Hometown Cha-Cha-Cha (2021)

è la storia di un villaggio

in riva al mare, ma potrebbe essere la storia di un quartiere di Milano, o di un luogo dove la gente nasce, cresce insieme, si sostiene nella quotidianità, affrontando insieme il bello e il brutto del vivere ... è soprattutto la storia di come serva un luogo dove l'estraneità e la solitudine siano sconfitte dal desiderio di bene e di gratuità che ognuno di noi ha nel cuore e che con gesti di amore, solidarietà, comprensione ognuno venga ri-generato di continuo.
Non è buonismo, è proprio il desiderio che ogni uomo e donna ha nel profondo di sé a qualunque cultura, continente o luogo appartenga, di essere riconosciuto, apprezzato, voluto e sostenuto.
Poi dentro ci sono storie d'amore, d'amicizia, di perdono.
Un film semplice, ma profondo e bello.

Leggi di Più

Casa, dolce casa.

Quanto è bello guardare un drama e sentirsi come a casa?
Questo mi è capitato la seconda volta che l'ho visto. La prima per mia stupida volontà l'ho seguito on air ed è stata la decisione più brutta che io potessi mai prendere con un drama, infatti non l'ho finito ed ho aspettato che Netfllix lo caricasse tutto.
Tornando a noi, Hometown Cha Cha Cha per me è una di quelle serie dai mille personaggi dalle mille sfaccettature che una volta che li conosci ti ci affezioni vuoi perchè ti strappano una risata, una lacrima o semplicemente perchè appunto ti fanno sentire bene, come se anche voi foste lì con loro. A me questo genere di drama piace ma deve essere fatto bene e lui ci è riuscito. La storia non parla solo di questa gente di paese con la mentalità tutta particolare e a volte un po' ristretta ma anche di una dolcissima storia d'amore tra uno di loro e una giovane "straniera" dentista che si trasferirà in questo paesello sul mare per iniziare una nuova vita e niente di più diverso da quello a cui ero abituata potrebbe mai trovare. Ma ogni tanto il passato bussa alla porta e...
Niente in più da dire.
Bello, bello, bello.

Leggi di Più

DRAMA OF THE YEAR 2021? YESSS!

Life is not all about pain and regrets, but about the experiences and learnings. The best thing about life is that it keeps moving forward. No matter what happens in our lives at one point, it keeps going on while letting us learn from it. This is my interpretation about the entire drama.

갯마을 차차차, literally, "Seashore Village Cha-Cha-Cha, truly is a story living upto it's title, giving justice to its essence while capturing millions of hearts worldwide. It is a combination of coming of age chapters and healthy, warm as well as healing RomCom, accompanied with numerous life lessons, portrayed in the form of various relationships that also throws light upon uncountable shades of life, love and living. So what does it become? A PERFECT SLICE-OF-LIFE KOREAN DRAMA.

Plot is simple as you know. Oh Hye Jin, a capable and righteous dentists resigns from work and unable to find another clinic decides to open her own in the seashore village of Gongjin, which she had gone to visit on her mother's birthday. There she meets Hong Du Shik, an talented yet unemployed man who willfully does all kinds of odd jobs to help out the villagers and wish to continue his simple life. As they encounter each other multiple times and find each other's presence during respective critical times, the bond between them grows closer making them fall in love. All these happens in the premise where lives of the villagers go on parallely, accompanying continuous build-up, growth, healing giving away love & care, as a community which is more like an extended or chosen second family.

This shit is indeed hell of refreshing because of the scenario the drama has choosen as it's set, i. e. the fictional city of "Gongjin" which in real is the seaside village near Daegu-Gyeongbuk of Pohang, a South Korean city located in North Gyeongsang Province. The seaside milieu, the village settings, the city architecture and the awfully ecstatic frame of nature are the elements that undeniably attracted a lot of people to it. And what made it even more eye-catching is the cinematography skills of the production; brownie points please.

What also makes this drama stand out is the method of execution and the very natural way of diegesis (plot narrative). Relationships, regardless of it's type, are unquestionably complicated but life becomes a lil easier when we put efforts make it simple, this also is an underlying message of this drama. It's so natural that i felt I have been there with those people. Obviously, melo is an important element of any show of any genre, which is here too, but events should be as simple as a glass of water that makes it realistic in order to be appealing and relatable to the audience. I feel the drama successfully achieved that outcome.

Another thing that made me go awe was the fashion sense of the characters, please give the stylists bonus, okay? T T. Not just the young and adult characters, the kids and the oldies wore beautiful clothes of different kinds all the times, no matter how simple or flashy they were. I loved the florals that Hongbajang wore and sometimes the loose fit shirts. Hye Jin's one piece long skirts made her look so beautiful. The 3 old women in their usual outfits looked cute. Village chief Young Guk's simple yet loose fit big shirts and pants oof. Hwa Jung and Nam Sook's country-side dotted tops and pants looked nice. Chun Jae ahjussi and his half pant outfit plus scarf, my goodness. Geum Chul's entite country bumpkin style outfit and hairstyle. Bora's peach creamy hair and I Jun's decent clothes toooo. Eun Chul in both police uniform and civil clothes (soooo hot) and Mi Seon in her different kinda outfits. Sorry for the terms Idk bcs of my lack of fashion sense TT.

One of the most notable things about the drama should be all the female characters who made us see various sides of life and learn from it. Potential & stupendous female characters is nothing new for Kdrama industry but this drama should stand out in this regard for perfectly creating and nourishing such beautiful-hearted women. Different women trying their best for people around them and struggling for them isn't something new but these women, from young to the old, understood it better, I felt. Extra points for that for sure.

Since it's a slice of life story where day-to-day happenings are portrayed, drawing a definite plot development in overall is difficult. So, what we can witness are 2 kinds of developments. First the relationship between the leads along with others and secondly the individual character development. Let's talk about that...

Relationship Development of Lead Couple:--
Well, healing romance troupe has become a common factor nowadays but this surely is unique and let me explain how. Not bragging or saying I predicted it but I sure had assumed the way the chemistry between Hong Du Shik & Oh Hye Jin will develop, which happened for real making me so happy. Both of them obviously cared for each other and had liking as persons despite all the bitter encounters but until the point they fell for each in their conscious, the romance was very subtle. It was like they grew onto each other unknowingly and that feelings were piling up bit by bit over time. One day the the sac of love got so heavier, it burst open into an love relationship bonding, that was meant to last for eternity. They were definitely opening up to each other lil by lil and healing the other's pain gradually in the process but in their subconscious, it was love that was blooming up inside their hearts which one day led to prosperity and nostalgic emotions of happiness.

What made me happy how they proposed to each other at the perfect point of the story and even after officially getting into a relationship, the story showed us the following development. This was a gesture that, our lives and stories don't come to an end when we become each other's life because we have a long way to travel together, parallelly healing each other while helping both individual and coupled growth. Tbh, I was worried their relationship will turn typical following the proposal but guess what? They made me and in fact all of us, learn an important lesson of life, i. e. continuity. Obviously, there were many fluff moment's but the way of executing everything through the storytelling method abd screenplay techniques made it maintain own's naturality.

