I appreciate the attempt, I question the presentation.

I’m not sure how I feel about this drama. Being romance driven, I cared about romance the least. While I loved the gradual healing on Uea’s side, I do believe the level of trauma this child had to face in such a short period of time (screen time wise) made it a bit ridiculous for me. By the 3rd toxic person in his life I just started to laugh… And it’s not like this scenario is completely unrealistic - many people who were victims become victims more than once. That said, the way they presented it with lack of good spacing in time and pace, I just could not take it seriously. The presentation was just lacking too much.

I also could not get on board with how Uea treated King a few times closer to the end. Everything that happened at first is understandable - miscommunication happens, especially if you don’t trust the person yet. At some point though, it felt more like Uea testing King for no other reason than enjoying watching King plead. Even that would not bother me if they established it’s something King is into, but they did not. So it seemed like a mind game when King had to constantly prove how much he loves and respects Uea to the point of asking before he can touch him (and I don’t mean in a sexual way, I mean literally any way) and being denied by Uea with a smirk on his face. That’s when I started to think - maybe Uea is truly completely not ready to be in a healthy relationship and needs to book a visit to a therapist first. It’s not like it happened a lot, but enough for me to feel a bit uncomfortable.

While I loved King, I also find him painfully underdeveloped and one dimensional. Net did a great job with acting, but the writing of the character itself was empty.

As for the nsfw scenes - let’s say I’m glad I watched the cut version, because even that was a level of cringe I could barely handle. Most of the bed scenes made me laugh, some skipped completely.

Acting was decent - big props to all the villains, perfect presentation that made me hate them with a passion. Net did great with some vulnerable scenes, but James sadly does not have enough skills yet to truly deliver the pain and suffering Uea as a character was internally going through.

Production was okay. Lately a lot of BLs are truly overdoing it with the blur filter on actors faces making them look like Barbie dolls - ain’t fan of that. Last episode was more like a bonus than the continuation of the plot - everything was concluded and there was nothing left to add. Personally, I was kind of bored watching it.

Overall… I don’t know. I kind of enjoyed it? It led to a few interesting conversations I had with folks on mdl, but I find it sad that most complex ideas came from the community and not the show itself. A lot of things were truly basic and simplistic, and by now I think we can expect a bit more nuance from the genre.

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This should have been a special episode only…

Let’s be real, they could have just put the last arc in a special episode and it would work way better. Most of the episodes were nonsensical and Minato was just frustrating on a whole next level. Why did he feel even more shy and teen panic after they got together than in season 1?

Season 2 does not really give you many sweet scenes to feed your fluff desires, nor does it develop characters in any meaningful way. Everything important happens in the last 2 and half episodes, so what’s the point of all the rest? I thought I suck at romance, but Minato is a whole new level of failure and if it was not for Shin’s undying patience, this relationship would fail hard. Realistically speaking, I just mostly felt bad for Shin in the first 10 episodes.

The second couple was way too similar in their dynamics to Minato and Shin, I quickly lost interest… Misunderstanding and lack of communication is a clear indicator the writer did not really have any solid idea what to do with them, they existed to fill the screen time.

The acting was great, just as it was in season 1. At least from Kusakawa Takuya and Nishigaki Sho. Quite a few scenes that were surprisingly touching, a number of scenes that worked only because they did their best to deliver, even if the script itself was lacking.

Overall, it’s more or less skip worthy.

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Top level of entertainment. Can’t say the same about the quality of writing.

I want to start by saying - I did enjoy the show a lot, almost till the end. I watched the episodes as soon as they dropped. That said, I’m not gonna pretend like it’s some writing masterpiece - it’s not. It often hits the “teen’s first fanfic” level. Did I mind? Not really. I went into it for the Dear Daddy Devil and Bai Lu’s acting, and these two aspects were easily 10/10.

What did the drama do great? Tantai Jin’s arc. The questions of predestined path, freedom and choice, the importance of having the supportive community and people that trust and love. How much of where we end is on us, and how much can be explained by how others treat us? At which point we should take responsibility? Is revenge and justice the same? What’s more important - trust or perceived truth? Surprisingly a lot of depth in his story. Sadly, the writers had some issues with keeping Tantai Jin's wits and cunning nature and also progressing the plot - which led to quite a few moments when his brain must have been turned off to make such dumb choices.

Luo Yun Xi in the role? Pure perfection. The emo angst fits him so well, I was in awe. Whatever you ask from him - he will deliver it and more, in the most beautiful and heartbreaking way. I never knew an actor who presents suffering in such a stunning way.

Then we have Li Su Su played by Bai Lu. What a performance. She did great as a more idealistic and naive Su Su, desperate and driven Xi Wu, and the duality of Sang Jiu. Each character/persona was easily distinguishable with the portrayal. The angst and pain Bai Lu can deliver - be it extreme or subtle - was just phenomenal and truly breaking one’s heart. I don’t think the character herself has much to offer though. Any weaker performance than the perfection Bai Lu presented, would make Li Su Su either boring or insufferable. I just feel bad for the girl, because the writers obviously did not give a fuck about this character… She was this great thanks to the actress and the chemistry she had with Luo Yun Xi.

