both has a similar story with a poor girl completing tasks in order to earn money by living under the same roof as a group of brothers who are potential heirs of a rich man. Even the first task of making all of the brothers/cousins to eat together as a family is similar. Both has the girl having a mysterious background which will be revealed towards the end of the drama. The Korean version is more drama with some comedy while the Japanese version is more comedy than drama.
In both dramas, Horikita Maki plays a tough girl who suddenly finds herself in an all boys' environment and slowly gains the boys' love and respect. Both dramas have 'over-the-top' humor and episodic structure. Both are friendship oriented with a bit of cute romance thrown in. Both have a powerful moral. Basically, the feel of these two dramas is extremely similar and if you liked one, you will probably like the other.
The story are completely different but both drama have the same type of humor, rather off the wall. They are just hilarious (well you like it or you hate it).
Both a reverse harems. The girls are surrounded by hot guys. To put it short, in both dramas, the girls are faced with a dilemma and in order to overcome it, the guys help her in their own way if they can.
Both centre around family- both stories centre around changes in the family and creating stronger bonds!
19-year-old beautiful Shiratori Reiko is a self-professed ultimate princess. Despite her haughty attitude, she is actually a very late bloomer and knows nothing of the real world. Reiko has had feelings for Akimoto Tetsuya since childhood, but her enormous pride always gets in the way, and she cannot tell him in all honesty that she is in love with him.
Tetsuya soon becomes a university student, and Reiko follows him to Tokyo. But he is constantly at the mercy of her overly unique sensibilities. Then Tetsuya’s ex-girlfriend, a cute high school girl, the wealthy Yoshimoto Ryunosuke, who has fallen in love at first sight with Reiko and Reiko’s rival, Kakitsubata Ayame, appears before the two of them.
Tetsuya soon becomes a university student, and Reiko follows him to Tokyo. But he is constantly at the mercy of her overly unique sensibilities. Then Tetsuya’s ex-girlfriend, a cute high school girl, the wealthy Yoshimoto Ryunosuke, who has fallen in love at first sight with Reiko and Reiko’s rival, Kakitsubata Ayame, appears before the two of them.
19-year-old beautiful Shiratori Reiko is a self-professed ultimate princess. Despite her haughty attitude, she is actually a very late bloomer and knows nothing of the real world. Reiko has had feelings for Akimoto Tetsuya since childhood, but her enormous pride always gets in the way, and she cannot tell him in all honesty that she is in love with him.
Tetsuya soon becomes a university student, and Reiko follows him to Tokyo. But he is constantly at the mercy of her overly unique sensibilities. Then Tetsuya’s ex-girlfriend, a cute high school girl, the wealthy Yoshimoto Ryunosuke, who has fallen in love at first sight with Reiko and Reiko’s rival, Kakitsubata Ayame, appears before the two of them.
Tetsuya soon becomes a university student, and Reiko follows him to Tokyo. But he is constantly at the mercy of her overly unique sensibilities. Then Tetsuya’s ex-girlfriend, a cute high school girl, the wealthy Yoshimoto Ryunosuke, who has fallen in love at first sight with Reiko and Reiko’s rival, Kakitsubata Ayame, appears before the two of them.
Xia Le Di was an arrogant, self-absorbed socialite before her father's bankruptcy left her penniless. She believed that it happened because his competitor stole "Mona Lisa," a revolutionary makeup technology that his company developed. She vowed to get it back. She went undercover at JEALOUS, the rival company, working as an assistant to Chang Yu Jie, the heartless operation manager/lead makeup artist. While she focused her investigation on him, her romantic interest wandered to his charming half-brother Chang Shao Feng. But unbeknownst to her, the half-brother was the real culprit behind the theft.
