Twenty Five Twenty One (2022)

Storia di amicizia e primo amore!

Fin dal inizio mi aspettavo una storia d'amore e così è ma è molto di più.La storia racconta più l'amicizia quella vera e innocente pronta ad affrontare tutto e superare ogni avversità.Racconta la vita dietro uno sport come la scherma,i sacrifici,le gioie e i dolori che provano gli atleti.Le due schermartici si odia e si amano e lottano per raggiungere i loro obiettivi.
Poi c'è la storia d'amore che ci mette tanto a nascere nel vero senso e comunque non lo trovata proprio come storia principale.Lei e piccola lui un po' più grande ma la vita l'ha fatto diventare presto adulto,lei è sola con una mamma assente e lui pure tutto solo con la famiglia separata.Si conoscono ,si sostengono prima come amici e poi come coppia ma l'amore non basta quando si allontanano.La loro storia la racconta i diari di lei letti dalla figlia.Sono belli insieme e gli attori sono stati bravissimi.
C'è anche una storia d'amore secondaria molto dolce che avrà un bel happy ending e che ho adorato.
Un drama molto nostalgico che farà sicuramente ricordare a tutti qualche estate di quando si era giovani e ci ha segnati in qualche modo.
Drama commovente e motivante,una piacevole visione.

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Storie di vita

E’ stato uno dei miei primi drama e forse anche per questo mi ha lasciato il segno. La storia è semplice, lineare, con pochi cliché, gli attori empatici. Importante è il valore dello sport come passione e riscatto esistenziale. Il valore del gruppo, dell’amicizia è forte. Nam Joo è straordinario. La storia di questi ragazzi è una storia di vita, una storia che si può verificare per qualsiasi persona viva appieno la propria esistenza.
Molti si aspettavano un sequel , ma se così fosse il drama perderebbe il suo realismo e la sua autenticità.
Una menzione particolare alle OST che, oramai mi accompagnano quotidianamente nella mia playlist.
Consigliato per chi crede ancora nei rapporti veri

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Love doesn’t conquer everything in this world and that's okay

April 3, 2022

2521 is a tear-jerker full of life-lessons K-drama. I know people have been disagreeing and disappointed with how the ending went. But I think, the 2521 ending fulfills the original story that they were trying to convey. The emotional attachment I developed to this drama is unbelievable. I love everything from how the characters develop and seeing how they flourish into their adulthood. Maybe it’s because I am now a college student and that is why I greatly relate to this drama. Yes, it is true that we took high school life too easily and for granted. Yes, it is harder to meet up with friends now that we are old. Yes, people grow apart and that's okay. Yes, it is okay even if you don't meet your friends often. As long as you have each other, you will always find time even if that means every 6 months or so.










!!! MAJOR SPOILERS WITH DETAILS!!!!
- I am happy that Baek Yijin did not die or experienced some catastrophic event.
- I am happy how the girls are still supporting each other even though they have their own lives.

I think I am happy that everyone got the ending that they deserve including Yurim and Heedo's mom. I also think it is appropriate how Minchae's dad is never revealed nor is present-pandemic adult Yijin. I know I may be the minority but I think everything from this drama is just good. I may have bawled my eyes and wished for Heedo and Yijin to be the end game. But given the circumstances of how their relationship has gone down, it is much better for them to go their separate ways. Very realistic and has a bittersweet ending. I also think that Yijin and Heedo's endings is happy to some extent. Yijin is able to revive his family back and has a stable job. Heedo is happily a mom to Minchae, though I can't really say anything about her marriage to his husband as he was not shown in the story. This makes sense because this is about first love and their early adulthood/youth days.

I think 2521 set the standards for 2022 Kdramas. I know the ratings have gone down due to the ending and I understand that people are very frustrated with the ending. But I definitely think it is not rushed, and that it perfectly fits the overall narrative of the story.


So for those who are watching 2521, I hope you learn some lessons and learn to enjoy your youth. Happy viewing (maybe) and prepare some tissues by your side. I may or may not have a breakdown watching episode 16 and while writing this review...

Cheers ?

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A youth drama at its finest (until the youth fades, just as it does in life)

People may be divided on the ending, but I don’t care – this was the perfect youth drama. I don’t watch dramas to escape reality; I watch them to feel all the emotions from the journey of life. I watch to step in someone else’s shoes, even for a moment. I watch to find a glimpse of relatability; to feel comforted in knowing that some experiences are universal and to get insight into the parts that are unique. Those differences are the ones that make me feel blessed for the life I have and both jealous and motivated to drive towards the things that are missing. On that basis, Twenty-Five Twenty-One delivered in spades.

What kind of drama is Twenty-Five Twenty-One? We got the best aspects of school, sports, family, activism, romance (oh, is the romance truly heart-fluttering), slivers of comedy, life, death, hardship, sacrifice, and everything in between. This drama doesn’t veer into the melodramatic territory. We get a slice-of-life as it is and as it can be. I laughed out loud and cried my heart out. The shining moments of youth and first love will stay fondly in my memory, while I remain in the process of writing my own story. I’m 25 right now, and walking in lockstep with these characters made me ultra-reflective of my own choices. In hindsight, I might've had my “Cutie Pie” moments, but not a true first love like this yet – because the highs were never so high and the end was never so low. I’m a practical realist and a planner. I’m ambitious in my career, but choosing that has come with its own sacrifices. I’ve had wonderful moments with friends, and for that I am forever grateful. At the same time, I can’t help but feel like COVID-19 has stolen the prime years of my youth. We’re desperately trying now to make up for lost time, and this drama motivates me to seize the fleeting opportunities remaining to live with reckless abandon.

