AbztractIsight
Explicit with Wrong Message Delivery
Review is based off the show only, never read the manga.
LIKES:
Location filming and cinematography.
Okay music.
Perfect actor/actress selection for the characters portrayed.
A lot of emotions shown throughout the show, and the characters are established enough to complete the story as it was written, which says a lot considering episodes were only 24 minutes long and there were only 12.
The age gap of FL and ML in reality is 11 years, so I think that’s why the delivery is so good, because they technically can relate to the characters (although Wako Taira and Yumeaki Iko had a 16 year age gap). The differences in maturity (and not necessarily age, were very believable).
Kamio Fuju’s acting in this was really good, he delivered the feelings of a 15 yr old, as if he still was one. [In 2018 he was 19 years old.]
Considering the character she had to play, Tokunaga Eri also did a good job. [In 2018 when this was created, she was 30]
The only good thing about Wako is she encourages Yumeaki to chase his dreams of becoming a film creator.
The drama did a decent job of showing the harder and uglier side of becoming an adult and living life.
Production was good, letting the acting carry the drama instead of camera FX. Realism was spot on. Editing was smooth.
Right from the beginning the writer told us they were doomed from the start, when Iko found out an important detail about her life. No relationship can last without trust and open communication.
Considering it was a manga adaption, the ending was satisfactory.
DISLIKES:
WRITING:
Wako Taira is definitely a pedophile. [1- she preys on Yumeaki Iko’s loneliness and inexperience, 2- instead of waiting until he is old enough to make his own choices, she manipulates him. 3- she acts like a child herself to lure him in.]. How she handles the situation with the teenager isn’t love it’s control. She doesn’t teach him about love, she teaches him about control, infatuation, possessiveness and everything negative. [If she actually loved him she would’ve been happy to just hold his hand, hugs and maybe a kiss, until he was old enough to make the choice of being more physical.]
This is how a midlife crisis can become very wrong.
They only mentioned consequences via the TV news, instead of tackling that with Wako. I feel that sends the wrong message.
We should’ve seen the reaction of Yumeaki Iko’s parents to the news of his older woman relationship.
OVERALL:
When I first watched this in 2019, I stopped half way through and then finished it much later. I had to rewatch it all in one siting to give a complete review. So technically I rewatched it. I had started watching because I really like Kamio Fuju’s acting, especially when he tackles complex characters. I would recommend people watch this all the way through, to see his superb acting. Also it suggests that the viewer learn to not let desires override sense and morality.
LIKES:
Location filming and cinematography.
Okay music.
Perfect actor/actress selection for the characters portrayed.
A lot of emotions shown throughout the show, and the characters are established enough to complete the story as it was written, which says a lot considering episodes were only 24 minutes long and there were only 12.
The age gap of FL and ML in reality is 11 years, so I think that’s why the delivery is so good, because they technically can relate to the characters (although Wako Taira and Yumeaki Iko had a 16 year age gap). The differences in maturity (and not necessarily age, were very believable).
Kamio Fuju’s acting in this was really good, he delivered the feelings of a 15 yr old, as if he still was one. [In 2018 he was 19 years old.]
Considering the character she had to play, Tokunaga Eri also did a good job. [In 2018 when this was created, she was 30]
The only good thing about Wako is she encourages Yumeaki to chase his dreams of becoming a film creator.
The drama did a decent job of showing the harder and uglier side of becoming an adult and living life.
Production was good, letting the acting carry the drama instead of camera FX. Realism was spot on. Editing was smooth.
Right from the beginning the writer told us they were doomed from the start, when Iko found out an important detail about her life. No relationship can last without trust and open communication.
Considering it was a manga adaption, the ending was satisfactory.
DISLIKES:
WRITING:
Wako Taira is definitely a pedophile. [1- she preys on Yumeaki Iko’s loneliness and inexperience, 2- instead of waiting until he is old enough to make his own choices, she manipulates him. 3- she acts like a child herself to lure him in.]. How she handles the situation with the teenager isn’t love it’s control. She doesn’t teach him about love, she teaches him about control, infatuation, possessiveness and everything negative. [If she actually loved him she would’ve been happy to just hold his hand, hugs and maybe a kiss, until he was old enough to make the choice of being more physical.]
This is how a midlife crisis can become very wrong.
They only mentioned consequences via the TV news, instead of tackling that with Wako. I feel that sends the wrong message.
We should’ve seen the reaction of Yumeaki Iko’s parents to the news of his older woman relationship.
OVERALL:
When I first watched this in 2019, I stopped half way through and then finished it much later. I had to rewatch it all in one siting to give a complete review. So technically I rewatched it. I had started watching because I really like Kamio Fuju’s acting, especially when he tackles complex characters. I would recommend people watch this all the way through, to see his superb acting. Also it suggests that the viewer learn to not let desires override sense and morality.
Questa recensione ti è stata utile?
