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History enthusiasts should not miss this
As the old adage goes, save the best for last. How appropriate, as this is the final drama that I’ve completed before 2020 draws to a close. Personally for me, I consider Qin Dynasty Epic as the best historical non-fiction C-drama production of the year. Aside from being extremely well made, there is simply no other similar non-fiction historical produced this year capable of competing with this drama. Hopefully this brief review provides potential viewers a general idea of what to expect.
This is a big budget production and it really shows. The high quality cinematic colour grading, exceptional cinematography and camerawork, elaborately constructed sets, lavish costumes, well-executed action choreography and battle scenes, as well as beautiful vast landscapes, among various other aspects. Principal photography took place at Hengdian World Studio along with gorgeous locales such as Nalati, Sailimu Lake, Changji, Wuerhe, Xiangshan, Duyun, and Xianju. It had been reported in Chinese entertainment news outlets that over 11,000 sets of costumes as well as 4,000 sets of armour were produced for this show alone. Everything looks visually stunning on a very grand scale.
This drama, the fourth and final series in the Qin Dynasty franchise, chronicles the humble beginnings of Qin Shi Huang, the first emperor of China, up to the point of unification and establishment of the first imperial dynasty of China, the Qin Dynasty (around 259 BC to 221 BC). The plot follows very closely the Records of the Grand Historian, written by Sima Qian, as I understand from more knowledgeable viewers on the subject matter. How certain events truly transpired, no one will ever know. But, at the very least, the major events recorded are generally covered, with some degree of dramatization as expected of a drama. It’s worth mentioning here that unlike the first 3 series which are based on the novel, The Qin Empire by author Sun Haohui, critics noted that the script for this latest instalment is not adapted from the novel.
The performance of the ensemble cast is nothing short of remarkable. Aside from Zhu Zhu, whom I’ve come across in American productions, I’ve never seen the rest of the main cast previously but their acting in this drama is testament to their immense talent indeed. The trio of Zhang Lu Yi, Duan Yi Hong, and Li Nai Wen are outstanding in their portrayal of the central characters of Ying Zheng, Lv Bu Wei and Li Si. For me, those three actors carried the entire show. In particular, Duan Yi Hong’s unique version of the complex character Lv Bu Wei deserves much praise. The huge supporting cast, especially the veterans, also deliver an impressive depiction of their respective characters.
The screenplay involving the numerous convoluted political power plays and complicated stratagems used in court machinations and on the battlefields is very cleverly written and deftly executed throughout the entire show. Nothing is ever as it seems and no character is above the use of tactical maneuverings to gain any sort of advantage.
However, the drama is not without flaws, the major issue being the casting of a 40-year old man as a 13-year old boy. I don’t think I need to elaborate more here. For a big budget production, this falls short of the required standard and therefore, a deduction of points for this glaring error of judgment.
In addition to that, certain dramatization of major events, particularly the story arc concerning the infamous pseudo-eunuch and the Queen Dowager, lasts longer than is perhaps necessary. As a result, other more meaningful historical events are not fully fleshed out or shown in greater detail.
Although 78 episodes represent a massive investment of viewing hours, Qin Dynasty Epic presents an utterly compelling insight and in-depth exploration into the origins of China's first imperial dynasty and the long and arduous journey to unification of the many splintered ancient kingdoms and vassal states. For enthusiasts of history, particularly ancient Chinese history, this is an opportunity not to be missed. Being the final installment of the highly successful Qin Dynasty franchise which started back in 2009, it might be a very long while before another epic historical production based on the warring states era gets commissioned, if ever again.
This is a big budget production and it really shows. The high quality cinematic colour grading, exceptional cinematography and camerawork, elaborately constructed sets, lavish costumes, well-executed action choreography and battle scenes, as well as beautiful vast landscapes, among various other aspects. Principal photography took place at Hengdian World Studio along with gorgeous locales such as Nalati, Sailimu Lake, Changji, Wuerhe, Xiangshan, Duyun, and Xianju. It had been reported in Chinese entertainment news outlets that over 11,000 sets of costumes as well as 4,000 sets of armour were produced for this show alone. Everything looks visually stunning on a very grand scale.
This drama, the fourth and final series in the Qin Dynasty franchise, chronicles the humble beginnings of Qin Shi Huang, the first emperor of China, up to the point of unification and establishment of the first imperial dynasty of China, the Qin Dynasty (around 259 BC to 221 BC). The plot follows very closely the Records of the Grand Historian, written by Sima Qian, as I understand from more knowledgeable viewers on the subject matter. How certain events truly transpired, no one will ever know. But, at the very least, the major events recorded are generally covered, with some degree of dramatization as expected of a drama. It’s worth mentioning here that unlike the first 3 series which are based on the novel, The Qin Empire by author Sun Haohui, critics noted that the script for this latest instalment is not adapted from the novel.
The performance of the ensemble cast is nothing short of remarkable. Aside from Zhu Zhu, whom I’ve come across in American productions, I’ve never seen the rest of the main cast previously but their acting in this drama is testament to their immense talent indeed. The trio of Zhang Lu Yi, Duan Yi Hong, and Li Nai Wen are outstanding in their portrayal of the central characters of Ying Zheng, Lv Bu Wei and Li Si. For me, those three actors carried the entire show. In particular, Duan Yi Hong’s unique version of the complex character Lv Bu Wei deserves much praise. The huge supporting cast, especially the veterans, also deliver an impressive depiction of their respective characters.
The screenplay involving the numerous convoluted political power plays and complicated stratagems used in court machinations and on the battlefields is very cleverly written and deftly executed throughout the entire show. Nothing is ever as it seems and no character is above the use of tactical maneuverings to gain any sort of advantage.
However, the drama is not without flaws, the major issue being the casting of a 40-year old man as a 13-year old boy. I don’t think I need to elaborate more here. For a big budget production, this falls short of the required standard and therefore, a deduction of points for this glaring error of judgment.
In addition to that, certain dramatization of major events, particularly the story arc concerning the infamous pseudo-eunuch and the Queen Dowager, lasts longer than is perhaps necessary. As a result, other more meaningful historical events are not fully fleshed out or shown in greater detail.
Although 78 episodes represent a massive investment of viewing hours, Qin Dynasty Epic presents an utterly compelling insight and in-depth exploration into the origins of China's first imperial dynasty and the long and arduous journey to unification of the many splintered ancient kingdoms and vassal states. For enthusiasts of history, particularly ancient Chinese history, this is an opportunity not to be missed. Being the final installment of the highly successful Qin Dynasty franchise which started back in 2009, it might be a very long while before another epic historical production based on the warring states era gets commissioned, if ever again.
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