psicopatia condivisa
disturbante è dire poco. scenografia, personaggi, musica tutto. ogni profonda repulsione della mente umana qui la si percepisce benissimo. l'ansia e la claustrofobia vengono condivise benissimo con noi dall'altra parte dello schermo.lee dong wook incarna in tutti i sensi lo stereotipo del bello e maledetto.
im si wan eccellente nello sviluppo psicologico del personaggio.
un plauso per la location. fa davvero davvero ribrezzo, l'ajumma al wellcome desk non mi avrebbe cmq invogliata ad affittare una stanza.
se vi piace il genere è assolutamente da guardare.
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Purtroppo non mantiene fino in fondo quello che promette all’inizio
Devo ammetterlo: i primi episodi mi hanno scioccato e irrimediabilmente catturato.
L’atmosfera cupa, pesante, claustrofobica, ossessiva e sporca incatena lo spettatore che non decida di scappare subito a game levate. Perché sì, la tentazione in principio c’è stata, quando ho temuto che mi si stesse guidando verso territori dove non avrei voluto andare. Ma, superato il momento, la storia si dipana ineluttabile e allo spettatore ignaro o preavvisato non resta che assistervi.
L’inferno è l’assenza del diavolo che ci aveva tentati, avrei detto io, probabilmente sbagliando. La tesi che propugna questa serie è che l’inferno siano gli altri, intesi come il nostro prossimo che ci rende la vita un inferno, o il cui sguardo ci costringe entro una gabbia in cui non avremmo mai creduto di voler e poter entrare. E rimanere. I riferimenti letterari, a partire dalle Metamorfosi di Kafka, si sprecano e diventano motivo e pretesto per il pesante sotto testo psicologico che, più delle scene sanguinolente, forma l’ossatura di questo drama.
Il giovane campagnolo Jong Woo viene a Seul, dove un vecchio compagno di scuola gli ha trovato un lavoretto alle sue dipendenze. La vita è molto più cara che a casa e il nostro troverà alloggio solo in un ostello semi fatiscente di periferia, abitato da una serie di inquietanti personaggi, la maggior parte dei quali pare afflitta da tare o turbe mentali. Date a un animale una tana in cui sentirsi al sicuro e non proverà stress. Ma quando quella casa, oltre a essere sporca all’inverosimile e priva di comodità, è teatro di circostanze via via sempre più inquietanti e minacciose, dove potrà il nostro protagonista distogliere la mente dai suoi problemi? E non sono pochi: a casa è rimasto un fratello malato con la madre, la sua ragazza è talmente impegnata col lavoro da non avere tempo per lui, e in più non riconosce il disagio che la nuova sistemazione gli procura, il suo nuovo capo lo disprezza e non glielo manda a dire, e anche chi dovrebbe insegnargli il lavoro fa di tutto per ostacolarlo. Vogliamo dire che la sua vita è un inferno? E siamo appena agli inizi, perché presto diverse persone cominceranno a sparire dalla sua vista, ma non dalla nostra, che verrà resa immediatamente edotta della fine che han fatto.
La storia si svolge per la maggior parte nell’edificio cadente di cui sopra, dove gli inquilini vengono identificati col numero della stanza, e questo ostello di nome Eden (!) è terribilmente buio, vecchio e lurido. Le stanze sono minuscole, lerce, senza aerazione e con pochissima luce, e gli spazi comuni non sono molto meglio. In questa atmosfera opprimente si intuisce un fetore di umanità non solo sporca, ma anche malata, un fermentare di malvagità e perversioni assortite che ammorba il nuovo inquilino e lo spettatore afferrandolo fermamente alla gola. E in questo inferno Jong Woo si dibatterà come un pesce nella rete, incapace di fuggire o far prendere sul serio gli allarmi che lancia sulle stranezze del luogo. Solo una poliziotta di basso grado gli crederà, ma dovrà fare i conti coi ranghi superiori che rifiutano di indagare su quelle che credono sciocchezze.
L’atmosfera è solo una parte di ciò che rende questo drama indimenticabile. La parte del leone la fanno sicuramente gli attori.
