Kimi Wa Petto (2017)

Ecco una nuova trasposizione live action per il manga "Sei il mio cucciolo" di Yayoi Ogawa.
La trama è sempre quella: Sumire, affascinante e apparentemente fredda donna in carriera, tornando a casa trova una scatola con dentro un giovane ragazzo che in cambio di vitto e alloggio accetterà di fare la parte del cucciolo.
Adoro questa storia e ho amato vedere vari rifacimenti anche diversi fra loro; ognuno di questi ha dei lati positivi che ho apprezzato. Questo drama essendo composto da sedici episodi ha dato ancora più spazio a tutte le avventure vissute da Sumire e Momo.

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I could write a novel to compare how this adaptation succeded and failed! But because this is a review and not an analysis I'll try to be as brief and fair as possible.

This is what I call the Disney version of KWP! They took the core storyline and characters but repackaged it to satisfy a broader demographic. That's not a bad thing if you like cute romantic comedies with a hint of salaciousness and happy ending! The concept of KWP is unique in itself it's interesting and satisfying. However, if you are a fan of the original manga or original series you might be disappointed at the loss of the story's hard edges.

By softening the characters it actually made the relationship between Sumire and Takeshi "Momo" feel less passionate and dynamic. It also made their growth as individuals feel less dramatic. Without those rough and uncomfortable moments you lose much of the stories impact about intolerance from social/moral/gender expectations. That probably isn't a big deal to most but if you really enjoy those wtf elements (I call it rollercoaster euphoria) from the more mature storyline then you probably won't be fully satisfied with this latest adaptation!

The acting was fine. No one in this drama stood out to me as spectacular but they were adequate. If I had one gripe it would be Iriyama Noriko startled/deer-in-headlights look that I assume is supposed to represent nervous insecurity? I'll be nice though because it seems to work with this adaptations Sumire.  But nitpicky me really wanted that composed and confident public facade in the original. The same with Takeshi "Momo" he was too adorable to the point of being childish vs Man-child. But again it feels appropriate for this version.

Nothing to add on music though the introduction was nice.

Overall rated good, but without the original uncomfortable mature situations it's nothing special. I might watch this again because I love the KWP storyline but I'm not emotionally attached to this version

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