Actors ages do not ruin this otherwise MUST SEE series
Hiya,
My first C-Drama ever was RUYI'S ROYAL LOVE IN THE PALACE. I knew watching it that it was a masterpiece, because only a masterpiece would keep my attention that long on such a depressing series of events.
The problem became what in the world to watch afterwards? Since I was new to this world I tried MISSING PERSONS (Two Ruyi Co-stars featured) and that was fun but nowhere near as slick. I also watched a ton of Chinese films during Ruyi and some after. That's when I caught some Zhang Ziyi and felt, yeah, let's give REBEL PRINCESS a try.
Firstly, the jerks that call these 'costume dramas' need to be thrown into the Cold Palace and forced to watch Wonder Woman 1984. It's like calling Westerns 'saddle dramas'. Give me a break. This genre is Epic Imperial Romance, okay?
Secondly the title simply doesn't work. Or translate. I have a sublime title to offer but it would spoil to explain why I chose this.
Call it FOR THE LOVE OF AWU and you'll see why about halfway thru.
Unfortunately the series isn't as good as RUYI. That doesn't mean it isn't watchable and entertaining. And, in fact, for reasons I cannot divulge, it has a higher 'rewatch me' factor than RUYI. So it's better in a sense as well.
My personal big problem with this series is the initial ages of the actors. Where Zhou Xun completely tricked me into thinking a woman in her 40s is really a teenager, that didn't happen here. Many major players tried their best but simply looked old.
Deeper into the story we're introduced to a young woman that (we're told) is so like Zhang when she was young. SPOILER: she looks NOTHING like her. I was so confused I went to an eye doctor. (JK. NK.) And in THIS character SOMEONE should have realized lied a solution.
Rewind. You look for a young actress that looks a lot like a young Zhang. Then you shoot the first episodes using her. Then, and get this, when you need to introduce to the young woman who allegedly looks like Awu? Use the same actress, perhaps with a little rubber on her face to make her look a little different. Two problems solved.
The other unfortunate casting issue is Zhang Zi Yi herself. After having experienced the WOW that is Zhou Xun in RUYI, Zhang seemed a little... flat. It was like she was playing not only a noble Princess but a Goddess, who -- somehow -- is detached from reality. Often when Zhang is hearing something she doesn't like -- she starts staring off into an emotionless abyss. She looks catatonic even. This emotive distancing pushes the characters annoying her back a bit, but so too have we the viewers lost critical access into her thoughts and feelings. It took me halfway thru the series to get used to this.
With this out of the way, almost all of the other characters are terrific. Where Zhang is the blank canvas, everyone else is the paint. The series grows more and more endearing as each episode passes. Where RUYI slowly waterboards you into giving up all hope, REBEL offers hope.
Every great series has a breakaway character that you'll then want to see a LOT more of. In RUYI it was Princess Jia (Xin Zhi Lei) who is the most beautiful b!tch to hit TV or cinema. In REBEL it's Helan Zhun (Yuan Hong) who I called Aquaman the entire time because he looks (kinda) like the Chinese version of Jason Momoa. His character does some pretty awful things but MAGICALLY you hold some compassion for him too. He really made Tong Yang fight for screen time.
(By the way, in America, the CW took the world's largest POO on the classic Kung Fu series. I don't mind the remake as a show but recognize it's plainly not based on the original series at all. It's like renaming THE OFFICE as KUNG FU. But Tony Yang's intensity in the back half of the series tells me China should do an actual remake of KUNG FU, starting and spending a lot of time in China. Starring Tony Yang. He'd make a solid Caine.)
Now, of the romance. This story was a welcome soapy affair after RUYI. I don't want to spoil but I will say Awu attracts men the way an open KFC dumpster attracts flies. If you take this story literally you won't like it. If you accept its instead a feel good romantic fable -- and need that in your life before embarking -- this series will charm you SILLY.
FUN TRIVIAL FACT -- At the end of each episode is an absolutely beautiful duet between a man and a woman trying to find love inside the Kooky Backstabbing Kingdoms of C-Dramas. If you open your heart to it you'll watch the complete ending every time. The song is even featured within maybe 6 episodes.
But there is a BATTLESHIP sized detail about this song. The lovely woman who's singing? As Austin Powers once said, "She's a MAN, baby!" It may be worth watching this show just to experience that.
Oh and the production values are through the roof and puncture a hole right thru the Moon. But that can't carry you further than 3 episodes. This ensemble will. But know the series takes time to really grab you. Under 10 episodes for most.
