I’ve had this on my watchlist since March or April. It starred the most popular actresses in South Korean in Park Shin-hye alongside Jeon Jong-seo who starred in one of my all time favourite films, ‘Burning’. So the cast was what intrigued me but the plot is what hooked me. The synopsis is very broad and vague. Same with one of the trailers that I caught - at least compared to what actually happens in the film. This is Lee Chung-hyun’s first full length feature after a few short films, including Blue Dragon Nominated ‘Bargain’, and I must say that I thought it was excellent. The Call has me feeling very eerie and sort of distributed for large parts of the film. As we see our two characters, Young-sook & Seo-yeon, start talking with each other and connecting, we get hints of something stranger. Both bond throughout their isolation over the phone. It’s all nice. Seo-yeon teaches Young-sook about the internet, smartphones. Young-sook offers treats and sweats from the past. But there are lingering consequences, hints from other characters that go in the ear and out of the ear on first hearing but will cause disaster later in the film. We start to see the repercussion of changing one's destiny.

The Call did a great job at keeping you invested into the characters and the journey of seeing them be friends to something very dark. Young-sook is an abused (constantly tortured both physically and mentally) person due to her mental illness, which brings me back to the aforementioned key info that proved to be pivotal later. How is she ill? We don’t know, *yet*. All we feel is sympathy for her due to her evil Stepmom, and that’s the sucker. The Call has two protagonists that are both likeable until we don’t. The film has a tremendous twist that explores what has been set up and makes for a tremendous and nervous viewing. That ending had me clapping. Honestly, the final act, to me, was the weakest act of the film but the twist added a whole new dimension to the film. And turned a usually predictable ending into a brilliant one.

Jeon Jong-seo proved that her magnificent performance in Burning wasn’t just beginners luck. She again wow’d me in her gripping and convincing portrayal of Young-sook. The character itself is different from the first half of the film and the second half but in a subtle way. Almost unnoticeable until it’s too late. Incredibly sly and wicked. Well done to her. Two films; two tremendous performances.

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This was surprisingly very bold considering it was a TV Show. Comparing this to the movie of the same material, this had a more daring story despite lacking the nudity that the movie had. The elements of the women/women relationship were done with reverence and respect. It was very adult and frank. When Yun Bok was revealed to be a woman to Jeong Hyang, the love remained. Likewise with Hong Do, although the roles in this circumstance were switched. Painter of The Wind was able to do so many things but the key details of the complexity of both relationships was captured magnificently, allowing for such a strong core plot to carry the show forward. In addition to the core, Painter Of The Wind was able to fully develop the world of Artistry and Dohwaseo, showing the history of the society and their important place within the world of Joseon. I found myself truly invested in the competitions and the stakes that were at hand, so much that my heart was racing rapidly during the final competition between Hong Do and Yun Bok. Where the story faltered a little. It really didn’t explain the link between King Jeongjo’s search for Prince Sado’s portrait and the death of Yun Bok’s father in a clear manner. At least not a way that I fully accepted without no question. The political nature of that conspiracy was a little lost to my ignorant ears.

The performances were excellent throughout the cast. Moon Geun-young had earned the Daesang for the SBS Awards and Best Actress for Baeksang Arts Awards, and while I perhaps need to look at the other candidates for those awards, she earned it with her leading role as the man-dressed female painter. Her counterpart, Park Shin-yang, had more comedic elements than serious ones in his character, the famed artist, Kim Hong-Do. She had to contend with the dramatic love-stories, the tragic past aspects of her character and the light cheerful nature that her character possessed, making it all come off like a complex singular person rather than a mix-match of emotions. She and Moon Chae-won, a ginseng, had magnificent chemistry on screen, more than plenty of male/women pairings have, enough to win Best Couple. A magnificent achievement. It made Moon Chae-won a rising star in the Korean television world which led to breakout roles in the next several years. And of course, the reliable Bae Soo-bin was great as the King who brought honour to his discarded father.

What else could I say? This is an immense period piece. For what it may lack of a historic value that Dong Yi provided in the two years later, this was still able to tell a magnificent, heartfelt story.

