That ending was a... choice

There's a lot to be said about this wonderful yet somehow disappointing take on gumiho and Korean lore, and having just finished it I find that I have surprisingly complicated feelings for something that, in the beginning, I was confident that I would end up either loving or hating it.

I feel a bit bitter.

The drama's strengths lie in its production, its cast, and some of its characters. Some, not all. The brothers Lee Yeon and Lee Rang were hands down the most well thought out part of the story as both characters had a lot of depth to them, and their actors had a lot of chemistry on set. From the very beginning, LR's grudge is made clear and we're given context to their very strained relationship. As the story leaves more pieces for us to put together, we come to understand his character a lot more. Better yet, their relationship and LR's character as a whole have by far the most growth out of the whole cast. Even, I as someone who didn't care for LR in early episodes, grew to appreciate his role in the story.

The rest of the cast, for the most part, was a compliment to their chemistry. Ki Yoo Ri and Gu Shin Ju did a fantastic job portraying the slow-developing second couple and, honestly, their chemistry was a lot more compelling than the main pair. They're fun, they're cute, and the more you see them together, the better they look together. The Gatekeeper couple was such a treat, too, in a different way. Watching them fight and bicker and then, eventually, come together again, was so nice. For me, the main problem and the reason I was never 100% onboard was Nam Ji Ah's character. I found her very likable and refreshing in the first few episodes but that started to taper off around episode 4 or 5 where I started to find her grating. The actress's acting was passable, but a lot of times it didn't feel genuine. Her motivation was clear in the beginning - to find her parents - but as soon as they were back, the story forgot about them unless it needed a hostage or a funny little couple scene between NJA and LY. It felt a little strange. Then, this character who in the beginning we were shown was strong-willed, motivated, and could take care of herself was now in constant need of rescuing. And I mean constant. She was practically helpless throughout most of the story. In episode 13 she even fell victim to the 'woman fainting because stress' trope. There were also many scenes where she had to 'play the villain' so to speak and act as Imugi, which... was a choice. She didn't make for a great villain. The acting was cheesy and over-the-top, which I came to expect from other aspects of the show like the dialogue (which was absolutely cringy in some spots) but when you have a villain you want to look threatening, that's not a very good sign. I have more gripes with her character at the ending, too. A lot more.

Before I move on, Lee Tae Ri was an odd choice to play the villain. It's not that he's a bad actor, but he doesn't really have a threatening or large presence. He made Imugi's level of threat seem kinda silly, honestly, so I never felt like there was any real tension when he was on screen.

The plot... let's be honest, it's a hot mess. It's coherent enough to understand and enjoy, simple enough that you've seen this story a thousand and one times already, but if you think about it too long, it starts to fall apart. Just take the very first scene where NJA's parents go missing. We understand that attack to have been orchestrated by Imugi's minion KHR, but who was it that actually attacked them? Who was it that LY saved NJA from that night? They were shapeshifters, we can assume maybe they were foxes like the others? But why did they do it? Why did they listen to KHR? Better yet, what was the point of taking NJA's parents to begin with? Was it just to use them as leverage years later? That seems a bit silly - they could have taken them at any point after Imugi was revived to the same effect. With Imugi's illusions we've seen that he can get whatever he wants whenever he wants it. It just feels unnecessary. I loved the scene itself and it was a great introduction, but there wasn't much reason for it other than giving NJA a flimsy character set-up. In fact, if the parents had just been killed that night I probably wouldn't have much to say about it - it could have been a harsh introduction into the world we were about to step into. The problem is really the fact that it ties back to the main villain.

There are numerous other examples of the show taking weird turns like that or having just badly written scenes, but if I tried to write them all out we'd be here forever. Correct me if I'm wrong, but we never got closure on why NJA's parents visited that island where the Imugi ritual was performed, did we? Why did they bring back her parents if they were going to practically forget about them immediately after? The girl gets to see her mom and dad who she knew were likely dead after so many years and there's a short few scenes about them reuniting and then it's like they were never gone in the first place. They never even get an explanation for where they were or why they were there all that time. Anyway. My point is that there are a lot of holes in the story, and even more bad choices. It didn't make me hate the show but as I saw more of them, I started to realize that this wasn't the drama I hoped it would be.

Let's skip the tedious middle of the story and skip to the ending. A lot of the build-up was instead filled with mushy, cheesy scenes between LY and NJA, the couple with the least amount of chemistry in the story. Then our climax hits and it goes exactly how everyone expects - almost. Going into the last 2 eps, I expected LR to die instead of LY. You know, that old 'redemption in death' trope again. I accepted it. But then LY went through with his initial plan and there was crying and tears and LR held his wine bottle like it was a newborn baby and... that was it. I hoped. To be honest, I was fine with that. LY dying, NJA learning to move on, and their love ending on a bittersweet note might have had me applauding the show for not giving us a candyfloss ending. My favourite moments in the whole drama were seeing LR interacting with his newfound family, upset and lonely over the loss of his brother but finally, after so long, finding happiness in the company of others. He didn't have his brother, but he had a family.

And then they made him a damn martyr and had him sacrifice himself for his damn brother. They gave their most well-developed character a cheap ending. If he had died fighting Imugi, I would have been fine with that. If he died because his time was up (they alluded to him being at the end of his lifespan several times and then they, I don't know, forgot about it? Decided they didn't care?) then I wouldn't even have been upset. But instead, they waited until he had his happiest moment and took it all away, not even giving him a proper goodbye. What message does that really send us? He only lost everything once he grew as a character and became a better person. And I'm not saying that his growth nullifies all the terrible shit he's done in the past - it doesn't, he's a murderer and the fact that he's docile at the end of it doesn't change that - but it's only once he started on a better path that he meets his end, and I'm not sure I can get on board with that.

To me, NJA dying would have made sense. No, not there, I don't think anyone should have sacrificed their lives for LY to come back regardless of who it was. But her sacrificing herself earlier on would have made sense. The Gatekeeper was right - she was the reason so many people were dying, even if it wasn't directly her fault. While I can understand LY's desperation to not have history repeat itself, even if they weren't characters that we saw on screen, a lot of people died in the story. An insane amount, even. Saving her while all of them were dying was in fact pretty selfish of the both of them. A lot of heartache from the characters could have been avoided that way, too. Would it have been a very satisfying ending? Not sure. But what we have isn't really satisfying, either.

I did enjoy some of the scenes after LY returned, but ultimately, I don't think they were needed. Maybe I'm just bitter. If I based my rating solely on the ending, it probably would have been a 6. But I can't ignore the fact that I did enjoy the early episodes, and later on I enjoyed most characters outside of Imugi and NJA. It was a cringy, sappy journey that a part of me regrets going on, while another part is happy to have at least had the journey, even if it led down a road not worth travelling.

EDIT: A FEW THINGS I FORGOT TO LEAVE COMPLAINTS FOR AT THE ENDING:
-LY is supposed to be reincarnated except is brought back as himself but human. An adult. How does that make sense? Why did they not explain that?
-LR being reincarnated as a 10-year-old boy... when he died a few months ago? Does that make sense? No. Nothing does, apparently.
-That very end - so is he not a human after all? Is he lying? I get that maybe he can still use his special sword umbrella but why did his eyes change? Is he still a fox? WHAT WAS THE POINT OF THAT?

I'm angry all over again.

Leggi di Più

I have a lot of mixed feelings about this drama and even months after finishing it, I'm not sure where I stand in terms of liking or hating the plot twist. Yes, the message is beautiful and all, and yes, that last episode had me crying, but I can't say whether that's because of the writing or my feelings towards Alzheimer's after experiencing it through my grandmother.

And, while the message is important, I would have cared so much more if I knew going into this drama what it was about. Sure there are some people who would choose not to watch it because it is a heavy topic that affects many people in real life. When someone has Alzheimer's, its effects radiate. It affects their family, their friends. It even showed as much in the drama. But the choice of whether or not to watch it should be theirs to make. For some people, dramas are an escape from the hardships of the day. They go into dramas wanting to forget real life and to instead invest in characters that they get to slowly learn and care for. So if they go in wanting an escape, it could be considered cruel to throw away the story they developed over 10 episodes for a topic that hits close to home for many. At the same time, I do understand what they were trying to do and respect that. I'm just not sure I agree with the implementation of it.

If the show was honest from the start, I may have loved it. But it wasn't. It feels like those 10 episodes weren't needed if this was the story they were going to tell. All of those story threads and all of that time invested to get to that point were just thrown away in favour of a slice of life melodrama. The show made me care about the delusion of Joon Ha, and I just didn't care at all for the real him because of it. The fake versions of the main couple were a lot more compelling to watch, and I really did care about them, no matter how absurd the story around them was. It's a kdrama, I'm used to the absurd. But the reality of them just made me numb to it all. When I should have felt the most and been hit the hardest, I didn't feel it. A part of me regrets watching it.