And that chemistry should be illegal. How can such a questionable and build on a toxic fundamentals relationship still seem so amazing, beautiful and perfect? Love, hate, hope, trust, doubt, protection, resentment, fear - what a mix of conflicting emotions and motivations. And that complexity was what made this duo so entertaining and such a blast to watch.

Beside the main characters, I want to give big props to Chen Du Ling who played Ye Bing Chang. How much I hated this character, how much I loved the performance. It’s also impossible not to appreciate Pian Ran - stunning arc as a side plot, amazing conclusion fitting the plot, great performance by Sun Zhen Ni.

Talking about the characters, it’s time to talk about the biggest sin this show and the writer committed - they made everyone so dumb, I did not even care who will win and who will lose, because I did not see a bright future no matter which side gets the victory.

So many things did not make any sense, but you cannot really call them plot holes, because they kind of had an explanation - lack of working brain cells. At first I found it amusing, but at some point it just frustrated me on a whole new level. You don’t know how to write a proper conflict and the origin of it, so you just make your character dumb for a few scenes to set it up.

That also led to repetitive scenes and arcs - just rewriting the same moments we have seen a few episodes ago, with small changes here and there. Refusing to give your characters’ proper character development can only lead to them making the same mistakes over and over and over again. This is one man show, and all the other characters are just a background for his story.

I have to say though, I’m quite impressed with the directing and editing taking into consideration how much of the plot and scenes had to be cut down to fit the 40 episodes format. Yes, there were many moments that the pacing seemed like a car chase, but the overall story was still relatively easy to follow and understand. On the other hand, the make-up artists need to change their careers, because the thing these actors had on their faces should be illegal to present to the public. Loved the costumes, liked the set and magical objects designs. Loved how they Sailor Moon changed their clothes when they reached new powers.

The soundtrack had some good moments, but there were also “oops” bits like them playing a pop royalty free facebook ads like music in the background in the last episode.

Overall, I had a lot of fun, later I had less fun, by the end I had a lot of fun ranting. One could say it’s a full on personal journey I had with this drama, and they would not be wrong.

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Simplistic symbolism and how being a teenager is actually hard.

A rare case when my brain sees all the flaws, but my heart says: I don’t care. The whole show has a great juvenile charm to it, and the sloppy storytelling and in your face symbolism just adds to it. Sure, I strongly believe that with a few different directing choices this could easily become one of the best BL shows up to date, but even as it is right now, it’s truly enjoyable.

Yes, the setup on the surface is painfully stupid. We are sold the story of this abusive authoritarian school and students fighting for their rights, but what is presented is 3 students not wanting to wear uniforms. Is it that simple? No. It was never about uniforms, it was about self expression and more accurately sexuality.

The uniforms and the rules were supposed to represent the norm in terms of sexuality. Following the rules in school meant following social norms. Suppressing your sexuality to fit with what was established and deemed as "normal". The whole show is a commentary on the conservative and outdated ideas and how they harm the youth. It’s a great subject with a idea on how to present it, but not as good of an execution.

The storytelling was not detailed enough. We are presented with a wall of rules that were established, yet we actually know about only two. What are the others? No idea. What consequences are the students facing if they break the rules? No idea. There is the curse, but that’s it. Where are the parents? The whole adult side of the show is ridiculously unbelievable.

On the other hand, it made perfect sense why the teens were being “overdramatic” - they are teens. Suppression of individuality at the time when it's most crucial to figure yourself out is not really a small thing. The Eclipse did a great job to make me sympathize with the issues these kids were facing and how big of an impact it has on them. From the point of view of an adult, my initial reaction was: why are they so dramatic? Just be patient for the next few months, graduate and move on. But that type of thinking is the issue - if they are told to follow the rules and not question anything now, how will they learn to fight for their rights later? Their actions as teens will shape their behavior, motivations, personalities later on. Nothing really changes as you grow up. First you are told to do what your teachers say, later you are told to listen to your professors. Then you need to follow your bosses instructions. That’s why it’s so important for the youth to ask questions, debate, reflect on the problems and issues and not just do what adults tell them.

For the characters, the leads were phenomenal - both in the writing and portrayal. Seeking validation and purpose. Sticking to the role one obsesses over, because it feels like it's the only thing that defines who we are. The fear of being seen as disappointment. The drama also touches on the subjects of depression and suicide. How we should not judge one’s struggles based on our own standards. How we should be patient with others, because we cannot know and truly understand what they are going through.

What I appreciated the most was the takes on coming out and accepting your sexuality. It’s not the “I don’t like guys, I only like you”. It’s not “everyone is either gay or loves gay”. None of the unrealistic scenarios here. It often takes time to figure yourself out, it takes time to accept what you find, it takes time to then admit it to others. In that aspect I could not like the relationship between Akk and Ayan more. Not to mention one of the best on screen chemistry I have seen in ages.

