Cinema and television, like all art that reflects the society in which they develop, have shown the trafficking of children through notable films, documentaries and television series. Numerous films and television programs expose this illegal practice and many of them are based and inspired by real-life cases.
Asian dramas are committed to bringing all genres to the public, including those in which their protagonists have a romantic bond combined with supernatural powers.
Has the fact that Thailand is a point of origin, destination and transit of human trafficking aroused the interest of Nopachai Jayanama (Peter), as director, and Kanokphan Ornrattanasakul and Issaraporn Kuntisuk, as scriptwriters, to tell us in 'Pit Babe' a story that mixes homosexual romance, sport, intrigue, action, human trafficking, fantasy and supernatural powers?
This drama, an adaptation of the web novel by _alittlebitch, winks at Thai reality: the value of child victims of human trafficking does not lie in using them as sexual slaves, in forced labor or to extract their organs for commercialization, but in possessing special powers.
Are we facing a social drama of denunciation of human commerce? I would like this to be its purpose, but consistent with its BL condition, 'Pit Babe' will enhance the romance. This arises between Babe (Naret Promphaophan-Pavel), the king of the racetrack, and Charlie (Krittin Kitjaruwannakul-Pooh), his supporter.
Will the series have a hidden message? How many of Tony's “sons” among the superpowered children are gay men today? Babe, Charlie, Jeff, Kenta, Pete, Way...? That is, the main characters with powers who were raised-educated by the person dedicated to human trafficking ended up being homosexuals. Is there a hidden message in this, simple coincidence or something of “destiny”?
Babe is a very popular racing driver and admired by everyone. His achievements in the sport have led him to be considered number one. Among his followers is Charlie, a young man who wants to be a racing driver like him. However, he does not have the money or the contacts necessary to achieve it. Therefore, he looks for an opportunity to get closer to the leader of X Hunter. When he succeeds, he asks for your help and to lend him a car so he can materialize his aspirations. The only solution he can think of is to reach a strange agreement with Babe. Against logic, he agrees to help Charlie realize his dream.
On this journey, will Babe be able to win Charlie's heart? Will he lose the race he most wants to win this time? Will Charlie be the one interested in captivating the racing driver? Will the relationship that began as a game triumphantly cross the finish line to become a real romance?
The most notable thing about the series is its exciting scenes and the attractiveness of the actors.
There is a secondary couple, made up of Alan and Jeff.
The cast also includes Supanut Lourhaphanich (Nut), as Way; Obrnithi Leelavetchabutr (Ping), as Pete; Natthapong Pathong (Benz), as Kim; Asre Wattanayakul (Lee), as Dean; Hemmawich Khwanamphaiphan (Sailub), as Alan; Thanapon Aiemkumchai (Pon), as Jeff; Michael Kiettisak (Michael), as North; Pataraphol Wanlopsiri (Pop), as Winner; Pantach Kankham (Garfield), as Kenta; Supakorn Saokhor (TopTen), as Sonic; and Vorarit Vaijairanai (S), as Tony
The chemistry between the protagonists and the bed scenes fail to lift a series whose characters are unrealistic and undeveloped. Pavel and Pooh have charisma and are attractive, but the script does not help their relationship connect with the viewer.
I must clarify that it is not that I find being 'passive' degrading. It's not that I assume that, in a relationship between two men, there is a "superiority" on the part of the one who is 'active' compared to the other who is 'passive', but the abrupt change in Babe's personality seems inconceivable to me. . This transformation comes at the same time as the loss of his powers, at the hands of Charlie.
Babe abandons his well-crafted playboy image for years. In all his previous relationships he played the role of seme or asset. In the words of the BL series themselves, he was, of the two, “the one on top.” He began his relationship with Charle by assuming this role in bed. Suddenly, without a convincing explanation, Babe becomes Charlie's uke. Babe swaps to play the role of the “bottom.” So, you would have to ask yourself: Did the loss of his precious powers lead him to be the passive one in their relationship? Didn't this move cause a loss in his character's potential?
Despite being in front of the cameras practically all the time, the actor who plays Charlie fails to connect with me emotionally. They are not facilitating emotions, but hindering emotions that are transmitted to me by a character who fails to sensitize me. By not feeling or understanding Charlie's emotions and feelings, I cannot essentially grasp whether it is love or just sex that drives him. Only his acting stands out in the sex scenes. Note that I do not say “when making love.”
The transformation of the character played by Nut, already in the final moments, is not logical either. About an obvious thing, the incurable remorse that must have accompanied Way throughout much of his life for betraying Babe for years, causing the rift between him and the man he loves, as well as many, if not all, of the problems that have hit to the positive characters by being infiltrated into their ranks, Way's evolution from evil to purity, from darkness to light is narratively constructed, sustained by the effort to achieve the viewer's identification with the traitor. It is necessary to save it, the creators thought.
Way drinks with Pete because “he wants to make the situation better.” He doesn't know “what to do next.” He does not know if “what I have always believed is the right thing.” He asks Pete why he decided to leave Dad, and Pete tells him, “Because the truth is not what I thought… I decided to leave to end the vicious cycle that Dad had created.” And he tells her that she still has the chance to choose what she wants to do. Way has been asked to show the despondency caused by guilt. Way has had the option all his life to choose the right path, but he has decided to be by Tony's side, even knowing what this means. But suddenly, some words from Pete whispered in his ear between sips of liquor and a few pats on the back invite him to “do the right thing.” And this would not be a problem if they had gotten rid of the rampant schematism in the character design and the all-too-evident desire to redeem him.
A story that fails to convince, clumsily designed characters, characters lacking development and therefore generating empathy, limitations in the explanation of the characters' decision making, poverty in the development of events and irregularities regarding changes of personality, are several of the main characteristics of the drama.
Peter throws together a few tropes and too many clichés. With fewer ambitions and fewer plot holes, perhaps the series would have become a full-throttle, full-speed car swallowing up the race track.