Chicago Typewriter is a show that epitomizes slow and steady character development. Though the plot goes back and forth from present-day South Korea to 1930s Korea under Japanese rule, the story is fairly easy to follow with minimal twists and turns in the first few episodes. Since I have an interest in stories based in the early 20th century and didn't have much knowledge of Japan's occupation of Korea, I found the past plotline to be intriguing to watch and learn from. I think I was an even bigger fan of the past plot because this particular period isn't often found in Korean dramas (at least based on my experience in the K-drama-sphere), so it was in a way, a breath of fresh air. Romance, action, and comedy are often exhibited in Korean dramas, and Chicago Typewriter is no exception. It does not solely focus on one of these three typical genres over another, rather the show has a small, balanced slice of each. What the drama focuses most on is the character development and the characters' relationships, mostly the friendship exhibited between the three main characters. The soundtrack and score blends quite well with the complications and emotions of the trio's friendship (i.e. ranging from "sublime reminiscing/remembering" to deep sorrow to pure joy). I've rewatched bits and pieces of the drama, the poignant and most memorable scenes, rather than rewatched the show's entirety; in doing so, I've realized that being well-aware of what will happen made the story appear much slower for me. I would definitely recommend Chicago Typewriter to close friends who value and appreciate steady character development and a well thought-out storyline over big and bold action and romance.