This one is good but not great. On the one hand, it's brilliantly acted (mostly), well-filmed and well-directed. It has aspects of the plot that I was interested in, like young people entering a work environment that's trying to spit them out, fighting to stay level-headed and do their work, blatant sexism in the workplace and the exploitation of workers for the profit of companies that never recognize their individual value and only lets them advance when it's convenient for the enrichment of the higher places. On the other hand, the plot drags a bit too much, there's way too much exposition, there isn't much of a focus at times and, worst of all, I have the sense that the message of it is for the young generation to just shut up and take it. An "it will happen to you too, you'll see" perspective. Some things get fixed, some things change, but you end up with the feeling that, in the grand scale of things, they really don't. While dramas like Underwear showcase how young people with drive, who reject or disagree with the status quo, can actually both learn from their seniors AND innovate and create something different that adapts with the current times, here I feel the point was for young people to learn to do things the same way and repeat the same mistakes. With very few exceptions. The plot is basically salarymen, the trade business in Japan and everything that comes with it. We see the introduction to this world through a former shogi player turned into reluctant salaryman, Ichinose Ayumu (very well portrayed by Nakajima Yuto, and honestly I was surprised, he did very well here, he won an award for this). Alongside him, we meet other young interns trying to survive this world: the son of a leader of another company who wants to work his way up rather than use his dad's power to climb (very well performed by Seto Koji), a girl running from sexism in another company and encountering sexism again here because the world sucks (Yamamoto Mizuki) and a cheerful comic-relief-y guy who wants to be respected for his work (Kiriyama Akito). Taking into account that there's a lot of male idols in this (I counted at least 5, between DBOYS, Johnny's and Amuse) and they did a pretty good job here in general (this was a really good one for Nakajima Yuto to settle the transition from school roles to older roles), I'm even more surprised that the category for idol actor in the 2016 poll was won by a non idol with a terrible role. I wasn't very fond of Yamamoto Mizuki's performance specifically, but I was very interested in her arc and how it connected to Nakamura Yuri's arc, they really made a point about sexism in the workplace and how hard it is for women to work their way up the corporate ladder while appeasing Japanese social standards, I was indeed very interested in that aspect of the drama, I'm just sad it wasn't more prominent. I don't even have to say Endo Kenichi carries this drama, I think that's self-explanatory by the fact that he's in it. Yamauchi Takaya does very well alongside him and the chemistry between them and Yuto is very good. So, overall, it's fine. It could have been better, but it's good.