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- Titolo Originale: ヒロイン失格
- Conosciuto Anche Come: No Longer Heroine , Hiroin Shikkaku , Heroine Shikkaku ,
- Sceneggiatore: Yoshida Erika
- Regista: Hanabusa Tsutomu
- Generi: Commedia, Romantico, Gioventù, Drama
Cast & Ringraziamenti
- Kiritani Mirei Ruolo Principale
- Yamazaki Kento Ruolo Principale
- Sakaguchi KentaroHiromitsu KosukeRuolo Principale
- Wagatsuma MiwakoAdachi Miho [Rita's girlfriend]Ruolo di Supporto
- Fukuda AyanoNakajima Kyoko [Hatori's best friend]Ruolo di Supporto
- Takeuchi Riki[Man of high school cafeteria]Ruolo di Supporto
Recensioni
The FL falls for someone who doesn't deserve her. Then she humiliates herself over and over again by confessing her love endlessly. And then when the supposedly ML decides to accept her as a girlfriend, she jumps right into his arms. Sad, very sad and demeaning to women. Loving unconditionally is romantic. What is not, is obsessing over someone who doesn't give a damn. We frown upon rivals who don't give up, even when their affections are unrequited. Then why do the writer expect us to cheer for a heroine that does that and doesn't really value herself as a human. Yes she is disqualified from beginning to end for her stupidity and shallowness.
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JapaneseDrama (over on Tumblr) was raving about this drama a few months ago so I decided to ditch my piles of homework and check it out. I didn't know too much going into it, but i was pleasantly surprised. Actually, I had pretty high expectations, but it was still a cute drama. The story was very very very typical, yet i still found myself on the edge of my seat, anticipating what's to come. The acting and characters are probably what won me over. Our protagonist was perfect! She's relatable, funny (facial expressions on point!) and all too kawaii. The SLS is very very intense in this one as well, and our second female lead was interesting and different. I COULD NOT STAND OUR MALE LEAD THOUGH. He was bland yet somehow super frustrating and confusing. I could go on and on ranting about him but i don't think he's worth the time. Though props on the cinematography.
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