Now let’s talk about that ending. I admit that I can be a glutton for punishment; that I enjoy the release that comes with a good cry. So naturally, I downloaded the last episode on Netflix right before taking off on a flight, mere minutes after hearing about the ending from the live broadcast in Korea. I started crying about two minutes in, and the waterworks kept pouring. There were moments of joy mixed with regret and sadness. I LOVE a good cry – and this one classifies as good because everything made sense to lead us here. Watching this drama on-air was an Experience (with a capital E) because fans twisted this way and that to dream up a fantasy happily ever after. I am thankful this story went with Occam’s Razor here. No one should feel blindsided by Twenty-Five Twenty-One. Perhaps the original synopsis could use a re-think, but from episode one, we have a sense of what to expect. The show does NOT end on a frustrating open ending. The loose ends get tied up exactly the way they should.

Some people lamented that there was no point to the present-day scenes, COVID-19 and all. I disagree with that wholeheartedly. For one, it dropped constant hints towards the ending – and I don’t think anyone can truly say we were misled here (other than the picture in the photo album, maybe?). There were way more hints pointing towards the conclusion that we got than any other. Moreover, the present provided an immense device not only for the narrative, but for life as well: hindsight. We become fonder of the joyful memories and thankful for the trials that shaped us into the people we are today. I love and appreciate nostalgia, but it has a time and place. We need to keep going and looking forward; in real life, there aren’t often second chances 20 years down the line. The "times" can be a villain, but we can still find pockets of happiness. The “times” is a character of its own in this story, in a way: important world events bookend the story perfectly, from the IMF crisis to other ones that gut-punched us (and Yi-Jin, Hee-Do, and Min-chae!) when we least expected them. It was poetic in a sense to see the people most affected by these world events get depicted on screen. As humans, we are incredibly resilient beings who learn to adapt and survive. From our perspective, it hurts to think that a beach trip can be forgotten, but forgetting only proves that there were even more meaningful moments ahead.

Without the choices she made, Hee-Do wouldn’t have Kim Min-Chae – and I’m sure over the years, she wouldn’t change that for the world. Moreover, I am proud of Hee-Do for putting herself first and recognizing what she needed from the people in her life. Baek Yi-Jin and Na Hee-Do’s lives intersected for a beautiful moment, but paths diverge. As with all relationships, we either grow together or apart. Some people rage at the thought that others could have a happy ending, but it’s all based on priorities. Moon Ji-Woong and Ko Yu-rim serve the perfect foil for the Yi-Jin/Hee-Do story: their relationship works because Ji-Woong’s world revolves around Yu-Rim; he puts her first and always meets her way more than halfway. I’m not saying everyone in this world should be a Ji-Woong. On the contrary, we need to do what’s right for us. Baek Yi-Jin couldn’t live with himself as someone who reported on the inconsequential and the mundane. He had bigger things in store for his life, regardless of how closely they resembled his childhood dreams. Likewise, Hee-Do’s unwavering (hah!) ambition served as the frame for this whole show. When neither is willing to bend, you can only hope that the direction is the same.

My only gripe here was Hee-Do’s allusion to her husband living overseas in the present. Oh sweet Hee-Do, if you know what you need from a partner and you're giving up something beautiful to make it happen, then where is he?! I know the point is that her husband doesn’t matter (and a HIMYM-style ending with a new character in the 11th-hour would’ve rung hollow), but the fact that he wasn’t around for her retirement (bless Yu-Rim and the TRUE love story of this show), the ep 16 funeral and the fact that he seems to travel a lot in the present rather than getting to know his daughter Min-Chae makes me sad for you. You can rationalize it by saying that we are all too susceptible to fall for what we know --- this is why generational patterns persist, after all. We accept the love we think we deserve. But Hee-Do demonstrated in the tunnel that she KNOWS she should deserve more, and I wish we at least got to see a little bit of her happiness (and Yi-Jin’s!), even with faces obscured while cycling through a montage of the big moments of their lives. I needed the news montage from 2002-2009 to include a montage of their happiness, because they clearly continued living and learned to move forward during that time! And then another montage from 2009 to present would’ve compounded that the choices and sacrifices they made were worthwhile.

I appreciate this drama because it made me live and love alongside these wonderful characters. It pushes me to reflect on my own life, cherish the memories of the past that has shaped me, and strive to capture the remaining moments of my own youth to the best of my ability. If you want to feel this broad spectrum of emotions, don’t be discouraged by the distraught fairytale-hopefuls flooding the internet discourse on this show. Twenty-Five Twenty-One is worth watching, and anyone who has yet to see it has the pleasure of knowing what they’re in for: life in all its bright, shining, mundane, and challenging glory. Twenty-Five Twenty-One doesn’t shy away from depicting a story that should feel so relatable and true to so many. Finally, I can’t help but end this review in (an adapted version of) Baek Yi-Jin’s words, because it rings true after everything: “The result was bittersweet, but the journey was beautiful.”