We're at a point where we have run out of new ides about events and stuffs to showcase in a relationship but what matters is how they're showed to us, how natural & relatable they feel and how realistic the outcome becomes. I am cent percent sure, this drama gave off that vibes.

NOTE: HONG DU SHIK & OH HYE JIN, uri ShikHye or dimple couple are one of the best Kdrama couples with one of the best chemistry development and a healing romance.

CHARACTER DEVELOPMENT :--
This is probably the best thing about the drama. Not just the individual development, the buildup plus nourishment of different kinda relationships were also well drawn. The character arcs of different roles came out so well, making us relate and learnt. Let's talk about them now...

# Hong Du Shik (Kim Seon Ho) aka uri Hong-bajang, the definition of "Jack of all trades, master o̶f̶ ̶n̶o̶n̶e̶ at
all". Talented yet no proper job carrying numerous small job certificates can help fix any kind of situations of the villagers. Loved by all yet orpahned and loner with thanatophobia (fear of losing someone close), he doesn't let anyone into his heart easily. Cares a great deal about the villagers tho.

# Oh Hye Jin (Shin Min Ah), the perfectionist dentist and very righteous at workplace who is also very calculative about her life. A dating rookie and doesn't want to be easygoing abd never gives in to people easily. A definite development as she changes into a warm women who admired everyone and got love in return. Very sensitive to her life decisions and helps Hong bajang in the end in healing his heart.

# Ji Sung Hyun (Lee Sang Yi), a variety show PD and Hye Jin's university senior who comes to Gongjin to shoot his show. He really went from romancing with Da Shik (Da Hee) in Once again (2020) to bromancing with Du Shik in this drama, haha. I can't say he's a potential 2nd ML affecting the lead couple's storyline but ge surely helped them in his subconscious. Very simple and decent character he had.

# Kim Gam Ri (Kim Young Ok) halmeoni, village supervisor and Du Shik's closest who have fed and cared for him since a young age. Very stubborn because of old age. Doesn't like spending money but fond of trying different dishes. Loves Du Shik the most and liked spending time with him.

# Lee Ma Ji (Lee Yong Yi) and Park Sook Ja (Shin Shin Ae) ..wish these halmione-deul had some more story for themselves but they were basically used as sidekick of Ga Rim-ssi. Regardless, very cheerful and cute. Their annoying and active faces plus the halmeoni trio made me cry outta happiness even when they were just fighting, that was so cute uwu.

# Yeo Hwa Jung (Rang Bo Ryun), the zone chief, restaurant owner and owner to both the places used by Hye Jin. Divorced for reasons known only to her and a single mother. Very sane, humble and understanding person she was though a lil insecure about his ex-husband and has hidden stories to tell. Loved the way she walked in here hahaha.

# Jang Young Guk (In Gyo Jin), village chief and Hwa Jung's ex husband, a lone man living alone and a loving father to his son. Irresponsible and indecisive at times. Not knowing the actual reason of divorce he deviates from his path for a while but eventually finds himself back in the same spot.

# Oh Chun Bae (Jo Han Chul), a failed singer, coffee shop owner, a widower and single loving father to his daughter. Still brags about his past achievement and wants recognition tho still a tender-hearted person who cares for his daughter to a great deal and misses his wife.

# Cho Nam Suk (Cha Chung Hwa), Chinese restaurant owner, loner who misses her deceased daughter. She loves to gossip and is the most definitite source of all the rumours that revolves around in the village. Very lively and cheerful as person. Loved her nasal accent and acting.

# Choi Geum Chul (Yoon Suk Hyun), Du Shik's only friend and hardware store owner. Married with a girl child and another to come. Somewhat naive and stupid but loves his family so much.

# Ham Yun Kyung (Kim Joo Yun), Geum Chul's wife and Bora supermarket owner. Very cheerful and mature for her age. Loves and cares for her family a lot and continuously nags her husband to do better job.

# Pyo Mi Sun (Gong Min Jung), Hye Jin's BeFe and the dentist nurse. Very clever and straightforward yet falls for guys instantly. Her chemistry development with constable Eun Chul was surely a sweet thing to watch.

# Choi Eun Chul (Kang Hyung Suk), Police substation constable and Geum Chul's younger brother who's very determined at job but stupid when comes to dating. Mi Sun helps her learn about relationship and they form the cutest couple of the show.

# Oh Ju Ri (Kim Min Seo), Chun Bae's daughter, a high-schooler and diehard fan of the boy group DOS (fandom Hacker). Misses her mother whom she lost right after birth. Can be stubborn and annoying at times still loves her father. A wannabe stylist.

# Choi Bo Ra (Go Do Yun), Yun Kyung & Geum Chul's daughter who's good at studies but have hidden talents. Loves Taekwondo and a lil aggressive. Adored by the villagers.

# Jang Yi Jun (Yi Eun Yoo), Hwa Jung & Young Guk's son who's the definition of genius. Too humble, polite and rationale for his age haha. BeFe with Bora and is always with her. As thoughtful as Hwa Jung.

Other than these major characters are some other actors who justified their decent roles and are indeed notable; Yu Cho Hui (Oh Ji Hee), Ban Young Hoon (Kim Sung Bum), Kang Do Ha (Lee Suk Hyung), Wang Ji Won (Park Ye Young), JUN (Byun Sang Tae), Yoon Tae Hwa (Seo Sang Won), Lee Myung Shin (Woo Mi Hwa), etc.

OSTS:
"Romantic Sunday" by "Car, the Garden" is undoubtedly the best OST of this drama which is the remake of a 2007 hit by "JISLAND". I love all the other OSTs so muxh as well. The lyrics are all so beautiful and were relatable as well suitable for various moods of the drama. "One Sunny Day" by Kassy, "My Romance" by Cheeze, "Wish" by Choi Yu Ree, "Be the Light" by Kim Jae Hwan,
"The Image of You" by Sandeul, "Here Always" by Skz Seungmin are all good. Some of them are romantic and others are soft soulful ones.

Both the writer and director have done a very good job, individually and as partners. It didn't feel like the writer doesn't have enough experience. I mean the number of work she's done is less but who'd say so after watching this drama? The PDnim obviously have enough experience, in fact one of the best drama PDs in Korea and that shows. Cinematography, sound production, screenplay editing are also very well done. Kudos to the entire crew for this amazing outcome. Thank you so much.

Technically, I love the various colour palettes used to showcase the beauty and aesthetics. The subtle presentation of props to connect and relay the storylines are quite alluring. Story progression is smooth and relaxing with multiple peaks as perfect points. Not a single thing felt exaggerated or boring. No twisted and complicated factor except for Hongbajang's mystery; very simple. The 1st ep is basically the introduction so stick to it in case you think it's not good. The childhood and teenage encounter and destined-to-be-together trope might have become a cliché but it's fine as long as the present story is well painted and HomeCha successfully built-up a unique love story.

