Too, too long and exaggeratedly complicated (but why, what was the point!?) The initial cue is really excellent in addition to the criticism about a country that is at the very first places for plastic surgery, but then everything begins to crumble and disperse into heavy delays, unnecessary subplots and all those moments between the couple at home with him that keeps repeating ahjumma ahjumma (but enough!). It almost seems that they wanted to take all the possible clichés of Korean drama -the ridiculous family of him, gigantic offices where the protagonists do nothing except sit in an armchair for revenge and conspiracies, restaurants open without a why, a surgeon who doesn’t work and doesn’t even recognize his patient, just to say - and they pushed them to the paroxysm, with a sense of the ridiculous that peeps around the corner. The Count of Monte Cristo, quoted and badly served, is in itself the most glaring example of construction of melodrama - machination, revenge, shame, class relations, final twist - but, thanks God, there is really better around... Han Ye-seul is a really brilliant actress, excellent dowry for such a beautiful woman, but it must be said, here, apart from the very first episodes with the spy-story situation to hook the ex, has never been particularly valued 6,5/10 ...