Im Si Wan è decisamente il migliore nell’interpretare il protagonista principale Jong Woo. La sua è forse la parte più complessa, perché descrive la sua progressiva discesa all’inferno sia esteriore che interiore. Lo vediamo cambiare letteralmente di minuto in minuto, man mano che la pazzia che lo circonda pare avvolgerlo e risucchiarlo, mentre il viso e gli occhi riflettono irritazione, paura, paranoia, furia, lucida follia.
Lee Dong Wook interpreta Moon Jo, un inquietante dentista che pare sin da subito attirato dal protagonista il quale, dietro le sue attenzioni, non tarderà a discendere in una spirale di demenza sempre più stretta. Siamo abituati a vedere questo talentuoso attore in parti da commedia romantica, ma possiamo tranquillamente dire che ha superato l’esame anche per i ruoli da malvagio.
Gli attori che interpretano gli abitanti dell’ostello sono bravissimi nelle loro parti che descrivono una dis-umanità particolarmente sgradevole. Menzione particolare per la padrona di casa, apparentemente un’ottima cuoca, ma di cui è sconsigliato provare i piatti. Poliziotti, colleghi, tutti hanno fatto un lavoro egregio, che ha contribuito molto alla riuscita del titolo, in questo aiutati anche dalle musiche, per la maggior parte non particolarmente gradevoli, perché terribilmente affini alle scene che commentano. Ci sono però quattro belle canzoni e alcuni pezzi con cori decisamente disturbanti.
E’ un bene che la performance degli attori sia così valida, perché purtroppo la storia presenta diverse pecche ineludibili, a partire dalla scarsa credibilità che le vicende siano fatte proseguire fino alle estreme conseguenze, con pochissima ingerenza da parte delle autorità. Si ha la netta impressione che nessuno intervenga solo per poter lasciare agire indisturbati gli assassini, ci sono diverse circostanze non spiegate, ma questo sarebbe anche tollerabile se la storia procedesse con piglio deciso dal principio alla fine. Invece, come spesso accade, i tempi si dilatano a dismisura, le situazioni diventano ripetitive e ridondanti. Vero che i tempi lunghi contribuiscono a giustificare la discesa agli inferi del protagonista, ma comunque alcune puntate in meno – almeno due, o anche tre – sarebbero andate a beneficio della fruibilità. L’atmosfera e gli accadimenti sono già cupi e opprimenti, se ci si aggiunge lentezza sopraggiunge la noia. Sì, ci sono state alcune puntate di noia per saturazione che a un certo punto mi han fatto quasi lasciare la visione, ma fortunatamente ho perseverato e sono giunta fino alla fine, e ben contenta di averlo fatto.
E’ un drama con diverse pecche, come detto, ma un drama che lascia il segno. Riesce a farti sentire sporco dentro perché sposa la tesi che il diavolo sia già dentro di noi e che basti relativamente poco a farlo affiorare. E agire.
In chiusura, un amichevole avvertimento: se avete lo stomaco delicato, non guardatelo mangiando o dopo aver mangiato. Mi ringrazierete.
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It has proved my expectation completely wrong. Apparently many viewers would guess everything wrong from the very beginning and could base their judgement on mere heinous homicides committed by some callous serial murderers; however, it is beyond some grotesque serial murder cases.
The psychological aspect of the drama would hit anyone harder though there will be many questions which would be left unanswered as there are considerable number of loopholes in the story. Chill ran down my spine when the last scene was shown. Many things became clear like crystal.
This drama to my view is loosely based on the insecurity or complexities of a human mind depicted on the novel, The Metamorphosis written by Franz Kafka. After I studied a little about the pshycoanalysis of it many things got even clearer.
Firstly, a human behavior is largely dependent on their surroundings. Everyone has both sides - good and evil. Depending on the situation and the outside elements of the surrounding environment where a person constantly comes in contact, provokes him/her to act in a certain way which might lead to cognitive dissonance if being exposed to too much negativity for a longer time. In many cases they fail to understand why they are acting in a certain way they are acting or it ignites certain personalities in a human which was always hidden or his/her consciousness doesn’t allow them to express or reveal it. They cannot keep it hidden when faced with certain circumstances.
Secondly, different neurotic aspects such as anxiety, paranoia, schizophrenia which all sprouted from poverty, low income, low social status, unemployment and dissatisfactory life would also result a person become gradually hysteric or cynical. They would create a nuisance with simple issue which in the first place was never a grave issue to begin with. We all go through many phases in life where we think diabolically and imagine some gruesome thing to happen to the thing or person we abominate the most. Nevertheless we refrain from conducting such behavior due to our conscience. But what if we lose our self control or conscientiousness? Are we going to change into a devil then? “Strangers from Hell” is the literal portrayal of our intense inner negative thoughts.
