First of all, our series started well. I loved the story. It was beautifully constructed. What I liked most was that there was a mystery. It was intriguing to pursue this. In this respect, I liken it to a detective series. I felt the tension and mystery. The activation scenes were also nice. Everything was suitable. So it was progressing well with a measured distribution. The thing that bothered me the most in these episodes was the face changing incident. It's too fantastic. Let's get over it. It seemed a little strange to me that after changing the face, the person continues the same relationship with another face that replaces the person he wants to marry and is in love with. Maybe this can be said. I loved his soul, not his face. If we look at this, things such as inner beauty, character, approach to events and people, and temperament are the factors that affect the other party. Even though this still convinces us, isn't it possible that the more we look at his face, the more he reminds us of the other person? Can a person love like this? I thought about this often while watching and it didn't seem believable to me. Even though people stand out with their actions, it seemed repulsive to me to see someone else with whom you have the same antipathy, standing in front of you with their face. I deducted a point from the story in this aspect. I should have broken it more, but whatever. Likewise, while everything was going well in terms of plot, towards the end, nonsense started to occur in the processing and flow. It's as if they decided not to make the series this good, let's make it a little worse, let's make it cheaper. For example; Although the character Jiang could have killed the character Jia Quan with a knife in his hand when there was no one around, he does not, but he is in prison, easily captured, and tries to kill him and is killed. It was so ridiculous and simple. Similarly, why does Jia character's assistant, Zuo character, run away and get killed when he could have killed this person hundreds of times? Illogical. He knows everything about the man, and if he tries to do anything bad to him, he will kill the man from thirst. He escapes and is killed when he could have been eliminated so easily. It has zero credibility. If the princess is going to kill herself, why does she bring the character Sima there as a witness? So that he could testify and destroy them? It was an irrational approach. The scriptwriter is literally unconscious, so did he have a hard time writing these, did he make mistakes, did he do things that are thousands of miles away from believability. Doesn't a person read what he writes, and doesn't the person who filmed it say that if you fix this, it doesn't look appropriate at all? They didn't say. Why was there a showdown in the presence of the queen? It's not understandable. According to the story, if the character Jiang was not returning, Pan Yue should have gone looking for him. She had to save him, or if he couldn't, he could have tried to kill the Marshal. Or he could report him to the authorities. Supposedly you need a notebook. They didn't take the notebook while they had it, so while that person was identified at the academy, the man runs away. How does he escape? If you had made a raid as soon as you found out about the incident, you could have obtained everything, including the notebook. The person takes that notebook and brings it to the capital. Pan Yue, who has authority and men in his hands, does nothing. I don't know what his father is. Some help, some don't. It is impossible to understand how difficult it was to prove it. While everything was against the man, there was no proof every time. What a queen. Is there no king? Isn't there a Minister of Justice? The marshal will be given army authority and many royal decorations will be given, there is no king, there is a queen. It hasn't happened before. Afterwards, for some unknown reason, Jiang's body is brought to the place, and through the holes he opened, Cai Wei and Pan Yue with his excellent talent say, "Here is the place of the notebook." Unbelievable. It's a shame for the beautiful series. Screenwriter, I especially hated you. In all TV series, your incompetence in concluding events frustrates and frustrates the audience. Their beginnings were good, but their endings were terrible. He was wrong. It was simple. It hadn't happened. I felt sad while watching it.