My Broken Mariko (2022)

"The only thing you can do for a person who is gone is to live"

I’m always hesitant to write reviews on films based on mangas or books because people who have read them are often able to fill in the gaps with their reading experience. Having not read the manga my review will be based solely on my reaction to the film.

Shiino works for a verbally abusive boss. He’s labeled “@sshole boss” on her phone. While eating lunch she is horrified to hear on the television that her best friend has died. She discovers Mariko has already been cremated and the ashes given to her father. With little thought she talks her way into his apartment and steals her friend’s ashes at knife point. After running barefoot through town and seemingly owning only one pair of shoes, Shiino decides it’s time to take a road trip to the beach with her friend. She digs out an old pair of dilapidated Doc Martens, fumigates them, and takes the first bus out of town with Mariko’s ashes in hand.

Through flashbacks we learn that Mariko and Shiino had been friends since childhood and also that Mariko’s father had been abusing her since then. Their friendship endured many of Mariko’s cries for help and ultimatums. On her journey to take Mariko’s ashes to the ocean, Shiino suffered set-back after set-back aided only by a man dressed like the Grim Reaper who appeared whenever she needed help. While ostensibly this was Shiino’s journey through agonizing grief at her friend leaving without saying good-bye, I was always distracted by Mariko’s ongoing abuse at the hands of the men in her life. Were there no child services called or available when she showed up to school bruised and broken from head to toe on a regular basis? Did Shiino repeatedly try to get her friend to see a therapist to deal with the traumas she’d suffered? Why didn’t they call the police when one of the men beat both of them and attempted to break into their apartment or when one of Mariko’s lovers broke her arm and robbed her? Was there ever a point when Shiino stopped enabling Mariko’s self-destructive behaviors and attempted to get her the help she desperately needed? Shiino had her own issues that could have used a professional helping hand as well.

Grief and its 1000 cuts by haunting memories filled My Broken Mariko. But it also left unanswered the most important question of how both women’s lives might have been changed if they’d stop accepting whatever abuse was heaped upon them and sought to gain some agency for their own lives.

3 August 2024

Leggi di Più

heartbreaking, yet beautiful

This has to be one of the most underrated films of 2022.

The director, Tanada Yuki, did a fantastic job portraying the ups and downs of life through gorgeous scenery and profound dialogue. At times, the pacing felt a bit slow, and some of the scenes seemed to drag slightly, but it did an effective job of creating an emotional experience for the viewer. This film touches on issues of mental illness, various forms of familial and relationship abuse, and toxic work culture. Certain scenes contained heart-wrenching and quite graphic depictions of self-harm and abuse, so be forewarned. The slower paced scenes ultimately allowed the viewer to reflect on the serious issues presented in this film. This movie is relatively short, and the plot isn't that complicated, but everything about it is impactful.

What makes this film amazing is the acting. Nagano Mei truly become the character of Shiino Tomoyo. I could feel her anguish, frustration, and helplessness through the screen. Her character felt like an anchor for the viewer to hold onto. Her reactions felt very real, in the face of tremendous heartbreak and anger. All the characters had fantastic line delivery, but Nagano definitely owned this movie.

Even though this film is incredibly sad, there are elements of humor sprinkled throughout. It felt very real, as life is filled with beauty, tragedy, and comedy. I can't emphasize enough how gorgeous this film is. It's definitely an emotional roller coaster, so prepare tissues!

Leggi di Più