Now, there was on character I felt was handled poorly. General Song started out great, but in the interests of romantic drama, took a series of turns that... well... I don't believe the audience appreciated. I've saved this last note for people who have seen the series, and so the next paragraph is SPOILER SPOILER SPOILER.
***************************** SPOILING BELOW *******************************
At the end of the story, Song watches his wife beg him to save himself (and his soul) and let Awu and Lord be. When he refuses to abide by her wishes, she does (something) that should have changed his mind. Minutes later, at the end of his sword, he does something that wasn't intended. The audience says YAY but then (the pig) grabs Awu's face and makes a play for her. That was done for drama but wasn't the least bit believable. If memory serves Helan never even pulled that stunt, was more of a gentleman.
Since I've written a handful of stories myself, I'll offer what I consider a cleaner (more appropriate) resolution of Song's arc.
Song witnesses his wife jump to her death. Later (before he confronts Awu) he looks down at his dead wife on the ground. He realizes his folly. He might even say to someone how she only lived for him. And how he didn't appreciate that.
When he's with Awu, her father explains that he will be emperor. And that nothing and no one can stop him. He stands close to his daughter when he says this, meaning even Awu. This threat is critical, and was missing from the story. And the fact it was missing kinda screwed up the ending. Because in the story she later talks to her father as if all the crap he's pulled was okay with her because of blood relation. Except we the audience know it wasn't.
So it's CRITICAL that Away abandon any love of her Dad she has upon being threatened. At this moment Awu should pull out the small knife the Lord handed her a long time ago in the story. I believe they intended to have her use it here but chickened out at the last moment. I wouldn't chicken out. I'd have Awu tell her father it's over. That's when he takes the knife and attempts to turn it on Awu herself. And it is at this point Song ends Wang Lin.
After doing so, Song looks completely broken. The Lord and his soldiers arrive, but it's clear from Awu's face it's already over. Song sees the Lord and Awu stand beside each other and wipes a tear away. He says words to the effect of, "I see what I always should have seen. That you two belong side by side. And that my place was always... elsewhere."
Song would leave the chamber. Moments later a servant would run in and tell the Lord Song will kill himself. They run out to and catch Song just as he jumps off the ledge his wife did. They look down and find him dead... beside his wife.
What I'm trying to suggest is that Song was more noble throughout the story. That he didn't need to become a 'demon' in the last moments of the series. Even Helan had this figured out.
My first C-Drama ever was RUYI'S ROYAL LOVE IN THE PALACE. I knew watching it that it was a masterpiece, because only a masterpiece would keep my attention that long on such a depressing series of events.
The problem became what in the world to watch afterwards? Since I was new to this world I tried MISSING PERSONS (Two Ruyi Co-stars featured) and that was fun but nowhere near as slick. I also watched a ton of Chinese films during Ruyi and some after. That's when I caught some Zhang Ziyi and felt, yeah, let's give REBEL PRINCESS a try.
Firstly, the jerks that call these 'costume dramas' need to be thrown into the Cold Palace and forced to watch Wonder Woman 1984. It's like calling Westerns 'saddle dramas'. Give me a break. This genre is Epic Imperial Romance, okay?
Secondly the title simply doesn't work. Or translate. I have a sublime title to offer but it would spoil to explain why I chose this.
Call it FOR THE LOVE OF AWU and you'll see why about halfway thru.
Unfortunately the series isn't as good as RUYI. That doesn't mean it isn't watchable and entertaining. And, in fact, for reasons I cannot divulge, it has a higher 'rewatch me' factor than RUYI. So it's better in a sense as well.
My personal big problem with this series is the initial ages of the actors. Where Zhou Xun completely tricked me into thinking a woman in her 40s is really a teenager, that didn't happen here. Many major players tried their best but simply looked old.
Deeper into the story we're introduced to a young woman that (we're told) is so like Zhang when she was young. SPOILER: she looks NOTHING like her. I was so confused I went to an eye doctor. (JK. NK.) And in THIS character SOMEONE should have realized lied a solution.
Rewind. You look for a young actress that looks a lot like a young Zhang. Then you shoot the first episodes using her. Then, and get this, when you need to introduce to the young woman who allegedly looks like Awu? Use the same actress, perhaps with a little rubber on her face to make her look a little different. Two problems solved.
The other unfortunate casting issue is Zhang Zi Yi herself. After having experienced the WOW that is Zhou Xun in RUYI, Zhang seemed a little... flat. It was like she was playing not only a noble Princess but a Goddess, who -- somehow -- is detached from reality. Often when Zhang is hearing something she doesn't like -- she starts staring off into an emotionless abyss. She looks catatonic even. This emotive distancing pushes the characters annoying her back a bit, but so too have we the viewers lost critical access into her thoughts and feelings. It took me halfway thru the series to get used to this.
