"You are the protagonist of your life."

When I first saw this years ago available for stream on Netflix when they still used the star system, I kept avoiding it. The title and the cover did not appeal to me at all. But after exhausting the other high-starred foreign films and enjoying them, I finally caved on this one. Ultimately, the concept of don't judge a book by its cover came into play once again.

This slice-of-life was really well put together and had that magical ability to make you laugh, smile, and cry. For me, one who is far from her teen years, it also instigated self-reflection and a look-back on how much has changed since then.

The plot is seemingly simplistic- a reunion of a group of women who knew one another in high school. It sounds a little bland and a little predictable but it really is much more than that. If you're like me who isn't usually interested in these types of plots, you may also be pleasantly surprised at how much you'll enjoy it.

This is one of the main ones I have recommended to many as an intro into Korean films, all of whom have varying preferences in genres, and I've only ever received positive feedback from them.

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It's really unfortunate classic series like this one will likely never have subtitles. Of all the countless remakes of the Ji Gong, no one (at least for me) has ever been able to replace You Benchang's (the first eight episodes) portrayal of him. Interestingly, it seems he became a real monk in his later life.

This chronicle of Ji Gong's deeds/travels was still as fun to watch today as it was so many years ago. It is on par with the classic version of Journey to the West and I was ecstatic to find the series on YouTube.

It's worth a search on the internet for the history of this legendary rebellious monk who goes around helping people in need while tricking others out of hurting others. He offends other monks with his ways but is also admired by them. Sad that even those in my generation, particularly those born in the US, likely never even heard of him.

There is also another 20-episode Ji Gong series starring You Benchang in 1998 as well, where he continues to work his magic. It's not necessary a direct sequel, but I considered it as one for this particular actor.

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What a lovely gem that was both hilarious and heart-warming. I've been looking to get my fill of an "assisting spirits" story-line and after many fails, finally came across this one. Another one where its audience score was less than 8.0, but for me, it surpassed many of those that were rated significantly higher.

When I read about the "pink rabbit" in the synopsis, it lowered expectations initially. But I loved it- it added that special element.

Despite the humorous over-exaggeration and the simplistic feel, they managed to incorporate some depth with every personal story. The supernatural aspect was also done much better than many of the more mainstream series in its genre as they didn't attempt to dramatize or glamorize it. And those subtle aspects where they somehow managed to cast actors that actually resemble one another between their youth and later years was also really appreciated. All the characters were likeable in a natural way and the actors fit really well in their roles.

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Although this was a re-watch after many years, it was as enjoyable as I remembered it. Since I watched this one immediately after a re-watch of Dong Yi (which I dropped) and because they have the same director, the similarities and differences between the two were even more noticeable. Despite this series being the older one, it was still superior in its execution.

The story revolves around the female lead, Jang Geum, and one of the best parts for me was the much deeper dive into her childhood. Most series with this feel usually brushes quickly on the lead's tragic past and pans to their adulthood. But in this one, you become more invested because of a good introduction to her parents and her youth. She was made out to be pretty much a genius at learning as expected but she was in multiple situations that showed she still had plenty of room to grow.

The politics is very heavy around the royal kitchen and royal physicians which provides a unique glimpse on how these seemingly straight-forwarded offices can influence the court. There are also many historically factual explanations around food/herb combinations which is interesting. Scallion and honey? Yes, I looked that one up.

The negatives I have are pretty common for these longer series where some scenes dragged along with some unnecessary flashbacks. The coincidental and tragic situations our female lead goes through also ends up feeling repetitive at times where it loses its impact. And lastly, the last few episodes felt like an add-on when it should have been an intricate part of Jang Geum's history.

Nevertheless, it was worth this second watch.

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This is one of those special movies that did a fantastic job with layering out the plot. I especially appreciate how they introduced your characters in the beginning. It is my second time watching this (over a span of time) and it still made me feel anxious, laugh out loud, and shed tears through various points.

All of the actors were a brilliant combination and the little girl was not only adorable but amazingly emotive.

No matter what genre you usually prefer, this is one of the few that will cater to most. Don't expect hardcore prisoners, sob stories, exploitation of the handicap, or anything else that is heavy in theme. It isn't trying to be anything. Only for you to follow a turning point in an accused man's life who loves his daughter and experience the impact these two will have on those around them, including you as the viewer.

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Does this entail your typical k-drama love story where a wealthy man meets your average woman and fall in love? Yes, yes it does. However, I was still swayed by its charm.

Not someone who goes for the romance-heavy genre, but this one was fun and it tugged at the heart-strings. One of its main strengths here is we have a great lead-couple combination and a well-paced relationship development. The star for me is the male lead. I thoroughly enjoyed his micro-expressions, his way of speech, and never got tired of his get out of my face hand gestures. The female lead had the more obvious and emotional expressions which worked great alongside his. Both were pretty well-balanced in personalities. None of them were overly arrogance, overly kindhearted, etc. as you sometimes find with characters in the same genre. It felt natural and the straight-forwardness of their interactions is my cup of tea.