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Professional Single is the first C-Drama that I have watched and I must say that it was quite good. It had a few pacing issues regarding the plot. A few things could've been shorter such as the secondary plots as well as sealing the actual deal between Yuan Qian and Qin Shen quicker, which would've allowed more room to explore the parents of both characters disagreeing with their children on their choices. but this is a small piece of criticism that doesn’t take away from the overall show. Quin Shen and Yuan Qian are strong leads and have a strong bonding relationship throughout. You truly feel that they care for each other despite their stubbornness in admitting it. In fact, both being so stubborn actually reinforces that. Quin Shen is quite cold, but when it comes to Yuan Qian, his smile and eyes light up with emotion. He knows how to be humorous as well instead of just being a land cold character. Even when he’s being serious during a comedic situation. Yuan Qian is a positive influence on him, ringing him out of that shell and completing him as a character. Seeing how their relationship blossoms from an initial indifference to each other to a sweet, loing relationship was an engaging experience. Ling Wei was a character that got annoying at times due to her persistence but she was a fine character, still. And given the age of the characters, you can sorta understand the mentality of someone that age - . the unrelenting pursuit of someone who clearly doesn’t want to know. Song Si Yi was less possessive and actually had a sweet relationship with Yuan Qian himself. He was smart, kind and talented. A good second male lead. The supporting cast was all good whether it was supporting the main characters or shining during their own comedic scenes. Chen Qi Nan and Xin Xin left strong impressions on me, most definitely.

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Do You Like Brahms? was a really good but harsh drama to watch. Our two main characters that we follow Song Ah and Joon Young face a lot of hardships in their professional and personal lives. Family, friends, co-workers, classmates - it's a a series that gives a lot of resembelnce to real life struggles and how it doesn't always get better through sheer will. One of the stories Do You Like Brahms tells constantly is that effort doesn't always win over talent. No matter how nice you are, or how hard you work, you can still not accomplish what you want. That's what Song Ah is faced with a lot of the series. Joon Young faces similar realities but in a different way. He is talented unlike Song Ah but he is unable to enjoy it because of family debt and falling out of love with music. Some of our other characters can be fustrating and border on detestable but that's real life at times. Jung Kyung has a sad story and you can symathize with the reason but her actions are made out of spite. I do think it was a necessary arc for her character to go through and in the end it was for the better, even if her relationships aren't the same (or even better) after it. DYLB is not a drama to watch for a safe, fluffy feel. But you do get rewarded with good writing, good story telling and good chemistry between our cast.

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There was quite a lot of messages in this film. But what really stood out to me was the message regarding Chinese-Korean citizens, which given the director's heritage isn't that big of a surprise. I liked most of the elements of this film, the performances were quite mesmerising and helped carry this ambigious film that I still can't figure out (evem after rewatching a few scenes). The ending (well, the middle) allows for an open interpretation for what happened. Even when given further background to explore, there is still an underlingering uncertainty to it all. Watch it and judge it by yourself.

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First, let me talk about this cast. Lee Byung-hun (JSA, Iris), Song Seung-heon (You & I, East of Eden), Kim Ha-neul (Piano) and Jun Ji-hyun (My Sassy Girl, My Love from the Star). All big stars, or were at one point. And the supporting cast for this has Cha Tae-hyun and Cho Jae-hyun. Korean dramas weren;t at their peak of the ‘Korean Wave’ but for well known actors starring in the small screen, this is a pretty top period. Most of these names are still fairly big, due to movies or later dramas. Some have simmered down from their earlier status but still retain a respectable career. Either way, it’s a privilege to have a show in this era, in wide circulation.

Happy Together is about 5 people who are related in some way, through marriage or blood, that find themselves at odds with each other. The leading man is Lee Byung-hun, as Seo Tae-poong, an ageing underachiever in Baseball, who longs to bring his siblings back together after he got separated from them following the death of his parents. 3 of the siblings still live together but lead different lives and barely co-exists, Tae-poong is considered an outcast, hardly a brother and there is a younger sister that they both think is lost to them forever. And while Tae-poong’s attempts to bring the family back together aren’t appreciated, the family goes through a tremendous growth, not only as individuals but as a family. It’s a simple premise and a plot. There are added themes about prostitution and gang life through some of the main characters, such as Seo Moon-joo (Kang Sung-yeon) and Jo Pil-doo (Cho Jae-hyun), but the family is the true crux of the story. Even the love triangle is an extension of the story between the two brothers of the family (Lee Byung-hun & Song Seung-heon) The whole trope of an illness for one of the characters isn’t terribly overused by this point and is used to bring the family closer, opposed to Beautiful Days (2001) or Stairway to Heaven (2003). It’s a concise drama that doesn’t go too bold with its storytelling while retaining heart and a good earnest message about family.