The story might be unrealistic yet the caliginous psychological aspect is the reality within us which mostly goes unspoken. Human beings are the scariest – that was the main theme. Our mind always get stuck in the fact that some invisible being would scare the soul out of us but how dangerous human can be we forget many a times. No wonder the insanely eerie expressions and feeling every character of the studio exuded was utterly frightening.
The casts are in one word P H E N O M E N A L. Im Si Wan has done a tremendous job as if he has a Phd on acting. The way he walked, eat, breathe, his facial expression in every incident, in every encounter with his costars, his spooky laughter, each and every little act was beyond perfection. He deserves a best actor award in this year. His performance was above effortless and natural.
The OSTs are also excellent. All of them displayed the right mood set by the story.
I wanted to rate it 9.5 but I won’t because there are few terrible loopholes which weakens the story in certain part.
All in all it is spectacular. Watch till the end. You would not regret.
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A masterfully made drama about insanity
I wrote this review in response to the underwhelming attention this show was getting. As a serious movie and TV show addict, having seen literally 1000s of shows from around the world, trust me, this show is a master piece.Let me start of by saying, this show creeps me out, but in a way that leaves me wanting to know more. It isn't a supernatural horror show, but it sure feels like it. From the dark dingy rooms, to the close ups of the mad faces of the housemates, this show plunges the viewer into a world of madness the likes of which I have never experienced in a Korean drama before. I would dare say that some parts of the show remind me a little bit of 'The Shining', which is definitely high praise.
The acting quality by pretty much all the cast members are top notch, especially Im Si-wan, who literally nails every scene he is in, allowing viewers to relate to him and feel for him. Lee Dong‑wook also did a stellar job in breaking out of the stereotypical handsome guy roles, proving that he has what it takes to be a really f**cked up bad guy.
But I don't want to just praise the two leads, because each and every one of the tenants of Eden Studio performed wonderfully. It is their chemistry that left me in awe and made me want to keep coming back for more.
From a storytelling point of view, all the characters have interesting and distinct personalities that make you want to know more about their past and how they became the way they were. The pace is reasonably slow, but the fact that the show is only 10 episodes long made it a lot easier for viewers to stay interested. The plot is well spaced, though there are some loose ends that could have been tied up before the finale. Nonetheless, I was still left smiling when the show ended, even watching through the entire credit sequence (if you never do this, do it for this show, trust me).
But what truly hooked me was the music and cinematography. Part of the reason I enjoy Korean dramas is because of the masterful combination of music and video that one usually only sees in the theater. Well, this show featured a great combination of heavy music (both the rock and hip hop kind) that fit the dark theme of the movie. The cinematography is as expected from an OCN "Dramatic Cinema" show, very high end.
TLDR: I'll be honest, I was expecting a horror show with some jumpscares here and there. What I got was something far better than that. I got a show for true horror/thriller fans who want to experience claustrophobia and paranoia all in on go, and then just get their mind blown at the end.
Trust me, watch the show. You won't regret it.
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Wow just wow. I finished watching this drama within a day, and all I can say is wow. I'm a firm believer that all humans are innately bad which is the main theme for this drama. The portrayal in this drama might be over the top but it conveyed the message well.
The cast did an outstanding job in playing their characters. Especially, Lee Dongwook and Im Siwan. Their smiles were so cynical that it will give you the creeps. Also, I think it was my first time to feel nauseated by watching a scene. I think I won't be able to look at raw red meat the same way again.
In all honesty, I'm still speechless as I've only finished this drama less than 20 minutes ago and the thing that is really at the top of my mind is that I need to watch or read or hear something that will make me happy. I crave for happy thoughts. That's how dark this drama is.
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The creepiest, most disturbing, most terrifying study of the human mind!
Finally a drama made me write a review and this one deserves all the golden stars.The story keeps you constantly on the edge of your seat and keeps you guessing all the way through. The ominous atmosphere makes you feel like something terribly bad is going to happen any second. This drama studies human mind in such a terrifying and fascinating way.
