Battle Royale (2000)

Though I heard of this movie since I was in primary school I never actually watched it until today. Battle Royal is not just a movie, it's an existencial question: when the only rule is "to kill or be killed" ,what is the human being capable of doing? how will he behave?


STORY: The storyline is pretty simple and I even thought there were some "holes" in it but -as I said before- the -frightening- existencial question behind it draws the viewer's attention and makes him wonder "what if...".

ACTING/CAST: The acting is pretty average but it's actually a good thing because if the actors had acted too well the movie would have been unbearable to watch (I still shiver when I think of the delirious smile of the students-turned-crazy-murderers).

MUSIC: What I liked the more about the music isn't the music itself but its use. Classical music when used in a movie/series about normal-people-turning-cray-because-they-have-to-face-death adds something twisted/dark/cynical to it. The use of the slow, peaceful and beautiful music contrasts with what is happening and helps build this almost suffacating athmosphere.

REWATCH VALUE: I don't think this movie could be watched on a daily basis "just for fun". Like I said, the movie in itself isn't that good but it's this question behind it.

OVERALL: The movie is definitely a must-watch (except if you are already a freaking murderer or murderer-to-be). Points of view may differ but I believe the "best" part of it all isn't the blood and the killing but the way each character faced this bloody game and thus it makes us reflect on us.

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Controversial, Bloodthirsty Yet Classic…

Filmed by the late and venerable director Kinji Fukasaku ‘ Battle Royale’ sadly marked the director’s final film before his death but is unsurprisingly highly-regarded as Fukasaku’s magnum opus.

The “ fight-for-survival” genre in films and productions has long been held accountable through the success in Western literature and media. However ‘ Battle Royale’ has long been held accountable amongst Asian-movie enthusiasts as a classic modern game-changer to the genre and whilst often lesser-known against more recent productions, the drama’s legacy has notably lived on across popular culture as an ultra-violent social and sardonic satire upon teens, Japanese society and the widening romantic ideologies of violence in popular culture.

The movie imagines an alternate-future where Japan’s judicial system and government have broken down and delinquency amongst youths runs rampant. In an attempt to pass Draconian judgement upon the new generation the Japanese government puts into law the Battle Royale Act : a piece of legislation which means that a nominated group of young people are forcibly marooned together on an island, and forced to kill each other until one survivor is left.

In the current events of the movie reoccurring main lead bitter and spiteful teacher Kitano ( Beat Takeshi) nominates his class for their acts of disobedience by skipping lessons- explaining the rules and sending the bewildered teens out into the wild of the island as he watches gleefully from afar as the teens begin to grow nastily animalistic as cliches fall apart and distrust runs rife.

The bloodthirsty violence of the movie had admittedly remained a great divide for viewers with some perturbed by the explicit scenes of massacres and blood amongst a main cast of predominantly teenagers ( sans Takeshi and
Ando Masanobu) whilst others may note a form of wry satire by the director against his own personal experiences during childhood as well as intertwined with masterfully-stunning scenes and shots.

There’s a wide range of different characters in addition to Kitano throughout the film; our reoccurring main lead
Shuya Nanahara ( Tatsuya Fujiwara) who remains strongly morally-guided throughout the movie by promising to protect his deceased friend Yoshitoki crush and his classmate Noriko Nakagawa ( Aki Maeda) ; a reserved and good student who was often a prime victim of bullying in her class, Shogo Kawada ( Taro Yamamoto) - the ragtag and gruff transfer student alongside the antagonistic drive of sociopath Kazuo Kiriyama ( Masanobu Ando) and dysfunctional classmate Mitsuko Souma( Ko Shibasaki) play pivotal roles throughout the storyline.


Admittedly whilst the opening brought a proficient introduction to our main players and the world-building of the series where delirium and fear plague the teens during their descent into moral decadence, the main- climax of the movie could often lack proficiency. Whilst the duration length and pacy storyline had to maintain more subtle backstories and revelations the movie could often lead some key characters towards feeling less-developed than others and sometimes less engaged at times in the tales of friendships, betrayals, attractions, crushes and unrequited loved which emerge in the blood battle.

However the entirety of the movie can be often to be cited as not merely just a satire but a metaphor toward the painful and anguished experiences of youth which is brilliantly brought to life by the spine-tingling soundtrack of the series ( which is most notably reciprocated in recent films and productions as a homage to the film.) The ending of the movie is initially divisive but does offer contemplation for viewers. Overall a classic movie which whilst not for the faint hearted is powerful.

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