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It didn't feel right

So I came out of this drama not too enthused, but my issues weren't with the main couple not ending up together. Because this was inspired by the song of the same name, it was pretty evident to anyone who made that connection that this would be the case and we knew from early on that BIJ and NHD wouldn't be endgame. There were a lot of other things about the ending, though, that made my feelings turn sour.

At the start of the drama, I was engrossed. It had a lot of charm and magic to it that motivated me to do things after watching an episode. I looked forward to it as a sort of end-of-week comfort where I could watch these characters strive to connect and grow and find themselves. Usually, I don't like youth dramas. In fact, I almost didn't watch this drama because of the 'youth' descriptors it had when it started airing and only really gave it a shot because I had a spare hour and nothing else to watch. But I surprisingly liked it. I liked the characters and their personalities, and though I really didn't care for any of the scenes where fencing was highlighted, I had fun. The side couple was easily the best part of the series, and what I appreciated about BYJ and NHD's relationship was just how good they were for each other and how, unlike a lot of romances that have been airing in recent years, they felt like they deserved each other. They built each other up and were each other's strength and support, and you could tell how much they genuinely cared about each other. I felt that if the drama decided to derail the ending of the song, it would have been earned.

It was the last 4-5 episodes where the magic died for me. The comedy was still fun but as the characters moved on from high school, everything felt bleak and miserable, like their lives were over. The issue with KYR's family that lasted, what, almost en entire episode? It felt unnecessary like they were wasting time and just trying to use it to form a rift between the main couple right as they were just getting together. We don't really get to see many scenes of NHD and BYJ dating happily before or after that incident. It was as though the drama only wanted to get them together in order to break them up as the song dictated, and that was one of the things that soured the experience the most for me. We spent twice as long agonizing over their breakup and how their relationship wouldn't work out as we did with them actually being together, and we spent even longer than that running around, trying to get them together in the first place. In the end, that disproportionate focus made their development just feel like a big waste of time. On top of that, the way the characters spoke made it feel like they thought their lives were already over the moment that they graduated. We had present-day NHD constantly talking about how carefree and happy she was back then and how it felt like they had forever, as though being an adult and having additional responsibilities meant that she couldn't enjoy her time anymore, which is probably the bleakest message I've seen from a drama in a long time.

By this point, the drama just wasn't fun to watch anymore. I sat on the last episode for a week before finally getting up the will to finish it, and I want my time back. I didn't enjoy it, and they just focused on the breakup itself. Wouldn't it have made more sense to dedicate some time to show how they got their lives on track and moved on? We heard about NHD getting married and retiring, but we never saw her husband and don't even know his name. We didn't see her fall in love again, or how this new guy was a better match for her than BYJ. We just saw that, hey, they had a kid together. He's apparently overseas on a business trip. Convenient. For BYJ, we just know that he took over NHD's mother's job and got his family back together, but we never see him in the present-day, either (I'll presume because they didn't want to recast him). Did he ever move on from NHD and fall in love with someone else? Does he have a new family, kids? Or is he just working and doing absolutely nothing else with his life? We don't really get to see many friends of his other than the ones he shares with NHD and that one guy from work, which is depressing, so it just feels sad to think about where he ended up.

Speaking of the present, was any of it really necessary? I don't think so. the actress who played NHD in the present, while pretty, didn't really feel like NHD. She felt a bit generic and was boring to watch on film, and I don't think it's really her fault. She just didn't have much to do. Her daughter was literally just there to introduce the diaries and barely has a unique personality, and in the present, we don't get to see any of the other characters because, again, they probably didn't want to recast them. Or they didn't put much thought into what they were doing now, so many years later. So if we don't get anything out of it, why is it there? We don't see how things have changed or what's happened over the years, which would be the only reason to add those modern-day scenes. Instead of adding those, I wish they used the time they spend on the modern scenes to instead give us some of that middle-ground of their relationship working before it collapsed, or some closure as to what happened to them after that breakup.

I'd also like to comment a bit on the breakup itself. As someone who was in a long-distance relationship for several years with someone who lived halfway across the world (and is now married to that someone), while I do understand their struggles, the scenes between them while they were apart and the slow-building frustration they had left me a bit... I don't know, exhausted? Separation like that is something that a lot of couples have to deal with, even more so now in today's day and age. I will concede that these days it's significantly easier to spend time with people across the world and long-distance relationships aren't as difficult as they would have been in 2001. But those issues being brought up in such extenuating circumstances as the aftermath of the 9/11 attack felt a bit... off, or cheap, or exploitative. Not being able to be with your SO because their work takes them all around the world is one thing, and I get being bitter about a relationship because of that, but in circumstances like that, knowing what BYJ was dealing with, I wasn't fond of the way NHD handled it the moment that he got back. I feel like relationship troubles should be put on the back burner when a tragedy like that is involved.