Acting is top-notch! I checked this drama out purely because I love Lee Dong Wook and think he's the most beautiful man alive but I'd never seen this side of him before and I'm so glad I have now. This became my new favorite roll of his. All the actors in this drama knocked it out of the park.
The OST fits perfectly and even though I prefer OST pt. 1 by The Rose, I truly love and enjoy all the four songs.
Strangers from Hell is in my opinion a perfect gateway drug into dramaland for any lover of true crime or creepy psychological stuff in general. WE NEED MORE DRAMAS LIKE THIS!
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Its a must watch for any psychological enthusiasts. Its littered with subliminal messages and symbolises throughout.
Story: First of, the story is absolutely flawless. Watching the main character slowly descend into the depths of madness as his deranged compulsions are motivated by the main villian. The writing here is insanely well done.
The show isnt over indulgent nor is it pretentious. All the set pieces are handled perfectly.
The ending aswell, without any spoilers, leaves much upto viewer interpretation. Many conclusions are feasible with this open ended plot.
Soundtrack: The soundtrack, nothing short of perfect. Its immersive, with theme sending shivers down my spine days after finishing the show. It fits perfectly with the eerie paranomical style of the movie.
Acting: The actors absolutely killed it. Lee Dong Wook nailed his role as the psychopathic serial killer, and i would expect nothing else from the highly acclaimed actor. But the one who shines the most here is the mc, Im Shi Wan. His potrayal of a man at the brink of insanity, while being reserved and submissive is oscar worthy.
The whole cast overall did an extremely good job here. All played their roles really well, and I dont think anyone else but them could've executed it better.
Directing/Visuals: Another aspect where Strangers From Hell shows excellence. All the scenes, be it the outdoors or inside the residence where shot with alot of care no doubt. Especially with the frequent use of tracking shots and well placed cuts, the momentum is never lost.
Overall, Stranger From Hell is masterclass in storytelling. With a solid soundtrack and a wonderful cast, it is nothing short of a masterpiece.
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It was captivating early on and they paid attention to details with the environment which is key. The acting was fantastic for almost all of the actors, especially for Lee Dong Wook's character, as he was very believable in his charismatic role. And while it wasn't overly gory, let's just say munching on snacks was fine but I didn't choose to eat a hearty meal while watching this.
Although it was only ten episodes, it felt longer. Not because scenes were dragged on, but because some of the episodes just didn't add much depth. They did provide some background on the residents but not enough to empathize much with anyone. It barely touches the complexity of a human mind and it doesn't take you through the journey of how everyone became who they are. Because of this, the ending felt rushed and it didn't trigger much emotions.
Nevertheless, I still quite enjoyed it for its suspense and those strange residents no one should ever have to live with.
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Marshmallow-Chocoholic
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A Journey Into The Hellish Depths of Horror And Loneliness...
There’s no denying that Strangers From Hell is possibly one of the few and most disturbing psychological dramas that South-Korea has ever produced to date with actual investment and creativity over scenes and lighting, as well as quite bloodthirsty scenes in later episodes.Based upon the eponymous webtoon, Strangers From Hell’s title and concept is taken from a very famous play, No Exit ( 1944)by a French existentialist called Jean Paul Sartre. The play focuses upon three people who are trapped in “ Hell” which exits as a single room, and as they grow gradually sickened by the torment of one another’s company, one of the individuals realises on stage that “ Hell is other people”.
Yet Strangers From Hell isn’t a drama about three individuals stuck in one room. Instead, it is rather a focus upon our main lead Yoon Jong- Woo ( Im Siwan)’s gradual descent into madness after moving into the mysterious Eden Complex in Seoul; a cheap apartment with creepy residents and in particular, falling into the mysterious trap of the charismatic psychopath Seo Moon- Jo ( Lee Dong Wook) . Whilst not unexpected due to Im Siwan’s previous roles , it was certainty a surprising shift since his renowned role in the slice of life and business drama Misaeng, to see Im Siwan tackle a darker and more disturbing role in a psychological horror drama. Undeniably Im Siwan was brilliant within portraying the very slow mental decay of his character by the show exposing dark revelations of Jong- Woo’s past. This role was parallel to the surprising choice of typically typecast romance drama actor Dong Wook , who undeniably went beyond expectations within portraying the sheer complexity and charisma of his psychopathic role as Moon- Jo.
