Has everything except for the plot
I really loved the first few episodes — there wasn’t much of a plot but the “city girl escapes to the countryside” premise promises comfort and I definitely felt that. There was the overarching plot of Samdal’s career, the yearning of an exes-to-lovers romance, and the three sisters providing the family aspect — all of which I loved.
And then as the show went on it started to drag, and I found that there weren’t that much of the countryside vibes, and they introduced plots that were detrimental instead.
First there’s the love triangle, which is the most unnecessary part of the show, and I’m saying this as a love triangle trope defender. The love triangle where the second lead has zero shot, who the FL never once considers a potential love interest, and who has no plot other than the romance and standing in the shadows looking at the main couple steadily progress…we have to leave that behind because all it does is waste screentime.
And then there was the reason behind the main couple’s initial breakup: parental disapproval. It’s a common trope in kdramaland too, and one that I also think is really outdated and frustrating, especially for a drama like this where there’s really nothing else going on.
A third thing that got too much screentime was the gossipy old ladies, who were frustrating even if they weren’t completely horrible by the end.
In terms of the subplots, I think they started out strong but also fizzled out a little. The eldest sister’s romance with her ex-husband was really funny but I wish it was more serious at times rather than making it all so slapstick. The youngest sister’s romance and relationship with her daughter was the best part of the show, especially in connecting the theme of motherhood throughout the show. It’s a fantastic theme that I wish had a better throughline rather than coming in and out, because the mother-daughter scenes always hit really hard.
I also actually really like the focus on Samdal’s career and her adversary, and I wish it didn’t come so late in the show. I also wish they didn’t lean so much into one character being downright evil, and it doesn’t quite give you the satisfaction of karma getting her in the end due to lack of screentime. The plot line of Samdal rediscovering her love for her hometown and photography was really heartwarming still.
Another thing I wish got more screentime was the friend group. We had some at the start of the show when Samdal returned and some at the end when they were helping her, but overall the show leaned into the love triangle and other scenes instead and I felt like we never really got to feel how close they were the way we grow to love the friend groups in dramas like the Reply series.
Overall, it ends on a satisfying note and wraps things up in a neat little bow, but I feel like I didn’t quite get as many comforting vibes I wanted.
And then as the show went on it started to drag, and I found that there weren’t that much of the countryside vibes, and they introduced plots that were detrimental instead.
First there’s the love triangle, which is the most unnecessary part of the show, and I’m saying this as a love triangle trope defender. The love triangle where the second lead has zero shot, who the FL never once considers a potential love interest, and who has no plot other than the romance and standing in the shadows looking at the main couple steadily progress…we have to leave that behind because all it does is waste screentime.
And then there was the reason behind the main couple’s initial breakup: parental disapproval. It’s a common trope in kdramaland too, and one that I also think is really outdated and frustrating, especially for a drama like this where there’s really nothing else going on.
A third thing that got too much screentime was the gossipy old ladies, who were frustrating even if they weren’t completely horrible by the end.
In terms of the subplots, I think they started out strong but also fizzled out a little. The eldest sister’s romance with her ex-husband was really funny but I wish it was more serious at times rather than making it all so slapstick. The youngest sister’s romance and relationship with her daughter was the best part of the show, especially in connecting the theme of motherhood throughout the show. It’s a fantastic theme that I wish had a better throughline rather than coming in and out, because the mother-daughter scenes always hit really hard.
I also actually really like the focus on Samdal’s career and her adversary, and I wish it didn’t come so late in the show. I also wish they didn’t lean so much into one character being downright evil, and it doesn’t quite give you the satisfaction of karma getting her in the end due to lack of screentime. The plot line of Samdal rediscovering her love for her hometown and photography was really heartwarming still.
Another thing I wish got more screentime was the friend group. We had some at the start of the show when Samdal returned and some at the end when they were helping her, but overall the show leaned into the love triangle and other scenes instead and I felt like we never really got to feel how close they were the way we grow to love the friend groups in dramas like the Reply series.
Overall, it ends on a satisfying note and wraps things up in a neat little bow, but I feel like I didn’t quite get as many comforting vibes I wanted.
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