And yet, at the same time, I respect the premise. I think that Alzheimer's should be talked about and discussed more often, especially since early intervention is very important for treatment. But I don't think this story pulled that off as well as it could have. Judging from the polarizing reaction to it, while some appreciated the message, a lot are just upset at wasting their time.

So I'm torn on whether to recommend this or not. I do feel that the surprise is unnecessary, and that going into it understanding what you're going to find at the end is the best approach. You can't be disappointed if you know what's coming, so go into it with an open mind and steel your heart.

Leggi di Più

They wanted me angry and they succeeded.

I'm left frustrated, which is exactly what the writers wanted me to feel. If you're looking at One Ordinary Day expecting a satisfying conclusion, you're looking in the wrong place. This isn't a drama that will give you the sort of clean, neatly closed ending that many crime dramas do, and it doesn't want you to feel good. They have an angle and they stick to it, and that's exactly why I respect this drama so much.

I'm sure I'm not alone. We're all sitting here after watching episode 8, wondering what, exactly, we just saw. Angry at the police and prosecution for the absolute joke of a case they formed against Hyun Soo, annoyed at the judge who sentenced him and every person involved who let the investigation of the Guk Hwa's murder become the joke that it was. We're frustrated with the prosecutor's promotion, the team leader's peaceful retirement, all the while our lead is stuck in prison while his very stressed-out lawyer goes and does the police's job for them, only for them to take credit for his achievements in the end. So without an apology, after watching a man die in his arms, Hyun Soo is tossed back out into the world, the family that had begun to doubt him acting as though nothing ever happened. He's expected to return to his ordinary life after all of the unfairness he experienced, knowing first-hand just how corrupt and broken the judicial system is. There's no big, dramatic reveal of who the real killer is, no flashback to the night of the murder, and no repentance from the people who botched the investigation and even demanded the death penalty for our innocent lead. Nothing.

The last several minutes show Hyun Soo returning to life, sombre when surrounded by his family, living in a house with "murderer" vandalized on the wall, buying cigarettes and consciously aware of the eyes around him. Even free, he can't return to his old life. He can't fix anything, and this is his new reality.

So One Ordinary Day doesn't leave you fulfilled. Like its characters, you're bitter and unsatisfied. But you're thinking. You're thinking and reminded of just how warped the world can be, and that's exactly what they wanted. That's some pretty good storytelling, wouldn't you say?

And, you know, the stellar acting didn't hurt. I loved seeing Kim Soo Hyun in a drama again, and Chae Seung Won is as amazing as ever. So I'm angry, but I'm very glad I watched this.

Leggi di Più

Heartwarming but empty

18 Again is a beautiful story that doesn't really go anywhere. While I enjoyed the journey, in the end I'm left wondering what all of it was for. To explain what I mean, 18 Again is the retelling of the movie 17 Again, and that's the first problem. It's a retelling of a movie, and it's a 16 episode drama. To make up for that extra time, a lot of conflict and story and character development needs to be added if it wants to keep the attention of its audience and still deliver the impact of the story. And honestly, at first it didn't really feel like it was falling short of that. The family of Hong Dae Young and Jung Da Jung is broken and believable. Each member of the family has their own life to live and worries, and problems that need to be addressed before it reaches its finale. There's definitely a lot more character in this drama than there was in that movie, because there needed to be. But maybe not enough.

HDY's marriage is falling apart, and he doesn't really know why. He and his wife argue a lot and he's frustrated by the situation he's found himself in after giving up on his dreams of being a basketball player to support his high school sweetheart and their twins. He lost his chance at glory and years down the road, with their marriage crumbling, he's starting to feel regret. Through some magical, not really explained means, HDY becomes young again. He has a second chance to live the life he could have had before. Honestly, it's not a bad premise. It's fun and heartwarming to watch him befriend his children and get to know his family all over again as a classmate and not a father/husband, but that's about all the show does. He gets to know his children, stalks his wife, and misses them until he inevitably gets them back. There are minor conflicts sprinkled throughout to keep you interested, and about a million fake-outs of his wife or someone else finding out who he is, but the stakes are low and there's never anything to worry about - the worst that could happen, which obviously was not going to happen, was that the wife was going to end up with the second lead.

Shows like this rely on interpersonal relationships to really make you feel things, and there doesn't need to be an element of danger for a drama to be interesting. But conflict can take many forms, and without it, a story is made up of fluff. I cared about the characters but they weren't doing much of anything.

I have to say though, the moments that matter were done well. I wanted to see the couple back together, I wanted the children to succeed, and I did have fun along the way. The relationship with HDY and his kids was sweet and wholesome, and I did look forward to more episodes week to week. It was only after finishing it that I was able to take a step back and really assess the time I'd spent with these characters and what it all meant. I realized that the hype and emotions I felt at the start never went anywhere, and while the ending left me satisfied on one front, it left me realizing just how little story there was.

I could sit here and nitpick all of the details of this drama that left me unsatisfied. But at the end of the day, I enjoyed it. And, if you're looking for a story that does a good job portraying the average couple, that doesn't romanticize marriage like so many romances do and that makes you feel like the relationship they have is real, this is right up your alley. It's fun, it's cute, and parts of it will melt your heart. Just remember going into it that what you see is what you get, and it may fall short on substance after you meet that halfway mark.

Leggi di Più

I have a few unpopular opinions

For what I expected to be my favourite drama of the year, I've concluded it with lukewarm feelings. As much as I know a lot of people really loved this show, I have a lot of issues with it from morals to general plot progression and characterization. I don't think it was all bad and the premise really showed a lot of promise, but for me, it failed to reach the potential that I thought it deserved.

Let's start from the beginning. My hype for Mouse was at its peak before I ever started watching it, back when the description was just a vague blurb about a world where psychopaths could be determined before birth and the societal response to that. That right there is interesting to me, extremely. Just that short, nondescript idea was enough to get me really invested in what this show would become. So I was already past the point of no return when I realized that the writer for this drama was the same writer as Black. For anyone who has actually watched Black, you may understand why this set off alarm bells for me. But whatever, I was already set on watching it. I was even more excited than I was for Beyond Evil, which has so far been my favourite mystery/thriller this year.

From the very first episode, something did not sit well with me, and that was the portrayal of psychopaths. You know, the entire focal point of the drama. I knew going in that it wasn't going to be realistic because of the introduction of the psychopath gene and the prenatal test for it. Okay, fine. But the drama heavily referenced psychopaths being serial killers. Actually, all of their arguments centred around the idea that every psychopath was a serial killer when, really, most aren't. And the fact that the show was demonizing unborn children? It bothered me. But well, that's what I signed up for! I knew going into it that it would do that, and my hopes were that the drama would challenge the biased opinions it set out at the beginning throughout the drama. And well... it didn't. Not even a little bit. It just reaffirmed them throughout. Hm. Well okay. Maybe I won't agree with the morals, but I can still enjoy the story, right? Well...

I found the start of the drama a little fun. The moments of suspense reminded me of a b-horror movie which could be both cringy and fun, so I was okay with that. But the further I watched, the more I realized that it wasn't very enjoyable. To be enjoyable, a drama doesn't necessarily need to be funny and charming. Dark, gritty shows that make you think can be entertaining, too. But as I watched, I realized I didn't like any of the characters. They were all characters who had been deeply scarred by past events and losses in their lives so I didn't expect them to be happy, good, fun people, but their flaws didn't seem to justify their actions and, honestly, they felt a bit like caricatures. Those singular events in their past defined who they were as people.

Take Moo Chi - he's an off-the-walls alcoholic detective with anger issues. Why is he that way? Well, his parents were murdered and beheaded by a serial killer and his brother was seriously injured in the same event and had to go through many operations just to keep his life. His brother never recovered. That night still lives with him and he can't escape it. Okay, makes sense. So, what does he like? Well... alcohol, I guess. His brother? His team, maybe? Half the time he's fighting with them, so I can't be sure. What are his interests? Hm. Drinking? Chasing criminals? Being depressed in his room? Depression makes a lot of sense for his character, especially after his brother's death, but he has no interests. There's nothing in his room that indicates that he's cared about anything but catching criminals his entire life and that just isn't a character. You can say that he's obsessed, but even people who are will have things they've picked up over the decades of their lives that they care about. And it isn't even like he's a good detective - he's very slow to piece things together. While watching Mouse, I never really cared for the moments he was on screen. And I don't think it's at all the actor's fault. He's doing his best with what he's been given. He's a good actor. But there wasn't much to work with there.

