It’s been said to live each day as if it were your last. What would you do if you found out that you only had a limited amount of time left? The irony behind that question is that EVERYONE has a limited amount of time left to live. The most important question is how are you living? Most people in this world use a life to live rather than living a life.

Hae Jo is a young man who finds out that he’s terminally ill. His life has been full of suffering and dealing with abandonment. He’s constantly pushing away anyone who gets close to him because he feels he’s unworthy of being loved. He lives a life doing odd-jobs which often get him into trouble. He doesn’t care. After all, what’s the point? The only jobs he doesn’t take are missing persons or killing someone. Anything else is fair game. The irony behind not taking missing persons cases is that he, himself, is a missing person. Hae Jo is a young man who lives recklessly, not caring what he does or who he hurts.

But then, of course, as soon as he finds out that he has maybe three months left to live, he sets out to find his father who turned his back on him as soon as he found out that he wasn’t Hae Jo’s biological father. I’m still reminded of the classic line from “Boyz N’ the Hood” that any fool can make a baby but only a real person can be a parent. Hae Jo’s mother committed suicide, and his father ignored him. Hae Jo decides to take along the only person he’s ever loved and who has ever loved him: his ex-girlfriend, Jo Jae Mi, who is, herself, an orphan. These are two lonely souls who can only seem to find love, peace, and solace in each other. But Hae Jo is still too afraid of being cast aside yet again.

Jo Jae Mi is young woman who is trying to find some kind of love and companionship. She’s set to marry Eo Heung, the son of a wealthy woman. However, as soon as Jo Jae Mi finds out that she has pre-menopause, she realizes that her potential marriage is doomed. The other factor here is that, even though she cares deeply for Eo Heung, her true love is Hae Jo, who hysterically shows up at her wedding and kidnaps her! Make no mistake, this is a black comedy with some serious drama thrown in. The Koreans are masters at utilizing multiple genres within a single series.

Jae Mi, who is a reluctant passenger at first, finally agrees to help Hae Jo find his biological father, which turns out to a funny road trip around Korea with these two going through one adventure, or even misadventure, at a time! They fight, they quarrel, they love, and yet every time Hae Jo tries to push Jae Mi away or abandon her, she keeps coming back. Throughout most of the series, Jae Mi has no idea that Hae Jo is dying, and it’s tough to watch her reaction as soon as does.
Hae Jo is a man who uses his last three months to the fullest. He learns how to live without caring what may or may not happen. The title of this series is “Mr. Plankton.” Plankton may be considered the lowest among the food chain but its vital part in providing life to so many sea creatures cannot be ignored. Hae Jo is like plankton. Not only does he learn to live his own life, but he helps others do the same. What is true incredible, is that he doesn’t realize the level of his importance or how much he means to others, despite the fact that his own family deserted him. His family now consists of Jae Mi, Eo Heung, Bong Suk, and his partner Yoo Gi Ho.

Jae Mi is Hae Jo’s rock. She’s unwilling to let him push her away. Now, that’s a true companion! Someone who is willing to be there for you through thick and thin. It’s incredibly sweet when she confesses to Hae Jo that he’s always been her true love, and he confesses the same. While it may not be conventional, this is true, unconditional love at work. Neither one cares how the other lives their life or what faults or issues the other has. This type of love has a way of permeating everyone else around them as Eo Heung and his mother finally understand what it means to love. True love is never about holding on, but about letting go.

At only ten episodes, it feels like sixteen. That’s not a bad thing. The writers were brave enough to stick to the character and story. No sudden miracles were to be found here, unless you count the miracle of two “lost” souls finding love in themselves and in each other. After all, isn’t that the true point of life and love?

Performances in this series are nothing short of tremendous. I really have to tip my hat specifically to Lee You Mi, who has true chemistry with Woo Do Hwan, but it’s the power of her feelings and her despair that really capture the viewer. After all, she has to show us how much she loves Hae Jo, and how her life might be after he’s gone. She has that cute, sweet smile, but when she’s sobbing, it’s heartbreaking.

I’ve seen Oh Jung Se in a number of series now, with “It’s Okay to Not Be Okay” being my favorite. He’s a veteran actor who can tackle anything. He played the “mama’s boy” to perfection as well as showing us an almost boyish love for Jae Mi. However, he’s careful not to make Eo Heung the villain of the story. In many ways, I was cheering for him as much as I was for Hae jo. Eo Heung is a man trying to escape his mother’s coattails and learn how to finally live for himself. In many ways, his character evolves the most in this series.

This is a tremendous black comedy series that will likely have you laughing and crying, perhaps even within minutes of each other. Now that is fantastic storytelling! It should also serve as a reminder to us all to start living a life!