When Flowers Bloom, I Think of the Moon (2021)

On paper, this drama seems exciting and something new and fresh in the great landscape that is a period drama from South Korea. The sort of procedural police drama with a bit of romance set during the Joseon era is something we don’t get every day. But as the drama progresses, it seems to lose its essence and become a little too traditional.

This drama does spend a whole lot of time telling us things, rather than showing it to us. Both with the romance and the mystery, which goes in too many circles and consequently loses its tension after a while. It does ramp up again in the second half, but by then a whole lot of people will have lost interest in it because the buildup wasn’t there.

It all comes down to how difficult it is for the drama to make up its mind whether it wants to be a romantic comedy set in the Joseon era or more of a mystery about a young policeman who chases after people who break the law and the people who get in his way and complicate the whole matter. And the story never really manages to combine the two into one solid story no matter what it tries.

The structure of neither of those plot points is strong enough for it to work properly because the buildup wasn’t there, and there is a lack of balance between all these different elements of the story as well.

The plot seems too rushed at times; it never really stops long enough to explore things or build them up enough for it to hook you in. There is a lot of tell, and not enough showing us things. Showing us the main couple falling in love for example. Things just happen because they are supposed to happen. But at the same time, the story drags its feet so much and the plot and the character go in so many circles - which is a shame because the cast is great, but not used all that well within the story.

It’s Ro Seo who manages to shine the most in this drama and her character manages to be the heart of the story someone you can really root for. Hyeri is so likeable here. And if the story had been built solely around her, we might have gotten a better story. But it is Nam Young and his story halts the story so much. He is only there because Ro Seo needs some contradiction to her character and her story, but he does not get enough to do so that it has a strong enough impact on the story. His character hardly matters in the grand scheme of things.

This role insufficiently used Yoo Seung Ho, one of South Korea’s most talented actors in his age range, which is a damn shame. And while Yoo Seung Ho uses all his charisma and puts as many emotions and empathy into Nam Young as he can muster, the writing does not match his energy, so no matter what he does, Nam Young feels flat as a character. Which is frustrating to watch. He is a plot-point, not a solid character who influences the story itself. Most of the story he is just there.

Moonshine falls into the same pit that I think many period dramas like it fall into and that is to put too much emphasis on the palace politics and the royal family and uses it as a crutch or a tool to carry the story forward or build suspense - like the evil mother-in-law is used in rom-cos to add drama and stakes to the story and the romance. And it doesn’t really work. There is a certain skill that needs to make that work within a story, and it must be used with a purpose, or it becomes so dull. And many of these lighter period dramas, like Moonshine, don’t know how to utilize it. To me it comes off as a possible lack of courage in the story itself from the writer.

There is a lack of stability or focus in the story, especially towards the middle, which improves slightly as we get towards the end, but the story never really allows the moments to linger (and therefor there is a lack of buildup) and often seems too hasty so it comes across that the characters move with the story, but not the other way around. Things just need to happen. Therefore the tension in the narrative isn't really there.

Moonshine is an overall drama with lots of potential, but with such an aimless narrative that hesitates to take risks and break away from the norms of its genre, with crown princes, palace politics and forbidden love between classes etc. It leaves the mystery of the story in the dust and therefore the structure of the story, some of the character and many of the side-plots feel rather flat and they lack a little focus and depth. The drama wanted to do too much, but at the same time too little, with the time it took to tell this story. I cannot say that I was bored watching the drama, but rather that I was frustrated by the wasted potential of it all. The cast carried the drama through for me.

Leggi di Più