For the acting, I've been a fan of Khaotung for some time. Realistically speaking, he is one of the best that Thai BLs can offer. I rewatched some scenes simply because of his performance. Thank god First was cast as his co-star, also delivering a solid portrayal.

Production wise I don’t really have complaints. I think some of the setup and directing ideas were too big for the production team, which led to a few questionable and ridiculous takes, but damn the show was pretty.

Overall, I liked it a lot. Yes, the setup and the way they decided to present some serious issues was questionable, but I still believe it was better than the majority of BLs out there. The biggest problem was the transition from rules at school being the issues, to how they relate to the overall social norms and homophobia - it was too jarring. You get the idea behind it all, but you still feel like it’s a bit too disconnected from each other.

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Constant state of pain and agony, washed with the holy waves of never-ending angst…

and yet, somehow… Part two made me feel far less than part one did. By the end of the drama I felt like the writer loved their story and all the characters too much to give some aspects up. Too many things were not set up and developed enough, too many plotlines felt rushed, luckily the closure was solid.

Don’t get me wrong though, I still enjoyed the show a lot, but the progression of the story and the lack of focus just lost me a bit. The politics and war were mostly the context in which the characters operated and explored their beliefs, personalities, morality and relationships in part one. It was great. We had many powerful scenes showing the contract between the royal family and the common people. Not knowing any real details was not an issue, because these royal idiots were never main characters in the first place.

Sadly, this whole royal drama gets more attention in part 2. It takes away precious time from the main characters. Where even was Eun Ae? Why did most of Yeon Jun's character development happen between the scenes? He took a couple of 180 in terms of his morality, but we never got enough reason for it to even happen. And it's not like the screen time they took away from these characters was even enough to truly develop and explore the palace storyline. It felt like I needed to do a lot of work myself to fill the gaps of the plot in my mind based on vague ideas and shallow set ups. It's like they tried to turn a character driven show into a plot driven one half way through...

All that said, the drama is still dear to my heart and even if I enjoyed part two less, I still enjoyed it a lot. We've got more of the exploration of different themes relating to morality, justice, duty, honor. Many scenes connecting to events in part one in a smooth and eye opening manner - adding to already intriguing commentary on social standards and gender roles.

Undoubtedly, the best gem, the true treasure of My Dearest was Gil Chae. Easily my favorite female character in 2023, probably top 3 from all the dramas I have ever seen. The masterfully crafted character development, the realistic flaws, the strength that was inspiring. The depth of emotional performance given by Ahn Eun Jin. There are no words that can truly describe how much I adore this character. The drama shows, you can have a female lead that is feminine, compassionate and good, without making her a stupid pushover. Gil Chae was smart, cunning, witty, and resourceful, but also stubborn. At times shortsighted and blind by her perception and understanding of the situation. Her character was beautifully complex and for her existence I am grateful.

Did I love Jang Hyun while watching? Of course I did. Do I want one in my life? Yes. Did I think he was not as developed as Gil Chae and I wished they explored his character more? Also yes. Since the past story did not really lead to anything significant and it felt more like a cheat and easy fix for some plot developments, I could not stop myself from feeling disappointed. The set up for the mystery of his background was perfect, the conclusion answered all the questions, but the overall picture created by that opening and ending felt a bit lacking. With little to no background for the character in part one, I thought they would explore him more in part two, but this did not really happen. From start to finish he was badass, smart, driven, caring (even if he kept denying it) and madly in love with Gil Chae.

What’s more to love? A strong set of diverse supporting characters that felt so real and humane with their, at times questionable ideas and actions. Ryang Eum with whom I went from friends, to lovers, to enemies to lovers trope, with how my feelings changed towards him. Jong Jong who was a loyal friend and support for Gil Chae, even if on the surface it felt like it was mostly Gil Chae protecting her. Gu Jam who always provided a solid dose of entertainment with his sharp comments and badass actions. Yang Chun, who truly shows that good people can have backwards ideas. Even Prince So Hyun and Crown Princess Kang’s scenes had many meaningful and touching moments.

Still adore the production and the attention to details in terms of how the characters are presented. You know how in many historical shows, as long as the female character is part of the main cast, they will have make up worthy of the royal family, looking like Crown Princesses themselves? Not here. From episode 1 till the end of episode 21 of the whole series, there was a lot of care put into making the looks realistic and fitting the context and hardships the characters went through.

Overall, I loved it, but maybe I loved it a bit too much, so it made me expect more. I wish the whole story was more simple, with less side characters and plot lines. Wished the plot focused on the common people more and kept the palace drama and the war as the context and background the story is happening in, rather than the focus of the plot. From the start, I loved this drama for its characters and countless social commentaries and powerful scenes, and it was never truly about the plot for me. While the conclusion was amazing, giving proper closure to it all, I wished the journey itself was either more detailed, or more simple…

That said, once you sell your soul to this drama, there is no coming back, so while I might have had some complaints, they were delivered through tears of both sadness and happiness, and complete devotion I had to the main characters and their journey.

