The Great King, Sejong (2008)

If the wild historical liberties of fusion sageuk are grating on you, The Great King Sejong is a refreshing alternative. Hewing relatively closely to fact, it generates its dramatic power through complex characterizations and thoughtful explorations of moral quandaries. Sejong’s reign may have been lauded precisely for its lack of drama, but the writers find plenty of conflict to build engaging story lines around, as they explore the challenges of ruling with benevolence rather than terror. They do an excellent job exploring how political systems stymie or support progress, as they build a compelling argument for governing to the better angels of our nature. That being said, this is not a fast show to watch. There are no love triangles, gorgeous warriors with great hair, gravity defying ninja moves, or epic cliffhangers. Many of the best acted and most intriguing characters are the various grey-haired ministers in their matching robes and odd hats, who for once are given compelling personalities instead of serving as indistinguishable agents of repression.

The first half of the show is particularly strong, in part due to outstanding performances by Kim Young Chul as Taejong and Choi Myung Gil as his embittered queen. Taejong may be monstrous, but he’s also powerfully human, and the show loses some of its spark when he exits the scene. The second half is weaker, perhaps because the series was cut down from 100 episodes to 86. This causes pacing issues, as some events are rushed through while drawn-out moments of pathos feel unearned due to a lack of dramatic set-up. Subplots get dropped and major characters disappear without acknowledgment or comment. It also means that Sejong comes off as far more serious than perhaps he was, as the show leaves out such “frivolous” elements of his life as his love of music and his passionate relationships with his concubines. In general, the show is more comfortable in the elegiac than the celebratory mode, but its tendency to emphasize loss sometimes deflects attention from just how extraordinary Sejong’s achievements were. It may be difficult to do great things, but there is great joy in such success as well.

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Highly recommend to watch Jeong Do Jeon 2014 before watching this drama even though it was released 5 years later than this drama but it is a prequel and provide more back story and context to this show.

What I like:
The story for most part is very well written, most the episodes are intense and engaging. The characters are complex and multidimensional, you know each (whether it is main or side) character's motivation and personalities through their actions (for most part, I'll talk about further why I had some problem with the characters as well). The story cause me to think about my own life, without getting into spoilers, I think the show has a lot to do with power, our perception of power, especially as human how we view ourselves, how we should be treated like what we think we deserve, it is very interesting to see all the characters struggle for power.

Acting here are excellent all around whether it is main or side characters, children or teenage or adult actors I sometimes forget they are acting, whether it's emotional scenes or scenes whereby characters are talking to each other.

Music is beautiful in my option and fits well into the scenes.

The problems I had:
I think the biggest problem for me is the focus on the main character and side characters are not very well balanced, the side characters' stories while interesting they take up a lot of screen time as compared to the main character King Sejong, his name is the title of this show and he only appears 40-50% of the screen time most of the episodes while the rest of the screen time are side characters. I feel there are parts of story missing such as certain characters just disappeared from the show without explanation. The last quarter (70+ to end) wasn't as strong as the rest of the show, I find the characters keep repeating themselves, complex characters suddenly become one-note. The last episode also felt abruptly ended. There are some episodes that has its tropes and melodrama.

For the acting, I find the actor playing Jang Yeong Shil is kind of wooden at times, the character's romance also felt forced and the couple has no chemistry with each other.

Overall I would recommend to those who are into political thriller, concern with good storytelling, good dialogue and like to see faithful adaptation to the real history.

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The G.O.A.T of all TV series.

The best Television show from any country, at any time , in any genre. Amazingly written and directed, superbly acted by a terrific cast (1 exception) and done in a way that makes 86 episodes fly by. I was saddened when the series ended.

You won't regret watching it, and will learn a lot of history as well. The one casting error (actor playing Young-Sil was a bit wooden and seemed out of place) would be corrected in the follow-on "Jang Young-Sil" series, featuring some of the original cast of GKS.

I only wish they would have made something as worthy since.

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Overall, highly recommended.

First, about the music: 86 Episodes and only great two songs to take away from it? Not good enough. Admittedly, the two songs are wonderful - just wish there had been more of the same quality; suitable for replay.

That said, I can't understate how important this story is to watch - regardless its execution. The story is well executed overall, but it's unfortunate that its focus was almost exclusively on weapons and agricultural inventions that caused conflict with the great Ming. I would also have liked to see Sejong writing the books he wrote; writing (and/or collaborating on) the songs he wrote; or at least a few nods toward his other achievements that combined to make him truly Great. It's a shame the creation-of -hangeul part of the story was left until nearly the end, but I don't think the importance of its creation was glossed over as a result. It was clearly the crowning achievement.

Personally, I think it was a good call to leave interactions with concubines out of the story, since there was so much more substantive historical content to represent.

True to character issues: A bright and brilliant as Sejong clearly was - how did it take him until 3 episodes before the end of the story to figure out that Choi Manli - and his minions - were mostly just acting on petty greed by the prospect of ordinary people having skills they wanted to own for themselves. We all knew that very soon after the idea of a new writing system was introduced. Surely, Sejong would have discussed this with Manli and discovered that sooner. Poetic license, I guess.

The Choi Manli objection storyline was overplayed, and could have been kept to 3 episodes; time which could have gone to filling out Sejong's character to include the writing and music composition.

Still - it's an important watch for anyone who is interested in Korean History - and I still highly recommend it to everyone!

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Not so great of a king...

How to fill 86 episodes story? Shove a ridiculous amount of side stories while giving little to no attention to the story of the king! The king often felt like a side characters until he gets his moments every once in a while. These side stories were abysmal to follow through, they don't really contribute much to the drama and the characters involved in them usually disappear after that. Also, somehow they all had the same ending/conclusion, what even is the point?! This is the worst tale of a king I've seen, even when the king gets his moments it doesn't do a good job showing what made him a great king. Being soft and goodhearted isn't enough to convince us. It's mentioned in the synopsis that he invented Hangul, although that was the only interesting subplot but it didn't happen until the last few episodes. In contrast, the beginning of the drama with the king's childhood was the weakest and the worst part of the drama. The drama is extremely rough for what it had to offer.

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