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Wonderful World korean drama review
Completo
Wonderful World
6 persone hanno trovato utile questa recensione
by ItsBlu3Viper
apr 13, 2024
14 di 14 episodi visti
Completo 2
Generale 2.0
Storia 2.0
Attori/Cast 2.0
Musica 2.0
Valutazione del Rewatch 1.0
Questa recensione può contenere spoiler

Heartburn daily-soap trash masked as slowburn. Robotic female lead. Too many flashbacks.


Heartburn daily-soap trash masked as slowburn. Robotic female lead. Too many flashbacks. Unnecessarily long loooong loooooong scenes.

First of all, 4 episodes would have been more than enough to cover whatever the excruciatingly long rat dwelling sewerage vomit-inducing stench-filled 14-episode long ordeal that this series was.

Now, my detailed rant disguised as the review for this series:

The story revolves around the son of a criminal seeking misguided revenge against the initial victim. The director and scriptwriter attempt to garner sympathy for the criminal's son, as if losing someone, however evil that person was, somehow justifies his actions.

The main lead actress delivers her lines with a monotonous tone and stone-faced expressions, resembling a robot. It feels as if a director was experimenting with an emotionless robot in the lead role. There seems to be a rule book for Korean actors, where they pause mid-sentence for supposed dramatic effect. To appear melodramatic, they split dialogues into multiple parts with prolonged pauses, maintaining an indifferent demeanor, and hence, becomes insufferable to watch.

The series is riddled with too many coincidences and conveniences favoring the male lead, quite similar to poorly written daily soap operas. It is predictable, and the female lead perpetually shoulders all the problems, likely catering to a female demographic accustomed to being doormats, and here I thought that we should respect people regardless of their gender identities, well, atleast I thought so, clearly unlike the director and script writer duo, and maybe this series loving audience as well, who likens the women like female leads to be a welcoming doormat for all beings present. I don't understand why, but I feel a sense of irrational frustration when these types of roles are repeatedly portrayed as the entire personality of the female leads. Please, move on from these. We can have strong female leads who have experienced loss and while grieving, responded by committing a criminal act, but they should not be portrayed solely as gluttons for punishment.

I stopped watching after the 8th episode, as it surpassed my mental endurance. I initially watched with my family, but there is a limit and apparently mine was episode 8.

The director excessively prolongs every scene, and I do mean every single scene, with 70% of the runtime dedicated to characters reminiscing about trivial memories. It feels like the director's basic premise for the series was to delve deep into every mundane detail, extending every action to unnecessary lengths.

It appears to me that the director's approach for this series was something like this - picture a scenario where your character simply wants to grab a coffee. In this series, that simple act would trigger a cascade of reminiscences, starting from your earliest steps, then recalling your first coffee long ago, followed by another flashback about how you selected that specific cafe, perhaps a flashback on acquiring the credit card used for payment, and even a flashback about the source of your income that covers the credit card bill for the coffee. There might also be an additional flashback involving any person, or even everyone, you've ever shared a cup of coffee with throughout your life. This is how the director stretches the runtime, when 4 episodes would have sufficed to cover what turned out to be a 14-episode series filled with unpleasant and overly drawn-out storytelling.

For those looking for recommendation, do not get duped by whoever is telling you that this is a slow-burn, there is a certain charm in slow-burns, this one is far removed from having any sort of charm, instead this in the name of slow-burn just prolongs every single scene like stretching a single sentence to essay writing. This is not a slow-burn, rather this is a heart burn. And, just too many flashbacks. The moment you feel that story is going somewhere, BAM! flashback and, if you think you are done with that flashback, then, another flashback follows probably accompanied by lots of crying. I hate how they used a beautiful song for this man-made trash. This is not a wonderful world, instead it is dull mandatory-flashbacks-every-5-minutes trashy world, where in the female lead cannot act for the life of it.

You will get combo deal of acidity and IBS if you watch this one, consider yourself warned.

Accordingly, I rate this series 2 out of 10. Heartburn daily-soap trash masked as slowburn. Robotic female lead. Too many flashbacks. Unnecessarily long loooong loooooong scenes. Obligatory but off-topic, F U Chi Chan.

This review is a personal critique and not intended to provoke fan wars. If you are a fan of this series or a certain popular idol, please disregard this review if it offends you. I have no interest in engaging in defensive arguments about it. Kindly ignore it and let this review be with zero comments. Thank you for understanding.
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