I've often seen The 8 Diagram Pole Fighter ranked as one of the Shaw Brothers' finest productions. Despite the troubled production that the film endured after the tragic loss of Alexander Fu Sheng, this swan song to the old-school martial arts epic is every bit as great as I'd ever hoped it would be. It captures the viewer's attention from the beginning, as it shifts from the introduction of an eerie prophecy to a scene of betrayal to the Battle of Jinsha, a delightfully surreal action sequence that was unquestionably filmed on a barebones Shaw Brothers soundstage, from the unbelievably choreographed, ferocious and opera-like opening battle scene to the teeth-ripping finale, everything in this film worked. The interwoven contemplation of Buddhist ethics gives the film a thematic hook that goes beyond the typical 3 stage revenge drama plot mechanics that typify many of these films, the extended debate operates as a thinly-veiled metaphor for the monks' position with the outside world. Themes of loyalty run throughout with revenge never far from the surface. This certainly ranks up there as one of Lau Kar-leung's best-directed films, even with the significant loss of Alexander Fu Sheng, the film rebounds well, the choreography is frequently fantastic and the ever-reliable Gordon Liu delivers an outstanding performance as the lone lead with Kara Hui in a welcome supporting role. Not all Shaw Brothers films are created equal, but The 8 Diagram Pole Fighter could very well be considered the staff bearer for the studio, it really is fantastic.