Okay. Bong Yi. Where to start? Well, she was a victim of sexual assault when she was younger and is scarred ever since. Same deal as with Moo Chi. She's traumatized and that's entirely valid. She loves her grandmother, but also somewhat blames her grandmother for what happened to her. That comes out when she's angry. She has a temper, like Moo Chi. She knows how to fight - I can assume maybe self-defence classes in her past. She... boxes? I guess? Great, a hobby! And she has a crush on Ba Reum. Okay, so she has interests! Right? Well... not really. The strange thing about this writer is that she's actually not great at writing women. You can see it in Black, too - the badly written female characters. She tries to follow the 'strong female character' trope that's become popular over the years but doesn't go far beyond the trope. The girl can fight, great, but whenever there comes a time where she actually needs to fight, she's useless. She'll almost catch a criminal here and there, but mostly her confrontations will end in her being a victim that needs to be saved. Throughout the series, she was just a magnet for every serial killer and rapist. They all gravitated to her house like there was a big red sign out front that read 'TARGET'. As for her crush on Ba Reum, that was her entire role. She was meant to be the love interest and victim of the serial killer in order to add more angst, drama and tragedy to the script.

Ba Reum. Well, personality-wise, he was a bit likeable. He was meant to be. In fact, his kind act was so caked on that most of the viewers realized in episode 2 that he was going to turn out to be the serial killer while the show was trying to act like it was some big twist to be revealed at the 3/4 mark. It was predictable. But what bothers me with that is that him being a genuinely nice guy who likes to take care of animals would have been the better twist. Everyone also figured out early on that he was the Head Hunter's biological son, too. It would have been a good chance for the show to challenge the earlier morals that it established but, well, it decided that no, psychopaths are determined at birth and they all need to be aborted because the only route they'll take in life is murder! I won't go into that rant. That aside, his character was... okay. He still didn't really have many interests, but they at least established more of his history through his friends. We got more info through the backstory of his family and their murders... but I really don't want to touch on what a mess the family history is in this show. 'Serial killer turned nice guy' was his entire personality and we can just leave him at that.

This goes for most of the other side characters, too. They're very one-dimensional and when you look back on it, it makes them hard to like. This isn't a Mouse exclusive problem and actually tends to be a big issue I have with a lot of thrillers, but the writing of the focal points matters a lot in whether these simple characters bother me or not. Unfortunately, the story wasn't enough to detract from that. What a mess. It bothers me that this drama isn't tagged as sci-fi because of the brain-transplant element later on in the show. And the psychopath test. Of course. The plot was really inconsistent from thereon. Looking back, it feels like the entire middle of the show could have been cut out and we would have still ended up in the same place. Ba Reum's amnesia only succeeded in dragging out the show. It could have been 16 hour-long episodes or less and I feel that the takeaway would have been the same. Actually, how interesting would it have been to have Ba Reum wake up remembering that he is a serial killer, but now also being able to feel the guilt that he never could have before? Following that character would have been very interesting. That's not the show we have, though.

There was too much going on at once I think. The story was vast, but it didn't amount to much. The OZ conspiracy was honestly unnecessary. The government being involved felt a bit silly. If this show had stayed solely about the serial killer and was shorter in accordance with that, I think it would have had more of an impact on me. That was the part that was interesting. That was what I hung onto. But by the time we reached the end, it felt like the spark just sort of... fizzled out. The last episode was focused on wrapping up loose ends but by the time Ba Reum was arrested, I realized I didn't care about what was happening to any of the characters. I didn't like Bong Yi, Hong Ju or Moo Chi. They, like I said, didn't feel like real characters. Then the law was passed to abort fetuses with the psychopath gene, and I was wondering whether that was supposed to be considered a victory or if it was supposed to be seen in a negative light. I wasn't sure how I felt. Especially after the show essentially showing Ba Reum's mother starting everything. She misinterpreted Ba Reum's intent to kill his brother and told his adoptive mother to kill him. Ba Reum's family was murdered before him, and his first murder was of the man who killed them. That was the trigger. It does make me wonder how he would have turned out had it not been for the actions of the people around him. I assume that was the writer's goal, so props for that.

There are some bright sides to this experience. In concept, it was interesting. I'm glad it went the route of Ba Reum being the original killer instead of Yo Han. And hey, the ending wasn't half as bad as Black's. But unfortunately, the whole journey felt a bit meaningless to me and that last episode especially left a lot to be desired. Episodes were focused on ending with big cliffhangers and shocking the audience rather than telling a well-written story and the characters were stereotypes that failed to break the mould. I can't say that I regret watching it though. It was nice to see Seunggi acting again and I had fun in some of the earlier episodes. There were moments I got excited, too. So I can't say it's not worth watching, but I also can't say that it is, either. I do get why so many people loved it, and I feel with some changes maybe I would have been one of them.

For me, Mouse will remain a terribly long journey and a cautionary tale not to get too excited by a drama's premise.

Leggi di Più

The masterpiece that failed to stick the landing.

I feel like I can speak for many people when I say that after the last half hour or so of the last episode, this drama went from a 10 to an 8 to me. The ending is going to be what makes or breaks the drama for a lot of people, so that's my focus with this review.

Before that, I want to take a moment to commend the show on everything that it did right. The first 19 episodes were fresh, new and exciting, with an amazing supporting cast and one of the best FL I've ever seen in a k-drama. Of course, the FL was playing a male character, at least partially, so that perhaps could have influenced the writing for the character to be different from the average FL. There's a lot of messy business in there that I don't think I'm qualified to talk about, so I'll just say that the actress did a phenomenal job playing BH's character and I enjoyed her performance immensely. The leads had great chemistry, the humour was on point, and for those first 19 episodes, the only thing that didn't quite keep my attention was the politics which, unlike the fresh take on everything else that the drama had going for it, remained as stale and predictable as any other Joseon drama.

Then the ending happened. Then BH returned to the present, SY seamlessly took his place as queen, and they made an attempt at happily ever after. And that's where the drama lost its spark for me. There are a lot of nuances in the relationship between SY and BH, and sorting through it makes the ending really difficult to argue with. It's made clear that BH is being influenced by SY's feelings for CJ. It's SY's love for the king that causes BH to be drawn to him, so using that logic, it makes perfect sense that SY would stay with the king in the end. Even knowing that I'm left unsatisfied. Over 19 hours of this drama were spent watching BH and CJ interact and a lot of the interactions that stand out most to me were conversations they had that SY never could have had - their constant back-and-forth over BH's slang terminology and the moral conduct that he carried out while in SY's place are some of the best examples. BH's cooking knowledge, as well, is what helped the king get through the festival. SY would not have been able to do so because she lacks BH's experience. And that's just it--the king was charmed by him, by BH's quirks and strange behaviour. Without BH carrying their relationship on his back, SY would not have gotten her happy ending even if it was her who woke up after falling into the lake.

So what we're left with is a main character who does all of the work and gets booted back to his time so that the girl whose body he's been possessing takes all the credit. And I know I should have expected as much - I DID expect as much, right from the moment the drama started - but that doesn't make it any less sour. We've seen this done before, and despite a few years having passed since the last one that I recall, having two male characters in love on a major network, even when one has practically fused with the queen, isn't going to slide. I get it, I understand.

What really got me, though, was how little BH seemed to matter after returning to his time. Despite being the entire focus of the last 19 episodes, when he returns to his body he's only given a few brief scenes that serve entirely to explain the plot that's going on in Joseon. The characters of the past got some fluff scenes, some cute, happy moments, but his screen time was just: wake up-->run away-->find out what happened to CJ-->find out he's in the clear now-->smile while talking about his newfound morality. On the surface, it seems fine. But the more I think about it, the more it doesn't sit well. He spent months with those characters and whether influenced by SY or not, he fell for the king. Then, instead of showing any bittersweet emotions, he just moves on. At least it looks like he moves on. We aren't really given any time to see him process it all. This is the character we followed from the start but he became a side piece in his own story in the last episode, and that's sad to me.

I did like the ending. Well, the other aspects of it. I like the punishment for the antagonists, I like the happy little moments with the side characters and, as always, Court Lady Choi is a blessing. So really, I don't think it's bad writing that left me feeling this way but bad choices. So while I wanted to give it a 7.5 because of how disappointed I was, I did take a moment to look back at the other 19 episodes and all the joy they brought me. Even if the destination is less than desired, the journey was a breath of fresh air for historical dramas. It was like nothing before it and every moment until now was funny and exciting with amazing actors and a music score that perfectly suited the mood. I can't deny that, and I'm still happy to have watched it. I won't punish the whole show for one episode.

But to me, this ending is bittersweet. Seeing BH smile and cry while looking at the king's portrait and knowing that the king feels that something is missing after BH's disappearance, never knowing who BH was or where he really came from and never fully believing the stories that he heard, it's sad. If not to the writers then at least to me, they were in love and this was their story. And I wouldn't have it any other way.

Leggi di Più

There are better ways to waste your time

This drama is a mess. And I tried, I really tried, to give it the benefit of the doubt and watch to the very end. But in the end, all I ended up doing was wasting 16 hours of my life. I'm sure you'll see plenty of reviews like this, so I do want to mention the very, VERY few good aspects of the show as well to be fair.

