There were some who thought this BL a little slow, and I get that, but really it's just subtle and quiet. With Light on Me, Korea gave us an honest to goodness high school set BL with some classic old school yaoi tropes almost like they were doing a bit of a, “now that we’ve hit our stride, let’s perfect the vanilla sheet cake BL style.” It was great, of course, but very refined and elegant which some found off putting.

It’s what Korea does, repackage and perfect vanilla cake into this pretty glowing confection of precision joy. I’m cool with that. By all means, please include BL in the Hallyu take over. This is the K-pop of BL En-Hyphen style, manufactured super-powered cute but... restrained.

But that doesn't make it any less gut wrenching. In fact, it makes every subtle tentative movement of care that ShinWoo takes that much more telling. It makes every fear of exposure that prevents DaOn from taking action that much more traumatic. It makes every moment of TaeKyung’s brutal honestly and blunt communication that much more powerful.

The filming in this show was precision engineered. The frame was kept uncluttered, characters appeared exactly in the center, there is was little unnecessary visual noise, and the lighting is full on, even in night shots. To me this reflected the character of TaeKyung - honest and almost stilted in his mannerisms. I feel like the director filmed this show in a similar way, very careful and clear and specific.

This may have come off as one-note or simplistic to a casual viewer but it’s actually quite difficult to film something so precisely and still make it interesting to watch. So I believe it’s intentional. It forced the viewer to focus almost entirely on the actor’s faces, their nuanced emotion, and their interpersonal relationships to the exclusion of all else. There is literally NOTHING distracting about this directing style. It’s like the camera lens was a neutral white room, a well-lit gallery in which the narrative hung suspended for us all to stand and stare at in hushed silence.

A love triangle has never before looked so perfect or been executed so perfectly, and it never will again. All BL love triangles that come after (and we will get them now) are going to be unfavorably compared to this one.

Korea is VERY strategic and clever with romance tropes. Light on Me is a master class in how to use BL-specific romance tropes to manipulate audience sympathy so we can’t decide which pairing we prefer. They never just throw a trope in without purpose or calculating its impact on story structure. Basically, this is how you infect fans with Second Lead Syndrome. It’s SO GOOD.

So yes, it was cleverly engineered, but it was also SPECIAL, and here’s why:

Light on Me gave us a small cast of beautifully acted complex and sympathetic characters and dwelled on their different motivations, communication, and narrative roles. It gently explored not what it means to love, or even be in love, but what it means to act on love, and what that says about integrity and emotional courage. In doing so, it managed to treat its characters with integrity too. And not just the three main characters but the mentor, the faen fatal, and the best friend support characters too.

For me this BL was classy, a real winner, not the least of which because they NAILED the landing. Korea is DOMINATING 2021. Like seriously. What’s going on here?