they really stick to the Joseon rules. Most pairing of the upper class is just a power game between dynastic families. Courting is a minefield and love has little to do with it, unless you count forbidden love which is theme du jour of so many historical dramas. This means the ML can only long for the FL but he is not allowed to express his true feelings. On the other hand, even if the FL confessed her love for him, she would need a miracle to see it to fruition. This is an impasse that dragged on for too long in this show. It might be historically “accurate” (heck, that didn’t stop other dramas from turning up the skinship dial) but as viewers, we are left dangling and more than a little frustrated. We waited and waited but there is little reward for our patience. Consider we didn’t get any fan service until the literal dying minute of the Show. It is very poor return for our dedication.

To be honest, the Show is too slow. I can accept the need to build up the mystery and allow time for all the clues to be found and the puzzle pieces to fall into place. The issue is that we are also watching from the sideline, and we can see the bigger picture. So, while our protagonists are expounding their nascent theories and being spoon fed more clues, we are way ahead of them. Maybe we don’t have the smallest details but the overall plotline is fairly obvious to us well before the final confrontation.

This is not helped by the fact that the show is 20 episodes long instead of the usual 16. Honestly, the Show would have been better off being only 16 eps long. There are easily 4 episodes worth of filler material that can be cut with minimal impact to the narrative.

In terms of acting, the ML carries the Show on his broad shoulders. His character has more depth and he certainly has a more challenging role. The FL is good but she spent too long cross-dressed as an eunuch. While she is reasonably convincing, it does makes it hard for us to adjust when she resumes her life as a lady. Your mind yo-yo between the image of the eunnch and her normal female form.

Unfortunately, most of the antagonists are straight out of central casting. Evil officials on one side while the good ‘uns are on the other. Their roles are about as predictable as you'd expect. We do get some twist regarding a couple of key characters, but the longer runtime dilutes the impact of the revelations as we already guess their hidden identities before the official reveal.

So far so sageuk, you might say but the sting is literally in the tail. The ending of this Show is definitely the weaker link. Good guys are rewarded, and the bad ones get their just deserts. All the loose threads are tied up, so, job done, right? The complication lies in the actual delivery. It feels awkward and uneven. We got there at the end but it doesn’t feel right. I get the impression that the writer-nim struggled to make the ending work within the allotted time and resources. The ideas are there but something is lost in translation.

Other than the less than stellar ending, there is one other thing that has been bugging me for some time. Byeokcheon is the key to the main storyline. An army was dispatch from the capitol to suppress a rebellion there which kickstarts the overarching plot. However, it seems to change from a district to a town to (in the end) nothing more than a village. The show even has the people of Byeokcheon gather for a “town” meeting at one stage and they all fit inside one simple room. The scale feels wrong and inconsistent. Maybe I fail at ancient Joseon geography, but the Show’s own interpretation also seems to be somewhat rubbery.

In the end, it is watchable and reasonably entertaining. It could and should have been better with a tighter script and a shorter run. If you are a fan of the leads then it is a must watch and you would be well satisfied. However, there is not a lot there to warrant a rewatch for anyone else. Peace out.

Leggi di Più

A video essay or voyeurism?

This show position itself as a romance drama with a strong “what-if” element. It is build upon the fantasy that a person can change gender spontaneously. Not via a sex change operation but an instantaneous and complete body reconfiguration including a different face.

This allows the show to post all kinds of hypothetical questions about discrimination, friendship, love and marriage of the same sex due to this sudden gender realignment. This is a double-edged sword as the fantastical and abrupt nature lessen some of its impact.

The Show then proceeded to put a number of protagonists through the spin cycle and force them to confront their changed circumstances. The most obvious is what will you do if your wife becomes a man, or your best mate is now an attractive woman. The bulk of the show is basically an exploration of these questions and its ramifications.

In many cases, this is what the LGBTQ+ community is confronted with on a daily basis so while the Show is set up to address a hypothetical gender change, it is really more about the LGBTQ+ community’s interaction within itself and with the larger society as a whole.

Even though the Show is not overly preachy, it can feel like the questions are asked just so that we can hear the answers from the coalface. While the informative aspect is laudable, there are many conversations and it can be a bit repetitive with the views seesawing back and fore.

It is no surprise that our protagonists all found love or at least contentment in the end. I sensed that the Show does not want to push any views too hard so for each success, we are presented with failures. This means this is largely a thought experiment. In the end, it comes down to the timeless notion of True Love Will Conquer All . . . most of the time . . . maybe.

This brings us to the voyeuristic aspect of the show. Yes, there are bed scenes involving same sex as well as straight couples. It does provide some titillation especially when it involved pairings that might be considered taboo in some societies. It is not exploitative nor egregious. You have to form your own opinion whether this is integral to the storytelling.

The Show is generally subdued in tone and the acting is solid. The fish out of water aspect does bring about some lighter moments. OST is fine.

The show is watchable but a slow burn. The ending is satisfying if predictable. Whether you find this show worth watching will depend on your expectations and reason for watching in the first place. It is a one time watch for me.
Peace out.

Leggi di Più

The bang became a whimper

This show started as promising as you'd expect. Decent actors, interesting plot premises and genre hopping opportunities.

