50FiftillidideeBrain
Mother's Love Will Never Abandon You ♡ A Sad Show With A Bobbled Ending
This is a good drama, but it made me sad - and not a cathartic "sad," like a Chinese or Shakespearean tragedy that is somehow fulfilling. This show brings on an empty sadness.
In the +, the characters are all complex and thus, they remain interesting. I loved the cameo of Seobinggo and Shin Soon-ae from Oh My Ghost, which I consider to be one of the best romcoms ever made. OMG & HBM share a director, Yoo Je-Won. He has 10 works credited to him, all of which are rated 7 or higher. That's outstanding. So far I've seen Tomorrow With You(7-VG but major logical problems and a couple of crashes with consistency) The King: Eternal Monarch(7.9 it's different, and it's not perfect, but it's mostly excellent) and Abyss(4.7 Poor - it's awful, which hurts my feelings because I love Park Bo-young), and Oh My Ghost(10 - it's superb). His most popular shows are Hometown Cha-Cha-Cha & Crash Course in Romance, which are ones I haven't gotten to, yet.
This drama addresses weighty topics (death, loss, regret, guilt) and does it well. Yu-ri shows thoughtfulness and grace… and MOXIE. The best moments are when the ladies get together, especially when they don their sunglasses-of-doom.
There are shortcomings - too many for it to be considered a top-tier production. Some things that happen are unexpected, but the final outcome comes speeding down the road and arrives just as foreshadowed. There is poor resolution. We are treated to some final moments peeking a few years down the line, but it’s too brief and way too ill-defined, and we don't witness much of any healing. Not all the drinks that are poured are imbibed, meaning that many of the characters seem like they would get more of a story arc, but they just evaporated instead. The rules of the "game" are not laid out. Even when the reason Yu-ri came back is confirmed, it doesn't change any of the problems. It is actually a weak plot point: If that method works, we shouldn't need funeral directors or cemeteries as no one would ever stay dead. As lovely as that would be, it doesn't play well in this show.
Their effort to analyze the mother/daughter cycle is respectable. It seems the show's diffuse focus redirects the audience from an exploratory surgery that would provide a deeper analysis of the truth, to: "Take an aspirin and get some rest. It will all blow by "
In summary, this is not a feel-good drama. Don't look for that. It did not help me process my own recent loss: Don't look for that either.
IMHO...
Suggested Age 12& up.
Directing 6.7
Acting 8
Romance 3
Thought provocation 6
In the +, the characters are all complex and thus, they remain interesting. I loved the cameo of Seobinggo and Shin Soon-ae from Oh My Ghost, which I consider to be one of the best romcoms ever made. OMG & HBM share a director, Yoo Je-Won. He has 10 works credited to him, all of which are rated 7 or higher. That's outstanding. So far I've seen Tomorrow With You(7-VG but major logical problems and a couple of crashes with consistency) The King: Eternal Monarch(7.9 it's different, and it's not perfect, but it's mostly excellent) and Abyss(4.7 Poor - it's awful, which hurts my feelings because I love Park Bo-young), and Oh My Ghost(10 - it's superb). His most popular shows are Hometown Cha-Cha-Cha & Crash Course in Romance, which are ones I haven't gotten to, yet.
This drama addresses weighty topics (death, loss, regret, guilt) and does it well. Yu-ri shows thoughtfulness and grace… and MOXIE. The best moments are when the ladies get together, especially when they don their sunglasses-of-doom.
There are shortcomings - too many for it to be considered a top-tier production. Some things that happen are unexpected, but the final outcome comes speeding down the road and arrives just as foreshadowed. There is poor resolution. We are treated to some final moments peeking a few years down the line, but it’s too brief and way too ill-defined, and we don't witness much of any healing. Not all the drinks that are poured are imbibed, meaning that many of the characters seem like they would get more of a story arc, but they just evaporated instead. The rules of the "game" are not laid out. Even when the reason Yu-ri came back is confirmed, it doesn't change any of the problems. It is actually a weak plot point: If that method works, we shouldn't need funeral directors or cemeteries as no one would ever stay dead. As lovely as that would be, it doesn't play well in this show.
Their effort to analyze the mother/daughter cycle is respectable. It seems the show's diffuse focus redirects the audience from an exploratory surgery that would provide a deeper analysis of the truth, to: "Take an aspirin and get some rest. It will all blow by "
In summary, this is not a feel-good drama. Don't look for that. It did not help me process my own recent loss: Don't look for that either.
IMHO...
Suggested Age 12& up.
Directing 6.7
Acting 8
Romance 3
Thought provocation 6
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