Questa recensione può contenere spoiler
Inspirational! Exciting! Great cast! But...dragged on after ep13
"This show was a visual feast with its vibrant cinematography and skilled direction. The ensemble cast delivered outstanding performances, evoking a powerful sense of nostalgia for the 80s. Despite not being born in that era, the series sparked in me a desire to travel back in time and take up fencing myself.
Initially, I intended to have it play in the background, but Na-Hee Do's character captivated me with her persistence, fighting spirit, and personal growth. Moon Ji-woong injected humor into the narrative, while Ko Yu Rim and the remaining cast members offered average performances. However, there were several storylines that felt completely unnecessary. The series could have reached a satisfying conclusion by the 12th episode; the extension only diluted its impact.
Two specific narratives left me questioning their significance. Ji Seung-wan dropping out of school to raise awareness about corporal punishment seemed weakly executed. By the series' end, it became evident that this arc had minimal influence on the overall storyline. It felt like a two-episode tangent that lacked substantial relevance.
Similarly, Ko Yu-Rim's family struggles initially provided depth to her character, emphasizing how backgrounds can both motivate and burden individuals. However, the exaggerated portrayal of her father's car accident and the subsequent financial strain felt unnecessary. The lack of development for the injured character and the exaggerated circumstances made this arc feel drawn-out and tiresome.
Moreover, the sudden shift in Baek Yi-jin's behavior towards Na Hee-Do after her confession of love seemed jarring and poorly executed. The ensuing two episodes seemed misplaced and could have been omitted without affecting the storyline. His decision to change departments later on raised questions about why he didn't make that choice earlier.
Overall, I'd rate this series a 7/10. It had the potential for an 8, but the inclusion of unnecessary subplots that extended the show to 16 episodes detracted from its quality."
Hopefully, this captures your thoughts and organizes them in a clearer and more polished manner!
Initially, I intended to have it play in the background, but Na-Hee Do's character captivated me with her persistence, fighting spirit, and personal growth. Moon Ji-woong injected humor into the narrative, while Ko Yu Rim and the remaining cast members offered average performances. However, there were several storylines that felt completely unnecessary. The series could have reached a satisfying conclusion by the 12th episode; the extension only diluted its impact.
Two specific narratives left me questioning their significance. Ji Seung-wan dropping out of school to raise awareness about corporal punishment seemed weakly executed. By the series' end, it became evident that this arc had minimal influence on the overall storyline. It felt like a two-episode tangent that lacked substantial relevance.
Similarly, Ko Yu-Rim's family struggles initially provided depth to her character, emphasizing how backgrounds can both motivate and burden individuals. However, the exaggerated portrayal of her father's car accident and the subsequent financial strain felt unnecessary. The lack of development for the injured character and the exaggerated circumstances made this arc feel drawn-out and tiresome.
Moreover, the sudden shift in Baek Yi-jin's behavior towards Na Hee-Do after her confession of love seemed jarring and poorly executed. The ensuing two episodes seemed misplaced and could have been omitted without affecting the storyline. His decision to change departments later on raised questions about why he didn't make that choice earlier.
Overall, I'd rate this series a 7/10. It had the potential for an 8, but the inclusion of unnecessary subplots that extended the show to 16 episodes detracted from its quality."
Hopefully, this captures your thoughts and organizes them in a clearer and more polished manner!
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