Hero (2010)

Will This Movie Serve As Your ‘ Hero’?

Kim Hong Ik attempted to ride off the coattails of the crazed vampire genre phenomenon during the early 2010s with ‘ Hero’; an intriguing but sporadic and low-budget vampire flick which will likely intrigue and unintentionally amuse viewers of equal measure.

The plot revolved mainly around underdog high school student Shim-dan (Kim Hyung-Gyu). Together with his best friend Eun-seok (Han Jeong-woo) , the duo are often tormented by relentless bully Cheol-seung (Kwak Min-ho). Nevertheless Shim- Dan has found salvation from his daily torture by trying to avoid Cheol-Seong wherever possible. Instead the main lead spends time watching his secret crush Mi-ah (Lee Da-in) ; too scared to approach her directly and often watching her from afar out of intrigue .

However Shim-Dan’s ordinary school life soon takes a different turn. One evening he ends up attempting to rescue a drunk girl Yoo-ri (Han Ye-won) from being assaulted only to discover she is a vampire. Rather than killing him Yoo-Ri decided to spare his life by turning him into a vampire also. Desperately trying to hide his newfound physical changes and abilities from his classmates , Shim-Dan’s secret becomes harder to keep after the transfer of Yoo-ri as a teacher at the school.

The acting in the series could admittedly be a mixed-bag. The main cast undeniably had natural onscreen chemistry together. However line deliverances could admittedly differ between scenes also.

Kim Hong Ik’s ‘ Hero’ is a vampire movie evidently aimed at a younger audience. Graphic violence and blood is rarely exposed in the series and thematic themes surrounding everyday high school life certainly indicated towards the audience’s aimed age demographic. Nevertheless it is important to establish that ‘Hero’ was surprisingly not based upon lighthearted and soapy teen-angst either. The greatest drive of the movie was arguably served through the comedy; alternating at times between professional satire and amateurish jokes. However sadly the alternation between professionalism and amateurism could often be seen in the screenwriting also.

One of the greatest problems which arose in Kim Hong Ik’s movie could often be found through struggling to establish a concise plot goal from the outset. Perhaps if the movie had tempted to place an obtrusive focus on simply Shim- Dan’s new life as a vampire and his gradual romantic relationship with Mi-ah, ‘ Hero’ could’ve felt as though it had a direct and clear plot beginning, climactic build and resolution throughout the movie. However sadly this was not the case with the outcome for ‘ Hero’ ‘s depicted plot line.

Intriguing relationship builds initially introduced such as between Yoo-ri and Shim-Dan were often abandoned by the halfway point whilst potentially quintessential characters were often left hung up by abandoned subplots before the halfway point. As a consequence entire sequences and seemingly built up scenes were often awkwardly cut through or flitted to another scenario in an attempt to draw viewers’ attention to another storyline; often feeling like a diversion tactic to reduce focus upon loose plot ends.

By the ending of the movie it was evident that even the screenwriters were aware that the plot had been exhausted due to lacking foundations setup from the start towards plot drive. The “solution” was given by the screenwriter by the finale of the film: enter the generic vampire final boss. Whilst arguably this scenario was a desperate attempt to clutch at wrapping some loose plot ties up, the ending felt sporadic and rashly thrown together to raise tension. However rather than acting upon coherent logic, it was odd that somehow all of the quintessential characters of the film were put under one roof without h rhyme or reason towards truly coming together.

A consistent problem which became apparent in these final conflict scenes became apparent through poor fighting sequences; looking neither consistent or slick onscreen.

Of course it is wrong to entirely condemn ‘ Hero’ also. One of the greatest writing dynamics of the film came through the friendship between Shim-Dan and Eun-Seok. As the movie progressed and events shifted it became apparent towards the natural causes of division which would occur between the two friends.

In addition to this there’s also the relationship between Mi-ah and Shim-Dan. The chemistry between both of the main leads was dynamic and gradual. It could’ve admittedly have been built up more but it did add a touch of surprising authenticity towards a main lead who struggled with his bloodlust towards his crush. Even Mi-ah had her moments of added complexity at times in the movie with her home life revealing that she struggled with her own problems also.

Several plot holes aside there is the OST also. The chosen soundtrack isn’t inherently dire per say but considering the mood and tone set during scenes it could often feel mismatched against storyline and taking away the deliverance of emotion, when silence could’ve delivered a greater result at times also. In addition to this there’s the amalgamation of the quality of filming in the series; low-budget but sometimes cinematic and at other parts in the film, arbitrary and rushed scenes added before the final-cut gave an amateurish feel towards the delivered result.

Overall ‘ Hero’ proved to be an intriguing premise with a decent cast and ensemble of characters. Nevertheless whilst the film delivered a compact conclusion, the added touch of lacking to wrap up loose plot ends didn’t deliver a truly emotional finale to the film. Amateurish screenwriting combined with filmmaking created a haphazard film filled with unexplored potential; entertaining in a way but never truly possessing concise build or plot either.

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