The first 2 or 3 episodes were actually pretty good and I can easily see how the jumbled up pieces of it could have been turned into a really solid drama if it had a much better writer and director. The actors were all good, it was the roles that they were given that created all of the problems we saw and not the actors themselves. What stood out to me in the first episodes was how some things were handled. HBS finding out about OJI's circumstances with her mother was done well. Despite how poorly they got along at that time, he stopped everything to help her get to her mother even while not fully understanding what was going on. It may seem like common sense that you would help someone in a tough situation like that, but it's surprisingly not handled that well in most dramas. Another thing I have to give it props for was the arguing, oddly enough. In the beginning. Not after the stupid break-up episodes. But at the start, when they started to fight there weren't any big blow-ups where one would storm out or OJI would tell him to leave. They worked through it, maybe not amazingly but better than most fights in dramas. So again, props to that. There were some things like these that were handled nicely. In the beginning. And never again.

The drama after the first 2 episodes had no plot. Nothing, not even one bit. The characters would just lamely wax poetics at each other for 20-40min of an episode, we'd get the really annoying side couples to pop in and waste time, an unnecessary love triangle was thrown in to, again, pad run time, and then we had the cliche 'I'm breaking up with you to protect you' mini arch that was about where I had to start skipping through. And I never skim dramas. Usually even the worst trash I'll sit through, but I just couldn't.

The 'disappearing' aspect of the show was both stupid and unexplored. It isn't the first time a drama has given a character who has died or was going to die a second chance with a time limit to do things over and set things right before they leave. Off the top of my head, I can think of Please Come Back, Mister (which had a lot of problems of its own, but wasn't as bad as this) and Miracle That We Met (which doesn't have a time limit but is close enough that I think it could fit). While neither is a perfect show and has problems too, they at least had a plot. They had plot, they had character growth, and they were entertaining, even if some aspects were frustrating. They were watchable. But with Ladylord, after being hit, HBS spends so much time not even fully realizing the situation. It's only around the halfway mark that he even understands that he's going to just... pop out of existence. Which is weird to me. I don't know why they didn't just have him die 49 days later. I guess then they wouldn't have been able to do those weird 'disappearing' scenes... which probably would have been better for the drama anyway. But no, his biological father is apparently an angel there to tell him that doom is at his doorstep and 49 days from now - poof! Gone. Like magic.

That's the problem with the drama. Well, the biggest problem. Nothing is thought out and everything is haphazard. Instead of focusing on the plot and the details of what is happening, it gives us scene after scene of the leads being 'cute' together that amount to nothing long-term. It feels like the writer and director didn't actually care about what was going on with the show or whether their audience enjoyed it. The angel is seen only, what, 3 or 4 times throughout the whole series? The end game is an afterthought. The supernatural aspect of the show never should have been added to this drama because they weren't willing to flesh it out enough to make it a real part of the plot. It was just a consequence. It's just like how the step-father was so heavily in the early episodes and then after the mom found out, they just didn't need him anymore and it was like he never existed in the first place. And it doesn't even matter because he was just playing a cartoon villain anyway.

The writer didn't bother trying to make this drama good. I really feel that there was no effort put into the script at all beyond maybe the initial set-up. They should have tried to add a plot to the characters' everyday lives instead of these one-off instances of drugging and abduction, a dating scandal and a random accusation of plagiarism that came out of nowhere and left into nothing. Their lives had no structure. And it's not like structure can't be added with plots like these (I use 'plot' very loosely here) because we've seen it done in plenty of others. There are really amazing cohabitation dramas. Heck, Lee Min Ki himself was in one that was done really well! And there are plenty of great supernatural dramas out there, too. There are dramas dealing with a character's last days/months alive, there are ones that deal with a second chance of life after death, and most of them are better than this.

I'll stop there before I get more depressed over my wasted time. I've never said this about a drama before, but don't watch it. Don't even try. It's not worth it. The few positive points I mentioned disappear a few episodes in anyways.

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It didn't feel right

So I came out of this drama not too enthused, but my issues weren't with the main couple not ending up together. Because this was inspired by the song of the same name, it was pretty evident to anyone who made that connection that this would be the case and we knew from early on that BIJ and NHD wouldn't be endgame. There were a lot of other things about the ending, though, that made my feelings turn sour.

At the start of the drama, I was engrossed. It had a lot of charm and magic to it that motivated me to do things after watching an episode. I looked forward to it as a sort of end-of-week comfort where I could watch these characters strive to connect and grow and find themselves. Usually, I don't like youth dramas. In fact, I almost didn't watch this drama because of the 'youth' descriptors it had when it started airing and only really gave it a shot because I had a spare hour and nothing else to watch. But I surprisingly liked it. I liked the characters and their personalities, and though I really didn't care for any of the scenes where fencing was highlighted, I had fun. The side couple was easily the best part of the series, and what I appreciated about BYJ and NHD's relationship was just how good they were for each other and how, unlike a lot of romances that have been airing in recent years, they felt like they deserved each other. They built each other up and were each other's strength and support, and you could tell how much they genuinely cared about each other. I felt that if the drama decided to derail the ending of the song, it would have been earned.

It was the last 4-5 episodes where the magic died for me. The comedy was still fun but as the characters moved on from high school, everything felt bleak and miserable, like their lives were over. The issue with KYR's family that lasted, what, almost en entire episode? It felt unnecessary like they were wasting time and just trying to use it to form a rift between the main couple right as they were just getting together. We don't really get to see many scenes of NHD and BYJ dating happily before or after that incident. It was as though the drama only wanted to get them together in order to break them up as the song dictated, and that was one of the things that soured the experience the most for me. We spent twice as long agonizing over their breakup and how their relationship wouldn't work out as we did with them actually being together, and we spent even longer than that running around, trying to get them together in the first place. In the end, that disproportionate focus made their development just feel like a big waste of time. On top of that, the way the characters spoke made it feel like they thought their lives were already over the moment that they graduated. We had present-day NHD constantly talking about how carefree and happy she was back then and how it felt like they had forever, as though being an adult and having additional responsibilities meant that she couldn't enjoy her time anymore, which is probably the bleakest message I've seen from a drama in a long time.

By this point, the drama just wasn't fun to watch anymore. I sat on the last episode for a week before finally getting up the will to finish it, and I want my time back. I didn't enjoy it, and they just focused on the breakup itself. Wouldn't it have made more sense to dedicate some time to show how they got their lives on track and moved on? We heard about NHD getting married and retiring, but we never saw her husband and don't even know his name. We didn't see her fall in love again, or how this new guy was a better match for her than BYJ. We just saw that, hey, they had a kid together. He's apparently overseas on a business trip. Convenient. For BYJ, we just know that he took over NHD's mother's job and got his family back together, but we never see him in the present-day, either (I'll presume because they didn't want to recast him). Did he ever move on from NHD and fall in love with someone else? Does he have a new family, kids? Or is he just working and doing absolutely nothing else with his life? We don't really get to see many friends of his other than the ones he shares with NHD and that one guy from work, which is depressing, so it just feels sad to think about where he ended up.

Speaking of the present, was any of it really necessary? I don't think so. the actress who played NHD in the present, while pretty, didn't really feel like NHD. She felt a bit generic and was boring to watch on film, and I don't think it's really her fault. She just didn't have much to do. Her daughter was literally just there to introduce the diaries and barely has a unique personality, and in the present, we don't get to see any of the other characters because, again, they probably didn't want to recast them. Or they didn't put much thought into what they were doing now, so many years later. So if we don't get anything out of it, why is it there? We don't see how things have changed or what's happened over the years, which would be the only reason to add those modern-day scenes. Instead of adding those, I wish they used the time they spend on the modern scenes to instead give us some of that middle-ground of their relationship working before it collapsed, or some closure as to what happened to them after that breakup.

I'd also like to comment a bit on the breakup itself. As someone who was in a long-distance relationship for several years with someone who lived halfway across the world (and is now married to that someone), while I do understand their struggles, the scenes between them while they were apart and the slow-building frustration they had left me a bit... I don't know, exhausted? Separation like that is something that a lot of couples have to deal with, even more so now in today's day and age. I will concede that these days it's significantly easier to spend time with people across the world and long-distance relationships aren't as difficult as they would have been in 2001. But those issues being brought up in such extenuating circumstances as the aftermath of the 9/11 attack felt a bit... off, or cheap, or exploitative. Not being able to be with your SO because their work takes them all around the world is one thing, and I get being bitter about a relationship because of that, but in circumstances like that, knowing what BYJ was dealing with, I wasn't fond of the way NHD handled it the moment that he got back. I feel like relationship troubles should be put on the back burner when a tragedy like that is involved.