Review for pt1: https://mydramalist.com/profile/Shini/review/300809

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The world-building that lacks the necessary detail.

I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.

The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.

Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.

Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.

What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.

For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.

All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.

Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.

Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.

The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.

I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.

Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.

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“It hurts because you seem so comfortable leaning back into sadness.”

Butterfly instead of white rabbit, magician instead of Mad Hatter, magical world and a lot of unresolved emotional trauma - get ready for it all. The Sound of Magic delivers both the enticing fantasy and the harsh reality.

A lot of the things I liked about it, the details in the created world, were the result of the hard work of the webtoon writer Ha Il Kwon. The best examples are the names of the main characters - 아이 (child), 일등 (first; if we add his surname to the mix, it would literally mean I am first) that represent the internal conflicts the characters were facing. Seems on the nose? Maybe, but it fits the story and the approach they took with presenting it.

Ai was forced to grow up fast because of her family situation. Her dreams, hopes, wishes were all focusing on gaining money, as she believed being poor was the reason for her misery. She viewed every situation in her life from the perspective of her financial situation. She did not want to believe in magic, since for her, magic symbolizes hope for better life. All the good things end, like waking up from a beautiful dream, so why even start when you are deemed to be disappointed at the end, when you are back to unfair reality?

Ildeung follows the path his parents picked, doing his best to stay at the top. This takes a toll on his mind and his body. He realizes how trapped he was, yet he wasn’t sure if he is brave enough to stop chasing after the future his parents chose, and try to find his own path. His whole arc was built on small things that might seem like non existing issues, but in reality can take away your sense of individuality and self-worth: things like his dad not calling him by his name, but “Na Jin Man’s boy” - first he is his parents’ son, then he is himself.

Both main characters do not know how to be happy, feel free, make personal choices, act like children their age. And this is the story of them slowly freeing themselves from the cages they were locked in.

It’s hard to talk about Ji Chang Wook’s character without diving into spoilers, since we are mostly kept in the dark about who he is and his past till the end. That adds to the thrills though, creating that mystical and magical aura around him, making the viewers question if the magic is real till the last moment. I was invested in the simple question: who is this magician?

What I also liked about the show is how it spoke about the faults in adults while also not truly making the adults into villains (mostly). Some of them were annoying, sometimes acted unfair or selfish, but most of them were not evil, they were just humans.

The performance from the cast was great. Yes, some movements and facial expressions during the musical numbers were rather cringe and awkward, but it happened only a few times. I was quite surprised by all the emotional scenes, since they all hit me hard (yes, I cried), especially any scene with Ji Chang Wook in the second half - been a while since I enjoyed his performance so much.

Visually they did more than I ever expected. A few times the special effects, especially in terms of the motion, were slightly off, but nothing that would take away from the stunning pictures created.

A lot of the songs had stage-like performances that just sucked me in and I could not take my eyes off it. The A Curse of Asphalt scene was especially breathtaking, even though compared to some other songs, it had a more simple approach. Yet, with how instrumental, lyrics, vocals, visuals, set design, arrangement, all fitted perfectly like puzzle pieces, this song became my favorite performance.

Were the musical aspects all that perfect? No. Some songs just felt awkward with how they were placed in the story, at times feeling unnecessary. I understand why it became a musical-like drama, some lyrics had a really strong message and the performance features added to it - which would not be possible to achieve with simple dialogue. That said, at times I would skip a song or two as they felt redundant at that specific moment.

Speaking of music - all the instrumentals are to die for. Some melodies reminded me of Tim Burton’s Alice in Wonderland movie (2010) - which fitted the theme perfectly. Even the sound design at times surprised me - taking into consideration the place the songs were sung in and mixing the vocals according to it.

Overall, I truly enjoyed it a lot. Had some questionable choices, acting and directing wise, but I still believe it’s a solid drama. While at first I was not sure about making it into a semi-musical, after seeing all the episodes, I understand the value that was added with some numbers and I appreciate the rather bold move they took with it (let’s get real, musicals are not exactly a mainstream genre loved by all). Ending review with a quote that I loved:

“Flowers don’t bloom on smooth asphalt, but on bumpy dirt”.

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The plot had so much potential with the reincarnation trope leading the story, but it was never really used. While I enjoyed the beginning episodes quite a lot, at some point I was questioning myself for watching it. It wanted to be deeper, more dramatic and moving, but used all wrong directing choices to achieve it, and in the end, it did not work for me.

CHARACTERS/COUPLES
Truth to be told, I was far more interested in all side/past couples than the main one. I didn’t feel that much chemistry between them. Don’t get me wrong, there were moments when I found them as cute as possible, but I always thought it was more about good directing and not their acting. The romance scenes were simply well written and shot. I still believe Pharm and Dean’s first kiss was filmed in a fantastic way.