Do I disagree with them breaking up? No, not really. If she wasn't able to be supportive in that situation, then it's probably for the best. If he couldn't trust her with what he was going through and open up, then they weren't good for each other. But that's what feels so wrong to me. They WERE that supportive earlier on in their relationship before they ever started dating. They opened up to each other and were each other's strengths, and even when BYJ disappeared without a word to anyone, NHD still waited for him. So of all the ways for them to end their relationship, this way felt wrong. It didn't feel like them. If they realized they wanted different things out of a relationship and out of life and separated on good terms, that would suit this couple. But, I don't know... maybe it's just me. When the problems they encountered were so similar to what they overcame before, it soured the experience.

Overall, the last few episodes aren't really worth watching. They're not enjoyable and I found myself checking the clock multiple times, waiting for each one to end. They were too long and lost the spirit that the show started out with. Would I recommend the first 12 or so episodes? Yeah, definitely. But I wouldn't recommend the rest unless you don't have much else to do.

It had a lot of promise and spark, but I'm just not happy with it, and the issues I highlighted above soured the earlier episodes for me, so I don't think I'll ever pick it up for a re-watch. There are just too many good shows out there to spend time on one that didn't feel satisfying.

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Full of vitality, vigor & inspiration. Love & passion apart from clichés - tender, true & touching

Wonderful. Just wonderful. A highlight among the KDramas of 2022.
I would rate it "particularly valuable". On all levels. Right down to the soundtrack.

The story has a stimulating, inspiring, at times downright thrilling effect, above all thanks to a brilliant Kim Tae-ri. She was 32 at the time of shooting, but effortlessly she plays a teenager with an ambitious dream of her own in times of adversity.

"Twenty-Five Twenty-One" is packaged as a teen story told in two timelines. Then and now. The protagonist from back then is today's mother. Today she is at odds with her daughter, who wants to give up her ballet career. In her grandmother's house, the rebellious teenager finds access to her mother's youthful past, who in turn also had difficulties with her mother at the time, yet courageously pursued her dream of becoming a fencer on the national team.

Romantic feelings are inevitable as the story progresses. Yet this storyline develops quite idiosyncratically beyond expectations, not least because of the two timelines told in parallel. Here, Love is shown more in the quality of an inspiring, encouraging, empowering 'rainbow', as the two protagonists so nicely state. It's a shame that you can't leave love like that, but sooner or later want to capture it, tie it down and pack it into a rather common concept of 'partnership' - with all the expectations and disappointments that come along with it...

"Twenty-Five Twenty-One" doesn't see itself as a Rom+/-Com fairy tale. From the start, it's not a fairy tale. Here the goal in life isn´t the happy-ever-after-family-life as such. It tells about what it means to have a dream and to follow it courageously, even if you wonder why at times. It talks about following your own precious heart, even if it might break the hearts of others in the process. It tells of passion. And of love in its very different shapes and sizes. "Twenty-Five Twenty-One" has its unique focus on love in a very tender, true and touching way - apart from clichés. It's about romance as a formative force in life, yet the story doesn't focus on glorifying romance.

In fact, the story is full of vitality, vigor, hope and joie de vivre in the face of one of the worst post-war economic crises South Korea has gone through.

In this respect, the KDrama also offers an explicit insight into the social and societal effects of the economic crisis of the 1990s.
(So here's a also side note on that context, if you are interested.)





-------------------- SIDE NOTE: ---The Asian crisis of the 1990s, the structural adjustment program of the International Monetary Fund (IMF), and the nationalist sentiment of the people that paved the way for South Korea's neoliberal globalization---

In the course of the Asian crisis, the IMF implemented its structural adjustment (SAP) in South Korea from December 1997 to December 2000, which is still considered a great success today. Others say the rise is due to the people's disciplined national consciousness. However, the massive economic slump that South Korea experienced in the vortex of the Asian crisis is undisputed. Neighter ist the impressively successful recovery since 1999.

After international investors withdrew their loans in the face of the uncertain crisis situation on the Asian continent, South Korea fell into a balance of payments crisis. This is where the IMF came into play, putting together its most comprehensive rescue package to date, with bailout loans totaling around USD 58 billion. The condition: the country was to fulfill an SAP program for three years: In addition to a consistent policy of high interest rates, government austerity measures, complex capital market liberalization and the restructuring of the financial system were required.

As a result of the balance of payments crisis, numerous banks had already filed for bankruptcy or had been nationalized. Due to the IMF's high-interest policy, countless corporate insolvencies followed in the first three months of the SAP, including some Jaebeol conglomerates. South Korea paid the price of its economic boom of the past decades, which was founded on high debt and growth rates. Unemployment tripled. Gross domestic product fell by 6.7 percent within a year.

The impressive recovery that has followed has been possible at the expense of the general population. South Korea's rapid return to the top positions in the world market is a special case worldwide, which was probably achieved less by the SAP of the IMF than by the nationalistically highly motivated South Koreans. They have written the possibly questionable, but at the same time fascinating economic success story on their backs.

First: People became victims of far-reaching processes of rationalization and concentration. On the one hand, this led to mass redundancies and, on the other hand, to a more flexible labor market. Many of the demoralized unemployed didn´t even try to find their way back into the world of work anymore. Others were employed as irregular temporary workers (e.g. with less pay, security and rights). After the crisis, these ´irregulars´ made up more than half of the workforce and their share still is far higher than in other OECD countries.

