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Alchemy of Souls korean drama review
Droppato 10/20
Alchemy of Souls
20 persone hanno trovato utile questa recensione
by Salatheel Finger Heart Award1
ago 26, 2022
10 di 20 episodi visti
Droppato 2
Generale 5.5
Storia 5.0
Attori/Cast 5.0
Musica 7.0
Valutazione del Rewatch 5.0

How much pouty petulant can you take?

This is the first time for me to watch a quasi-historical Korean fantasy and to be honest I was totally underwhelmed. Which is a pity because there are probably some really good ones out there. There is a simplistic naivety about this one that perfectly defines the phrase, dumbed down. It starts with a script that has zero sophistication, explains even the most self evident motivation in words and never passes over an opportunity to state the obvious. It offers bland, predictable, two dimensional characters and a direction so wooden that any dynamism the actors might have produced is squashed by a requirement to stand still and spout. And just to round it out nicely the editing in the early stages is unbelievably bad, hacking off chunks of story and throwing them roughly together. But to be fair it does have a plus side in the production values—great costumes, beautiful sets/locations and credible CGI.

The rigid division between good and evil does not help. In order to create interesting tension there needs to be ambiguity and the central character, Naksu, simply doesn’t have enough real-world edge to her. Assassin? Pouty, petulant tweenager more like. And that’s the irony of it. In a story all about power, the power has been sucked out of everything: her, the story and all the characters.

It’s all far too nice with the result that nothing is too far from that bland (and to be honest, boring) middle ground. Very little light and shade, zero depth and no emotional impact. Safe, safe, safe. A let’s pretend world that has about as much tension as a teddy bears picnic.

Okay, it’s not Game of Thrones and is aimed at a totally different and much less emotionally resilient audience, but does it really have to be quite so impotent? So concerned to keep the viewer safe inside a bubble watching on from the sidelines. So scared of itself that it pulls back from every opportunity to have some balls and make an impact? Everywhere it pulls punches, particularly by not following through on the consequences of actions, either emotionally or physically.

I like Jung So Min as an actress, I thought she was very good in “Because this is my first life”, but I think she was miscast here. She lacked the necessary edge to make her character believable. The actress who plays the original form of Naksu (Go Yoon Jung), did a better job of delivering credibility to the part. Even if Naksu lost her magical power she would not have lost her attitude or her edge and this could have been an opportunity for great character development and depth. But Jung So Min’s scripted lines did nothing towards this, often being subservient when they should have been authoritative, victim when they should have been master and bland when they should have been vulnerable.

It also puzzled me why, in a world which is quasi-historical fantasy and not reality, there should be so few women occupying decision making roles. In the main it utilised boringly predictable stereotypes and missed a huge opportunity to be creative. The relationship between the M and F lead was not master/pupil but something out of a fluffy romcom with a dominant, emotionally stunted male and a petulant, subservient female. There’s nothing ostensibly wrong with writing fluffy romcom relationship dynamics, but why pretend to set it up as master/pupil and then make it unbelievable?

Ok enough, I got half way through and then had to wait for the next episode. It will be an eternal wait...

What my rating means: 5+ Meh! Don't bother, it's full of platitudes and clichés with boring characters and plots.
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