Initially in the early episodes, the female lead's clingy ways were a bit off-putting but given her situation, most people would likely be just as desperate. She won me over in due time.

The blanketing story of our lead female encountering ghosts and assisting them with their requests was done much better than expected. It is imperfect with its inconsistencies, such as the portrayal of them looking horrifying at times and them semi-normal at other times. There also isn't much explanations about their existence. But it isn't meant to be a horror genre and the blend of humor around it forgives this. Instead, it worked very well with the plot momentum and prevented it from having romance drag.

It definitely should be mentioned as well that one of my favorite things about this was the many hilarious statements in the script. One of the earlier ones that come to mind is "I didn't listen to you because I cared. I listened because I've got these ears attached to my head."

While the series has its scattered flaws with an imperfect pacing towards the end, it was one of the rare romance-heavy ones that I enjoyed in its entirety.

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This series has a little bit of everything so difficult to describe. So let's just say it has a nice combination of that bit of everything when it comes to a crime drama. Nothing was overwhelmingly focused on so it kept my attention at each episode. The dynamics between all of the actors/characters was good and our main defendant did a wonderful job at his role. There wasn't any particular character that was just miraculously tough or continuously useless all the time which was nice.

My only negative comments would be the very slightly overly emotional aspect of our main defendant in certain scenes, but also realistic if one can even fathom being in his shoes. I would have appreciated a more brutal and prolonged punishment of our antagonist as he seemed to have been let off a bit too easy. This applies as well to the prosecutor who was supposed to have been a family friend who was apparently forgiven so easily. The guy couldn't properly play the good person or the bad person and only ended up making the choice he did when he realized he was losing. The comedy aspect was a bit off with timing occasionally but was still fun to watch.

Nevertheless, definitely recommend. It does justice to its plot summary.

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Fast-forwarded through most of the romance scenes as unfortunately the women weren't too interesting. But there isn't an overwhelming romance aspect either and was fairly realistic in its development, which is great.

The main character was slightly bland but acceptable as that is part of his character. However, the prison guards and the prisoners which had the majority of screen time really made the drama worthwhile. There was a good blend of tearjerker moments and laugh out loud moments. There was a slight discomfort in the ending as I had hoped there would have been better follow-ups on the characters that grew on me, but wasn't bad enough to ruin the series as proven in many other series.

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It's interesting the level of high scores this received and I wonder if it partially has to do with the exposure of being an original Netflix series. I'm still up in the air on firms like Netflix increasingly capitalizing on anime and the international sphere but eh.

You know the shows/movies where your eyes are glued to the set and you demand no interruptions? This one started off as such but then trails off a bit during the middle. The uniqueness of the plot is what really makes this one great but outside of it, it does still consist of the similar predictability you come across in many k-dramas. But also as with many k-dramas tropes, even while knowing the direction they're taking you in, you'll still give into the emotional roller-coaster.

In no way an expert in autism but the similar shortfalls found in the Good Doctor, was also evident here. While I love when anyone who is viewed as different in the world being celebrated for their differences and strengths, there feels to be a heavy hand in highlighting positives when convenient which causes inconsistencies through various scenarios. And maybe because it was only 10 episodes but the flow from switching focuses of your main characters didn't flow too naturally.

If you happen to be in emotional mood, prepare yourself with a tissue box. While it's not really as profound as it had the potential to have, it will still offer many viewers a good visualization of seeing things from a different perspective. It's worth the watch but hopefully they will follow up with a good continuation, particularly because of the ending where they tried to create some type of mystery but instead of creating anticipation, it felt out of place.

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This review is also based on a re-watch after many years so I'm showing it as completed but dropping it at episode 20 now only because it doesn't feel fresh this time around.

The first few episodes were a bit lackluster as the tragedies were done in an over-simplified and overly dramatic way. But it does start to pick up in quality once the king comes into the picture. What makes this series a bit different from some in this genre is that although there are the usual politics, it doesn't feel quite as heavy. It helps that there are plenty of humorous characters and moments to help break up it up. There is also a unique incorporation of a women-only investigative team, so there is some "detective" aspect to it as well.

The majority of the actors does a great job in their respective roles. I want to list them all to emphasize this but there's just too many. Instead I'll discuss the only actor that was obviously mediocre, and she happens to be one the series is titled after.

The Dong Yi character stayed relatively flat even when her status changes and although I think this was intentional, it gets old. This may not have been as glaring if the actress was better with micro-expressions or was more versatile with them. She makes the same few expressions ALL the time no matter what the situation is and it becomes more and more noticeable. It didn't help when they used a freeze frame of her with her usual eyes wide opened at the end of most episodes. Why they thought this would be a good cliffhanger is beyond me.

The other aspects that are off is how no one ages appropriately and time skips are pretty abrupt. As an example, one minute someone stated they were pregnant and minutes later, the baby was in their arms. Some portions of the episodes are binge-worthy and sometimes there is a a bit of a drag but it does move along.

Don't let this deter you from giving this one a try though especially if the female lead doesn't bother you as much as it did for me. Although she was a bit mono-toned, she's surrounded by many interesting characters that make up for it.