I truly loved the fun and entertaining chemistry going on between Team and Win and I wish we could have seen more of them and how they developed feelings for each other. We kind of knew they would end up together… and then they did. Not much of that development was really shown.

Earth and Kao were really good in their roles and I truly did feel the pain and desperation watching their scenes. Wish we could have a prequel telling just their story in greater detail.

Sadly, I felt like Ohm had the same facial expression 90% of the drama, with Fluke showing a bit more diversity: happy grin, shocked grin, massive crying (+ the quite well acted total meltdown in the last episode). While at the beginning I did not mind, at some point I was just bored by their scenes and performance.

Character wise, both Dean and Pharm were nothing special. I mean… Did Dean even have a personality? I did enjoy their relationship though, because, they played off of each other's characteristics well - Pharm being on a shy note and Dean leading the interactions, but as separate characters… they had close to nothing going on.

THAT SAID, I have to applaud the drama for one specific scene. We got some good representation of setting boundaries. When Dean gets a bit too touchy with Pharm, but Pharm quickly puts him back in place, clearly says it was unwanted and it must never happen again. We don’t see scenes like that a lot in BLs.
Also, justice for Manow. Poor girl was literally forgotten at some point of the drama.

DIRECTING
Oh boy. All the long, slow scenes of them doing literally nothing, like… looking at their phone, or cooking but without interacting with each other. The dialogues with way too many pauses. They literally took breaks every 2 or 3 words. There were many scenes that just felt like fillers. Few seconds here, few seconds there… but no content to be found. It made the drama look more aesthetically pleasing, but at the same time, I could not move my finger away from the right arrow on my keyboard, because I was sure there will be more than one occasion I will want to skip the next 5 seconds of them doing nothing.

As I was watching and the story progressed more and more, I could not wait for it to end. It dragged so badly and it was so amazingly slow. Everything was slow. They talked slowly, the shots were slow, the background music was slow, how they moved and walked was slow. I was honestly getting sleepy and tired after watching. The fact that, by an accident, I was able to watch 2 parts of an episode set on 1.5x speed and did not notice says a lot about the directing.

The violin soundtrack started to drive me nuts at some point. It made it seem like every scene was so profound and important and had deeper meaning… most of them did not. The overuse of it made it not an asset, but an annoyance in my eyes (ears?).

WRITING/STORY
I feel like the planning just failed. With the minimum of Team and Win scenes, they should just cut them out completely and make a sequel showing their relationship from the beginning. Focus only on Dean and Pharm and the past story of In and Korn. Show us in more detail how they slowly connected all the dots and accepted their past and current selves.

What’s most important, introduce a conflict AND NOT IN A LAST EPISODE. With the reincarnation trope, there are so many ways to go about it. Giving me Pharm questioning his love for Dean, not being sure if it's real or it's just reminiscence of the relationship In had with Korn, it’s awesome. What’s the point of shoving it in our faces in the last episode? It could have been gradually introduced. The more Pharm knew about the past, the more he would start questioning his feelings for Dean. This way you would have two driving forces for their relationship clashing in an interesting way - them being drawn to each other by the past connection, but also driven away by the fear it’s not real. I guess this isn’t the drama’s fault, since it is based on the novel, but it does not change the fact that there weren’t really any stakes presented. They tried to introduce some struggle by the end, but since the set up was not strong enough, it failed to move me and make me care.

The mental breakdown Pharm had at the end was so ridiculous too. He knew the story, he had flashbacks showing exactly what happened. It’s not like finding the box in the previous episode gave him some new information. He knew it all… And sure, we can argue that the reality of it hit him the moment he saw the photos and the gun, but it still makes no sense pacing wise. Make it happen at least two or three episodes earlier so we can actually feel the pain of then splitting/taking a break. Give me that emotional journey not some cheap emotional thirty second roller coaster with some bullshit “three months later”.

Overall, I guess I was simply not convinced by Fluke and Ohm’s acting so the scenes that might have been sweet, emotional, sad… were, for me, boring. I was not connecting to their feelings so I could not bring myself to care. The moment I started to care, the pace slowed down so painfully, I was getting distracted by the fact nothing was happening. Sad conclusion to the drama I was so excited to watch.

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Great concept, confusing storytelling.

On paper I understand what I’m supposed to get from the story, but I am not sure the director did a good enough job for me to say the idea was translated well on screen. It ended up with me feeling like everyone is unhappy, because of the choices the female lead made.

While the movie had many great and poetic moments, I kept getting distracted by my own feelings which were: I felt extremely bad for the husband. Especially during the bar scene - whatever charm the scene was supposed to have, lost for me coz I kept thinking about the husband and how awful the whole situation must be for him.

The performances were great, though I was just not that into how the characters were written. Personally, I did not find Nora either likable or interesting. Not sure if I liked Hae Sung or just Yoo Teo’s pretty eyes and face, but he for sure aced the melancholic nostalgia feeling.

There was one scene that I really liked, and it was the “waiting for uber” one. I felt like it perfectly sums up the themes of the movie - connection, timing, hesitation. Would prefer if the movie actually ended there.