Let me also add important things included in the drama: mental health issues, loneliness, lgbt+ inclusion & acceptance, gender & clasa equality, dreams and determination to fulfill it, negligence to old parents as well as kids, ways of parenting & parental love, a kid's expectation from parents as well their hidden feelings, mutual understanding, overcoming past trauma, essence of aging and importance of old age, meaning of death, the art of healing other's pain, the difficulties of pregnancy, the urge of marriage, the hopes from your partner, community life & it's importance, self-love and it's vitality, process of opening up to your closest ones, learning to seek help from others, acknowledging the help and care you receive, understanding the gestures, facing life problems & tackling them, essence of independence, appreciating life, respecting other's efforts and their urge to do well, holding on to life, bringing out the best of you..... And many more that will cost me a notebook to mention.

NOTE: The last 3 episodes are the peaks of the episode where you might have to cry continuously, so make sure to take care of yourself if you're highly sensitive and very overwhelming to cry over small things.

Hometown Cha Cha Cha is definitely very realistic, refreshing and relatable with all the elements of a perfect slice of life Kdrama. I repeat, this is the best Kdrama year for 2021. Not only the healing romance of the lead couples, other side storylines that ran parallelly left us with lessons that we seek in our everyday life. Setting the rewatch value at 10/10 bcs this is something that can be easily watched as many as times you wish, even for random watch. PLEASE GO AHEAD WITH IT IF YOU HAVE BEEN WAITING FOR. THIS IS DEFINITELY WORTH ALL YOUR TIME AND INVESTED ENERGY PLUS EMOTIONS. *cries under blanket*. In fact been crying throughout while writing this review.

Leggi di Più

realistic. relatable. refreshing.

ik we are here for the "dimple couple" Shin Min Ah and Kim Seon Ho (atleast I am) so I'll skip the introduction. I haven't seen the original work so i won't mention any comparison to it. the plot seemed like something new to me and trailer gave fresh vibes so I didn't hesitate to start (nor do I regret). I'd discuss some aspects in the drama I particularly loved so you may relate to it or consider watching :)

PLOT/PALETTE:
so. back to the drama. a girl leaves her job and goes to some rural place and sees a guy who's... everywhere? I thought it would be cdrama style cliché but it's actually far from that (thankfully). color palette of episodes are really relaxing to watch. I'm not an artsy person and I don't know much about palettes but it's really calming and definitely suitable for the picturesque sceneries.

CHILDHOOD CONNECTION DONE RIGHT:
what i really loved in the drama is that despite the leads having a couple of childhood interactions, they don't give much importance to it and (rightfully) move forward because it was simply a part of their past. it was refreshing to see such an arc because in most dramas, the leads who hate eachother suddenly fall in love because they "vowed to marry each other as 3 yo kids" or whatever, you get the idea.

BEST PORTRAYAL OF LOVE TRIANGLE:
the characters are written realistically and mature. props to the crew for including minor details that may seem unimportant but really adds on to reality. there's no over the top cheesy lines and exaggerated portrayal as seen in many other rom-coms. every single arc (including love triangles) is carried out so well that no part of the drama bores the viewers. I simply can't stop admiring how beautifully the love triangle was carried out because in most case it would simply ruin the overall drama experience.

SIDE CHARACTERS HAVE THEIR OWN LIVES TOO:
the side chracters had their own story to tell, not just being comedic clowns or matchmakers for the main leads. ofc their story slightly depends on the leads because they are centres of the drama but we can agree the writer gave justice to the supporting casts by not always placing them in scenarios where leading characters need them. EVERY character had their own situations and struggles but the way each person grew through the story made me happy and proud.

overall, the drama kept it charm throughout. 100% worth the watch! long story short, start watching now!!

Leggi di Più

Meh

Is something wrong with me? Is it me? Am I the problem? Why can’t I see what everyone else seems to see in this drama?

Everyone was buzzing for this but I honestly hate having to wait in-between episodes and decided to not start this drama before more than 10 episodes were out. So I waited. And it just wasn’t what I wanted from it.
I wanted to love this so so so much. I needed this show, I needed a sweet, cozy, wholesome romance. There were days where I told myself to push through solely so I would live, to watch Homewtown Cha Cha Cha. And I can’t say that I was heavily disappointed, but I wasn’t impressed either.

I want to start off by saying this: Hometown Cha Cha Cha is fine. It’s okay. It’s not bad by any means. But it’s just not more than that.
There are plenty of things to like about this: A beautiful, charming setting that will hit you with homesickness for a place you have never been to. Two good-looking leads. A catchy OST. A fun premise. Lots of lovable side characters. I sincerely love Yeo Hwa-jung, she was my favourite character by far, and even though I am not too pleased with the conclusion to her arc, she had the backstory I enjoyed the most and all things considered, she’s probably my favourite aspect of the entire show. There were a few comedic moments that made me chuckle. It was an alright watching experience. But people are calling this the romance drama of the year and I’m just not on board with that.

The number one thing I read about this show was how refreshing and healthy it was. And I just don’t see it. This felt more formulaic than I expected it to. We have our male lead who is perfect in every single way and always correct. His one flaw is being too caring. We have our female lead whose only job is to be proven wrong by our male lead or get saved by him. This is fine, honestly, what are most romance K-dramas if not female wish-fulfillment? But is it particularly new or interesting? I don’t think so. This felt less like a healthy and realistic portrayal of adult relationships and more like a self-insert fanfiction. There are times when I want that from a story but this wasn’t one of them.
Surprisingly enough, even though I am easy to please in that regard, I wasn’t crazy about the romance between the two leads. I didn’t really understand the progression of them falling for each other, to me, that kind of came out of the blue. Which is a shame because I do think that the actors have chemistry. But it took ages for their characters to even become something close to friends. They had the same surface-level arguments every single episode, which always ended with Doo-sik proving Hye Jin wrong, and next thing you know I was expected to believe that the two were in love as well when I wasn’t even convinced that they liked each other.
I wasn’t impressed with the way this show dealt with Hong's past either. Since we only unpack his backstory in the last ¼ of the show, the first ¾ of the drama felt weirdly trivial. All of the sudden, the entire feel of Hometown Cha Cha Cha just changed and got way too depressing for its own good. And the extent of trauma our male lead had, was way too heavy to be resolved in the little time the drama had left. It really felt like this show bit more off than it could chew. The subject matters were a tad too dark and the writing a tad too clumsy. Instead of our male lead having this ultra-depressing past, I much would have preferred it if both of our main characters could have been just two regular people, with regular people’s problems that made them flee from their city lives (similarly to Lovestruck In The City for example). But sadly Hometown Cha Cha lost everything that made it feel realistic or relatable by that point. And I honestly had to force myself to sit through the last few episodes, something I definitely didn't expect.

Maybe I am being too harsh on this drama. Maybe I would have given it a higher rating if my expectations had been lower. I gave My Roommate Is A Gumiho an 8.0 out of 10, and on every level, objectively speaking, that’s a worse show. But I knew what I wanted out of My Roommate Is A Gumiho and it delivered exactly that. I wanted it to be dumb, harmless, cheesy, and cringy fun and that’s what it ended up being. But out of Hometown Cha Cha I expected more. Something more adult, more, fresh, more interesting. And it just wasn’t any of those things.