With this out of the way, almost all of the other characters are terrific. Where Zhang is the blank canvas, everyone else is the paint. The series grows more and more endearing as each episode passes. Where RUYI slowly waterboards you into giving up all hope, REBEL offers hope.
Every great series has a breakaway character that you'll then want to see a LOT more of. In RUYI it was Princess Jia (Xin Zhi Lei) who is the most beautiful b!tch to hit TV or cinema. In REBEL it's Helan Zhun (Yuan Hong) who I called Aquaman the entire time because he looks (kinda) like the Chinese version of Jason Momoa. His character does some pretty awful things but MAGICALLY you hold some compassion for him too. He really made Tong Yang fight for screen time.
(By the way, in America, the CW took the world's largest POO on the classic Kung Fu series. I don't mind the remake as a show but recognize it's plainly not based on the original series at all. It's like renaming THE OFFICE as KUNG FU. But Tony Yang's intensity in the back half of the series tells me China should do an actual remake of KUNG FU, starting and spending a lot of time in China. Starring Tony Yang. He'd make a solid Caine.)
Now, of the romance. This story was a welcome soapy affair after RUYI. I don't want to spoil but I will say Awu attracts men the way an open KFC dumpster attracts flies. If you take this story literally you won't like it. If you accept its instead a feel good romantic fable -- and need that in your life before embarking -- this series will charm you SILLY.
FUN TRIVIAL FACT -- At the end of each episode is an absolutely beautiful duet between a man and a woman trying to find love inside the Kooky Backstabbing Kingdoms of C-Dramas. If you open your heart to it you'll watch the complete ending every time. The song is even featured within maybe 6 episodes.
But there is a BATTLESHIP sized detail about this song. The lovely woman who's singing? As Austin Powers once said, "She's a MAN, baby!" It may be worth watching this show just to experience that.
Oh and the production values are through the roof and puncture a hole right thru the Moon. But that can't carry you further than 3 episodes. This ensemble will. But know the series takes time to really grab you. Under 10 episodes for most.
Now, there was on character I felt was handled poorly. General Song started out great, but in the interests of romantic drama, took a series of turns that... well... I don't believe the audience appreciated. I've saved this last note for people who have seen the series, and so the next paragraph is SPOILER SPOILER SPOILER.
***************************** SPOILING BELOW *******************************
At the end of the story, Song watches his wife beg him to save himself (and his soul) and let Awu and Lord be. When he refuses to abide by her wishes, she does (something) that should have changed his mind. Minutes later, at the end of his sword, he does something that wasn't intended. The audience says YAY but then (the pig) grabs Awu's face and makes a play for her. That was done for drama but wasn't the least bit believable. If memory serves Helan never even pulled that stunt, was more of a gentleman.
Since I've written a handful of stories myself, I'll offer what I consider a cleaner (more appropriate) resolution of Song's arc.
Song witnesses his wife jump to her death. Later (before he confronts Awu) he looks down at his dead wife on the ground. He realizes his folly. He might even say to someone how she only lived for him. And how he didn't appreciate that.
When he's with Awu, her father explains that he will be emperor. And that nothing and no one can stop him. He stands close to his daughter when he says this, meaning even Awu. This threat is critical, and was missing from the story. And the fact it was missing kinda screwed up the ending. Because in the story she later talks to her father as if all the crap he's pulled was okay with her because of blood relation. Except we the audience know it wasn't.
So it's CRITICAL that Away abandon any love of her Dad she has upon being threatened. At this moment Awu should pull out the small knife the Lord handed her a long time ago in the story. I believe they intended to have her use it here but chickened out at the last moment. I wouldn't chicken out. I'd have Awu tell her father it's over. That's when he takes the knife and attempts to turn it on Awu herself. And it is at this point Song ends Wang Lin.
After doing so, Song looks completely broken. The Lord and his soldiers arrive, but it's clear from Awu's face it's already over. Song sees the Lord and Awu stand beside each other and wipes a tear away. He says words to the effect of, "I see what I always should have seen. That you two belong side by side. And that my place was always... elsewhere."
Song would leave the chamber. Moments later a servant would run in and tell the Lord Song will kill himself. They run out to and catch Song just as he jumps off the ledge his wife did. They look down and find him dead... beside his wife.
What I'm trying to suggest is that Song was more noble throughout the story. That he didn't need to become a 'demon' in the last moments of the series. Even Helan had this figured out.
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