In a world filled with emotional stories, the phrase this drama captures a common frustration. It shows that people are getting tired of stories that focus too much on exaggerated skinship and NC scenes, which can make them feel less real and meaningful. 

The writer, Sammon, is a brilliant author, storyteller, and doctor. I cannot help the way she lets me think things in a way I haven't thought before. I'm not a medical person, but her complex characters and their medical backgrounds make storytelling so interesting that I often found myself searching terms randomly.

At its core, this drama is characterised by overtly emotional scenarios that seek to elicit sympathy from the audience. Whether through tragic backstories, excessive pathos, or predictable character arcs, this genre often treads a fine line between genuine emotional resonance and manipulation. While it is undeniable that the storytelling of this drama is a powerful tool for eliciting empathy, the overuse of such devices can lead to a sense of emotional fatigue, which I'm having right now while writing this review.

One big problem with this dramas is that they relied too much on clichés. Characters often fit into predictable roles, like the tragic hero or the innocent victim. This makes the story less impactful and can leave the audience feeling disconnected. We want stories with more depth and variety, but when we see the same basic characters over and over, it's hard to connect with them. But what else can we expect from an 8-episode drama? Contradictorily, this might be the best they could deliver. I heard the word "Euthanasia" in Jojo Moyes's Me Before You. It broke me into pieces. For a long time I wondered what and whys, because I was uneducated in knowing the emotions and turmoils regarding the term. The best stories are those that invite us into the lived experiences of characters, allowing us to empathise without feeling manipulated. This drama made me think about it all over again. Surely it is depressing, but getting a new perspective on law and will definitely refreshed my knowledge and empathy towards the patients.

Lastly, I have to mention the chemistry of Kan and Tew, which made me go gaga over a simple finger touch. They proved that you don't need overly dramatic romantic scenes to establish a good story. All they did was depict two insane characters, one who abides by the law and the other one whose empathic self could not help but fall in love with someone they shouldn't be. There were moments when I suspected Tew was faking his fondness for Kan, but surprisingly, putting myself in all those situations, I felt so indecisive myself. The main selling point of this is the drama's unique premise and not relying on the romance part too much. 

Overall, it's a must-watch for all the thrill BL watchers out there. This drama has its place in storytelling, a perfect mix of thrill and romance; a steady diet of it can leave audiences yearning for more substance. It reflects a desire for narratives that challenge rather than pander, that evoke genuine emotion rather than resort to cheap sentimentality.