Second: The benefit of a very unique South Korean nationalism motivated many people to be willing to make personal sacrifices: they consciously avoided consuming imported goods, while at the same time the export of their own goods increased significantly. The need for foreign capital for the upswing is actually estimated at only 5 percent. The share of exports in GDP increased from 25 percent in 1996 to 41 percent in 1998. 95 percent of the net inflow of foreign exchange during the lifetime of the SAP came from the current account surplus. This was made possible by a disciplined population, who did not try to storm banks in a mass panic, but were even willing to exchange their private currencies and savings themselves, including in large gold collection campaigns, in favor of the national reserves in the weak national currency.

The macroeconomic success that has grown out of this nationalist attitude at the expense of the population is enormous. Many lost their jobs and their fortunes. Nevertheless, the South Koreans mostly got involved in the Buy-Korean campaign and avoided imported consumer goods. I.E. incidentally, the market share of South Korean films in cinemas has increased in this context from 23 percent in 1996 to 50 percent in 2001. (An aspect that also gets its own space in this KDrama...)
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BUT SERIOUSLY, WHAT IS WITH THAT ENDING???

Dont get me wrong. I loved the whole series. I even understand why they chose that path. It was titled Twenty Five Twenty One so naturally i expected the story to peak when they were at that age.

But come on!!! Why end it like that? For the better part of the whole series we are being teased to guess who will end up together in a mystery-solving setup - a la the Reply series. And then when it ended it wasnt even hinted who the father or the husband is. The kid is Kim Min Chae, after all so i kinda accepted early on that the father wasnt YiJin but to not answer it rendered the whole present timeline useless. They could have removed the present Hee Do and her daughter and it wont change a thing, because they literally said its not important.

The good:
1. I loved the fencing (sports) main theme.
2. Nam Joo Hyuk. Boy has improved so much, i may be inclined to think his handlers are doing everything to make him a multi awarded drama actor. It almost worked in Start Up, hopefully this is it.
3. Choi Hyun Wook. What a breath of fresh air. I loved him in RB, but he just shined here.
4. Kim Tae Ri and Bo Na as Hee Do and Yu Rim, respectively . Beautiful and capable. Let me get back to this later.
5. The coach, and the mother. I am inloved with Kim Hye Eun, makes me wanna see her past dramas.
6. I liked the fact that it wasnt a fairy tale ending.

The so-so.
1. Kim Tae Ri. She is amazing in this role, but I get it, readers will hate me for saying this. There were some flak for the portrayal of a college student to a high school student love affair, it wasnt May December, but it was enough to make people think that high school HeeDo is way too young for an adult Yi Jin and at moments the idea is kinda cringy. I guess the producers thought, well Tae Ri is older than Joo Hyuk in real life so it shouldnt be an issue. My question however is, will the producers think differently if an early 20-year old actress was playing HeeDo? Also, like i said she did great here, but is there no actress who is younger than Nam Joo Hyuk who can portray Hee Do's emotions?

2. The pacing and length of episodes. 16 episodes of almost 90 minutes each. Sometimes i feel like episodes are a little too long and the last 2 episodes in particular crammed too many issues a little too late. I guess thats how the format is for most asian drama - make the leads break up in the penultimate episode and then cram and jampack the finale to solve all the issues. But goodness i counted a few scenes that were a little too long that could have been used for some other things like how many times HeeDo and YiJin broke up and madeup. I guess they thought extending the drama and the crying scenes will make people cry. My short attention span went a little haywire.


The bad
1. The older Hee Do. The actress portraying the older Hee Do is beautiful and i love the subtle acting that connects both the past and present HeeDo. BUT, is she really needed. Did the story changed by adding her character? Again, the non-reveal of the husband made her character useless, and i felt like that was done to trick the viewers into keep guessing who the husband is going to be. Another thing, Hee Do's mother acted the older character. Why cant Tae Ri do the same?
2. Hee Do's daughter Kim Min Chae. By the name alone, we know she is not Back Yi Jin's daughter. But still, her presence teased us with the possibility of Hee Do and Yi Jin endgame. But alas they thought it wasnt important enough to be discussed. So why do we need the whiny kid.
3. Now back to the ending. The whole series was great overall, but my heart needs closure.

Would i reccommend? Definitely, just prepare to spend some time with it. Am i going to rewatch? Sorry, its just too long, and theres just too many drama nowadays i dont think i can.

Kudos to Netflix for giving Asian dramas chance to shine in a much bigger stage, makes my subscription very worthwhile.

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Expectation Vs Reality

This drama is not for everyone and certainly not for me. It's hard even to say that I appreciate some of it coz there is no point. The ending doesn't outweighed the journey itself.

It's a hard debate but I found myself feeling disappointed because I felt cheated. I felt that I wasted my time. This whole time for nothing. I felt that the main characters gave up way too easy. But maybe only me coz many seems to like it, even praising this drama as a beautiful-slice-of-life-growing-up story. For me is like no-good-ever-going-to-change-me story. The main characters, no matter how wonderful they are in the beginning are just being selfish. There, I said it. It's true. Don't deny it. You can disagree with me all you want but that is what I got from their so called 'beautiful journey'.

