True love is it not. When a 500 won coin liberates you from a thankless existence, so pathetic that even plot writers won't excuse themselves for shaming you for your wife's lack of communication skills, and then fate puts you on a pedestal, what would you do? Of course seek your misery again as your "one true love" in a post wall woman. Cute, is it not. Maybe good for fancies of 30+ age women.

This is the first drama I actually sympathized with "rich bitch" wife. Since such a character is usually abused by writers in KDramas. Here too they did try to show that she was preying on a younger lad, but I guess they found some sense and did turn it into "rich noona" situation. She's very good. Not a career obsessed freak. Totally waits on her husband. Her entitlement is a small compromise against the good stuff.

Misery loves company. That's the drama in a nutshell. Nobody can find fault in marvelous acting skills of Ji Sung and Han-Ji Min. But the characters here are not great. The onus of repairing seems to fall entirely on Ji Sung's character (husband). His wife's character does not realize any of her own mistakes(apparently she was short circuited and oppressed by her overworked husband who took extreme pains to give their family a good life.) In addition, there is the usual propaganda - housewife=depressed oppressed woman. Overworked post wall bank employee = career woman who is totally happy.

Bank employees and their antics provided much needed comic relief since the main lead's romance existed mostly in cringe flashbacks. I mean, Han-ji Min is a proper ajumma now. And Ji Sung is above 40. Not even the best makeup can make them look like high school students. Unfortunately, writers didn't write good comic script. The flyer with spelling mistake was probably the most original comic joke.

Cinematography: American sitcom ultra shake mode was always on. A thousand different cuts in one conversations. I mean, Han-ji Min's character is talking to that restaurant guy's wife. Tone of conversation is very muted. A casual talk. And the camera - cut to Han-ji Min's face, cut to other woman's face, cut to through the window shot, cut to inside the restaurant shot, cut to hair, cut to hands, cut to lips, cut to perspective shift, cut to....ah! Learn to operate a camera. Crafty angles won't make your pathetic dialogue sound like Buddha speaking at Jetavana.

Not worth a rewatch. You can drop it after Ep 12 if you ask me. Nice OST BTW. Ultra cheap drama with no location, costume, sets to feel great about. Most of the money was spent in lassoing expensive leads. I mean, they were running a bank in a hotel lobby. What do you expect.