Don’t expect a big revenge or love story but expect to be pleasantly surprised by this drama. 16 episodes long and it went by like *clicks fingers*.

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Guys! Korean Romance is back. And it’s all thanks to the wonderful, daring Jeong Ga-young. I’ve only seen a few of her short films but she was able to bring what made those really good - how the writing simply flows in all facets, how clever the humor is, specifically the sexual humour which managed to make it frank and honest without getting vulgar and indulgent. The only difference is that the cinematography and camera work is more mainstream and commercialised than the static, indie nature of her work prior. And we lack her lovely absence on the screen, instead the film follows the perspective of the her surrogate, Ja-young (played by Jeon Jong-seo, who has had two terrific performances in my personal favourite, Burning and a great 2020 film, The Call), who is desperate for love (or sex; it switches a ton) when she meets Woo-ri (Son Suk-ku, who has gotten a rise in fame west of the world after a strong performance in the Korean Drama, Liberation Notes and has had strong seconary male roles in things like Matrimony Chaos and in Mother). Together the art of casual sex and love bloom in this 1 hour, 40 rom-com. This is a hit.

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When they kissed, I felt it. Right there is the momentum when the film came together.

The first part of the film is a documentary piece about the town Gojo City, where a tour guide and tourists see the sights and the residents of the city, who have their tales of their experiences in the town, mostly about love. While it was initially boring (and I can see others thinking the same), it sets up the second part that’s a pure fictional piece that resembles some of the stories we’ve heard before. Kim Sae-byuk and Iwase Ryo fall for each other but Kim Sae-byuk has to return to Korea, return to her unhappy relationship, leading to one of the saddest goodbye kisses you can see in indie cinema.

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Lee Min Jung is really great in these roles. She's naturally sarcastic and angsty without ever coming across as hateable. She is very comedic with her facial expressions alone, which is hard to pull off. She and Shin Ha Kyun bounced off each other well with their contrasting personalities and styles of acting alike. The show was funny in all aspects. The romance comedy aspects and the political side. So if you're not political by nature, that's not a problem. It's all light hearted and you don't really get a lot of the political aspects, just the petty comment sides. The side characters are surprisingly strong. Gong Hyung Jin as Moon Bong Shik was rather bubbly and light hearted as our main (not) antagonist. Likeable and hateable at times. He changed and evolved as the show progressed and his relationship with Kim Soo Yeong turned from out right rival to a small friendship. Super solid show that was funny to watch and interesting from start to finish.

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"You're Nice".

There was something profoundly heartfelt about My Mister. This is a drama - a true drama - about pitiful people for pitiful people. Our main characters are essentially losers, outcasts, jokes amongst their peers. However we learn vital lessons through their actions, we hear healing stories as well as heartbreaking ones.

Park Dong Hoon is the man everyone wants to be while also being the man no one wants to be. No one is more genuine and honest than Dong Hoo, but that affects his life in a huge way. No set of brothers are so close to each other that when one is sad, they are all upset by proxy and feel guilt at any form of happiness. That bond is unbreakable. And thus, this affects his home life with his wife feeling isolated, lonely and, herself, an outcast. Of course, this leads to her being unfaithful with one of the few people Dong Hoon dislikes. But My Mister is so much more than a story about infidelity. It's about the hardships of life. Nothing is more evident than his relationship with a subordinate, Lee Ji-Ah. A broken person who is stuck in a life of debt, pain and frustration. Lee Ji-Ah spy's on Dong Hoon because of the affair under the orders of CEO Do Jun-Yeong, who is sleeping with Kang Yui-hi, Dong Hee’s wife however she develops love for Dong Hee in the process and begins to help him in this struggle. Is My Mister about romance? No, but there is a clear returned love between the two characters, as shown through dialogue and visual storytelling in Dong Hee’s case. But again, there is a maturity to the relationships as well. My Mister is so multi-layered in that regard. Outside of our main story of lust and politics, there is the comonardary with the brothers and the neighbours friends of Dong Hee. And the subsequent stories that are splintered off and are given just as much meaning and purpose to the story as Dong Hee’s climb to the top. There were so many characters, so many plots that were quite frankly perfectly executed and mapped out flawlessly.