Not that I can't appreciate a break-up story; If it was good and done right, I'd be crying a river. But this drama doesn't. It felt rushed and a cop out. Without any-I-gave-it-all-effort from both sides, they just threw the towels and called it quit. If you can't commit then why even bother to start. Relationship needs work. It's not always a walk in the park. It needs comprimise, sacrifices, give-and-take-effort, hardwork and understanding. When you stumble upon hurdles in your journey together, you overcome it; You don't stop and turn from it right away. Never have I feel so numb in my life. I didn't feel sad when they parted ways, I just felt numb. Empty. Annoyed actually.

Imagine this. You are presented with this wonderful gift. A box which has decorations of many pretty flowers, enchanting ornaments, crystal gems and sparkling ribbons. It has all the beautiful things that you can ever imagine. But then, when you open the box, you find it to be empty. Zero. Nothing. Only a void of space. And that's what this drama represent. Yes, you may keep the 'beautiful' box, but how do you feel about it? Please be honest.

The casts are amazing. The chemistry is off the chart. But the end result is just soo bizarre. It's a shame. What a waste!

There is an old proverb in my native language that says "Hendak seribu daya, tak hendak seribu dalih" which translates; When you really want something badly, you'd give thousand efforts, but if you don't want it, you'd give thousand excuses. That proverb really fits well to this story.

"It doesnt matter where it ended, what matter is the journey". Boohoo! That is such a lame excuse. For me, the journey is what shaped the end, both matter. Period.

As always; Do I want to watch the whole drama again? Hell NO.

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Fuck you...... but I love you 25/21!

I'm absolutely livid at that last bit they showed at that ep finale!!! Why the fuck would you rub salt on my wound??? I'm never recovering from this betrayal ever. All that fan theories I read and held on to with the biggest hopes have been dashed.. ARGHHHHHHH I'm so miserable...

DEEP BREATHSSS

There was a big moment that stood out to me from ep 16 (apart from that nasty bit at the very end)...The scene in between the episode in the tunnel where they thrash out their issues. It felt so real and emotional I almost forgot I was watching a show. I've never ever felt that the stuff I was watching was actually being played out in real life. It was really a strange feeling to lose it for a few seconds. I truly believed in that moment where they were breaking up and then Heedo asks Yijin if he ever loved her and he is incredulous and angry at the question. Then as she leaves, he calls out to her twice. That entire scene was brilliant.

I don't want to make this all about the fucking finale but I do want to say that despite my deep anger and desire to curse the writer/director this very moment, I think they are amazing and I loved this show with all my heart. After a slew of uninspiring, boring shows that I have been watching recently, this one was excellent and jam packed with all that makes a drama beautiful, loved and enduring.

Kim Taeri, I have loved you ever since I watched Little Forest and The Handmaiden. Nam Joohyuk, I thought you were just eye-candy and I'm sorry I didn't respect your talent apart from enjoying your work in Weightlifting Fairy Kim Bok Soo.

Now I think you both are the greatest thing since sliced bread. The characters of Na Heedo and Baek Yijin are tailor made for you.

I love all the other characters - Go Yurim, Moon Jiwoong, Ji Seungwan. I love the fan/rival/friend relationship between Heedo and Yurim. I love the friendship of Jiwoong and Seungwan. I loved how Heedo's mother was such a career woman. I loved Yijin's mom being so openly and deeply in love with her husband.

The writer/s did an amazing job taking us back to the time of the South Korean financial crisis and showing us how it impacted the people there.

I can't write anymore because my heart hurts and I'm angry about the ending. But let me put on my mature and subjective hat on for this sentence and admit that the story did not NOT make sense. Not every love story gets a happy ending and that's okay. I just have never wished so hard for a Korean drama to be cliche. I will never ever take that for granted now.

Let me go back to crying and mending my broken heart,

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"Time you enjoy wasting is not wasted time." -Marthe Troly-Curtin

To be honest, I enjoyed the entire series. I'm not sure why people are so offended by the ending. Why can't people cherish and appreciate both happy and sad endings? Life is always bittersweet. So don't expect this drama to be all epic and happy.

Twenty-five Twenty-one is a coming-of-age drama that follows the journey of the female lead, Na Hee Do, from a regular fencing athlete to South Korea's "Fencing Queen." This drama began the story of Na Hee Do from a unique perspective: that of her daughter, Kim Min Chae, in the present day, who begins reading her mother's diary, which He Doo wrote when she was younger.

Though romance is one of the drama's genres, it is absolutely not the main theme. It's about friendship, youth, and passion. This drama explains why these are significant and why we should treasure them. The five member squard of Na He Do (Kim Tae Ri), Baek Ye Jin (Nam Joo Hyuk), Go Yu Rim (Bona), Moon Ji Woong (Choi Hyun Wook), and Ji Seung Wan (Lee Joo Myung) was phenomenal, and I enjoyed each of their personalities in their own way.