Leggi di Più

refreshing and incredible.. until the later half

overall, this show was really really good. it was mostly light hearted with lots of mature dialogue, deep characters, beautiful cinematography, and more. for the first half, i was convinced this drama would be in my top three along with vincenzo and healer. up until episode 10, I think id give this show a 10/10. somewhere along the second half it seemed to have lost its spark, but none of the issues im going to discuss are reason enough to not watch this show. overall i recommend it.

as an overview, i love thinking about how much progression we saw over the course of 16 episodes. especially within the FL whom I feel was the main vessel of change, i can see a huge difference in her from the first to the last episode. same goes for the other characters, all of them had some kind of realization or moment at least once in the show, and i really appreciated how different people at different stages of life were all given a moment to have feelings and talk about their trauma, because thats real. There also arent any typical vicious drama villains: the second male lead is accepting, the teacher is actually just quietly in love with hwajeong, everyone feels real and not at all like a typical drama caricature. usually dramas forget everyone that isnt the main character, but not this one. i also really liked the vibe of the show itself, it promises and delivers a mature healing drama full of family and friendships and community and all that good stuff. The themes of second chances, the importance of emotional support, this was also so nice to see on screen. the writing was stellar, until the later episodes ( especially ep 15). The characters are all interesting, the cinematography is great, and even the ost is good, its an almost perfect drama if i ignore the later episodes.

im going to discuss stuff i didnt like because when a show is this good, the issues tend to stick out more than usual. Some of these things are very nitpicky, so dont take them as a reflection on the show as a whole.

full review below. SPOILERS

even though this drama covered many important topics such as the hardships women face (with the crazy pervert and the childbirth) and even included a lesbian (!!!), i felt that the way they addressed many of these topics was a little skewed and delivered the wrong message. as for childbirth, i was pleasantly surprised that they were depicting it on screen as well as reinforcing how hard it really is to be a woman. but it was ruined by FL saying how romantic it was when the husband promised to be by the wifes side even though the entire episode talked about how he was a horrible husband that didnt even change his kids diapers and didnt realize that childbirth was difficult. like what ?? and as for the teacher, she just comes and goes throughout the show and i wish she was on screen and talked about herself more (instead of showing up to give yeongguk a motivating speech about apologizing to hwajeong), since lgbtq are not often seen in kdramas. and then i enjoyed how they depicted change with the FL and trauma with ML, but the way his was only delved into in the last episode really sucked since i think that shouldve been a main focus along with FLs personality shift.
It feels like all of the issues I have with this show come down to an unbalance, or a right message gets skewed the wrong way, you’ll see what I mean.


as for the FL, i generally enjoyed her growth. i loved how obvious it was, how realistic it seemed. it was gradual, but there were also specific moments where you can SEE her changes. like in episode 10 where she walks in the rain even though its something she hates, just because she recalls ML saying that she should let herself just exist. i love how open she becomes, with the way she confesses her feelings so openly in ep 10 with no hesitation. when she first came to gongjin she was so artificial, pretending to listen to everyone, smiling and nodding absentmindedly. it was a complete 180 to see her be as genuine and open as she became.

For the ML, his personality was always captivating, and he was an interesting character. here is where my first issue with the show comes in: they shouldve given chief hong more flaws. he doesnt seem to have any besides his trauma, which isnt really a “character flaw”, unlike FL that is judgmental, stubborn, unwilling to change sometimes, etc etc. especially in comparison to the FL, hong is TOO perfect. Plus you’d think someone with that much trauma would seemingly have more issues: maybe trust wise or be cold and angry, but he wasnt any of those things. Up until episode 10 (which I thought were 10 perfect episodes) FL grows as a person thanks to hong which is fantastic character growth and fantastic set up for their relationship, but hong doesn’t change at all. And why would he? He’s kind, helpful, can do everything. They should’ve given him a basic flaw like being stubborn or something so he could change thanks to hyejin as well. But he was the one always calling out her flaws and mistakes while he remained the same, and although he was often justified I was sometimes annoyed at how he wouldn’t mind his own business and tried to change her when it wasnt his place.

The reason I keep saying "up until episode 10" is because after that I feel like the show lost its spark. character wise, the shift between pre-relationship FL and relationship FL was so jarring. She felt like an entirely different person. And yes people are cuter with the person they like of whatever, but they should’ve incorporated some of this into her pre-personality so it wouldn’t come off as so strange when she suddenly started acting this way. I also felt like some of her character development was wiped off after episode 10. in fact, i occasionally felt that the FL was even more unreasonable and unlikeable than in the beginning. In episode 11, she hurt ML physically and emotionally, such as when she asked him to take care of the Second Male Lead, when she has unreasonable requests, when she takes him to see the sunrise at 4 am, when she makes him wear school uniforms to take pictures. especially when she drags him around the mall and he’s clearly saying no to doing things and she pressures him when he constantly says no. And to keep their relationship a secret hyejin hurts dusik throughout the entirety of ep 11. physical violence is never okay, especially not for comedic purposes. the fact that it was done multiple times made me less and less excited to finish that episode. and the fact that her go to reaction when she was surprised was to hurt him really made me dislike her, despite all of the progress that they made on her personality. this also really pushes the narrative that shes full of flaws and he isnt because hes forgiving and understanding.


Back to the ML, he was the one that carried this Big Secret Trauma for a majority of the show which like I said earlier was made out to be his only flaw. we didnt even know what it was until nearly the last two episodes, which I have a few issues with.
i dont appreciate how they approached his trauma as a flaw, because it isnt. everyone has trauma and issues, and not everyone reacts to it the same way. hyejin was hurt by her ex bfs words that caused her to be more materialistic, but she never shares that with ML. yet she expects him to share everything with her? she had a line where she said "im okay with showing you all of me, so why cant you do that for me?" which, just because hes seen you drunk and met your stepmom does not mean he needs to reveal more than hes comfortable with. she pushes him constantly to open up about his trauma (that was much more severe than her ex saying she dresses ugly) and i thought this whole situation and episode were so unreasonable. i understand that she expected more from him and their relationship, she was thinking of their future and he wasnt yet. i empathize, im sure its hard when your S/O isnt where you are and youre feeling anxious about where your relationship is going. but they had only been dating for what, a few weeks at that point? that combined with how much pressure she was putting on someone that was clearly hurting made it hard for me to feel for her.

plus, when SHE decided they need a break, she kept rubbing it in his face saying “we are on break- BUt why arent you saying anything to me? im giving you time- BUT why wont you tell me your secrets?!? we’re on break-BUT-here i am at your house even though i suggested the break!” and then she ends the break when she feels like it- even though initially it was supposed to be FOR him to heal. this was why, despite me being understanding of how hurt she was about ML not being open about his past, i just couldnt be on her side. This was one of the moments where again, I felt that her character development was setback.
the way this led to people blaming hong when he was trying to deal with TRAUMA was just so ?? disgusting to me. no one knows what hes dealing with, but they keep pushing him. It is never anyones place to push someone to speak about their trauma or disclose aspects of their personal life if they are not ready to do so.
And hwajeong tells FL that she should give it time, which had a nice sentiment, but then she told FL to be MLs rock. Again, taking a lovely scene with a good script and turning it into something that isnt necessarily a great message. If someone isn’t in the same place emotionally where you are then you dont need to wait for them. this is another reason i couldnt entirely be on FLs side, if hong isnt where she is and he doesnt want the future she wants, she cant just force him into it. even though i loved them as a couple, they shouldve just had them break up then instead of depicting their relationship how they did. you should never push someone when they arent ready, and you dont need to wait by that person either. if you want a future, and your partner just isnt sure, then you dont need to be with them. The result of this situation was as I mentioned, FL constantly pushing ML and reminding him that she is giving him the HONOR of her patience, while he struggles to deal with his internal conflicts. The way this whole episode was handled was a big no from me.