Overall, kind of enjoyable, but you truly need to completely ignore the husband and his side of this whole story not to feel at best awkward, at worst awful.

Side note - Polish subtitles in the cinema were awful. Maybe Korean phrases were translated in such a weird and “strong” way as if the characters were swearing left and right, when the meaning was supposed to be much lighter in tone.

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What a nice surprise. I started the drama with zero knowledge and expectations. I knew the acting would be top notch with a cast like that, but truth to be told, the story did not sound like something I might enjoy. Well... I was wrong.

I fell for each and every character presented. This is how everyone should write interesting, fresh, original and flawed ones. I hated so many of the choices they made and actions they took, but I could understand why they did them. All the bad behaviors were never excused, but always explained. And I found it extremely refreshing.

The story slowly presents to you that whatever happens is almost never just one person's fault. At the end of the day, it is your choice to stay in a bad situation and turn a blind eye to what happens in your surroundings.

The drama has a lot of really meaningful and deep messages, including: consent in a relationship, understanding your worth, impact the past struggles have on your current self, fear of happiness and losing it. You learn as you watch it. More than once I read a line a character has said and just simply nodded my head in agreement.

Any flaws? The ending was too good. I was quite honestly hoping for some twist by the end. I was sad with how Maru and Soo Kyung's story was dealt with. There clearly were hints left, but they never followed with any conclusion. It's worth mentioning the painfully unnecessary Dong Goo's story line. From the beginning till the end, I was not even slightly interested in his character and the romantic subplot he's got.

Overall, I believe it's an extremely underrated drama and I wish more people would give it a shot. The first two episodes might leave you speechless and it's hard to understand the characters and their motivation, but as we get to know them better, they start to feel like old friends. The familiar feeling just calls you in.

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The whole show was based on the lack of communication.

If they actually started talking to each other even a little bit, the show would be half of the length if not less. One could think this will be a rivals to lovers type of a drama, but it ain’t it. It ain’t anything.

The plot had potential, but they should have established the initial conflict a bit more. They “warmed up” to each other too fast, but to keep the story interesting we got some random miscommunications. If you want to make your show a full on cliche entertainment - fine with me, but lean into it. It was just too basic. It was not realistic in any aspect to appeal as a slice of life, but it was also not bold and fun enough as a mindless entertainment. It’s half baked fluff.

There was also one side plot that simply made me feel uncomfortable and it's worse the more I think about it.

The leads had a mild and mediocre chemistry and while the acting was decent, no one wowed me, but I also did not feel offended by the performances. Yes, the “nsfw” scenes were cringe and funny, but I blame the directing, not the actors themselves. The way they tried to frame it as sensual, but delivered full on awkwardness…

The production was the biggest clownery. I mean, I was more discreet about recording lectures at university than them acting as reporters. They could have done a better job with props and framing to make it a little bit less ridiculous.

Overall, it’s a show I’ll forget I’ve watched in two days, but I don’t regret watching it. It weirdly grows on you as you watch it. Watching it every Friday became my afterwork routine.

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That awkward quality I kind of liked.

I don’t know how to verbalize my feelings about this show. It’s not good - it’s drowning in awkwardness. The set design at times looks awkward, the acting seems awkward, the writing is awkward and so is the directing. Somehow, that awkwardness was strangely charming? I feel like I enjoyed it for all the wrong reasons.

For a short show like that, it tries to tackle a bit too many issues and ideas. Stalking, unreciprocated feelings, coming out. I appreciate the more serious takes - it’s hard to be a female, because there will always be a creep with weird ideas. Gossips about your sexuality can be harmful and scary, especially if you are still figuring things out. All that was there, but just surface level type of a deal. Still, with a lot of, if now most BLs being “everyone if either gay or loves gays”, this show being just slightly less pink colored glasses view was nice, even if barely explored.

The thing I like the most about this show is how dramatic and over the top about the most basic things RoA was. Him being all “you have no right to worry about Ji Woo” when talking to Yu Na. Damn boy, she is his friend, she has the right. Or when he did not even let Ji Woo confess his feelings with his “you might never get another chance of someone you like confessing their feelings to you”... what, is he going to die the next day? Does he have one chance in life to be in a relationship, and if he passes it, that’s a done deal - he stays single till the end of his days? Where was the logic? Why so dramatic? They did not set up ANY reason for him to reject Ji Woo… it just came out of nowhere.

When he dropped the “He had to suffer like that. It’s all because of me” I turned into a question mark. What the heck is this child talking about? What suffering? How were you the cause of said non-existing, completely made up by your imagination suffering? People gossiped for like two days, long term no one cared. Not one person. And then he went “He’s in pain because of me” SURE HE IS, BECAUSE YOU REJECTED HIM! The poor boy has a broken heart. I literally cried from laughing when he started to say Ji Woo’s feelings for him are just an illusion. My dude, you are the one creating issues and problems for yourself that have no place in reality and never happened. That whole scene was just a gold unintentional comedy.