Do I disagree with them breaking up? No, not really. If she wasn't able to be supportive in that situation, then it's probably for the best. If he couldn't trust her with what he was going through and open up, then they weren't good for each other. But that's what feels so wrong to me. They WERE that supportive earlier on in their relationship before they ever started dating. They opened up to each other and were each other's strengths, and even when BYJ disappeared without a word to anyone, NHD still waited for him. So of all the ways for them to end their relationship, this way felt wrong. It didn't feel like them. If they realized they wanted different things out of a relationship and out of life and separated on good terms, that would suit this couple. But, I don't know... maybe it's just me. When the problems they encountered were so similar to what they overcame before, it soured the experience.

Overall, the last few episodes aren't really worth watching. They're not enjoyable and I found myself checking the clock multiple times, waiting for each one to end. They were too long and lost the spirit that the show started out with. Would I recommend the first 12 or so episodes? Yeah, definitely. But I wouldn't recommend the rest unless you don't have much else to do.

It had a lot of promise and spark, but I'm just not happy with it, and the issues I highlighted above soured the earlier episodes for me, so I don't think I'll ever pick it up for a re-watch. There are just too many good shows out there to spend time on one that didn't feel satisfying.

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Dong Sik and Ju Won make this drama what it is.

I'm going to keep this review relatively spoiler-free, but in order to make character references and because a big draw of the plot is whether or not the leads are involved in the murder, I'm going to use a spoiler tag as talking about their characters in-depth will reveal whether or not they're involved, so keep that in mind while reading.

It's really hard to write a detective thriller that works. We've all seen them, dozens of them. A fair amount of the most popular dramas over the years have fallen into this category. With so many to choose from and another 1-3 cropping up each season, it's hard for any individual title to leave its mark on you. You've seen it all before, all the twists and turns. And buddy cop dramas? They're a dime a dozen. Every dynamic has been tested, all the tropes are set, so the moment that you see a new title following the same formula, unless it has a gimmick, you don't bat an eye.

Beyond Evil is just like all of those other thriller detective stories. Except where it isn't. There's something different about this drama that really struck a chord with me. The setting of a small town with a history of murder where everyone knows each other and they all have secrets? That's nothing new. A 20-year-old-murder that's never been resolved is suddenly brought back into the spotlight when the killer kills again? It's been done to death. What about two very different police officers who are forced to partner up to solve the crime? That's one of the most popular dynamics in the genre!

Except, it's not. What really fascinated me about this drama wasn't the mystery, the setting, nor the plot. There was something different about the relationship between LDS and HJW, something that I couldn't quite place in the early episodes. When I started watching episodes 1 and 2 I had predicted the turns their relationship would take right off the bat. On one side we had an unconventional older cop who's been around the block and whose past is always hanging over him. He's bitter with the world, angry at himself, and is known to fly off the handle when provoked. Only... that's not really accurate. We can make assumptions about LDS before we really get to know him that can lead to those conclusions because that's typically how these characters go. And, honestly, he looks pretty unhinged early on, enough to make you wonder if HJW is right, if LDS has been the killer all along. The further the story goes and the more you see of him, you come to understand that what's on the surface isn't all there is to his character. Despite going off when he's angry, he can also be extremely rational. In those fits of brash action that he takes, he knows what he's doing, where it will go and what will happen because of it. He laughs like a madman not because he's unhinged but because of what he's been through. When fingers are being pointed at him, when he notices other cops making the same mistakes now that were made 20 years ago when he was named a suspect, he laughs at the absurdity of it, of knowing it was exactly those leaps in logic that ruined his life all those years ago and that, even after no evidence could be found and he was released, he's the first suspected when something goes wrong. LDS is a very thoroughly thought-out character, and I was honestly shocked by that as detectives don't tend to be that fleshed out in these types of stories - often their main character trait is 'the family/friend of victim A who wants to avenge their death'. LDS is no exception to this rule; he's a cop with a murdered sister who wants to find her body and catch the murderer, but there was more to him than that. Take that fleshed-out character and add the phenomenal actor Shin Ha Kyun and you have an amazing performance.

HJW is a little different. At first, I was sure that he was a badly written character. No matter what happened or how his logic was challenged, he was dead-set on LDS being named the murderer. In the first few episodes, he only vaguely considered other possibilities. Even when other characters tried to rationalize with him or let him into their lives, he just pushed them away. He didn't want anything to do with them. All that mattered was that LDS was the killer and that HJW was going to arrest him. But just like LDS, he's a character with a lot of layers. We get to see glimpses of his past, the grudge he holds against his father and how completely alone he's been throughout his life. The closeness of the Manyang police officers is foreign to him. He's not good with that sort of environment because he had never experienced it before. When someone shows him compassion, he pushes it back. He doesn't need it. He can't grasp the feelings behind it. Everyone has always wanted something from him, everyone always had expectations of him, and if they show one bit of kindness then they must be the same. To a man who doesn't believe in sincerity, it's easier to be alone. And honestly, before you know really know him, seeing him acting like this is frustrating. You just want to take him by the collar and shake him. Yeo Jin Goo plays this role perfectly as well. I honestly couldn't imagine another actor in his place, and even when you want to punch him, you can't quite hate him.

What really stands out about Beyond Evil is the relationship between these two characters. Now, I like detective thrillers. Even despite how much flack I give them, I still try out almost every one that comes around, I give them all a chance. I'm only so critical of the genre because of just how many I've seen and how a lot of them blur together. A drama doesn't necessarily need to have a good plot or production for me to like it. Usually, the first thing I look at is characters. If the characters are good then I've even enjoyed dramas that have very low ratings or little popularity. If a plot is really good but I hate seeing the characters, it's hard to get through. What surprised me about LDS and HJW's relationship is that it's not a typical enemies-to-friends dynamic. It isn't just two different people learning to depend on one another. For most of the series, these two clash. They butt heads every episode, they bait each other every chance they get. Compliments are backhanded insults and there is no trust between them. Half the time you'd think they hate each other. Half the time, they do. There's no bonding session 4 or 5 episodes in that makes them get along or work together better. It just doesn't happen. Every time LDS reaches out, HJW slaps him in the face. Again and again. But despite how terribly they get along, they start to worry about each other. They look out for one enough even while pointing figurative (and literal) guns at each other's heads. The way LDS talks and reacts to HJW reveals just how little he actually blames HJW for his actions. He sees him as a young, naive boy who doesn't have much experience with the world and lets him get away with a lot. You realize how tolerant he is. At the same time, HJW begins the long, slow journey of learning more about the world and himself. He opens up. Even if he has a sharp tongue right up until the end, he starts to ease up and let people into his life.

Beyond Evil is great. And these characters are just two of the rich cast we're given. Each character has their own secrets, their own stories and trials and everyone has their place. And the plot, while a little too messy at times, does a great job of bringing those characters together in a unique and interesting way. For me, this was the only drama this season that was consistently good from the beginning right until the end. It was the one that left me the most satisfied, and looking at where we started to where we are at the end has made me appreciate it even more. This is a classic in the making and I really hope more people give it a shot because it's worth your time.

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The Time Travel Drama That Shot Itself in the Foot

It's been a long time since I've seen a drama fall over its own feet as hard as Alice did. Well, not that long. Eternal Monarch also did a spectacular job at that. But while both shows suffered from lazy writing and poor decisions, Alice is fresh in my mind and the disappointment hurts the most.

Alice is a time travel sci-fi with a unique twist and an interesting set-up, and while my bitterness leaves me feeling like it has no redeeming qualities, it does. The first half of the drama was good with a solid cast, well-shot opening episodes, and a unique twist to an over-saturated genre that left it feeling new and exciting even when it wasn't. Time travel is a tool in literature and film that you have to take with a grain of salt. There's no known real way to time travel, and the possibility of it is low to nil, so we have to rely on our own imaginations to interpret how it would function and what would happen if a person went from one time period to another, so when writing a story with time travel there are always going to be inconsistencies. Sometimes they're more noticeable than others, but there's always something. Relying on the multiverse theory or the butterfly effect can minimize those, but they're not quick fixes and they can only help solidify the concept of time in a story if the writers, well... follow through. And boy does this drama not do that.

Before I get into that mess, I really do think there was something here, and I really liked a lot of the characters for most of the drama. Oddly, my favourite character in all of this wasn't one of the leads, but PJG's father, Min Hyuk. He may not have been the most likeable person throughout the series but his character reflected the role of the estranged father perfectly. There was conflict and regret in his actions and emotions and I could believe everything that the story was telling me that he felt. PJG himself, while likeable, didn't make a lot of sense to me. A core part of his character background was his alexithymia, which seemed to be a non-issue less than halfway through the series as he quite easily expressed and seemed to understand his emotions, even more so than other characters. I didn't really hold that against the show, though, because characters with traits like that often don't show much of them the further they progress through the story, and I could chalk it up to him getting better with time, which the show also mentioned. He was enjoyable to watch and his awkward behaviour was endearing. I wasn't fond of his childhood friend as she was just a bit annoying every time she showed up, and both past and present Tae Yi were just okay.

