I Feel You Linger in the Air (2023)

Un'eccellente ambientazione che da sola non può però tenere in piedi tutto il resto.

Tra i punti di forza di questa serie metto al primo posto l'ambientazione: una serie storica che una volta tanto non ci catapulta nel periodo Joseon come quasi tutti i period drama in circolazione, bensì negli anni '20 del secolo scorso. Abbastanza lontano da percepire la netta distanza col mondo odierno negli usi e costumi, ma sufficientemente vicino da individuare riferimenti comuni. I toni delle riprese sono davvero una chicca, perchè rispecchiano in pieno l'idea di trovarsi in un passato non remoto, quasi nostalgico, un vivere diverso, più semplice per certi versi ma più complesso e difficile per altri, dove la distinzione tra le classi sociali è ancora netta. Altro aspetto positivo, il personaggio di Jom, davvero ben interpretato e credibile in tutte le sue sfumature.
Infine, non posso non citare l'apprezzatissima suspance che regalano alcune delle prime scene, degne di un thriller-fantasy, tra colpi di scena e apparizioni.
Riconosciuti questi tre aspetti positivi, sono però costretta a bilanciare con altrettante critiche negative: al primo posto, la lentezza estenuante. E' proprio una questione di ritmo, che dal momento in cui ci ritroviamo nel 1927 diventa a dir poco soporifero. Mi è capitato spesso di riscontrare questo difetto nei drama storici, e sinceramente non capisco perchè il passato - anche se indubbiamente non era caratterizzato dal vivere frenetico odierno - debba però essere rappresentato proprio all'opposto, quasi che nessuno andasse mai di fretta e tutto si svolgesse a passo di lumaca. La seconda pecca, è il salto nel passato: di mio non sono un'amante delle serie con mondi paralleli o viaggi nel tempo, in questo caso ho fatto veramente fatica a comprendere il meccanismo (il finale, in particolare, tra l'arrivo - come ha fatto? - di Yai nel futuro e l'epilogo dei due nel tempo remoto mi ha lasciata con dei grossi punti interrogativi, già che non c'è stata mezza spiegazione). In ultimo, il personaggio di Yai mi ha trasmesso davvero poco: l'attore, che di suo già non mi ha esaltata, ha rivestito i panni di un protagonista ben diverso da quello che immaginavo e che ho trovato davvero insipido e poco incisivo, quasi una tappezzeria.
Una serie che tenta l'asso nella manica pur avendo pessime carte in mano: l'ambientazione singolare e davvero azzeccata da sola però non basta a vincere la partita! Da vedere? Se proprio - ma proprio - non vi viene in mente altro.

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The most beautiful period Thai Queer series of the decade

It is only September as I'm writing this review but I believe it's safe to say I Feel You Linger In The Air (IFYLITA) is the BEST Thai series of 2023 for me. Everything from story, plot, pacing, acting/cast, music, rewatch value. 10/10. IFYLITA deserves all the hype in the world and it was absolute worth the wait of over a year since the cast announcement back in March 2022, the actual production period spanning over 8 months from November 2022 to July 2023.

STORY
Being transported back in time isn't an unfamiliar fantasy trope but this is the first time I've seen Dee Hup House pulled out all the stops for their production. Based on the popular novel "The Fragrance of Love" (หอมกลิ่นความรัก) by Violet Rain, IFYLITA tells the story of Jom finding the true destined love of his life in the most unexpected circumstance and after being heartbroken by a cheating ex. Even though I've been a fan of the novel, I think the series is outdoing the original work because it's been able to adapt the novel to fit with the pacing of a series without losing the spirit of the novel. The supporting characters who pretty much disappear by the time Khun Yai and Jom get together in the novel are all now given their own background stories and subplots. The team has done so much world building to create an immersive experience but still shows respect for the original work (especially the iconic dialogues between Khun Yai and Jom have been adapted exactly as is). So far, everything has been perfect. The drama in each episode just gets better and better as the plot starts to unfold for every single characters.

ACTING/CAST
Nonkul and Bright are absolutely phenomenal in their respective roles of Jom and Khun Yai. Nonkul has been playing mostly "alpha" brooding male roles in his more recent works so it was refreshing to see him in a completely new light as a shy, heartbroken, gay little architecture who just wants to find love. Bright is bringing Jane Austen Male Lead A-GAME for his FIRST ML ROLE EVER. You can tell Bright practiced a lot to portrayed Khun Yai as close to the novel as possible (the way Khun Yai walks with hands behind his back, his posture, him speaking in the different local dialect but at times speak in the dialect that Jom can understand...). From their acting alone,one could tell how much love Nonkul and Bright have for the original novel and the amount "homework", care and dedication they have to crafting their characters to be as close as possible. It is not easy to act with so little dialogues but their lingering gazes, the subtle touches, the micro-facial expressions... absolutely immaculate acting to make their characters come alive so vividly. I won't go into details about the supporting characters but I do want to point out how incredibly detailed the production team is in the casting to have everyone speaking in that old local dialect to accurately portray Chiangmai in 2023.

MUSIC
IFYLITA has some of the most beautiful OST songs. I love how every time Khun Yai and Jom has their cute, lovey dovey moment, the OST 'Jom Kwan' by Asia7 starts playing! The lyrics are so lovely because it's written from the perspective of the lovesick Khun Yai who's so endeared by Jom that I just melt into a puddle every time. As the Plumeria/Frangipani flower is a huge symbol of the show, I love that the most important moments are accompanied by the OST 'Plumeria' by Cocktail. In addition to the OST, the scoring and sound editing is excellent as well. IFYLITA has very dramatic score and I can honestly say some thrilling scenes are hard-carried by the horror-movie type score and sound effects.

REWATCH VALUE
I think I will come back to watch this series every year. It's the perfect series for autumn weather and it's one where you can fully immerse yourself to be transported back to Thailand in the 1920s. There's just so much cultural, historical lessons one can get from this series. IFYLITA feels really authentic and invested. Honestly speaking, IFYLITA is like the famous time-traveling Thai lakorn Love Destiny but make it BL, get rid of the CH3 lakorn editing and infinitely better cinematography. Like they are COUSINS to me.

PRODUCTION
Gorgeous, beautiful cinematography, color grading, brilliant writing. There are so many things to praise about the production of this series but if I had to choose one thing, it would be the excellent details of this production. Making this queer period series is an ambitious project for Dee Hup House. Nonkul mentioned in an interview that one of his biggest worries for this series was the visual effects because in order for this book to come alive, it would have to be much invested for everything to look nice and Dee Hup House DID IT! Every shot is dazzling, cinematic like watching a Netflix-level budgeted period series. Small details like props, outfits, cultural events are also paid great attention with a view to craft Thailand in 1927 as close as possible.

OVERALL
While IFYLITA is enjoying moderate popularity in Thailand, I still think it's an underrated gem for a queer series that deserves much more international recognition. I think anyone who is looking for a well produced, invested period series with two eye candy for the leads, should give I Feel You Linger In The Air a chance. If you're looking for a fast-paced, plot-driven queer series, IFYLITA may not be the series you're looking for but it is the perfect one if you're in need of a refreshing multiple queer romances plot with decent pacing and looking to be transported back to Thailand in 1920s with our protagonist, Jom.

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