The Show has potential, to be sure. Different ideas worked for a few episodes and then fade away. Just when you thought this is getting interesting, it’d change tack. Case in point, the idea that magic acts were done by ghosts manipulating the props was cute and clever. That soon changed to talking about magic tricks rather than doing the deed. Similarly, several crimes were solved by communicating directly with the recently deceased. That is not new but the potential is there to create some engaging subplots and it did work for a while but that too petered out. The idea that the ghosts have their own set of rules was intriguing but towards the end, the ghost just behave like normal people. Probably the most disappointing aspect is the overarching Big Evil Spirit revenge plot which was so diminished by the end that it was more like little evil.

The Show also suffers from tonal shifts. I get that it is a rom-com at heart but it also tried to include fantasy, sageuk, crime/corruption and other social issues. A lot of the time, the impact of these themes is diminished because the show would suddenly switch to slapstick comedy or a sweet romantic scene just after a poignant moment. It does make you wonder what’s the point of the transition.

Speaking of romantic scenes, the leads do have decent chemistry but the Show swings from heavy push-pull to aegyo overload in record speed. You want it to happen but you also feel that it was not very natural. The 2OTP was a done deal and they are cute together.

The last couple of episodes were largely fan service. Most threads were closed with pink bows. I like the way they provided the ghosts closure and reward them justly. It was as sweet an ending as you could ask for but it got messy towards the end and added more plot holes. Some scenes are shoehorned in with scant logic. While some closures are heartfelt, others are farcical. The final demise of the Big Evil Spirit was a cop out.

To be fair, it is a decent, enjoyable show but it could have been better. IMHO, it felt like the writer has good ideas and they tried some out but whether it was budget constraint or difficulties in tying the various threads together, the show decided to play it safe, watered it down and fall back onto the standard rom-com tropes in the end. Am I being harsh on this Show? In a sense, yes, but not because I hated the Show. Quite to the contrary, I really liked the Show and the beginning hooked me straight away but I can also see where and how it changed over the course of the run and it wasn't for the better. The Show could have ended with a bang but, in the end, it was a sugar coated whimper.

It is not a rewatch for me. I’ll let those ghosts RIP.

Leggi di Più

Please don’t Disneyfy this beloved franchise, Mr Netflix

Edit: After watching 10 eps, I've revised this review (probably) for the final time. Enjoy!

I was looking forward to this show with anticipation. The original series was one of my favourites.

I knew it won’t be the same as the original, so I am willing to cut it some slack. The start of the show is certainly different, but the young actress was so cute and earnest I'm willing to jump onboard even though it is questionable if the way she uses her powers is canon, but I’ll give it a hall pass for now.

I wished this is the only issue. There are many more. In fact, the only thing consistent with this show is how inconsistent it is. In the original series, the rule around the use and abuse of their special power is well established. However, not only is the FL using her power without a care. Her mother and grandmother also abuse it without a second thought. How can this be?

On top of that, they should be internet sensations considering how blatant they are, but they ain't. It is as if everything can be hushed up with the click of their manicured fingers. However, the narrative contradicts itself repeatedly.

While the new FL is refreshing in her straightforwardness at the start of the show, after a few episodes, her portrayal is borderline grating. She doesn’t so much deliver her lines but fire them out like a gatling gun. She also moves with an exaggerated gangliness. Why? Her one-note performance is wearing. It is one thing to call her naïve but time and again, the excuse is that she is from Mongolia. Geez, I hope they are not streaming this in Ulaanbaatar.

The other female leads are not much better. The mum swings between playing Batwoman and Crazy Rich Woman. She throws money around like confetti. Come to think of it, the whole plotline involving the grandma is superfluous. It just highlights how pathetic most of the male characters are but she brought nothing new to the table. She is too cringey to be an effective comedic relief.

There are too many plot holes to list but it pretty much comes down to whatever needs to happen, happens. It feels like narrative logic and good sense have both packed up and ran screaming from da hood. The writer-nim doubles down on this from ep.7 onwards. It is now in the "see no evil, hear no evil" territory.

It also feels hollow when the show tries to tackle serious topics. The drug abuse problem is marginalised because most of the victims are faceless canon fodders. Until it hits too close to home then everything pales into insignificance. Ditto, the fat shaming of the brother is gratuitous while ignoring the root cause of his condition.

By the half way mark, it feels like plots are products of brainstorming sessions after one too many soju bombs. There is so much going on. Subplots darts off in every direction, most are inconsequential but distract us from the A-plot. There is actually a very insightful scene when the assistant to Hwang Geum Joo asks if one of the antagonist will see through her deception. Her reply was, "They are stupider than you think." Is she talking about me?

It is telling that the only person I'm interested in after watching 10 eps is the main antagonist. It is never a good look when the viewer starts paying more attention to the bad guy(s). From my point of view, the 3 FL's are unrelatable, and to a varying degree, unlikeable. The young FL leaps out of tall buildings, runs faster than a speeding car and drinks poison for LOL's. Yet she skins her knees by tripping over her own feet. Why? Because the ML is there to fuss over her. This is not dumbing down, this is frontal lobotomy.

This brings me to the most poignant moment of this show. In ep.3, we have the original OTP appearing in a cameo. OMG, I could cry. Every interaction, gestures, banter reminded me how good was the original. It also dismisses any claims that this show is a reboot with a clean slate.