The show starts with one glaring issue: the prophecy. That book and everything about it is a stupid, nonsensical plot point that doesn't make any sense if you think about it for a bit. It opens with Tae Yi going back to 1992 to get the book and specifically see the last page, but they get there too late. But they can time travel. Why not time travel to the day before and confront Tae Yi's father then to get the book? Or a week before? A year? There are also alternate dimensions, an infinite number of them, many likely also containing the book. If the book was so important, they could have gotten their hands on it. There's no excuse. The prophecy held no place in the story except as an anchor to direct it, so it really should have been left out.

Now we get to the ending spoilers, so be warned!

The first half of the series was pretty decent, but it declined fast at that halfway point. The writers proceeded to break every rule that they set until they turned the ending into a mushy pile of goo. They say that their world works off of the multiverse theory, so the past can't be changed because any changes will cause it to break off into another timeline, but they decide that if one version of PJG disappears, they all do, because for some reason killing him resets all of time and he's a product of time travel. But then they decide that only the versions of him who traveled through time, i.e. his future self and the present self that we've been following, will disappear. The high school version of him, though? Well, he gets to avoid non-existence because plot. That's all well and good for a happy ending... but it really doesn't make any sense. Even less sense that this version of him gets the memories of the original version!

Let's focus on this one rule: killing PJG will end time travel, and will reset the world to how it was before time travel. Why does this happen? I don't know. Doesn't matter. Let's say he's become a god or something, who knows? I could let that non-logic go if the story followed through with it. But who are the time travelers? Well, him of course. All of Alice. We saw them disappear, so that's fine... except for the fact that the chief was also a time traveler from another time/dimension, who is alive and well and in that same time period at the end of the story. Well, it's another dimension! Probably. Maybe. The show isn't 100% clear on that. So maybe it works differently because it's another world, not another time. Okay, that's fair. But because every attempt to change the past results in another timeline, that goes for every time traveler. All of them. That includes PJG, who was born after being exposed to a wormhole and time traveling from the future. That includes his parents, specifically his mother who, despite time resetting, is still left in 1992 with her son. That is not her original time. She should have been magicked back to the future where she belonged. Then, there's the father. We don't even know what time he was originally from because it wasn't mentioned in the story. Likely he isn't from the same time as Tae Yi, so PJG shouldn't exist at all. But let's say he is. Well, then he and Tae Yi should have met in their time, and PJG should have been born after that. But somehow, someway, PJG grows up with his mother in this terrible attempt at a fix-it.

There is one way to explain this, which I think it's possible the writers could have been going for: killing the future PJG and saving the mother meant that they branched off into another timeline, so all of the time travelers were left where they were. The only one erased being the original PJG. But that goes against was his mother told present-day Tae Yi, that all of the effects of time travel would be erased if they stopped time travel, and that time would be reset. That was a rule that they created for their story. So either they decided they didn't care about that rule anymore, or they didn't bother to think through what resetting time would mean for all of their characters. Either way, it's half-assed writing.

Normally, a drama's ending doesn't affect my enjoyment overall. If a drama has a bad ending, the journey was still worth it. If the ending was good, I love it all-the-more. But the ending they gave this drama, and honestly the plot reveals over the entire second half of the series, make me feel like I wasted 16h of my life on something that pretended to be good until it wasn't when I could have been putting that time towards a drama that was better written, or funny, or even some wild and crazy makjang that might not make a lot of sense, but is so ridiculous that I wouldn't care.

But this is the year of time travel and there's always more to come. Let's hope Kairos can wash away the bad taste that Alice left behind.

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I have a lot of feelings

I want to explain the tragedy of Start-Up without the bias of shipping wars, because I think viewers on both sides can agree that this drama failed its audience.

This will be long and I'm sorry for that.

Start-Up started out as a refreshing new drama with an interesting twist on the old ‘liar revealed’ trope. What made it stand out was its focus on passionate young men and women forming their own company. SMD was a strong, confident young woman who suffered through a lot growing up. Her family separated, she lost her best friend and sister to her mother’s new family, and her father lost his life before he could ever get his company off the ground. She grew up living with her paternal grandmother, who eventually sold her shop to pay SDM’s tuition. After finding that out, SDM dropped out of college and worked to raise money for a food truck for her grandmother. She swallowed that lost opportunity for the sake of the only family she had left, and despite that loss, she was still motivated to succeed. What I really loved about her character at the start of all of this was just that - her dedication, her passion, and her vision of the future. Even if she wasn’t successful and her life hadn’t gone the way she wanted it to, and even if she was too embarrassed to admit that to her sister, she believed that one day she’d make it. She’d turn the lie into reality and show the world that her father’s decision wasn’t wrong.

The real problem with the drama is that it gave us a stellar, likable cast that it squandered in the second half. SDM went from a self-sufficient, capable woman to a damsel in need of rescuing by the second half of the drama. She couldn’t do anything right and she needed other people to solve all of her problems for her. NDS went from a naive but dedicated coder with big dreams but no business know-how to a man who gleaned wealth from the success of another company, a childish opportunist who didn’t listen to what others were saying. And HJP went from a blunt and harsh businessman with a fun charm and charisma to someone who, despite being a self-made success, couldn’t even bother to confront someone he loved in the 3 years he was left alone with her. It went from a show about a group of passionate people coming together to form a company to a sappy, unnecessary love triangle where every character seems to care more about romance than they do the thing they’re supposed to be passionate about.

I’ll start this probably very extensive review by talking about the characters, because they’re the biggest tragedy in all of this. And I want to make it clear that every actor did a phenomenal job. I don’t have a single complaint about any of them, they’re fantastic and I love them all. Without them, this drama wouldn’t have been tolerable.

NDS is probably the character they did dirty the most. I know there are a lot of fans of him still out there and I understand. While I was never rooting for him all that hard, I did find him very likable in the early episodes and knew that if he ended up with SDM in the end, I would have accepted that. After all, the drama wasn’t just about romance, right? It was about this journey they were taking together… right? Well, it wasn’t. Not at the beginning. NDS was a man with a company of 3 people. In, what was it, 3 years? In 3 years, he hadn’t found any success. For as talented of a coder as he was, he didn’t know anything about running a business, so he never got his company off the ground. He never even had a business model. The money they used to operate on was invested by his family who, despite seeing no success, continued to support him. For as much as his father yelled at him and for as little progress as they were getting, he still gave them money. Maybe his parents’ expectations were too high and their vision of his future too grand because of his childhood success, but they were still there for him, waiting for the day he would turn things around. He and his friends worked out of a dingy rooftop apartment and he looked up to HJP, known for his brilliant investments, all because of an article that incorrectly quoted HJP with an inspirational speech. Up until this point, he was separate from the goings-on of the main plot - he never wrote a letter, didn’t know who SDM was or of the plot concocted by her grandmother using his name. And at this point, he was pretty likable. He decided to appear before SDM because of his own morals, not because HJP solicited him into it, to help her through this one event so that she wouldn’t feel embarrassed. We can blame HJP for the mess that it became later, at least at first.

HJP was an orphan who grew up with no one and nothing but his own skills. The first person to reach out to him was SDM’s grandmother who offered her shop as his home and helped provide for him, and he used her accounts (he wasn’t old enough for a bank account of his own) to invest and grow his earnings so that he could support himself in Seoul after graduating. Granny asks him to write letters to her granddaughter, who was left friendless and alone after her family split apart. It was an innocent wish, and he was convinced, and together they used NDS to create this fake persona of a smart, kind boy for SDM to latch onto. Just this alone tells us a lot about his character. He didn’t want to use his real name. If he had, the whole story would have fallen apart. He envied the NDS that he saw in the paper because to him, an orphan with nowhere to turn and nothing to offer, it felt like NDS had everything. And that was what he wanted, too.

Because of where he came from, HJP has a greedy streak. He had nothing, so he wants everything. He latches onto whatever he can in fear of losing it. We’re shown this when he has a meltdown about Granny taking his money. He lashes out at her before hearing her side of the story because he feels like he’s going to that place again where everything is gone and he’s left with nothing. Then, when he realizes that she never took his money, he feels ashamed. He’s upset with himself, and he knows that he owes Granny an endless debt, one that he hopes to pay in the future. The relationship between HJP and the grandmother is probably the best in the whole series. They have great dialogue together and they feel like a proper family, even more so than most of the actual families in the story. The story starts because he wants to repay his debt after all of these years and it’s because he truly appreciates what she did for him. But that greed remains a part of his character even as he grows up, and it’s one of the only character flaws that actually feels like good writing later on in the story. There… aren’t many of those, really.

