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  • Ultima Connessione: 1 ora fa
  • Genere: Donna
  • Località: Italy
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  • Compleanno: November 20
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  • Data di Registrazione: aprile 8, 2011
  • Awards Received: Flower Award2
Strawberry Night japanese drama review
Completo
Strawberry Night
26 persone hanno trovato utile questa recensione
by amrita828
apr 11, 2012
11 di 11 episodi visti
Completo
Generale 9.0
Storia 10.0
Attori/Cast 10.0
Musica 9.0
Valutazione del Rewatch 9.0
Before writing a review for this drama, I needed time to cool down a little. Not only I am a fan of dark detective stories, I also love Takeuchi Yuko to pieces. Both premises may have biased my judgment of the show itself. This drama starts in the very middle of things. Unless you have watched the 2010 special - which I haven't yet - you won't see any introductions, neither of the characters, nor of the setting. You are thrust into the first crime and given brief flashes of the characters' past, pieces of a puzzle you'll only complete by the end, and not in full. It's realistic, harsh and frustrating, but it worms its way into the viewer's interest in a very subtle, gradual way, until you come to the end and wish there were another entire season to watch at once. The cases brought me more than once to the brink of tears. They are desperate and intense, involving such human characters I couldn't remain detached even if I wanted to. The cast is downright brilliant. My favourite Takeuchi did not disappoint me. Her character's very complex, with a perpetually seething anger as palpable and incomprehensible at the beginning as it is understandable once her past is slowly revealed. I have a weakness for characters who are incapable of expressing their feelings, because when they finally let the slightest glimpse of vulnerability surface it's so much more intense and heart wrenching. Which inevitably leads me to her loyal subordinate Kikuta, portrayed by an impeccable Nishijima Hidetoshi. He reads her without fail, and I love that his evident attraction to her originates from his admiration for her skills rather than a simple man/woman dynamic. Some of the characters are downright irritating. The police director - whose role is quite a mystery to me - is so obtuse the sole purpose of his existence seems to be to provoke his detectives' reaction. While it works on a dramatic level, I hope such individuals do not exist in real police departments, or I'd give up on the Japanese justice entirely, mostly if he's paired with the older corrupt detective whom I wanted to punch in the face. Good or bad, none of these characters left me unmoved, proof of their outstanding job here. I loved the music: well chosen, well used, well balanced. Re-watch value is very high, because at first viewing I found some details hard to follow, mainly because of the fast delivered lines and the unusual way the crimes unfold. Most of all, though, I am experiencing withdrawal symptoms regarding the characters and am looking forward to a continuation. I'd vote for a second season in no time.
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