I watch with dismay what Disney is doing to Star Wars and the MCU. I know Netflix has jumped on the k-drama bandwagon in a big way. I can see this show being turned into a gaudy super hero franchise. Everything is loud and cartoon-y yet there is little substance behind the garish facade. We don't need more of this.

I'm not saying the show is totally unwatchable. There are the odd cute or funny moments. The plots will test your credulity though. If you are hoping that this spin-off will recreate the charm and engagement of the original then you will be sorely disappointed.

I hung on with grim determination for as long as I can, but it is getting too tough. Maybe I'll speed watch the last few eps for the sake of completeness later. Peace Out.

Leggi di Più

Jekyll & Hyde show that is doing my head in

To say that I'm torn about this show is an understatement. I have seldom seen a series that managed to succeed in one key area and yet screw up another. Please allow me to explain.

This series is built on two drama staples. Swoon worthy romance and the time traveling do-overs.

It nails the first with aplomb. Our leads' chemistry is undeniable and when it works, it is meltingly good. Time and again, when I start to suffer, the writer-nim would bring on the amore and we are floating on a pink cloud. . . until we crash back to earth due to the ham-fisted way the show handles the timey-wimey stuff.

The problem is not that the show tripped up on some high temporal concept but rather simple plot management. To wit, the show used weaponised time travel like a blunt instrument. Internal logic and intersecting plots be damned.

It worked ok the first go around but after each do-over, the narrative got more convoluted. It basically tied itself in knots. Did events change? Did time correct itself? Does someone know or cares?! I'm sure the writer doesn't. Forget about time traveling taboos, it was a road kill right from the start.

Another contributor to this mess is the serial killer/kidnapper subplot. How I wish k-dramas would stop using this trope, but I digress. As before, his first couple of appearances was impactful and fits within the context of the central premise. However, one of the fundamental purposes of a do-over is to change the timeline so that history does not repeat itself. In this case, the plot around the killer is more like a rubber band. It is a millstone.

It doesn't help when the antagonist is a "faceless" bogeyman. I get that he is obsessed with the FL, but the rationale is lost in the mist of plot disarray. He has a name but no backstory, no motivation for any of his actions. They shouldn't have met, or he should be in jail as each timeline changes. Then what happened to him in the 15 years since he may or may not have kidnapped the FL? Did he killed more girls or just looked for the FL all those years. What are the police doing? Watching reruns of Dr. Who?!

The antagonist finally got his just deserts in the last EP but how I wish it happened 6 eps earlier. The last EP is total fan service on steroids! It speed-run through a stack of dating tropes and it is total guilty pleasure. It compensates for some of the mid show confusions.

There is a decent amount of skinship throughout the run and they felt right. Not the most passionate I have seen but swoon-y nevertheless.

In terms of acting, it is the same split personality. I love the leads to bits, but the support cast is all over the place. The grandma is sweet. The mum is bearable. The ML's dad is a buffoon who goes for the cheap laughs. The FL's bestie and her brother are so cringy. Their roles get more and more exaggerated as the show progresses. Are they 13 or 30? I groan during some of their scenes.

The kidnapper deserves his own paragraph. He is so one dimensional. Basically, a cardboard cutout. He shows up, does the Death Stare with bonus grimace and retires to a dark corner to await his next money shot. So little effort yet so pivotal a role.

In the end, if they do a director's cut of our leads’ romantic journey, it would be 10/10. I would be a happy couch potato watching it on repeat. The rest gets a 6/10. In view of balance, the show gets an 8/10.

I can totally understand the hype and attention surrounding the show but I also get why some would defer as well. I need therapy.

Leggi di Più

Consumer Warning: Overbearing melodrama ahead!

On paper, this show should be a top-notch production. The stellar cast, the high production value and a nice OST do present a strong case.

In terms of the central plot, it is about as transparent as it can be. It literally gave the key “twist” to us at the end of episode 1. We know with certainty what is the end game. It then spends the bulk of the Show plotting the meandering path towards that exit. It was not necessarily a difficult path, but it was very weighty and melodramatic. It does not hold back on any opportunity to tug at our heartstrings.

While the synopsis of the show hinted at an ensemble drama with a female concentric focus, it is only partly true. Yes, the three main leads are all females about to turn 40 but two are the true leads and they are Son Ye Jin (as Cha Mi Jo) and Jeon Mi Do (as Joeng Chan Young) while the third FL played by Kim Ji Hyun (as Jang Joo Hee) has a lesser role. All the male leads are firmly in support and powered the romantic storylines. Their respective families played in the next tier and move the plot along as required.

It is true that the close friendship/sisterhood of the 3 leads formed the central pillar of the story, the plot around Chan Young is what drives the bulk of plot developments. There is certainly no shortage of subplots but the majority of them were treated superficially. Not that the subject matter is lightweight (abandonment, prejudice, deceptions and more) but they are just shiny fruits hanging off the main trunk. Some were given more attention and used to stir our emotions, but all faded away eventually in the face of the all-consuming main event. To be fair, all these threads were not forgotten, the writer-nim did gave them resolutions even if it is just a quick scene or a snippet of commentary but some felt perfunctory. It allowed the threads to be closed but it doesn’t really give them their dues. IMHO, this is largely because the story is written to appeal and engage with the target audience. It is not about pushing agendas that might distract from the central theme.