I won’t go through the entire story scene by scene. Most of the people reading this have already seen it, you don’t need to hear it. There were problems throughout that seemed to get bigger overtime until the bad writing hit its peak in episode 10.

NDS is shown to be an opportunist. However bad he feels about it, he continues to use HJP and SDM’s history together to his advantage to stay close to SDM. There are several instances even from early on where HJP is shown wanting to tell SDM the truth and to remove the illusion of the letters. But every time he’s stopped, either by NDS or other forces, until finally the blow up happens in episode 10. Before this, NDS was starting to have poor writing. The likable character was starting to feel whiny and selfish, but it wasn’t to the degree that I didn’t like him. HJP also had his moment of weakness where he broke down, just as he did at Granny in the past, seeing the couple together and feeling like something that was his was taken away from him. Those were his letters, this should have been his story - that was how he saw it, and that’s what frustrated him. But he was able to calm himself and put their happiness above his own desires until shortly after SDM finds out the truth. And everything falls apart.

NDS became very immature as the story went on. So did SDM, but it was most noticeable with NDS in episode 10. When asked to leave SDM alone, to give her space because she’s upset and doesn’t want to see him, he continually makes his presence known to her. He follows her around, pretty much stalks her. Then while escorting her home while she’s drunk, he leaves her alone on a swing in the park to go put on… a suit. He wanted to inspire her and all that, so he left a drunk, barely coherent young woman half asleep in a park alone at night. There are dozens of scenes of him crying and feeling sorry for himself when all of this time he was taking advantage of the letters. The only one who had the right to be angry here was SDM, the only non-guilty party. This is also when characters started to not really care about their company. They spent most of their time thinking about this failed love story instead of preparing for demo day. In fact, most of their decisions were poorly made regarding their business. The only reason they succeeded was because of dumb luck, and it didn’t feel like they were growing or learning at all from their experience at SandBox. And as much as HJP’s words were unnecessarily harsh, they never listened to their mentor.

I don’t think this should have been a romance. None of the characters needed it. It’s normal to feel lost, scared and uncertain about life, but leaning on someone as a crutch or using them to fill a void that you can’t fill on your own is unhealthy, and that’s exactly what NDS was trying to do. If he really cared for SDM, he would have given her the space and time she needed to work through her feelings. He would have focused on their company and tried to push personal matters aside in favour of that because they were at such a crucial point in their business with Demo Day just around the corner. His success is SDM’s success. She couldn’t fix his problems. He didn’t need romance, he needed to figure himself out.

The same can be said for HJP, though they did handle his reaction to the reveal a lot better than they did NDS. He didn’t try to make excuses and was upfront and honest after SDM found out. He sat her down, told her the truth and answered all of her questions. He told her about his feelings not to date her but to put everything out in the open. Instead of wallowing in guilt, he stayed professional and was the only character to try to help her prepare for Demo Day because he genuinely wanted to see her succeed. And it’s obvious how much he cares for her from how well he takes care of that damn money tree. But what HJP needed wasn’t romance, he needed a family. That’s what he got after the timeskip (one of the only changes to occur after 3 years, really…). He had a family now, people he cared about who cared about him. He stayed with them on the holidays and he had people to rely on which he never had before. HJP doesn’t have any friends. He’s been alone all of his life, and finally he had what he always wanted. Even if he did care about SDM, it wasn’t necessarily her that he needed.

The characters’ focus on romance is really the downfall of this drama. They start making decisions based off of their emotions, especially NDS. They sell their company in a day without even taking the time to think about it which leads to the engineers going overseas and the girls getting fired. Among the countless other issues it caused. Then, after the timeskip, nothing has changed. All of the characters are as immature as ever, all that happened was that the boys now have spending money. SDM had already gone from self-sufficient to helpless, and after the timeskip she is powerless to do… anything, really. NDS and the boys have to save her from the ransomware attack, and she proceeds to get weak-kneed. You know, because women can’t handle stress. Or something. Lot of sense they’re making there.

In the end, the writing killed the drama. I could sit here for 7 hours and talk about all the poor choices that were made and in the end, I think the romance was unnecessary. Even though I like HJP more as a character, I don’t want him to end up with SDM. I think that everyone in that love triangle is terrible for each other.

A few examples of the terrible writing:
-NDS punching HJP and them fighting. Don’t care if you don’t like each other, that’s assault, and for assaulting his mentor he could have even had lawsuits filed against him. His penchant for violence when he’s upset or things don’t go his way is not only bad writing, it also just doesn’t fit with the rest of his character.
-3 years later and it’s implied that WIJ either wasn’t told that her grandmother was going blind, or wasn’t told how bad it was getting. Either way, bad writing, makes no sense.
-3 years later and HJP never confessed? WHY? I don’t want to see them together but I can’t believe that in all that time he wouldn’t do anything.
-In several instances they talk romance when their company is LITERALLY FALLING APART. How is that okay?!
-They try to show NDS’s heartbreak through monologues and crying scenes but instead it comes off as whiny and immature, and they made his character look worse. Stop doing that to the poor boy, please! There’s also so many times when he talks about how he has nothing, and HJP has everything. How? In what sense? All HJP has is his job and wealth. NDS has friends, a loving family, the talent to succeed in a thriving field, and he even gets the girl. He’s comparing a well-loved child to an orphan. Okay.
-KYS showed little to no negative reaction to HJP throughout the entire drama but then was suddenly the brother of the man who killed himself. And we’re supposed to believe he’s putting the blame on HJP. Does that make sense? Shouldn’t he have been shown before to have some sort of reaction?
-After SamSan’s success on Demo Day, they showed flashbacks of HJP saying they wouldn’t succeed and used those to invalidate his harsh advice, but in those situations he was right. It was only after the characters adapted and changed that they were able to succeed. (And you know, the ridiculous dumb luck that they have…)
-Despite this whole thing being orchestrated by Granny, SDM NEVER has a talk with her about it. Never, not once. This is a big deal and it would have been an important character moment because of just how betrayed she felt. Instead, she doesn’t say a thing. I guess she blames everything on the boys, but she knows the truth so why is that?

This drama promised a lot of things when it started and it failed to live up. An inspirational business drama turned into 3 adult-sized toddlers whining to each other about a love triangle. And I understand why so many fans are so aggressive in the shipping war - it’s because it’s all we have left in the end. Everything else has already been destroyed. It’s so upsetting to see for a drama that was so fresh and interesting at the start. The only thing I can say is, hey, at least they didn’t turn HJP into a monster. It looked like they could have, but he’s come through on top in the end.

I don't have much to say about the last episode. It was... okay, I suppose. I was indifferent to the majority of it. I can say that I did enjoy HJP's time on screen and the closure to his little story, if you can call it that. I loved getting to see Yeo Jin Goo's little cameo, especially after hearing his voice through the series. That was the highlight of the episode. But it felt like most of the scenes were just filler. They were just padding the run time to get to the inevitable, and it showed.

It could have been worse, but it doesn’t feel like it.

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Bring Tissues

Going into this, I had a lot of expectations and reservations about the show. I knew it would make me feel things, but I was also worried about how it would tackle so many delicate subjects at once. In many cases, it's not handled well. But with each episode, Move to Heaven continued to surprise and impress me.

Naturally, every episode of Move to Heaven deals with grief. Each case is unique and deals with its own circumstances surrounding the deceased and the people in their lives. The people range from every walk of life and tackle a lot of big topics that are relevant today, from the LGBT community to the problems with overseas adoption. Geu Roo's character was handled with a lot of respect, too, and he's extremely likable. I can't say whether his portrayal was accurate or realistic as I don't think I'm qualified to, but it felt very well done. His relationship with both his father and uncle was amazing to see and the way each character grows from episode 1 to episode 10 was beautiful.

It's heartbreaking. Naturally. The job of Move to Heaven is not only to clean up the deceased's belongings but to say to their loved ones what they never could. It's sad, but it's also uplifting as you watch the small impact these things can make on someone's life. I give it the highest of recommendations. Whether or not we get a season 2, it's worth your time.

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The drama that made me cry in episode 1

Navillera is the beautiful, heartwarming story of a man in his twilight years trying to finally pursue his dream. It's a show that embodies the mentality "it's never too late to start." It's also the story of the most unlikely of friendships as SDC, a man in his 70s looking to pursue ballet, and LCR, a man in his 20s who excels at his craft but is too lost and unmotivated to give it his full attention meet. These two make this drama. The supporting cast is amazing, too, with characters that each have their own personal growth and stories throughout the series, but it's the leads that steal the spotlight. Their interactions are some of the most wholesome things I've ever seen, they're inspirational, and seeing them help each other get back up when they've been kicked down is enough to bring you to tears.