as for ML’s actual trauma, they dragged it on for SO long. and im not saying it wasnt worth the wait, but I was underwhelmed. Maybe the trauma they gave him would’ve panned out better had they disclosed it earlier and had him work on himself for the remaining episodes, but they chose to build suspense and shove it on us at the very end. Which, okay fine, but this didnt work for me. Despite the big suspense, he wasnt a murderer or anything, he blamed himself for a situation that was unfortunate but not at all his fault. Some people hypothesized that he was in a car accident with his wife and child which i think wouldve been better to fulfill the suspense than what actually happened, which was that he was there for the death of his best friend and dohas father became paralyzed (which had NOTHING to do with hong and was entirely the fault of the father who made a reckless decision). but the show treated him like a murderer which is pointless for several reasons. for one, when doha calls him a murderer, no one in gongjin actually thinks he is one so theres no outer conflict. we are never under the impression that he is either because he has proven over and over again that he is kind and good natured, so its more annoying than anything else that the show treats him this way. that leads into two, we are watching this pan out as an audience. we KNOW none of it is his fault, so watching this poor guy blame himself since childhood for his parents and grandfathers death, and then those related to the adult deaths blame him for those, it just sucked. its just not great to watch someone get beaten down over and over again, especially since this is a made up "healing" story and the writers can do whatever they want with it, and they chose to leave the actual healing for the very last minute. in real life, yeah there are probably people like hong. but this is a drama and watching his internal conflict pan out just doesnt make sense when its entirely in his mind and he didnt actually DO anything wrong. so its just annoying and unsatisfactory when for 15 episodes youve been like WHAT is this trauma and that answer is: another accidental death that has nothing to do with hong and everything to do with everyone else. i guess in a sense its realistic that he might get blamed by those that are hurting, but i just felt like i was watching this perfect guy who has lived a shitty life get blamed over and over again, and even now when he is supposed to be forgiving himself, the wife of his friend refused to apologize and doha tells him he shouldve taken better care of his father. what poor writing, there should be a balance between the tragedy and how much shit this poor guy gets and the healing (not to mention gamri dying in the same episode??). how many times do we need to see him apologize for things out of his control and get hurt? i think his healing shouldve been a main focus, maybe cutting into the time of all of the unnecessary misunderstandings and filler moments or even into FLs personality change. because although her arc was important, we watched her change throughout the entire show and he only got the last episode.


All of this happens in the second half of the show, which like I said lost its spark. The scenes felt a little more childish, with more misunderstandings to brace us for the couples upcoming conflict, and more happy go lucky filler to brace us for the reveal of the Big Trauma. the trauma itself wasnt handled well either. honestly, i kind of lost interest and had a hard time sitting through the episodes, while before id open netflix the second the episode was up and watch it immediately. i still really appreciated the show, but it didnt give me the same feelings as before.

Also in the second half, we see less of the other characters and focus more on the main relationship. I thought this was a big mistake because initially the magic of the show was the family feel and the environment, but that dwindles away to give focus to how the main relationship develops and has misunderstandings. the other characters only seem to come in to give motivational speeches or to make minor commentary (like in ep 15 when hongs trauma is revealed and they sit there for two seconds and take turns saying they are worried about him) or to help add to the drama (like in ep 14 when doha punches hong, everyone in gongjin is there to add to the dramatic feel). I wish we focused more on everyones individual lives ad relationship at that point, instead of making way for silly misunderstandings or filler or the Big Trauma. like the scene with yijoon and his parents getting back together was so heartfelt, and i think we shouldve gotten more of that with each character.Like I said, a solution to this wouldve been disclosing the trauma earlier and gradually working on it, which wouldve given more time for hong to actually get over it (because I can’t believe that in the span of an episode his years long trauma disappears) and the other characters could’ve had more screen time.


i think the shows flaws come down to one thing: an unbalance. an unbalance within flaws, an unbalance with the pacing, an unbalance with the characters personality. There was even an unbalance of storytelling and mood: the whole drama was mature but then we have the childhood connection, really? That didnt even add anything to the story so why was it even in there? plus the way everyone was connected?? PD is related to the wife of hongs best friend and PDs editor is the son of he guy who worked at hongs company and PD went to school with hyejin and they all meet up in this one small town i mean ?? really ?? It felt unfitting for a show that was otherwise serious and realistic. And where was miseon, FLs best friend, for half of the show? In some episodes she just wasnt home, or she just isnt mentioned. She only starts showing up for relationship issues in the later half of the show. I loved their friendship, so I wouldve loved to see more of them. I also wouldve loved to see more interactions between the gongjin citizens and hyejin after her personality shift. these are just little things that could’ve been changed to greatly improve the show.

Of course I dont expect perfection, but some of these flaws were so avoidable. Just taking away the line about hyejin romanticizing the poor relationship between the market owner and the hardware owner or just leaving the line from hwajeong at “ wait for him to open up” instead of saying be his rock, all of this wouldve fixed what I think of as a flaw. Overall, I do think this show was really really good. But because I had such high expectations for it, how some of the scenes were handled really set it back.

Leggi di Più

I do not understand the hype

I will cut to the chase. It was not bad, it was a nice series to watch to pass your time but the reviews make is sound like it's a masterpiece. The only unique aspect this series had to offer is the stories of the secondary characters. However, in classic kdrama fashion, they decided to focus on the main characters' romance instead of them. That wouldn't be an issue, if the main storyline was strong or if they managed to smoothly play in the main story but I found their story the least interesting, the only interesting parts of the main male protagonist were almost brushed off and resolved out of nowhere so it felt predictable and rushed. Instead the producers decided to cram in many overused clichés that offered nothing to the story. The 3-4 minute blatant Domino's pizza ad in the middle of the last episode was the cherry on top... you knew at that point the creator didnt really care to make a nice story. Dissapointing, because it could have been so much more.

Both main actors are amazing (and beautiful), great acting but the chemistry was not fully there.
As mentioned previously the stories of the villagers were incredible, they dealt with so many different issues and it left me craving for more.

Leggi di Più

If only it had ended as well as it began!

Hometown Cha-Cha-Cha begins with lightning. Somehow, the creators were able to align everything just right for a simple story about a woman dentist hitting a wall in her life. The premise isn't new, and well, one could honestly call it a mid-life crisis series, except they purposely make sure to let us now the characters are just at true adult age (their early to mid 30's) and not yet on that particular journey.