There is no doubt the Show is watchable. There are swoon worthy moments and occasional rays of sunshine but I can’t help but cringe at the overly melodramatic scenes and the endless rounds of the female leads drinking, shopping, bickering and basically creating “moments”. Some of those screen time can be better used to explore some subplots that were crying for some love and attention.

Now the elephant in the room, I do pity Joo Hee. Her character is poorly developed and weak by design, suffered a lot, aimed low and achieved little in life. Her love line is contrived. She is supposed to be in a serious relationship (her own words) but there are hardly any outward signs. Just a few hints and no skinship.

You can’t really say the Show dropped the ball. Quite the opposite! The Show has a laser focus on the endgame. Nothing is allowed to get in the way of the melodrama. Every morsel of happiness is bittersweet. Every special moment is handcrafted to heighten its impact. Lingering contemplative shots and close-ups of the protagonists (often in tears) reinforce the despondency.

I have no doubt the Show will be popular but it is also polarising. Its fans will love it and wish for more. The rest of us can only lament the lost opportunities to push back some boundaries or explore relevant issues. If you start watching the show thinking that it is a rom-com then you might felt a bit cheated as the show quickly morphed into its final form. Ultimately, the Show wants to preach to the converted and it did it with consummate skill. Caveat emptor, my friends.

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A grand romance demands a grand sacrifice

I was a little speechless after binging this show over 3 days. Not many show affected me this way but it did and I was surprised.
On paper it is a low profile web drama of 24 episodes running about 30mins each. Short by c-drama standard. It started off as a decent rom-com with a dose of fantasy. It centred around characters in a story written by the FL coming to life on her 24th birthday and interacting with the FL and her friends. Lots of zany shenanigans as those fantasy characters tried to adjust to modern life (they were from ancient Babylon). Similar storyline has been used before but the show did a good job drawing us in and keeping our interests. The casting was very good. You don't have to suspend your disbelieve. They hired a number of good actors with mixed heritage and one main character even spoke Akkadian during the entire show and that is respect to the source material.

Around mid show, the tone changed and it became a bit of a thriller with a touch of the supernatural. It was a rollercoaster ride from that point on. The show swung back to romance then back to thriller plus historical intrigue and some light-hearted moments and back again. Yes, it is a bit manic and hectic when you look at it from a distance but if you are still watching by the 2/3 point, you are shipping the CP's and the story would have hooked you.

Speaking of romance, they weren't sugar coated fluff but love that transcended time and the great divide. I have to give the writer full credit for the teleport to Mount Wu running gag. It is next level! The last few episodes are heavy with the feels and the pace finally slowed. A sense of melancholy and reflection coloured the later scenes.

The writing is no doubt a key element of this drama. It is good, surprisingly good for a short drama. It dashed around both time and space but the core promise was always solid. Layers of revelations are peeled away. Yes, it can look messy but the ground work for later development was laid well in advance and it is more about gathering all the threads and pulling at the right time to turn chaos into cohesion.

The ending was bittersweet and not your typical 11th hour miracle. I accept and appreciate that because it would have betrayed the whole narrative and destroy any pretence of logic (but I was torn, damnit). We did get some kind of closure for the protagonists. We can derive some comfort in knowing that they were not forgotten and they are learning to live with the hands they were dealt. There is hope after all.

Production value is good. I heard that it was a labour of love with years of post production. They actually filmed on location in Morocco and Paris which is rare even for big budget dramas.

I'll admit that the transition is not always smooth, there are the odd plot holes and some scenes towards the end were contrived and heavy handed (aka burying the mask) but I'll accept the flaws in exchange for the complete package.
OST was good. I still can't get the opening bars of the theme song out of my head.

This show is not for everyone. The whiplash change in story telling and layered plot might put off or confuse some. If you are expecting a fluffy rom-com or an action thriller then watch no further.

It is a wild ride to be sure so test the water with your toes. Be warned, the water is deep and quite murky. :)

>>>>>P.S. There is a bonus ep.25. It is not an alternate ending but it extended the show beyond the end of ep.24. It provide some extra fan service scenes so if you are happy with the original bittersweet ending then please ignore this episode. Otherwise, it is a must watch for the fans of this show. :D The link to a Chinese only video is the comments section in MDL for this show. Thank you to cyn lynn for the heads-up. :)

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I won the sucker bet

Based on the past performances of the two leads, I was willing to offer odds that the show will be good. I wish I finish the Show before I mortgage my house.

Still, on paper, I should be on a safe bet. It seems to be a standard BFF to lover trope with good looking leads and nice chemistry. It is a win-win formula for sure.

The problem is that the main plot went nowhere fast. The FL was lost in a sea of self-doubt and the ML is an island with a sign that reads “No Trespassers”. This is after all the flashbacks, almost kiss and daydreams. Even at this point, the plot is still viable, but it needs a firm hand on the tiller. What we got instead is a show within a show, a reality dating show, no less.