That brings us to my gripe with this drama. The tears, or lack thereof. This is really going to be dependant on your tastes so you may have liked this, but personally, I was turned off of the series by the shoehorned-in Alzheimer's plot. I'm fine with Alzheimer's being present in dramas and I think it's an important talking point because it affects so many families worldwide, but I wasn't particularly fond of the way it was implemented here. In this drama, Alzheimer's is mainly used to up drama and make the viewer emotionally invested. That's fine in other narratives, but I feel that it just wasn't necessary here. I felt emotional in the early episodes before Alzheimer's became the main focus. I teared up in the beginning because the story was just so beautiful and inspirational. It didn't need more drama, it didn't need more angst and it was already making me cry. Navillera thrives on its very human, everyday atmosphere. Sometimes ordinary life is heartbreaking enough. You don't need to have a terrible illness or disease to go through hardships in life or to make the viewers feel for the characters. So when ballet started taking a backseat to characters having revelations about SDC's condition, characters crying over SDC, and SDC himself reminding us that he doesn't have much time left, my eyes dried up. Yes, it was sad, but it made me feel like those scenes were added just to pull at my emotions, so I didn't get teary-eyed or emotional over it. I haven't caught up with the webcomic yet, so correct me if I'm wrong, but I'm fairly certain that Alzheimer's isn't a plot device in the source material and it was just added into the drama for, well. Drama. Again, I've started reading it but haven't caught up, so I could be wrong here.

I wish that the writer and director were confident enough in their story not to add in little melodramas like that. There were other instances, like with the youngest son's backstory of being a doctor who left his field after his patient died or the situation with LCR's dad, that were just added in for what feels like the same reason, but the Alzheimer's took up a large majority of the plot in the second half of the drama so it was the most glaring. The simple story of a man trying to pursue his own goals at an age where most people would have considered his life over was powerful enough on its own. The relationship between him and LCR as his instructor was amazing and heartwrenching all on its own.

Despite my gripes, I still love the drama. It's different and unique, and I do understand why dramas have such a tendency to fall on these tropes and cliches. It's a drama. It needs to be dramatic. But if the addition of the Alzheimer's subplot doesn't deter you, it's still a great story. The ending is satisfying, not great but it doesn't leave you wanting more, and the characters will stick with you for a long time afterwards. Give it a try.

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Always remember: comedy before story

When dipping your toes into the experience that is Zombie Detective, it's important to note that this is, more than anything else, a comedy. It's got plot holes. It's got bad twists. And I loved every minute of it.

Our zombie wakes up with no memories, very dead, and very slow. He's your stereotypical living dead - unable to speak, awkward and clunky, and peckish for a little bite of human flesh. But our protagonist isn't so keen to keep 'living' that way. He trains up his body and voice to return to some sense of normalcy, and when he's passable as a human, he returns to society to find his family and the truth about his death.

This drama has a large cast of colourful characters that are an absolute delight to watch interact. Some of them are a little one-dimensional, but it plays into the comedy of the show. And that's what's so great about it - the experience. Watching it is fun, and I can't say there was a single moment that I felt bored or antsy. This isn't really the type of drama that you look too heavily into the details of. It still has those moments where things feel serious and impactful, and you empathize with our protagonist, but most of the drama is just fun. It pokes fun of itself multiple times, it knows what it is and it doesn't try to be anything else. In most dramas, the flaws in the story or in logic would have me giving it a lower rating. They don't here because that's not what this drama is trying to do.

So go on, give this crazy stupid drama a shot. If you like comedy, even more so. After a long day at work, it might be just what you need to unwind.

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I wanted to love this drama so much. After the first two episodes or so, I was hooked. It was a beautiful, cinematic experience with great actors, characters that I was immediately invested in and a story that I couldn't wait to hear.

Then sometime before we even reached halfway, all of that went 'poof!' and I was left disillusioned, having just wasted over 16 hours of my life.

Before I get into the drama's problems, I want to give it praise for what I feel it did right. The opening episodes were paced so well. They were interesting, they pulled me in, and I eagerly waited for this drama to unfold. The characters of Yeong and Eun Sup were amazing - by the end of it, I was solely watching for their scenes, especially their interactions with one another. Their roles have added Woo Do Hua to my list of actors to watch out for. And, at least to start, I did like the chemistry between the two leads. At the start. Remember that for later, because it's one of the keys to this drama's downfall. Most of the actors did a great job with what they were given and I commend them for it, because I can only imagine what kind of directions they were given when the script was such a mess, and yet they did it. They pulled it off. But I would say that they were the first sign that something was wrong - or Lee Min Ho was, specifically, when I noticed him giving no feeling to the character of Lee Gon. Having seen him act before, I knew he could do better. But I figured, maybe it was just because of the character he was playing. Maybe once the plot revved up, he would show some emotion on his face. With all the comedy towards the start of the drama, his flat tone added to the jokes, so I convinced myself that things would change when the stakes were raised, and I was content.

There is a problem when the side characters to a drama are better written and more immersive than the leads. That was the case for almost all of the characters in this drama, and that was the second bad omen.

It was obvious from episode one that time travel was going to be a factor later in the drama, so I expected it. I'm not someone who takes issue with time travel being included in dramas because so long as it's handled well, the unavoidable logical failings of it don't bother me. I understand that you can't make much sense out of it so provided that the addition of it adds to the story and they handle it carefully, I have no problem with it. Seeing as it was foreshadowed in the very first episode, I was sure that they must have thought it through well. They were confident enough to add it to the start of their drama. That's a LOT of confidence. They had to have given it careful consideration and dedicated a lot of time to mapping out their manipulation of it, surely.

I was wrong.

But the time travel was not my biggest gripe with the story. It's up there, but the worst part of the drama has to be the editing. Episodes jump around from past to future to past again, from one world to the next, and at first, they bothered to add a little note card at the bottom or in the corner to tell you where you were, but that didn't last and the jumps became so frequent that half the time I didn't know what I was looking at. It just got worse with time, not better, and made it very hard to understand the story. Usually, dramas that jump between times or worlds will at least provide some sort of visual or verbal buffer to ground you, something that lets it tell its story without confusing you. I've watched plenty of these dramas and they all do it in a different way. With time travel, they often use a filter or change the colour balance between times. Signal and Life on Mars both gave the past a sepia hue. Circle dedicated the first half of its episodes to the past, then at the halfway mark added a timecard. Between worlds, either both worlds will be different enough to know visually, or the jumps will be acknowledged by the characters so that you know where they are. TKEM decided to include both time travel and alternate realities to their story and yet could only rarely be bothered to give you any direction. I can't enjoy a drama if I can't follow it. I shouldn't have to look through every episode with a fine-toothed comb to figure out what's happening.

The next problem is the leads. I liked them in the beginning, but they quickly fell out of favour when the script stopped respecting them. Tae Eul is a police officer with martial arts experience who, at some points, becomes completely helpless and in need of rescue. There are several--yes, as it more than one, sometimes multiple in an episode--scenes of her sobbing uncontrollably whenever Lee Gon leaves her. When he's gone, either she's assisting with the mess of a plot or she's pining over him. She barely has any agency. And Lee Gon shows maybe three expressions throughout the whole story, all lukewarm. Even when he should be emoting, even when something should be happening inside of him, there's barely anything on his face. I don't know if LMH was directed to act like this, or if he just decided not to act, but his character felt less structured than wet cardboard.

While I haven't seen Mister Sunshine, a lot of the problems with the leads remind me of Goblin, the writer's previous work. Even some of the songs remind me of the Goblin OST. I remember plenty of scenes where Kim Go Eun's character in Goblin would do the same sad sobbing that she had to do here, but I don't remember hating it quite as much there, and I think that has to do with their characterizations and the editing surrounding them. I've noticed the writer just likes to fill her romances with sappy sad pining and a lot of angst that is eventually covered up at the very end. But where Golbin focused mostly on the characters, TKEM started with a promise for a big, grand story and never delivered.

The story doesn't treat its viewers with any intelligence. It gives us rules for these worlds that it freely and consistently breaks, it forgets some things that happen and shoehorns in others, and by the end of it we're left with this lukewarm mishmash of unfinished ideas that don't really mean anything. Others have already gone over how insulting it is to its viewers so I won't go too into detail here. But what upsets me the most is that I watched it all. I finished it, hoping that it would get better, that it would pick itself up in the second half and return to the drama that it was in the first two episodes. But here I am. And my review is this long. And it's all negative.

I will admit there was one scene, one TINY moment in the last episode, that made me feel something. Two characters holding hands, and what it shows while they do. But even there, I was feeling something for the concept, not the characters they belonged to. In the last episode, I didn't care about them. Today I just finished Hyde, Jekyll, Me, a notoriously poorly written trashy drama that I watched during burnouts and I felt more for the characters in that mess than I did for what should have been my favourite story of the year, TKEM. And well, that says a lot. But I can say this.

If nothing else, thank you, Kim Eun Sook, for giving us Jo Eun Sup. I will treasure him always.

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