On the other hand, it can’t be sugarcoated that Strangers From Hell’s pacing could have been quicker or the episode lengths reduced. This isn’t to say that the show should have been constantly bloodthirsty or violent as it was part of the suspense to feel unease at what would happen next to our tragic lead, however, by the midway point ( before the ending), the drama often felt a little dragging upon focusing on one element of the story at a time. There’s obviously nothing wrong with doing this, but thus did mean there were a couple of really nuanced plot inconsistencies which were left out ( such as security cameras, suspensions and criminal records) which would have added more realism to some of the tackled scenarios.
Yet despite this, the one element of the show which must be given full praise for ( in addition to the fairly good OST, with The Rose track Strangers adding to the eeriness of the drama) , was the creativity behind the scenes and lighting. There was nothing glamourised nor glossy about the image of the apartment complex or even Jong- Woo’s workplace. It was eerily drab; adding to a later epiphany for viewers that Jong- Woo’s true hell began even before moving into the apartment complex in his hellish everyday life . ( E.g. his “ busy” girlfriend who dismisses his ridiculous claims about the residents and is nearly always at work, his arrogant old friend and boss who constantly undermines him as being worthless, his haughty colleagues as well as his fellow cadets during his time in the army ).
The finale of Strangers From Hell was certainly a surprisingly one, yet nonetheless fitting for its genre and deeper intrinsic philosophical questions of our main lead’s Hellish experiences. Whilst the drama was flawed by certain aspects of pacing and plot inconsistencies, the cast helped to realistically flesh out the characters on screen through their performances, the story was certainly intriguing and disturbing of a man just pushed too far by his experiences and it was overall a very good Psychological - Horror. It is easy to see why this show has earned its status as a cult-classic , and certainly worth a watch.
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First of all, I did not expect this drama to turn out the way it did. I guess I expected more philosophical, light musings on human nature and less gore? But it still turned out pretty well. THINGS I DIDN'T LIKE:
I think what bothered me the most through every episode was this feeling that something was lacking. I can pinpoint it down to the cinematography and the camera angles at times, as well as this feeling that the producers didn't want us to take this drama too seriously.
For example, the scene where the camera revolves 360 degrees around Jong Woo and Mun Jo looked like bad CGI and just took out the enjoyment of it. This kind of revolving happened 2 or 3 times and was off putting. The scenes with the pervert confronting Jong Woo or vice versa were kinda disappointing after the first time.
The story itself felt outrageous at times, as if the writers had deliberately aimed at shattering any suspension of disbelief the viewers might entertain. I mean, the building owner Bok Soon has a history of odd deaths all around her and nobody found it suspicious except the lone local policewoman? A detective goes missing and nobody blinks an eye? People (like the reporter) get killed or kidnapped in broad daylight or in busy places and no witnesses? There are other buildings around Eden Studio, and no still no one sees anything? What about that church lady? What happened to her? What about that other lady who made predictions? Did she die? I was also surprised when Jong Woo didn't notice the other twin go missing (also dead). It really bothered me when no one asked after the other twin.
I wanted Mun Jo to have some real background, and the lone twin as well. All characters except Im Si Wan's felt one dimensional, perhaps because there's only ten episodes.
THINGS I LIKED:
The ACTING OH WOW! Im Si Wan has outdone himself, and Lee Dong Wook as well. I utterly fell in love with Im Si Wan's facial expressions and his inner struggle that one could see in his eyes. I loved the creepy smiles he threw in episodes and the times he would break down and look like a baby about to cry. I thoroughly enjoyed Lee Dong Wook's expressions, the curve of his lips, the death and mirth in his eyes. The creepy pervert guy and the sniggering twin were also portrayed extremely well.
The psychological and philosophical angle of the story was very good. The drama shows us various kinds of 'good' and 'bad' and how these often blend or tend to make little hierarchies in our minds. For example, the bullying that Jong Woo's girlfriend and Jong Woo himself faced at the office was done in these civilized, professional environments but caused a lot of emotional damage to the victims. How is it any better than physically hurting or killing people? Can emotional trauma be taken less seriously than physical trauma? Especially if the former leads to the latter? I liked how the drama showed that nobody took Jong Woo's distress seriously, and he never truly sought professional help for what went down in his army days. All the little things added up like dominos and led to the eventual end that the drama came to. I also liked the hints towards Kafka's Metamorphosis: a person dedicates his whole life working and working and working, and yet is treated like trash in the end. Jong Woo and his girlfriend are prime examples of modern Korean (in face the modern world's) condition. You work your way to death, and you remain poor, unhappy, unappreciated and unloved, yet you're supposed to smile and bow and say 'thank you'. Gregor Samsa laid down and died when nobody wanted him around, but Jong Woo retaliated and fought back. Is Jong Woo really the bad guy?
