Flawed drama about flawed and broken people
The Trunk was filled with deeply flawed and wounded people. No one walked away looking like a hero by the time it was all over. There were many moments of frustration over truly idiotic decisions and the never welcome noble idiocy. Through it all Gong Yoo showed why he is a top actor regardless of country, unfortunately, not everyone could keep up with him.
Han Jeong Won cannot get over his ex-wife, Lee Seo Yeon, and takes the pills she supplies to sleep and get through the day. In order to maintain any contact with her he has to agree to a 1 year contract marriage to Noh In Ji. Lee married a younger man, Ji O, and uses him like a Boy Toy. Jeong Won and In Ji tie the knot by signing a contract which is stored in her designer Prada trunk. The trunk and a dead body are later found with the police investigating this damaged group of people.
When a drama or movie bounces back and forth repeatedly in time, it’s usually a clue that the story isn’t that deep but the writers want to make it appear to be mysterious. Such was the case with this drama. Though Han Jeong Won’s story was compelling, most of the drama focused on Noh In Ji. What with having been jilted at the altar quite publicly, having a stalker, no relationship with her mother, and a friend who died in high school, she walks around with a frozen stoic appearance on her face which did not change for 6 ½ episodes out of 8 and then just barely. Micro expressions with aloof characters are so terribly important and were missing here. Gong Yoo’s face was a window into his character’s tormented soul. Even his crazy, obsessive ex and her boy toy were able to emote.
The story itself dragged most of the characters over the coals of desire and despair. Han made a terrible decision during a moment of anger and desperation. In Ji seemed to see what Han could not, yet made numerous idiotic decisions. Lee had a right to be angry even though she created a deadly situation, yet decided to punish Han into self-destruction. Not exactly the most likeable lot, yet Jeong Won and In Ji slowly dragged their way toward atonement. I was disappointed that a few of the familial elements were never cleared up.
The Trunk was stylishly shot and had a beautiful OST. Some of the acting was exemplary while some of it was perfunctory. The scattershot approach to storytelling was confusing at first but by the fourth episode was clearly laid out. Han’s mansion resembled a fun house with mirrored scenes and wild swirling circles and lines. The cold, severe decorating scheme would be enough to cause isolation issues. Shortcomings in stalking laws were brought up as well as a tyrannical view of bisexuality and terrible invasion of privacy and internet laws. For me, the only thing that held it together and made it worthwhile viewing was seeing Gong Yoo once again in a starring role even if his character was often shoved to the side. This was closer to a 7.5 drama but the cinematography, music, and GY’s acting bumped it up to an inflated 8 for me. Welcome back, Gong Yoo, don't stay away so long next time!
29 November 2024
Triggers: Sexual content and nudity. One gratuitous scene and other more “artistic” ones and two shower scenes that go lower than Kdramas.
Han Jeong Won cannot get over his ex-wife, Lee Seo Yeon, and takes the pills she supplies to sleep and get through the day. In order to maintain any contact with her he has to agree to a 1 year contract marriage to Noh In Ji. Lee married a younger man, Ji O, and uses him like a Boy Toy. Jeong Won and In Ji tie the knot by signing a contract which is stored in her designer Prada trunk. The trunk and a dead body are later found with the police investigating this damaged group of people.
When a drama or movie bounces back and forth repeatedly in time, it’s usually a clue that the story isn’t that deep but the writers want to make it appear to be mysterious. Such was the case with this drama. Though Han Jeong Won’s story was compelling, most of the drama focused on Noh In Ji. What with having been jilted at the altar quite publicly, having a stalker, no relationship with her mother, and a friend who died in high school, she walks around with a frozen stoic appearance on her face which did not change for 6 ½ episodes out of 8 and then just barely. Micro expressions with aloof characters are so terribly important and were missing here. Gong Yoo’s face was a window into his character’s tormented soul. Even his crazy, obsessive ex and her boy toy were able to emote.
The story itself dragged most of the characters over the coals of desire and despair. Han made a terrible decision during a moment of anger and desperation. In Ji seemed to see what Han could not, yet made numerous idiotic decisions. Lee had a right to be angry even though she created a deadly situation, yet decided to punish Han into self-destruction. Not exactly the most likeable lot, yet Jeong Won and In Ji slowly dragged their way toward atonement. I was disappointed that a few of the familial elements were never cleared up.
The Trunk was stylishly shot and had a beautiful OST. Some of the acting was exemplary while some of it was perfunctory. The scattershot approach to storytelling was confusing at first but by the fourth episode was clearly laid out. Han’s mansion resembled a fun house with mirrored scenes and wild swirling circles and lines. The cold, severe decorating scheme would be enough to cause isolation issues. Shortcomings in stalking laws were brought up as well as a tyrannical view of bisexuality and terrible invasion of privacy and internet laws. For me, the only thing that held it together and made it worthwhile viewing was seeing Gong Yoo once again in a starring role even if his character was often shoved to the side. This was closer to a 7.5 drama but the cinematography, music, and GY’s acting bumped it up to an inflated 8 for me. Welcome back, Gong Yoo, don't stay away so long next time!
29 November 2024
Triggers: Sexual content and nudity. One gratuitous scene and other more “artistic” ones and two shower scenes that go lower than Kdramas.
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