Yoon Hye Jin (Played by the absolutely stunning Shin Min Ah) is a morally steadfast dentist who can no longer take the greedy pressures of the Seoul clinic she works. After a final run-in with the owning dentist, she quits, with enough money to keep herself fed, but not enough to open her own clinic in the expensive city. With her name in the mud with other dentists and unable to find a new position, Hye Jin runs off to a small coastal town she visited as a child that holds the last great memory of her mother. Meant to be only a day trip to celebrate her long deceased mother's birthday, fate intervenes trapping her there money-less, shoe-less, and roofless.

Enter our male lead, Hong Doo Shik known as Chief Hong, a dashing townie (Played winningly with just the right touch of sex appeal by Kim Seon Ho) who does basically every job the town has to offer, and shows up everywhere our female lead is too. As he hands her a single found shoe, Cinderella and her prince end up in tongue sparring match, as Chief Hong finds our destitute Hye Jin snobbish and entitled.

Just suffice it to say, that in this single day and night in the fictitious seaside town of Gongjin, Hye Jin meets every power player the series will deliver, and has a whirlwind of experiences that ultimately make her decide to open up a dental clinic here, where she can actually afford too.

Thus, the fish-out-of-water big city girl in small town life begins, and how enjoyable it is to watch.

Every single side character has a story to tell, and those stories, unlike other series such as Racket Boys, actually intertwine and affect our main journey and main characters. Everyone is, for the most part, believable as real people living their lives in this small town. You learn to love, be annoyed at, or mostly not like everyone in play. This is an utter triumph compared to what is many times delivered by such stories.

The first ten episodes of the series are some of the most heartwarming, funny, romantic, believable, and, I dare say, honest storytelling hours I have seen in a while. The director, and writers, always went right up to the line of over-the-top without actually crossing over into it. The restraint was admirable, and it makes one want to lay back smile, giggle, and press play in the most refreshing sense of enjoyment.

However, episode eleven is where this praise abruptly stops. When the series shifts gears with its main leads, in what should be a great payoff, the audience instead ends up with a saccharin, ridiculous, and trite hour plus episode that could cause whiplash. Whatever restraint the makers had shown instantly dissolves into a story that goes full force into territory seemingly written and executed for teenage schoolgirls.

It takes a few episodes for the series to stabilize, but at this point what existed between our main leads seems to have become a thin anorexic version of what it was previously. The story begins working overtime to create teachable, emotional, and sentimental moments. The natural honest feel good storytelling that earmarked the first ten episodes being replaced with cloying, fake, and melodramatic plot lines.

When the penultimate episode fifteen begins, you find yourself embroiled in an almost entirely different show. We get a long hinted at and hidden backstory that rolls out in the most unbelievable fashion. The events are over-the -top worst case scenarios that string together in a waterfall of tragedy. That our Chief Hong even remotely blames himself for a laundry list of events that are completely and utterly outside of his control is aggravating. Even worse, the self medication, nightmare having, therapy going lead never addressing the elephant in the room brought up episodes ago, in that he feels he causes the deaths of everyone he has ever come to love. This is left unresolved, or in truth most things end up being resolved by just a good long cry. Which is especially frustrating considering after all this exposition and chaos the episode ends with the death of one of the most beloved townspeople. Just to top of more tragedy, not that you won't see this plot point coming.

I will admit, I am short changing this a bit, but not by much. It becomes so heavy-handed at this point, I actually found myself yawning and reaching for my phone. Yes, I can tell you the current CNN headlines. And considering that this show previously had me losing sleep for just one more episode, is a very very mighty fall.

In the end, everything becomes about marriage. Marriage for everyone. Everyone in love. Even children. And to push this moral further you will be subjected to one of the worst and most manipulative scenes I've ever watched on shaming people were get divorced. It even involves a child crying. But, all is good because the townsfolk you have spent any time with at all are making a ridiculous parade down to the beach to take pictures all together in joy!

What started out amazing, ends in a bumbled, frustrating, trite, and unrealistic mess. But the beginning episodes can be watched over and over again until the end of time. And they alone keep this at an 8, B+/A- , 4 stars. If only the ending had stayed as strong.

Leggi di Più

Will You ‘ Cha Cha Cha’ into watching this drama?

Aside from its questionable title ‘ Hometown Cha Cha Cha’ is a remake of the rom-com’ Mr. Hong’ (2004) updated and directed by Yoo Je-won, the same director behind dramas such as ‘Oh My Ghostess’ and ‘Tomorrow With You’. The storyline isn’t labyrinthine . Cha-Cha-Cha is a straightforward rom-com ( taken from the original movie) of “ city girl moves back to the sticks and falls in love”. However this boils down to the ultimate question for newcomers thinking of picking the series up; “is ‘ Hometown Cha Cha Cha’ actually worth watching? “

Arguably the drama does a really good job at subverting certain cliches and stereotypes beyond the expectations of viewers . Whilst the villagers are sometimes used for stock comedy , they are often more than just filler characters also. Many of them have their own problems which are revealed as the series progresses. For example Oh Cheon-jae (Jo Han-chul) is a cafe owner and a washed-up one hit wonder who despite often ending up as the butt end of the joke, has a more sensitive side by desperately yearning to return back to his brief glory days. There was something oddly heartfelt about each episode taking a moment away in order to focus upon side characters such as the village grandmas who main heroine Hye Jin (Shin Min Ah ) encounters in this small seaside town.

On the other hand this brings us onto one of the biggest elephants in the room surrounding our main female lead Hye Jin. Actress Shin Min Ah is decent enough here. On the other hand her onscreen persona Hye Jin is trickier to address. Hye-Jin is the epitome of the “ carte blanche female lead”; a character who has some necessary plot-driven angst, sweetness and backstory, but rarely has more definitive depth, emotions and realistic flaws.

Adding to the issue of Hye-Jin’s character arc is that whilst she does have “flaws” they’re never really pointed out by director Je-Won more directly . This is because Je-Won tries too hard to present Hye-Jin as a “ loveable and perfect” female heroine without considering that perfection can often be flawed . Of course our MC does have her sob story and angst-ridden moments later on in the series but these scenes rarely enforced more powerful emotions onto viewers as there was little to make Hye-Jin grow or learn from her past mistakes . This was case and point when others such as male lead and main love interest Du Sik( Kim Seon Ho) pointed out Hye-Jin’s mistakes at times as arrogant or rude, the drama rarely gave her the chance to grow or explain herself without either turning the blame on Du Sik for interfering, making Hye-Jin burst into tears or failing to accept her own mistakes sincerely . The problem with Hye Jin is that her character arc runs on pure plot device steam than actual character writing- we never find out what really drives Hye Jin either through her current flaws addressed, her career and future goals ( rather than mere romance) or for the sake of plot.

This moves us onto main lead Du Sik. Similar to costar Shin Min Ah, Kim Seon Ho was delightful as dexterous “all-round-ace” Du Sik- adding his own sweet charm to a character with a surprising amount of profoundness . He’s an extrovert, incredibly talented at everything and good-natured but also shares his own personal troubles as well. On the other hand whilst later episode scenes relished in tackling Du Sik’s past, this did feel slightly rushed than well-paced. We do see Du Sik’s problems build-up in early scenes and it was surprisingly refreshing to see vulnerability against a seemingly “ strong” character such as Du Sik.

