Castaway Diva is a good story that does a lot of things right, while overlooking and dismissing a lot of things throughout the story. In many cases, a 16-episode story arc can run too long. This is a case where the series would have been better served with 16 episodes rather than 12.

The premise is a good one, in which Seo Mok Ha finds herself stranded on an island for 15 years, after trying to escape her abusive father. I didn’t know that there are over 3,000 islands within the Korean Archipelago, a fact that should have been mentioned to give the viewer some idea of why Seo Mok Ha was so difficult to locate.

Some suspension of disbelief is required for this aspect of the series. Unlike in the movie “Castaway,” which was well researched by Robert Zemeckis, Seo Mok Ha has suffered no psychological effects from being isolated. She isn’t suffering from malnutrition, and her teeth are perfectly white. Also, that far north, Korean winters can bring cold weather, even on that island, and yet, she somehow survives this without any ill effects as well. It plays out more like a Disney movie than anything resembling realism. And yet, despite all of this, I was interested in seeing more of “island” Seo Mok Ha and some explanations about how she survived and got through a day. The series spends little real time on this aspect.

We know from the beginning that Seo Mok Ha has aspirations of being a famous singer, just like her idol, Yoon Ran Joo, going so far as to send Yoon Ran Joo a demo with the hopes of taking her first step toward a possible singing career.

One of the themes of this series is child abuse. It’s a disturbing crime, no matter the form it comes in. It was difficult to watch Jung Ki-Ho holding off Seo Mok Ha’s abusive father, as he’s being pummeled on the dock. It was far worse seeing people standing and watching while doing absolutely nothing about it.

Jung Ki-Ho relates to Seo Mok Ha’s plight as his own father—a police officer—is even more sick and abusive. 15 years later, we find that Jung Ki-Ho, along with his mother and brother, have found a way to live a new life away from Jung Bong Wan (their father) with the hopes of escaping the abuse.

There are many parts of the series that work well, but there are also many parts that are severely overlooked or just don’t really work at all. It was as if the writer had either forgotten or simply didn’t take such logic into account. As a result, the story suffers.

I was waiting for a conversation between Seo Mok Hal and Jung Ki-ho after his identity is finally revealed. I was waiting for Seo Mok Hal to ask him all about what happened on that fateful day on the dock; to find out what had happened to him, and all of the questions a close friend would have had running through their minds. No conversation takes place. They move on as if nothing had happened.

Jung Ki-ho goes to great lengths to expose his father for the abuser that he is, including setting up equipment to use as evidence against him, particularly when his father beats him yet again. And yet, when the evidence may be crucial in bringing Jung Bong Wan to justice, or at the very least, used to demonstrate to the prosecutor the nature of Jung Bong Wan’s character, the evidence is suddenly nowhere to be found, nor is it ever mentioned again.

Also, with the number of charges brought against Jung Bong Wan, how is a man like that allowed to roam freely? No explanation is offered regarding this either. It was as if the writer chose to dismiss these things in order to make the plot work---which is always a mistake, by the way.

I love Eun Bin Park. I think she’s one of the best young actresses in the business, but after “Age of Youth,” Hot Stove League,” and “Extraordinary Attorney Woo,” this is my least favorite performance of hers. It was as if she couldn’t find the balance between the innocent, young girl stranded on an island, and the driven young woman striving to fulfill her dream! In short, she often overacts in a number of scenes, and at times when it’s just not warranted at all. It sounded forced. I like that Seo Mok Hal is a strong woman who is loyal, but her transition from stranded island girl to an ambitious singer was so fast that it was as if she’d never been on the island at all!

Another problem is that the chemistry between Eun Bin Park and Chae Jong Hyeop is literally nowhere to be found. The little “romance” never took off at all, not only because the two actors had no chemistry, but also because the amount of screen time devoted to them together was miniscule at best. There was nothing built up, nor was there anything taking off from when they were in middle school together. Frankly, the chemistry between the two actors portraying Seo Mok Hal and Jung Ki Ho in middle school was far more appealing!
Also, there are just too many times when characters quickly dismiss a conflict or problem and then it’s just magically resolved. The biggest glaring example of this was between Seo Mok Hal and Park Yong Kwan. They have tremendous friction between them, and he refuses to let Seo Mok Hal use his song. But suddenly within the space of a day, he does a one-eighty.

The songs are well sung in this series, but frankly, none of them caught my ear. That’s always been a thing about basing a movie/show on music. If the music doesn’t work, then it hurts one of the key elements. I can’t think of any musicals that I liked when I didn’t care for the songs or find them appealing.

Castaway Diva is not a bad series, but it’s not a great one either. Its sloppy writing and lack of chemistry prevented it from being a great series. There was more chemistry between Seo Mok Hal and Yoon Ran Joo. Perhaps if the writers had focused on that aspect more, the series would have been much better. If you spread yourself out too thin as a writer, you end up coming up short on all of your storylines. Castaway Diva is a perfect example of this.