Now I’m starting to worry. If the dating show is framed as a satire or spoof, then it could be a lot of fun and there will be opportunities for the leads to interact and break down the barrier. However, for that to work, the new characters in the dating show have to be larger than life to kickstart the plot. What we got was a half-hearted attempt at an exposé which swings between banality and earnest. We are greeted by a mix of new secondary characters that are mostly cliché roles designed to fit right into their designated subplots. This meanders around for too many episodes before the Show finally calls it quits. It is frustrating that most of the introduced subplots lead nowhere and largely faded away as soon as the dating show wraps. The token antagonist stirred up some angst but escaped scot free. The Show doesn’t really need an ensemble cast. It is largely a distraction and suck the oxygen from the main OTP plot.

It is not all bad news though. The 2FL (Kang Chae Ri) is a revelation. Her character is thorny throughout the show and is borderline psychotic, but she is so much more alive than the FL. It is hard to like her character, but she is a scene stealer. This is almost the opposite of the FL. While the FL has great visuals, and her acting is solid as ever, her character is a wet mop. She spends the bulk of the Show running away from her feelings and tries to melt into the background.

Acting is decent on the whole, but the writing is a mess. By the time the leads are a couple, we are hanging on for dear life. The HEA ending and some nice developments of the side couples is small compensation for an overall disappointing show.
OST is serviceable but there is little reason for a rewatch.

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Awkward rom-com saved by a heart transplant mid run

I know some of you will think that I judged this show too harshly but please allow me to explain.

For a rom-com to be good in my book, I have to care for and want to ship the OTP and the story has to be engaging. That might sound like platitude but the more rom-coms I consumed, the more I felt that this is more elusive than we take for granted. For me, Moonlight missed that mark.

On paper the OTP was a decent pairing. A cute, idealistic new grad in her first job meets a prickly but handsome writer. The issue here is that the setting was very contrived. The FL landed an editor job in a publishing house without an interview and no relevant qualifications, in Shanghai, of all places. Does that really happen in RL? We have seen all the tropey meet-cutes with the ML running over the FL on a bike or the FL trip and fell into the ML's lap with a hot drink, etc but this is the backbone of this script so it needs to be believable and plausible. Of course she overcame every challenge placed in her way. Her storyline was not exactly subtle.

The ML's story was the standard handsome, awkward, egotistical man-child. The writer also threw in a "fated" backstory just to seal the deal. I can accept cliché characters and we all know that Chinese rom-coms have more than its fair share but these were not characters endearing to me. Especially the ML who had a crush on the FL but at the same time did his best to deny this (point blank to the FL's face) and pushed her away repeatedly. Not only was it cliché but the way it was done was wearing. The ML would then pulled a face that said "what have I done?!" and I have to ask that same question too.

The pacing for the first half of the show was glacial. Nothing reached any real highs or lows. Stuff happened and sub-plots came and went. We knew where the show was heading but it just took its sweet time. Honestly, it was just as well that the leads were good looking and they could act. At least they made it bearable. Even then, I was seriously considering dropping it by the halfway mark. Then something happened around ep.19/20. At the start of that "turning point", the plot got so bad that I was having WTF moments. Then it felt like someone sat the writer down and had a "good chat" and the tone, pacing and plot just changed overnight. By the end of episode 20, it was as if a new rom-com was born with the same characters but most of what happened before was a dream.

The last few episodes were sugar sweet and tied up all the loose ends. Just about everyone had a happy ending and moved on in life, love and career. It also meant that it was quite tropey but I can accept that as reward for sitting through the first half of the show. IMHO, if they condensed the first 19 episodes, add it to the last 16 and made it a 20 episodes drama, it would be a decent and very watchable rom-com.

Moonlight wasn't bad, it just didn't resonate with me. Rather than being immersed in their budding romantic journey, I was mostly bored and a little annoyed for a good half of the show. I can't, in all honesty, score the first 19 episode a high mark but the last 16 was a solid 8.5 so in balance, it ended up being a 7.5.

On a positive note, I do like the use of the actors' real voices and ambient sounds. Dubbing can be overused in c-dramas especially if the same voice actor is used for many shows. OST was good. The FL also sang the title song. Rewatch value is low for me. 

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Mostly harmless college rom-com

It is actually hard to write a review for this show, not because it is particular good nor bad but it is just uninspired. An apt description would be mostly harmless. ;)
There are cute moments, a bit of skinship, the odd tears but basically, it is a lazy wet weekend type of binge. You can cook lunch while the show goes on in the background and you won't miss much.
The OTP is ok, cute enough to carry the show for the most part. Cold ML, fun FL, tick! There are even a 2OTP and a 3OTP but they are all obvious pairings. Lots of tropes are used to no great effect (nor ill effects for that matter). I don't know if the writer is inexperienced or lazy or under time pressure but there is almost no depth to the story. Everything is telegraphed and/or predictable. If someone sneezes then someone will be taking care of the sick one and that advanced their relationship to the next level, etc. A case in point, they threw in the cliché separation of the OTP towards the end of the show. Normally, if I was fully invested in the OTP/plot, I would be annoyed and rolled my eyes. However, in this case, I just sat through it and didn't really mind. It wasn't badly written and it moved the story along towards the final conclusion but it was meh for me.
In the end, the show was like a nicely packaged, clearly labelled meal with cooking instructions. ;) I finished it and "enjoyed" it in a low key, easy-peasy kind of way. Your mileage will differ.