Not to mention how he left school all dramatic, last month before the semester ends, when he literally had just that semester left to graduate. What an emo kid move, I have to appreciate it.

The side romance between the student and the teacher got me wheezing. It’s not like it’s wrong - she is an adult after all, he is her teacher for just one class for one semester. It was just so painfully awkward, because this guy here teaches about relationships, love, romance, family, and yet he can’t handle one female student having a crush on him, looking so awkward. Especially in the last episode, I died a little bit during their scene.

It’s hard to talk about acting. Some scenes were truly natural. The double date scene was so fun and cute. The four actors have an amazing and natural chemistry. Then more dramatic and emotional scenes happened and sadly, the quality dropped. Delivering a realistic crying scene is not easy, I get that, but none of the sad scenes in this made me feel sad.

Production and directing wise, it felt like a project of a student with amazing potential, but not yet polished skills. Some shots were truly nicely done, well planned camera angles and lighting. Some… were shaky - both literally and in quality.

Overall, my brain told me to drop it, yet my body was clicking to watch the next episode at the same time. I just cannot explain it. I had a lot of fun, even though it made little sense. Maybe that’s why I enjoyed it? All the things I ranted about in the review were actually the reasons why I liked the watch.

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Mediocre male characters that still somehow made the fans fight.

For a drama that on the surface, on paper seems to present many interesting issues, fun plotlines, entertaining characters - this was a massive fail. With all that was technically going on in the drama, the fact that “which male character should the female lead end up with” was the hottest topic among the viewers shows how unengaging everything was.

Here’s the thing, I actually enjoyed it at first. Do Hae Yi was refreshingly bubbly and shameless about her love for money. Her enthusiasm and energy seemed realistic and fun. Loved her interactions with all the characters and was curious about a potential character development and possible change of priorities in her life (or at least some adjustments). For the most part her character was painfully stagnant, just to start hiding things and being less straightforward in the later episodes. They tried to fix that in last few episodes, but it was too little too late.

Characters wise, it felt like a huge waste of initial set up. More or less none of the characters got any development. They started and finished on the same note. We got some small changes of personalities in some side characters, but the mains were completely forgotten. The writers suddenly remembered they should do something about the main cast in the last two episodes, so everything felt rushed.

I knew we would get a typical love triangle, but with the addition of the mystery, I thought this would actually be an interesting watch. How wrong I was. The love triangle was painful to watch, since none of the male leads was that good or interesting. One, while interesting as a character and having quite a well built story around him, had an unhealthy obsession over Hae Yi. The other had the personality of a white wall and no depth, which made him simply uninteresting. Can believe we all had arguments about these basic boys in the comment section. It did have a great set of supporting characters though.

I honestly don’t want to even talk about the mystery aspect. It went from tense unknown, to barely existing, to murder thriller levels of ridiculousness. The culprit was a clown and their reveal made most of the audience question the writers’ choices. I never felt less interested in the “bad guy” reveal and the fact we had to wait so long to get any answers about the motive added to the issue.

An aspect I actually truly loved about the show were female friendships and support. There were no unnecessary catfights, no random jealousy - far more support, understanding and encouraging each other. Especially from Hae Yi and Sun Ja, and Choon Yang and Jin Hee. Honestly, I would not mind if they put more focus and gave more screen time for the mothers.

On a completely subjective note, one of my side ships failed and it made me sad. The potential behind that couple was amazing, and it was dropped for the more obvious and less complex one.

I did enjoy Han Ji Hyun’s performance. She was the only memorable part of the show. Making such an exciting, hype and enthusiastic character still feel realistic and not cartoonish couldn’t be an easy job, but she was able to achieve a believable result. Yes, the character was annoying in the second half, but that’s on the writing not the acting.

Another performance that caught my attention was Baek Ji Won as Hwang Jin Hee - Sun Ho’s mom. Her comedic addition had an underlying sadness and desperation to it, and I loved that this complexity was shown even in the limited screen time.

As for Bae In Hyuk - oh boy. I feel bad for him. He is not a bad actor, but anyone who watched Cheer Up would probably assume he is. I honestly believe the issue was the writing of Jungwoo and not the acting itself. Portraying a character that is so poorly written is just extremely hard.

Production value was high, but what’s the point when the story was not?

Overall, the show did not really deliver the cheers, nor the romance, nor the mystery. The friendship between Do Hae Yi and Joo Sun Ja was amazing and one of the limited saving graces of the show.

The show just left me frustrated. It had great potential to be a fun, light teen drama about coming of age, building friendship, learning how to give and receive help. How to believe in yourself, but also believe in people around you. And yet they wasted a good 80% of the time on useless, boring love triangles and mess of a bullshit mystery.

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Romantic comedy fitting XXI century standards.

Not having much inside on how sub-dom relationships work, I cannot comment on the accuracy of the depiction, but I can for sure say the movie does an amazing job in presenting it in a positive light. The word best describing the movie is: consent. Everything that happens is the result of mutual agreement that focuses on the preferences and needs of both sides.