In my opinion, Na Hee Do's character was the best of the five, and I believe most viewers of this drama will also agree with me. She rose from irrelevance to become one of the most recognisable names in the fencing industry thanks to her fighting spirit and perseverance. She is strong, brave, and full of energy and passion, which are all the qualities I like in a female lead. I like to see female leads who change their world rather than being changed by it and the circumstances that surroundes them. Hee Do is prepared to go to any length to ensure that she and those around her have a better future. She is not afraid to express herself, not even to confess her feelings to the one she loves, and she fights for what she believes in. He Doo's character is one of the best I've seen in a long time.

After that, there's Baek Ye Jin. During the IMF crisis, his family was forced to split up. He was in distress because of not finding any job and wanted to reuniting his family soon. He, too, was persistent, but in a different way that caused him to crumble easily. That is, until He Doo came into his life. Because of her liveliness, he learned to treasure and enjoy his life. He became more optimistic about life and more confident in dealing with any situation. Although he still had the fragile part of himself, He Doo made him a happier young man, and he eventually fell in love with He Doo.

Go Yu Rim was the most famous fencing athlete until He Doo appeared, and she was the one He Doo idolised. She came from a poor family and was also a friend of Ye Jin's. Although Hee Do and Yu Rim initially despised each other, they developed a rivalry that was stronger than any hatred because they loved and respected each other. She and He Doo have a love-hate relationship, but they also have one of the strongest friendships.

The characters of Moon Ji Woong and Ji Seung Wan felt like a breath of fresh air to me. They were incredible in their own way. Ji Woong was the most popular boy in the class, with a crush on Yu Rim, and Seung Wan was the class monitor, who was always at the top. They were childhood friends with a good reputation in their class. These characters' presence did not feel extraneous or unnecessary (which would have been if the storyline was not this beautiful).

What made all these characters more and more memorable were their choices. As the Harry Potter quote goes, "It is our choices that show what we truly are, far more than our abilities."

The actors did an excellent job of bringing the characters to life. Kim Tae Ri was fantastic. I couldn't believe she was over 30 years old. She was perfect in the role of He Doo. She not only looked like a teen, but she also acted like one. Nam Joo Hyuk's acting was incredible. Despite the fact that he was younger than Tae Ri, the two had great chemistry on screen. They won many people's hearts, including mine.

Bona, Choi Hyun Wook, and Lee Joo Myung were also outstanding. They were excellent in their roles, making us laugh as well as cry. Of course, Kim Hye Eun as Yang Chan Mi, the fencing coach, and Seo Jae Hee as Shin Jae Kyung, He Doo's mother, deserve special mention. Without them, the drama would have felt incomplete. They did an excellent job portraying their characters and fitting them into the story.

When it comes to the plot, I enjoyed the fencing theme as well as the story's pace. It wasn't too quick or too slow. It was perfect. The drama explored various emotions while maintaining the suspense for its climax. The drama really did have some problems when it neared the end, which was mostly because of the screenwriting, I guess.

The first issue was that the drama, which had been so upbeat and optimistic until the 14th episode, abruptly turned negative and hinted at ending on a sad note (and so did it). Some audiences found this difficult to accept, and as a result, they deducted points from their ratings. Also, in the last two episodes, the characters felt a little disconnected from themselves, as if they weren't their true selves.

The second was that by not introducing some characters, such as Kim Min Chae's father, and this made some characters, particularly the older Na He Doo and Kim Min Chae herself, feel out of place and unnecessary. Furthermore, they could have ended the drama on a happier note by showing that He Doo and Ye Jin were happy and had moved on from their breakup. Even if the leads did not end up together, there would have been no problem for the audience. Any way, let bygones are bygones. Personally, I liked the ending and appreciate the fact that it wasn't a fairy-tale ending.

This drama had really good OSTs that evoked the audience's emotions and brought a 90s vibe into the presence. There are nine tracks in total, and nearly all of them have a very passionate, nostalgic, yet profound feeling:
"Starlight" (스타라이트) by Taeil (NCT)
"I'll Shine on You to Dazzle" (눈이 부시도록 너를 비춰줄게) by Bae Ki-sung
"Very, Slowly" (아주, 천천히) by BIBI
"Your Existence" (존재만으로) by Wonstein
"Go!" by DK (Seventeen)
"Stardust Love Song" by Jihyo (Twice)
"With" by Kim Tae Ri, Nam Joo Hyuk, Bona, Choi Hyun Wook, Lee Joo Myung
"Free" (가보자) by Xydo
"Your World" (너의 세상) by Seol Hoseung (SURL)

"With" and "Starlight" are my personal favourites.

Finally, I would recommend this drama to anyone looking for a good youth rom-com with a strong FL and an excellent depiction of friendship. However, if you believe that the ending is the most important aspect of a drama or if you dislike sad or bittersweet endings, this drama is not for you. I thoroughly enjoyed this series and would gladly rewatch it at some point of time.

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Heartwarming and Special ❤️

Twenty-five twenty-one is a youth-life record of 5 friends. It's about their bonding, their struggles, dreams and how they grew up. 25-21 is a beautiful journey that keeps you entertained till the end. It's nostalgic, funny, gloomy and inspiring. The overall concept of this drama from 1998 to 2021 has impressed me.

So what did I like so much in this drama?