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Live, love and lost under the Big Sky

This is an adaptation of a book of prose by Li Juan. Changes were made to make it more suitable for live action. Read into that what you will.

This series has received some well-deserved attentions and solid ratings. I think it is largely due to its unique setting and a simple and honest storytelling amongst the sea of samey idol dramas.

The story is a mashup of the classic When Worlds Collide and Fish Out of Water tropes. They are oldies but goodies. In this case, our FL finds herself in a remote part of the Xinjiang autonomous region which is the definition of remoteness itself. So, you can imagine her culture shock.

BTW, the show was set over 20 years ago, so things are simpler back then, but changes are coming, just like winter. The straightforward plot largely centred on the lives of one Kazakh village, their friends and their interactions with FL's small family.

Historically, the Kazakh are nomads herders and each summer, the families would move with their herds to their summer pastures in the Altai mountains. In that sense, I prefer the Chinese title of My Altai which is more meaningful.

As the show opens, we find the older generation confused about the changes and "nonsensical" rules from people they can't relate to. While the younger generation is squeezed between two conflicting cultures. It is this tug-of-war that is the foundation of much of the drama in this series.

It is obvious that this show doesn’t have a big budget and can be a bit rough around the edges. Nevertheless, it is made with heart and a focus on authenticity. Local "actors" are used extensively. I won't go as far as saying they discovered new talents, but they managed to grab You Shi before he gained fame with his recent movie roles. He is all singing and all dancing here. He made the effort to learn the local dialect. While not 100% fluent, it is impressive, nevertheless. He also did all the horse riding stunts, and he sang in the local dialect. Kudos to him.

As I mentioned before, the show is like a breath of fresh air (or is that mountain air?), and you quickly become enmeshed in the village life. Their lives are ruled by the seasons and daily chores. It is a harsh but fulfilling life. You know life is tough when luxury is a dry bed.

They only break from the daily grind during festivals and celebrations like weddings. They certainly let their hair down during those rare occasions. Friendship is renewed and romance blossom. This is also an area where the generation gap rears it head. Some of the older generations are still engaging in matchmaking while the younger generations are doing their own thing. In a way, the show used the various romances to spice up the plot but it is a bit distracting when the landscape is such a magnificent stage and yet we are stuck in a yurt, watching the elders negotiate again and again.

I’m not sure these complications is the production trying to inject some relatable plots and angst for contemporary viewers. What is obvious is their influence on the last ep. It really was drama for drama’s sake and feels rushed. I’m not sure if it is necessary but it ended things with a bang. The last scene was a bit of a tease for us who are shipping the OTP. Will they? Won’t they? Maybe a second season will give us the answer. ;)

Regardless, this is a good show. It deserves all the kudos for doing something different. I appreciate the efforts the production invested to make it authentic and sincere. With such a short run-time, it is an easy binge. Give it a go, you might be pleasantly surprised.

Finally, the elephant in the room. The treatment of ethnic minorities and the flood of Han people into those remote regions is a sensitive topic. Several plots gave us a hint of what’s to come. The show's portrayal is restrained for obvious reasons. Enough said.

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Let’s play a game of Whack-A-Trope!

I started watching this show when it was first released. It looks alright. I got past the half way mark before I was blocked by the VVIP pay wall. I ended up watching other shows and shelved it until now. I thought I'd finish it, but to my surprise, it was quite a struggle.

After giving it some thought, this is my conclusion. While the first dozen or so eps were decent if samey to many other contemporary c-dramas at least there was enough energy to push the story along. It is obvious that the show is a grab bag of tropes from the get-go.

However, once the plot is on rail and the OTP are officially, all the momentum are gone. What is left are very tropey plots and cliche gags to try to keep things moving until the bitter end.

This is not helped by poor character development. The ML is obviously the typical cold, low EQ boss and the FL is the damsel in waiting. Rather than allowing both characters to grow (up), the writer paints the ML into a corner.

The ML is now a lovesick puppy who run through all the typical dating fails. For example, he can't cook but tried his best to cook a meal for her. It was cute the first time. Not cute by the 6th time! He is constantly asking for relationship advice but totally misses the point.

This is a man who is supposed to be an intellectual giant, a peerless lawyer. He behaves like a lovesick high schooler EVERYDAY. Yes, he is a noob to love but flogging the same horse for 30 eps, is exhausting and makes him looks like a fool.

On the other hand, the FL is supposed to grow into a lawyer that is a fitting mate for the ML. I'm sure it was written in bold and probably underlined in red by the writer but what the show delivered is largely the same meek character.

The ML is overbearing and too protective. It got so bad that the FL took a break from their relationship. Bravo GF! Finally, a bit of gumption. There was a breakthrough of sort around ep.35. It was so contrived. It went from confrontation to reconciliation in a heartbeat. Then after all the flowery speech about giving her space, respect and undying love, the ML just went back to being a green-eyed monster in the next scene. It is odd how much time he is seen not doing real work. He just seems to be stuck in a loop alternatively trying to please her and annoy her.

This type of repetition is everywhere. A kiss being interrupted by a phone call is a tired tropey nowadays but in this show, I ran out of fingers trying to count the times they were interrupted if there is a mere hint of skinship.