What’s more, while the movie presents Jung Ji Hoo as someone with, to call it broadly, issues, it flips the expectations the audience might have. It shows how the problems he faced were not the reason he sought that type of preference, but rather the judgment, he faced because of his preferences made him doubt himself. From the start, there was nothing wrong with him, but rather the society that puts unreasonable expectations and limits on everyone’s freedom of expression.

The thing that made me appreciate the movie more was the fact it never centered around sex itself. Focusing on other aspects of the relationship, with explanatory narration was a great choice.

Honestly speaking, the movie was just adorable. Watching Ji Woo and Ji Hoon try to figure out themselves, their preferences, but also work it out within their relationship was just an entertaining journey. I feel like there was a level of innocence presented on screen that will surprise many viewers.

The cast did an amazing job. There was only one scene that got me “this is just too scripted and unnatural for me to ignore” because of Lee Suk Hyeong’s delivery and the weird timing of the scene itself.

Production wise, I could not ask for more, though I might have asked for less. For me, some of the special effects were unnecessary. That said, they did not really lower my enjoyment of the movie.

Overall, it does a good job in presenting sub-dom relationship in a new light, that shows the more realistic and broad perception of it, without only focusing on the sexual aspects of it. It serves as a good criticism of the standards society creates, that serve no one and often hurt us. I would truly recommend it to all the 16+ audiences for sure.

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Countless misfortunes with Disney solutions.

Idol: The Coup opens with quite refreshing, more accurate depiction of idols and the Korean music industry as a whole, but ends on an over the top, makjang note. And yet, I truly loved the show. Somehow, it convinced me to ignore all the flaws and only focus on the true entertainment and emotional connection I have made with the characters. And for that, I am thankful.

The drama tells the story of Cotton Candy, who are deemed as "'망돌(망한 아이돌)” (mangdol - failed idol). Both the company and the members themselves gave up on trying to succeed, with Jenna, the driven leader, being the last person who still tries her best to make the team overcome the issues and survive in the industry.

Each member has her own traumas, hardships and obstacles they need to face, and as the drama progresses they learn how to trust each other again, how to work as a team, protect and support each other.

Idol: The Coup truly takes the viewers on a whole journey of “hate to love”. At first, you might despise the majority of the characters, just to end up loving them and rooting for them by the end of the show.

It’s also the first drama with an idol driven plot, where the songs are truly good, and something I could see in a music show. Both, the songs that are suppose to be part of the fictional groups’ discographies, and the songs that were only used as a soundtrack easily found a place on my playlist, with few favorites being: “Home”, “Honest”, “You Can Cry”, “Fly Up”, “Pray” and “Remember Me”.

It would be a crime to write this review and not mention the amazing chemistry between Jenna and Jae Hyuk. This dynamic was extremely entertaining to watch. While at first it might seem that Jae Hyuk holds all the power, each disagreement they had, leaves the viewer thinking he was the one who lost and was more affected by it. It became a battle of wits and determination, over one character just abusing another.

The acting was not outstanding, with some idols struggling to connect to the emotions and truly deliver the lines in a natural manner (I’m looking at you Kim Min Kyu and EXY), but overall, none of the performances were truly cringeworthy, and the few miss-deliveries became a charm of the show too. Maybe I am biased, maybe I just convinced myself to love even the bad aspects of the drama, but at the end of the day, does it matter? It was a fun watch, whenever it had or had not had any issues.

That said,

If you want to watch idol romance, this ain’t that. While the female and male leads have amazing chemistry, and many viewers wished to see some kind of feelings spark between them, it never crosses the line of hints and future possibilities.

If you want to see a realistic portrayal of idols’ life, this ain’t that. While the first 3-4 episodes did a good job showcasing the struggles “failed” idols might face and the industry trend to see the idols as replaceable assets and not human beings, at some point, the amount of tragedies happening to Cotton Candy reached a ridiculous number. The solutions were coming out of nowhere, just as the problems were showing up with little explanations, and at times, as complete contradictions to what already was established in the drama. That said, the issues themselves were not unrealistic, but rather the fact they all happened to this one group in such a short period of time.

If you want a wholesome drama with nice characters you can root for from the beginning till the end, this ain’t that. There were moments when I wanted the group to disband, there were moments when I totally understood why they were failed idols and maybe they should not work as a team. I went from “let them disband”, through “I’m an ot4 stan”, to “I don’t care if it will make no sense, these babies need a happy ending”. The characters are truly flawed, but you might end up loving them despite their shortcomings.

Overall, what a ride it was. Idol: The Coup has countless flaws, and yet it made so many viewers enjoy it and get excited for more episodes. The idea of one hour and thirty minutes long episodes scared me, but when they went down to just one hour, I was truly disappointed. Each episode made me want to see more, and wish for just a few more minutes of the content. I got addicted to this soft idol makjang with fun, but frustrating characters, over the top tragedies and Disney solutions.

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