Consequently it felt as though the drama could’ve done more to have built-up dramatic tension around Du Sik’s past and character arc. Whilst it is used to present drama and a spanner in the works with his relationship with Hye Jin, it was evidently used to add some tension and dramatic dilemmas rather than feeling gradually built up or allowing to present the profound connection between our leads more sincerely.

This of course leads us to discussing about the romantic setup between our leads which is (unsurprisingly)a rocky road. On a positive note it was heartwarming to see their feelings blossom . Even from the first episode the route of potential romance between our main characters was obvious. Bland chemistry in early episodes was ignited by more cutesy interactions as episodes progressed as well as fire added to the flames with dramatic tension keeping the ball game going between the two characters.

Similar to his previous works, Yoo Je-Won adds his own personal touch of oozy sweetness to the overall production. Pohang City in the province of North Gyeongsang in South Korea sets the perfect location for the fictional Gongjin village. The blue horizons of clear skies and crystal waters, provided an idealistic escape throughout the series.Vivid cinematography accentuates scenes alongside bright lighting, whilst more slapstick comedy from the original movie is replaced by a few farce scenes in order to focus upon more meaningful scenes between its main characters. The ending offers a more bittersweet note for viewers with an ending that was sweet but admittedly expected.

‘ Hometown Cha Cha Cha’ is the epitome of a rudimentary sweet sugary ice cream treat- cutesy fluff and with its own bittersweet edge at times, but it could easily melt under the pressure of its own plot build-up and dramatic tension. Overall it is really dependent on what you’re looking for in a drama- a quick, easy and back-burner romance setup ( which you’ve probably seen a million times already) in order to pass the time? Then definitely.

Leggi di Più

A Simple Story with Depth

When you first read the anemic synopsis , you can't help feeling like you've seen this exact plot summary play out multiple times in a plethora of different languages, timelines, and nameless faces . It then becomes difficult to stifle the incoming yawn once you realize that this drama is going to be set in a slow and meandering sea side village, and that the drama is going to attempt to use a character driven plot to keep audiences glued to the screen.

You find yourself tempted to skip Hometown Cha Cha Cha for the next generic Kdrama on your Recommended List. But then you decide to watch one episode. That felt great, light and breezy you think, and so you play the next episode. That felt even better you thought to yourself! Then you realize there are no more episodes... you are in trouble... this simple drama set in the tiniest of fishing villages has entangled you and a million of other fans in an endless loop of hungrily waiting each week for the next episode of a drama that has very little plot twists, dark mysteries and shock factor; and yet somehow has inexorably entranced a legion of Kdrama fans in it's simple story.

Don't let the simplicity of the story fool you though, as there is plenty of depth to be found in this drama. Hometown Cha Cha Cha aims to keep the audience hungry with it's strong character driven plot, and succeeds heavily in this regard. The time the drama takes to develop it's supporting characters with ample screen time and character depth are rewarded in the latter half of the drama as these characters, that would be nothing but fillers in any other drama are given life, their names carrying more weight, and their presence offering soothing support for the Main Couple of the story. No longer are these supporting character left to be skipped and forgotten but rather they serve as a blend of different characteristic that serve to enrichen, and color our black and white sensibilities in warming palettes that we can see and feel.

The writing of the plot, the direction, even the light and melodic OST all serve as the backdrop for these top rated thespians to showcase their crafts. Whether it's the has been singer, the nosy neighbor, or the tireless mother, these talented actors and actresses break out of the mold of the stereotypical kdrama side characters to breathe life into these tired and comfortable cliched characters that would be caricaturized with a lesser plot or thespian. The has been singer becomes multi-faceted, the nosy neighbor gains depth, and that one tireless mother makes our eyes swell with tears, as her quivering voice mask the inner cracks forming within.

The ultimate purpose of the development of the characters of Gongjin became apparent in the midway point as the supporting character's stories start to intertwine and intersect with the story arc of the main couple. Similar to theatrical plays like Hamilton, the audience is almost subject to an invisible fourth wall of which none of the Gongjin inhabitants are privy to. We see ourselves jumping from the life experience of one character after another, almost as if we are all encapsulated within the show, bearing witness to this beautiful romance blooming in this tiny seaside village.

The chemistry of the two leads is electric. From the first episode till the last episode, you can't help but root for the main couple as they both try to fight feelings that clearly has bubbled over since they first set eyes on each other. Although there is a love triangle inserted briefly in the show, it's actually the main couples personal trauma that initially keep them apart at differing times of their relationship. Maturity is as the forefront of this drama, as most situations are dealt with the way that you would expect mature adults to act. Although there are scenes of skin ships in the show, it's actually the scenes where you see silent understanding between the two main leads that sets hearts fluttering. And with Kim Seon Ho's masterful use of micro expressions, a silent three second gaze speaks more volumes than the boisterous and often used "Sarang Haeyo". One of the most powerful scenes in the show is Hye Jin, slowly walking, slowly realizing her feelings for Dusik.

We are mesmerized by the beauty of both the ML and FL. Their laughing eyes, their toothed smiles, and their dominant dimples; all these things play a role in making us gently take a seat and enjoy the sea side ride. But as each episode further shows cracks in the main couple, we start feeling guilty in our comfortably relaxed position, as we start seeing tears behind those laughing eyes, cracks showing between those toothed smiles, and dark depths in those dominant dimples. We start realizing that all that happiness, all that selflessness may be hiding a tale deeper than we had anticipated when we first start to step into Gongjin. Just like Hye Jin's shoes, we feel we are safely in the white sandy beaches, unknowingly to us, when we look down, the tide has come in, and with it a tale of sadness, and a short snapshot of the importance of mental health and a proper support system.

Where I feel the drama may have stumbled is in the unnecessary tonal shifts in the last few episodes. But the drama ends on a high note, and the last few mediocre episodes is not enough to sabotage more than 14 episodes of good will. In reality, this is a drama caught in between. It should have either ended after 12 episodes, or it needed 20 episodes to properly flesh out the emotions and character development to properly close Dusik and Hye Jin's arc. But since the last few episodes was rushed to close as much plot holes as possible, the tonal shift felt out of place and disjointed, almost felt like watching two different dramas. The maturity and depth of the first 10 episodes start to dip in the remaining episodes, and it suffered from slightly inconsistent characterization. Of course, all these tonal shifts can be defended and explained in ones mind, but I actually much preferred the easily digestible characterizations the Main Couple had in the first 10 episodes, that the back 6 paled in comparison.

Is this drama a perfect drama? It is not. But if watching Hometown Cha Cha Cha has taught me, is that just because something is not perfect does not mean it isn't good. Just like a Mcdonalds cheeseburger can seem like a gourmet meal to a starving man, in a time when many people are healing from the mental and physical strain of the Pandemic, Hometown Cha Cha Cha is that perfect drama that captures so many different emotions and situations that we can all find something to relate and heal from.