Every episode felt like a movie in itself. There was a long run time with each episode which was risky because it can feel long winded. However the lengthy time run only made me feel more immersed in the story. It made me feel a part of everything. When it was sad, I felt it. When it was happy, I was happy. My Mister played with your emotions. And that was thanks to the immaculate performances from each character. IU and Lee Sun Kyun especially. Kim Young Min as Jun-Yeong as well. It's difficult to pick out certain people because this was truly a team effort.

My Mister was very sentimental, sad and euphoric at the same time.

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Something films leave you with lingering emotions as the credits roll. That has you slowly pondering about your own life or anything significant in general. Josée was a very calming movie about a tender loving relationship between a wheelchair bound and a poor college student. Josée is a bit of a wonder. We don't know her real name, only what she calls herself, why she is in the chair and her wild imagination leads her to tell different stories about her origins and what she has done. The film takes us on a journey seeing Josée take the steps to find joy and happiness outside of her lonely, isolated life through Young-seok. Our characters slowly drift apart towards the end, still loving each other but in a better, stable and healthy place in their lives, keeping our hearts at bay. The cinematography, whether it was the initial darkness of the surroundings that slowly turn bright as our characters grow, the background weather and various locations used was all great. It fit the subtle tone that the film is presented with. Han Ji Min and Nam Joo Hyuk are splendid as our respective roles. Heartfelt and sincere from the heart. They are the true reasons why this film was so touching in many ways.

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I liked watching it but I can't say that it's good

The story is good in theory. Clichéd? Yes. Unrealistic, even by K-Drama standards? Yes. But it's a fine story to have these characters interact with each other. However it's lacking substances and sense at times. Characters say things just because. Suggested feelings disappear suddenly (Hyun Min not being interesting in Ha Won suddenly was a total mind-f*ck for me. They set up another person to like, which is a mess of a plot by itself, but they have big relationship moments for the first quarter of the series before it's dropped). The title is misleading as there is no 4th Knight. None at all. It's a clever name but it makes no sense. It's not even hinted at as a possibility either. The family abuse plot is irritating for all the wrong reasons. I swear it was only there to draw further comparisons to the title name. One thing I do think is done well is Ji Woon's arc. Whether it be the main relationship with Ha Won or his struggle to accept that he is now apart of a rich family and has expecations to uphold, I thought that was something that you could bite on. The bastard child trying to reject his family instead of the opposite is an interesting plot. He and Ha Won work best out of the three potential guys too. Again, the Ha Won/Hyun Min plot is dropped in a jarring way to the point where the love triangle no longer exists past episode 5/6 but they went the right choice for who is more suitable. Seo Woo is a cool character. He's talented, smart, has good intentions but he does feel like a lost wheel and unnecessary as a whole. The plot is just riddled with problems. The characters are fine enough to keep you engaged for the whole runtime, even if they aren't given much depth. Oh well, at least we have Kim Yong Gun in his natural role as the malignant CEO Kang to keep some consistency.

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An interesting movie about multiple themes such as gried, loss, disenfranchisement with patrioitism. Our male lead, Choi Hyeon, is a Korean who has been living in China as a professor, back in Korea for a funeral and finds himself different. He is totally unsure how to handle himself when faced with seemingly normal south korean customers. The "Century" scene lends credence to how out of the box he is compared to his fellow Koreans. Uncaring about the potential outbreak of war, serious about an impractical life expectency for the North Korean Supreme Leader (which lends credence to the theories that Choi is actually a North Korean spy/defactor). The dealing with loss and pain aspects are done really well. Shin Min-ah as Gong Yun-hee, a tea-house owner that Choi meets while venturing around Gyeongju, puts in a great subtle performance fitting of the independent style film Zhang likes to do.

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