For me, these deeper messages of the drama trump the complaints I had with it, and so the 8.5 rating.
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s t o r y :
the idea behind SFH is absolutely mind blowing! the concept of a person having to stay near dangerous people because they don't have any other choice was done many times before, but this is the first time i'm seeing this kind of take on it. the way this drama shows the dark and sinister sides of people left me obsessed and i ESPECIALLY like all of the subtle hints and metaphors that were dropped each episode. (slight spoiler; i immediately realized what moon jo's goal was when they showed him reading metamorphosis) and i hope to see even more hints when i re-watch the show. there were a few plot holes that bothered me regarding the landlady but i won't get into the spoilers. all in all, i really enjoyed the story and i think it was amazingly done.
a c t i n g / c a s t :
the acting is what i liked the most in this show because it was absolutely legendary. from the facial expressions, the tone in a voice, mannerisms and the looks in their eyes, i absolutely loved the cast work in SFH. at moments, the actors made scenes so real and i could feel the fear in the atmosphere. especially pointing out seo moon jo's absolutely horrendous facial expressions that left my blood run cold. i didn't really like the girlfriend's acting though. even for someone who is portraying a ''normal'' character, she just kinda seemed detached from the story. (and i'm definitely not hating on her, i think she could do a really good job in another genre, but horror doesn't really suit her)
c h a r a c t e r s :
i hated ji eun. she was just a trashy girlfirend who ignored every red flag she was presented with and would play the victim for having a hard job.
i really enjoyed jung woo and the way his character morphed throughout the story and slowly fell into the mindset we saw when the show ended. seo moon jo is a special case too, he managed to creep the shit out of me but make me love him at the same time and i admittedly shipped the two just a little. the twins, the pervert and ofc the landlady were really fckn creepy and memorable. kang sun won and so jung hwa were my precious babies of the show, and i pretty much hated all the background characters.
m u s i c :
i rated this lower because i'm salty that the official OST is literally just 4 songs.
although it doesn't even last 15 minutes, i really liked the edgy vibes it gave off. my favorite is definitely the rose - strangers and room no. 303. check them out even if you decide not to watch this drama. you won't regret it!
!! s p o i l e r a r e a !! (the little details i enjoyed)
a) ''honey'' need i say more
b) how does that hole in the wall even work?
c) when bok-soon was picking what knife she'll use in episode 10, they literally only censored the knife she chose. it was so fucking hilarious because you get this huge row of knives and a blur in the middle
d) cleaning dust, jung woo edition.
e) the meat-
f) yall remember when kang sun asked about why moon jo wears long sleeves in the summer, and he responded he has a scar to cover? am i just dumb or did they just never elaborate on that? i really wanna know more about that so if anyone knows please tell me!
--
all in all, i really liked it (duh) just remember that if you watch it on netflix, moonjo isn't saying ''babe'' - he's saying ''honey'' literally wtf is that translation-
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And all wrapped up in an excellent horror show that ups the fear & creep factor to eleven using clever directing, music but especially character work. Every actor here is excellent and whilst Im Siwan & Lee Dong Wook are the obvious stars, the supporting cast are all so real and well portrayed that you'll completely fall into the show from the moment it starts.
I dare anyone not to binge watch, it's impossible! And at 10 episodes it's tightly plotted too with it never suffering the kdrama problem of having a slow middle. Then again, whilst I wouldn't say the middle was slow, I did find myself a little bored through certain scenes in the first half. Maybe I wasn't emotionally attached enough or maybe I was just waiting for the set-pieces to arrive.
Overall though every episode left me running to watch the next one and watching the whole thing was as frustrating & heartbreaking as it was fascinating & captivating.
Highly recommend for lovers of horror, crime & dark shows. Also for anyone who loves shows that are a little deeper or heavier with heaps of symbolism and clever writing thrown in.
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