Leggi di Più

A Sanctuary

The beautiful seaside village of Gongjin, with its picturesque landscape, sandy beaches, rustic homes and a quaint red lighthouse that overlooks the vast openness of the ocean. It is the perfect sanctuary for weary travellers and those who seek refuge in its peaceful, idyllic setting. All visitors from near and far are warmly received by its friendly inhabitants with wide smiles, open arms and fresh seafood. Welcome to Hometown Cha-Cha-Cha (where the only thing that’s perhaps missing is a dental clinic).

This fictional village truly exists but goes by a different name in real life - it is actually the coastal town of Pohang in South Korea’s east coast. HomeCha is a remake of the 2004 film, Mr Hong, which in turn is based on the original screenplay written by Kang Seok Beom and Shin Jung Goo. The 2021 iteration is helmed by Yoo Je Won (The King: Eternal Monarch and Hi Bye, Mama!) and adapted into the 16-episode drama format by Shin Ha Eun (The Crowned Clown and Argon). Im Ha Young (Oh My Ghost and Search: WWW) serves as music director.

As it was in the movie, Homecha is a rom-com about a girl from the big city who moves to the quiet little village where she meets and falls in love with a local boy. Sounds like the typical fish out of water character in an opposites attract love story except there’s more than meets the eye. In addition to the romance and comedy, this is a healing drama that explores slice of life aspects, from the mundane to the extraordinary, amidst a backdrop of myriad colourful characters and mysterious backstories.

I haven’t watched nearly enough K-drama romcoms to qualify as an expert in this subject but I’m well aware of the associated tropes that are usually present in the genre. This drama is no exception and features a number of such cliches and plot devices in the storytelling, which I don’t really mind because for the most part, they are generally well executed and not OTT. Despite the plot being rather straightforward, it has to be said, it does start off brightly and remains steadily engaging along with a multitude of story arcs and sub-plots involving certain side characters, mainly the residents of the seaside village. It’s not all rainbows and sunshine, however, due to the inclusion of angst and tragic circumstances in the overarching story.

The production is of high quality and the scenic location of the principal photography affords the drama some utterly breathtaking panoramic vistas, largely attributed to the excellent all-round cinematography. The well-rendered night shots particularly at the waterfront and pier deserve praise as well as the art direction and overall interior set designs of the traditional village homes. The action sequences are minimal but the special effects for a significant event in episode 15 are very well executed.

As far as the cast is concerned, Kim Seon Ho shines the brightest as the affable and down-to-earth Hong Du Shik aka Chief Hong. He certainly fits the role to the tee and rounds off his performance with a powerfully emotional delivery towards the closing stages of the drama that is heart-wrenching to witness. Shin Min Ah portrays the FL Yoon Hye Jin who eventually falls in love with Chief Hong. I find the character somewhat lacking in depth and infuriating at times, while her interpretation of the role is merely adequate. She is certainly capable of more dramatic range but seems to be constrained by the limitations of the script. Nonetheless, both Kim Seon Ho and Shin Min Ah do complement each other visually and the chemistry that they share appears convincingly developed. It’s worth mentioning that the production takes full advantage of their similar facial features for viewers to assign the moniker of “dimple couple” to the leads.

Among the supporting cast, Lee Bong Ryun and Kim Young Ok impressed me the most, as Yeo Hwa Jeong and Kim Gam Ri respectively. These two veterans certainly showcased their nuanced portrayals throughout. Despite her limited screen time, Kim Ji Hyun is memorable in her guest role of Seon A, a testament to her stage experience indeed. The child actors are also deserving of praise, especially Ki Eun Yoo as Jang Yi Jun.

The drama features 8 OSTs, the most prominent being its upbeat main theme, Beautiful Sunday which reflects the overall tone of the production. The rest of the soundtrack consists of slow-tempo love ballads.

로맨틱 선데이 Romantic Sunday by Car the Garden 카더가든
어느 햇살 좋은 날 One Sunny Day by Kassy 케이시
My Romance by CHEEZE 치즈
바람 Wish by Choi Yu Ree 최유리
빛이 되어줘 Be the Light by Kim Jae Hwan 김재환
내 기억 속에 남아 있는 그대 모습은 The Image of You (Remains in My Memory) by Sandeul 산들 of B1A4
Here Always by Seungmin 승민 of Stray Kids
행복했으면 좋겠어 I Hope You're Happy by Lee Sang Yi 이상이

HomeCha is generally an easy and relaxing watch that provides sufficient heartwarming and entertaining moments to fill the weekend and in between more serious or darker dramas in the watch list, which was exactly what I did. The story did take a brief detour through a slightly melodramatic and angsty arc, but eventually everything worked out to deliver a much needed HEA ending for everyone involved.

Leggi di Più

Weak writing and surface-level characterizations

I enjoy deep, meaningful slice of life interactions such as those in When The Camellia Blooms, Hospital Playlist, and Because This Is My First Life. In comparison, Hometown Cha-Cha-Cha was a failed attempt. The script was written without the use of metaphors or stories, only direct, curt lines that are delivered as if spoken by an immature teen. There is zero wit, description, or complexity, which is the whole point of character-driven dramas. The only breath of fresh air was the backdrop of the beautiful seaside town of Pohang, which provided a light, airy feeling to each camera shot.

The directing and writing suffers from flawed execution. Either the cheese factor is overdone and cringey, or an unnatural indifference washes over the characters. For instance, when someone is in tears and pain, the other character just watches them in silence for five seconds before any kind of touch happens and even then, it's the type of pat you give someone who dropped their ice cream, not when there is actual trauma. Characters respond with trivial lines that sound something like, "It will be OK," and that's it. There are no further connections, words of wisdom, or stories shared in those meaningful moments. Characters are robbed of the chance to show how they are feeling, how they have grown, or how they are affected by what is going on. We are left to wonder what else they are thinking in their heads.

The lack of characterization also affects the story itself. The plot challenges in the first 3/4 of the show feel trivial because of the lack of follow-through on character growth and reflection. Even serious issues are glossed over and cut short. It isn't until the last few episodes that the writer suddenly decides to explore dramatic back stories and character development. The time in the first part of the show is wasted.

The actors try hard, but I bet even they were cringing at the script. Shin Min Ah plays Hye Jin as your classic cool-but-conceited woman, which could have worked had we actually been shown her inner thoughts and transformations. However, I like that in this role and others, she plays a smart person as opposed to a damsel in distress. Kim Seon Ho as Doo Shik comes across as overly breezy, hollow, and idealistic for far too much of the story, until the end bits. When we finally learn about his past, the weak script and characterization lets us down once again with more meaningless, "It will be OK,"*pat*pat* lines. I enjoyed Lee Sang Yi as the TV producer. He brought charisma and energy to his flat character. I liked that both male leads were good people. Finally, a shout-out goes to supporting actors In Gyo Jin as the bumbling District Head, and his strong, kind ex-wife played by Lee Bong Ryun. Of all the characters, they had the greatest number of heartfelt, meaningful interactions. The rest of the townspeople were one dimensional or just plain annoying. What a shame that this was the case.

In the end, Hometown Cha-Cha-Cha paints with hollow, cringey, sepia-sweet colors to create nothing more than a postcard with no message. Although the actors tried to deliver, the writing, directing, and lack of characterization ruined its potential.

Leggi di Più