Oh yes, speaking of skinship, there are some, but they are mechanical and lack passion. It pretty much mirrors their chemistry. It is there and they whisper sweet nothing to each other on cue, but it is not very convincing. This is further tested when the show introduces a SFL who scored the worst own goal. Least said, the better. You want to see chemistry, watch the first few eps of Amidst A Snowstorm. You won’t regret it.

It won’t be a party if we just talk about the leads. How about the tone deaf, bootlicking junior lawyer? Someone needs to have a good chat with him. Preferably in a soundproof padded cell and behind locked door.

The grand prize goes to the antagonist, He is given so much prominence. When you consider he is supposed to be the twice winner of the Golden Scale Award yet at every turn he is proven to be a C grade lawyer but an A grade douche bag, it is sending some weird message about the Chinese legal fraternity. His denouement didn’t happen until the dying minutes of ep.36. It was long time coming but it was unrewarding. He is not punished in any tangible way. His parting words are, “this isn’t over!”. Yay . . . I think.

At this point, I must call out the handful of legal cases the drama presented to us. They range from meh to sad. I don’t know the Chinese legal system, but I don’t think the writer is much more knowledgeable. Time and again, the cases are supposed to showcase the ability of the leads, but they are so contrived, it is like reading a murder mystery backwards. Scenes in the courtroom are perfunctory.

Of course, the HEA ending arrived on cue. It is fine. The last ep is total fan service, it is FINE. The 5 minutes long epilogue is the bomb!

I could have just labelled this a fluffy rom-com and move on. But somehow, this show irritates me. Maybe it is the ham-fisted use of tired tropes, the shallow witless plots or cliché moments stuck on repeat. Regardless, I had more fun writing this review than watching the show. That's a win, isn't it?

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A flame that burns twice as bright makes everything else seems dull

Doona is my definition of a Traffic Show. Bae Suzy has the titular role and all the marketing is focused on her. It is to be expected if you need to generate as much traffic as possible. This it succeeded, but it also sabotage itself.

Doona is a difficult person to deal with because she has little life experience. She has questionable interpersonal skills and has no filters. Knowing the idol industry, the bulk of her young life would be consumed by training and “being” an idol. This exerts a heavy toll on her health, both mental and physical. It is no surprise that she feels like she is drowning just before her breakdown.

Instead of giving her help and guidance, her manager dumped her in a share house full of college students. This is particularly heartless because he knew she has a crush on him. Is this tough love or punishment, you be the judge.

The start of the show sees our ML moving into the same share house. The ML is stoic and studious. Dull to be honest but he is just the rock Doona needs to anchor herself at this point in time. The start of their relationship is certainly tremulous. Doona holds all the cards. Teased and played him mercilessly. However, over time, she accepts his presence and let her guards down bit by bit. It took a while, but they sort out their confused feelings eventually.

All is well until the manager re-enters the scene. This is not a total surprise because the show hinted strongly that Doona needs to perform to feel alive. She has been channelling her energy into her love life but it is obvious that she can't be a housewife nor hold down a desk job.

I must admit I was worried about the manager’s role as she still has a crush on him and his influence on her is overwhelming. This was confirmed by the scene at the grandmother’s house. I understand why the writer-nim wrote it that way but I do wonder if it can be done better. I'm glad that Doona soon realised that the manager was only using her and ended her crush. However, more storm clouds are gathering.

For a nine episodes run, you would think that there is no shortage of plot materials but the A-plot is so focused on Doona that everything else seems to pale by comparison.

For instance, the ML has 3 separate romantic entanglements in three different stages of his life. The show managed to get all 3 girls to live in the same share house at the same time. You would think that there will be fireworks, but it is quite the contrary.

Both SFL’s have their backstories but they have very little impact on the A-plot. His high school crush should play a key role but by the time we find out about her troubled upbringing and her eventual confession to the ML, it was all too late. She just can’t compete with Doona. Ditto, the other housemates did little more than move the plot along when needed.

That is a shame because Doona is not as captivating as the show would've liked. Yes, Bae Suzy owns the role but her performance can be a bit stilted at times. She has her moments and some scenes are artsy and beautiful, but I won't call it a breakout role.

The same goes for the ML. He is laser focused on his studies and entering the coveted public service. He loves on cue and cries on cue. He plays the noble idiot card and made both of them suffer for years. He even acknowledged that. It is not a strong role. His delivery can feel flat at times. More than once I was willing him to do more, anything.

Now we arrive at the tricky part, the ending. There has been some chatter about whether the OTP reconciled or are they estranged? The show did not give us a definitive answer. However, the following is my take and I’ll die on that hill. ;)

Before I watch the last few minutes of the finale, I would've said that they are done. Both are in pain, but they are getting on with their lives. HOWEVER, after watching the emotionally charged scene in his room my view changed. He apologized without hesitation. He said everything she wanted to hear and more. They both knew that their love each other hasn’t changed. They hugged it out like desperate people clinging to a life preserver. You can't tell me that they walked away as strangers after that.

Yes, of course, anything is possible, but I would prefer to believe that they have learnt their lesson and reconciled. I'm not sure if it is all hush-hush but they can pursue their own goals and live parallel lives like some celebrities and their SO's. They love each other dearly and they will make it work.