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Is this series a masterpiece? Absolutely not.
Is the script written so poorly at times that it is just corny? Yes.
Does many of the elements in the story make sense most of the time? No.
Does the special effects look super low-budget at times? Yes.

However, I surprisingly found myself continuing on to the next episode and the next without the thought of dropping it. Because despite having to shrug off the major flaws, it was still an enjoyable watch. I laughed at times, teared up ever so slightly at times, and rooted for the camaraderie within the team.

The bromance was sweet, using the undeniable formula of pairing opposite personalities. This was one of the obvious draws from the series but the rest of our "superhero" team was fun to watch as well, each one with their own supernatural or intelligence skill set. It should be noted however that although I still enjoyed Zhu Yi Long's acting here (more in The Story of Ming Lan), he really should have learned how to swing a prop sword better.

The mini-plots within the underlying one can feel a bit blotchy but the overall one still wraps up well enough. There was also just enough intrigue for me to follow through to the end. So if you're one who can overlook some of these issues and not ask too many questions, it was a fun one to sit through without having to use much brain power.

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As with many superhero stories, you go in knowing it will be more entertainment than realism. The concept is great, especially since I have a soft spot for vigilantes but the execution in this one wasn't done well. Because it revolves heavily around the taxi, it does have a hint of resemblance to Batman (which they reference themselves in the series).

The first couple of stories were satisfying and the exaggerations went well with that dab of comedic undertone. However, it just felt more and more lame as they entered heavily into the cloud-based firm revenge. While the script being overly basic can be overlooked, when the characters themselves began to lose their flavor, that's when there's really not much else to look forward to.

- The prosecutor was irritating from the beginning and she could have been written out completely with minimal impact.
- They try to humanize your mains by incorporating some type of trigger that causes them to relive their traumas but the way it was executed just made them again, lame. For a team that is supposed to be superior and calmly collected, and who's been doing this for a while, a whistle from some traffic cop is going to cause your main dude to pass out? Then your female main who's seen that online video over and over again in the past, is suddenly so traumatized by coming across it again during a job that she just abandons ship and locks herself up? While trauma does impact someone for a lifetime, this was incredibly excessive.
- The sister's suicide. They paint her out to be a sweet, loving person. But anyone who has enough right mind to make a last meal for a loved one, tuck a blanket over them, and then decides to publicly jump off a building and plop herself horrifically in front of the same loved one, is just a selfish ass.
- Oh, how the flashbacks were misused much too often. Instead of adding anything to the plot, they were just fillers to prolong the minutes. I also didn't buy into the dramatic music that tried to convince the audience into thinking the scene was eventful.

If they had maintained the same pacing as with the first couple of stories or didn't reduce character developments, it would have been much more entertaining. Unfortunate.

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Meh

The series is getting a higher score only for its good-for-casual-watch aspect and the graphics being relatively decent. Unfortunately both the FL and ML were very one-note through the whole series and despite trying to force a romance between the two, it really just didn't work. The plot was both straight-forward and sloppy.

However, if you can turn off the analytical mind and are the type who enjoys watching an "eye for an eye" kind of of punishment, this is a good one to try. Note that while it's not the most graphic I've come across, it's graphic enough for queasy watchers to avoid.

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Even though I completed the series, it would have been dropped mid-way if I didn't end up getting distracted with other tasks and ended up watching this casually instead.

The narrative starts off pretty well but the overall plot declines steadily thereafter. The crime-solving aspect of the series is subpar and there's pretty much no character development. Based off the camera work, it has a low budget feel, which wouldn't matter as much if all else was done well. But it's as if they tried to take all the ingredients that are successful in other crime series and mashed it all together hoping for a well-done dish. All the characters remained one-noted and you don't get attached to any of them. I thought the concept of helping the dead would have been one of the highlights but they also don't have much value. Unfortunately, it didn't cut it in the entertainment or emotional triggering areas.

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Somehow Captivating

This review comes from a re-watch a couple of years after the first run. As with many of the newer historical dramas, it isn't without its common flaws. So why the higher score despite some shortcomings? Because it was fun to watch the first time and was still fun to watch the second time.

- Even if the acting is slightly cringe at times, the chemistry still manages to work and you'll still laugh out loud, then shed a few tears, and go back to laughing again. Xiao Zhan also does a good job in keeping the momentum going.
- Even if there are some plot holes and inconsistencies, the story and twists were well-paced and interesting enough to keep you wanting to get to the next episode even when it's already past midnight.
- Even if the action scenes are flimsy at times, it's too late to care because you're already drawn in to the plot.
- Even if the dramatizations can get a bit much as usual, it actually works well here for the comedy relief which balances out the grimmer undertones.

Despite having dropped other series for less, this one just manages to blend itself well. For a fairly long drama, it surprisingly had minimal draggy moments because the plot usually shifts when it threatens to reach that point. The underlying morals Asian films usually try to incorporate, is actually much more realistically done in this one. And although I don't agree with the romantic censorship, it works out well for me personally because romantic subtleties are usually much more meaningful.

Overall, it is a memorable one and it makes me think the novel must really be great.

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