✧ It has a dynamic story that made me emotional many times. I could feel for all of them and I literally smiled and cried along with them… a special mention to the screenwriter Kwon Do Eun for making this so special. The dialogues are absolute perfection. Even normal phrases appeared like quotes.

✧ the suspense. I bet no drama had so many "endgame theories" lol. I was quite satisfied with the ending. I do have some mysteries left unanswered in my mind but I don't mind them much. As compared to this destination they've reached, the journey was far more precious.

✧ Romance is definitely one of the main themes here and you'll end up rooting for our main "rainbow couple." They're the reason I rated this so high.

✧ I love things related to sports in dramas and two of the leads (Na Hee Do and Ko Yu rim) acted as fencers. It had many fencing matches and struggles as a player. I appreciate taking fencing as the main sport which is not a very famous game. And Coach Yang is still the best. “Don’t ever forget how you earned a new opportunity. Whenever you’re having a hard time, remind yourself how difficult it was to start.” – Coach Yang

✧ They chose the "right cast". They look like a bunch of silly teenagers who seek out their part of happiness. Their transition from being childish to understanding things slowly, being mature, taking decisions, falling and learning is beautiful.

✧ so many loveable characters ~

Na Hee-do (Kim Tae Ri) is my favorite character and it will be difficult to move on from this drama just because I was habitual to this voice for the past month. She is like sunshine. It's her straightness, her thoughts and her hardworking spirit that I fell for. At one scene she said "It feels better when I turn my tragedy into comedy." Gosh! How can someone not love her.

Baek Yi-jin (Nam Joo hyuk) – He is not your forever perfect male lead and he gets sad, weak and tries to make things better. The way he and hee do become each other's hope is so heartwarming. “Because you give me hope. And I want more for you and it makes me want to do well too” – Baek Yijin

Ko Yu-rim (Bona) – Yu rim is the proud fencing gold medalist and Hee do's inspiration. She has her own problems. She is hardworking and honest at least. “It’ll probably hurt if you lose it all. But what matters is that you’ve had it at one point.” – Yu Rim

Ji Seung-wan (Lee Joo Myung) – I like her uprightness and being like the silent topper of the group. Also I love her changed look for the later half. Those perms look absolutely beautiful on her.

Moon Ji-woong (Choi Hyun Wook) – the loveable part of him is his nature. He's so carefree, chilled out and supportive. I like his bond with Seung wan.

✧ On the side note, they also show us different types of bonds between parents and children going through different conflicts… so they touch many small topics and present them in the most endearing way.

✧ OSTs —
I'm no critic in music but since this had many many songs I'll list the ones that I liked listening to often ~
❥ starlight – by Taeil (NCT) ( just my type of song )
❥ with – sung by all 5 leads ( just the news that they all sang it together made me happy. it's slow, soothing and the lyrics is beautiful. this song sums up all the feelings of the drama )
❥ I'll shine on you – Bae Ki Sung ( this is just the right thing for karaoke )

In the end, do you like youth based dramas with enough emotional ups and downs, realistic stories of growth, characters chasing their dreams and character development. If yes? Do give twenty-five twenty-one a try!

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oh....my.

wow...I know I am not alone in feeling incredibly disappointed in how this drama turned out. what started out as a hopeful coming of age story about growing up and finding your place in the world...ended with an hour of "your friendships of youth are meant to be kept in the past...deal with it :)"

Twenty-Five, Twenty-One started out (and, honestly, continued to be until about episode 14) as one of the most genuine, engaging, and hopeful dramas I had seen in a long time. the characters were charming, but also human, with flaws and development that really made you feel like you were growing up with them. their friendships were the kind that had struggles, but as they grew up, they learned how to navigate these conflicts. it showed the realities of growing up, young love, and finding your place in the world.

and then it totally crashed and burned.

here's the thing, I actually am all for bittersweet, or even sad, endings. I just did not feel like this one did the story justice. it was such a...non-ending, that it felt like a cheap cop-out to get an emotional reaction, which was in stark contrast to the rest of the drama, where each of the emotional moments was in the story for an obvious developmental reason. I knew from the start that this drama would probably not have a "happy" ending, but nonetheless, I was very disappointed in this.

the ending, which provided no true closure for anyone but Hee-Do (kind of), felt like it was communicating a message that any friendship that happens in your childhood is...intended to be left there? that none of the youthful love or hope you have can follow you into adulthood... this, paired with how melancholy adult Hee-Do seems to feel about her life, was incredibly strange in contrast to the other 14 episodes of character development and hopeful storytelling.

all in all, it left a bad taste in my mouth. I feel like this drama was designed to be watched while it aired, and it created great engagement in the audience due to this fact...and maybe this is why the ending felt short. they kept the "mystery" going for too long, in a way that did not leave them time to truly flesh out the ending. I am not sure. I feel like they could have kept the "open ending" concept, and just tweaked it a bit... showing us that some of the friendship group were still in touch, or something...the fact the drama went to such great lengths to keep all the side couples together, and then threw out not only the main couple's romance but also their very long friendship so abruptly... hm. it just felt incredibly out of place and incredibly disappointing.

perhaps this is all a testament to how lovely the first chunk of the drama was! I highly recommend the first 14 or so episodes...but save yourself and do not watch the finale. it is not worth it.

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