BTW, the last scene is ambiguous but it is literally a chance meeting. She looked back because she knew he will be in Japan (as couples do). It wasn't a wistful look. The nonchalance could signal a deliberate separation of their public and private life. It is a "I see you" moment and that’s enough.

I have no doubt it will be the trending show for a while, the hype around Bae Suzy will guarantee that. It is watchable but not amazing. The swoon worthy moments are worth the price of admission. Peace out.

Leggi di Più

Enough with the politeness

I enjoyed this show. It is the usual contractual marriage of an odd couple. However, rather than the usual crazy pairing of random strangers, this one is surprisingly well grounded and even have a semblance of logic behind the meet-cute, well, mostly from the ML's perspective.

The plot is solid but uninspired. It runs though the usual gambit of relationship and cohabitation issues. All the problem are handled with maturity and resolved quickly. Of course, there are some issues which are put in the too hard basket like developing feelings for each other. Obviously, being a rom-com those pesky feelings has to be addressed. This is not helped by the politeness and boundary setting between the two. Other than a couple of near misses, their relationship is quite platonic.

This is disappointing because even after they confirmed their feelings for each other near the end of the show, we have very little fan service. It is poor return for shipping the OTP for so long. I honestly would have given it a higher score if we get to see some passion rather than more bonhomie.

Production value is par for the course. Acting is fine and OST is unintrusive.

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This show needs a scripting coach. Not a dating coach

What impressed me about this show is not the plot, which feels tropey and bloated, but the acting of our leads, especially our FL.

Allow me to explain. I knew the FL has great visuals especially her eyes. They are so expressive. She certainly looks glam from her first scenes, but her role soon required her to pull all her carefully curated facade down. We are talking total demolition. So much ugly crying, drunken antics, and serious faux pas. This is not unheard of in k-dramas where excessive drinking seems to be a national sport but most rom-coms would not take things too far and will let the leads down gently before buoying them up with a new lease on life and love. It is rare for a show to drop their FL in a pit of despair like this. So, hats off to Yoo In-na for her dedication to her craft.

Now, the plot was running reasonably well up to the halfway mark and you'd think that we are on course for an easy jog to the finish line. Unfortunately, we are hit by a relationship tsunami;
a) Both leads have had a nasty breakup, and both are hurting. Their growing feelings for each other is helping them to heal but their burgeoning romance begins to founder after their first passionate kiss. Add a couple of clingy ex's and it is a party. Hey, maybe we should start a drinking game. We take a shot after each cliche plot device. (Shot #1/2/3)
b) The marriage of the 2CP (FL's BFF) threatens total meltdown. It is also the usual growing apart/you changed trope (shot #4). I’m not saying that it can’t happen in RL, but it feels scripted and the resolution swings their relationship in the completely opposite direction without much preamble. It does make you wonder if it is sustainable.
c) The 3CP failed to launch when the older boss rejects the young pretty part-timer. It is the classic ahjussi-sonyeo setup (shot #5). The boss was burnt by a messy divorce, so he pushed back hard initially. This is not helped by a lack of chemistry between those two. Does the 3ML loves the 3FL at all or his took the path of least resistance once his male ego was suitably stroked. I see troubles ahead.
d) The 4CP's (FL's sister) romance is a textbook "love at first sight" trope. (shot #6) It is cute and sweet enough but it gets complicated real fast. Which resulted in another tropey situation. (shot #9? I'm too drunk to count)

When you consider there are only 14 eps rather than the usual 16, we have a petri dish of woes. This creates a lot of interference and left little room for our OTP.

This is a serious issue as it is the chemistry and connection of the OTP that captivated us in the first place but then it hits a wall while the ML tries to overcome a speech impediment anytime he needs to confess. All the while, the FL is suffering from terminal frustration. The extra 3 CP's and sundry ex's are fillers and they take the wind out of the OTP’s sails. Who’s show is this anyway?

By now, I'm hanging on with grim determination. There is no reason for the show to go dark on us and commit hara-kiri but there are moments of self-doubt. It is with a collective sigh of relief that the final episode delivered a sugar overdose. It is pretty much pure fan service. Not that I’m complaining but it really highlighted how the show took some serious detours before arriving at the designated spot. Honestly, I can pinpoint scenes where the ML could have said the magic words to the FL and we are home and hosed.

Acting wise, the FL is the star of the show, but the ML is very charismatic. His chemistry with the FL is undeniable. I loved his ability to portrait his inner thoughts, but I hated that aspect as well because his indecision has a major impact on the flow of the plot. However, this is a script problem.

Speaking of acting, the support cast is ok but most of the roles are tropey and one dimensional. For a shortened run, there are too many side plots/characters. It is hard for us to sort the wheat from the chaff. This is where the show lost points with me. Focus! Writer-nim focus!

In hindsight, I can see why the show wants to push the idea of loving someone for their real/imperfect self, rather than someone who is roleplaying the perfect partner. It is particularly true in this age of unrealistic expectations created by overheated social media. However, is that message consistent across all our CP's? I'm not so sure.

The show is entertaining, and I enjoyed watching our leads falling in love and healing each other. There are some skinship and a decent amount of swoon worthy moments. The rest is a bit of a crapshoot, and your mileage will differ. I do think that a better script with more clarity, fewer side plots and a smaller cast can take this show to the next level. Peace out.

Leggi di Più